NYIT Spring 2020 Design Portfolio

DF2 SPRING 2020

KAYLA ANDERSON NYIT SPRING 2020 DESIGN FUNDAMENTALS 02 BATHHOUSE PROJECT PROFESSOR JOHANA MONROY

KAYLA ANDERSON

NYIT SoAD

TABLE OF CONTENTS: BATH HOUSE PRECEDENT

ESPAI CEL

VOLUMETRIC VESSELS

PAINTING ANALYSIS CONCEPT FORMATION

BATH HOUSE DESIGN

DRAWINGS

PERSPECTIVES

CHAPTER TABLE OF CONTENTS

DF2 SPRING 2020

BATHHOUSE PRECEDENT

KAYLA ANDERSON

NYIT SoAD

ESPAI CEL

LOCATION : BARCELONA, SPAIN ESPAI CEL ARCHITECT :Barcelona, MARIA ALMIRALLSpain FERRERONS LOCATION: AREA : 553.0 SQUARE METERS

ARCHITECT: Maria Almirall Ferrerons YEAR OF COMPLETION : 2019

AREA: 553.0 square meters BEFORE BEGINNING THE DESIGN OF MY OWN BATHHOUSE I RECOMPLETED: 2019 SEARCHED DIFFERENT TYPES OF BATHHOUSES TO STUDY THEIR PROGRAMS AND HOW I CAN IMPLEMENT THEM IN MY OWN BATHHOUSE. THE THERMAL SPA, ESPAI CEL STUCK OUT TO ME THE MOST. THE SPA IS LOCATED IN BARCELONA, SPAIN ON AN ANCIENT THERMAL WATER DEPOSIT. THE STRUCTURE IS AT LEAST 300 YEARS OLD BUT WAS RENOVATED BY ARCHITECT MARIA ALMIRALL FERRERONS IN 2019. HER AIM WAS TO “RECOVER SPACES, HISTORY, AND THERMALISM.”FERRERONS ACHIEVED THIS BY KEEPING THE ORIGINAL STONE WALLS, USING ANCIENT TANKS-- NOT MACHINES-- TO COOL THE THERMAL WATERS, AND SHE DESIGNED THE SPA AS A MAZE WITH POOLS BEING REVEALED AT EVERY CORNER. ESPAI CEL IS COMPOSED OF EIGHT POOLS WHICH ALL OFFER A VASTLY DIFFERENT EXPERIENCE, SUCH AS A SECLUDED POOL FOR THOSE WHO WISH TO HAVE PRIVACY, A HOT POOL, A COLD POOL, A POOL THAT BUBBLES, AND EVEN AND OUTSIDE POOL THAT GIVES GUESTS A VIEW OF THE SKY. CHAPTER ESPAI CEL

[ WARM POOL(S) ]

DF2 SPRING 2020

[MATERIAL PALETTE]

[ MARBLE]

[ BRICK]

[ STONE]

[ BRICK]

[ STONE]

[ CONCRETE] KAYLA ANDERSON

[MATEIAL PALLETE]

NYIT SoAD

[PLUNGE POOL]

[ PLUNGE POOL]

I WAS INSPIRED BY ESPAI CEL’S MATERIAL PALETTE THAT INCLUDES STONE, BRICK, AND CONCRETE. THE USE OF NATURAL LIGHT AT ONLY CERTAIN LOCATIONS ALSO DIRECTED MY USE OF LIGHT IN MY BATHHOUSE

CHAPTER ESPAI CEL

[CHANGING AREA] AREA] [ LOCKER ROOM/ CHANGING

DF2 SPRING 2020

VOLUMETRIC VESSELS

KAYLA ANDERSON

NYIT SoAD

“DEUX FEMME FANTASQUES” WAS PAINTED BY

THE ARCHITECT LE CORBUSIER IN 1937, ORIGINALLY ON A 1.15 M X 1.46 M CANVAS.THE PAINTING DISPLAYS TWO WOMEN WHO ARE VISIBLY DIFFERENT, AS ONE WOMAN IS A DARK, EARTH-LIKE COLOR, WHILE THE OTHER IS A MORE VIBRANT COLOR. THOUGH THE WOMEN ARE DIFFERENT, THEY SEEM TO BE CONNECTED THROUGH SHAPES THAT FLOW FROM ONE HALF OF THE PAINTING TO THE NEXT.

CHAPTER PAINTING ANALYSIS

[DEUX FEMMES FANTASQUES] Deux femmes fantasques

Le Corbusier | 1937

DF2 SPRING 2020

Deux femmes fantasques [DEUX FEMMES FANTASQUES] Le Corbusier | 1937

00_EXTRACTING THE SHAPES

[EXTRACTING THE CONTOURS]

MY FIRST STEP IN ANALYZING THE PAINTING WAS TO EXTRACT CONTOURS FROM IT. I FOCUSED ON EXTRACTING SHAPES THAT STUCK OUT TO ME AS BODY PARTS, OR ANYTHING THAT SEEMED TO EMBODY FLUIDITY BETWEEN THE WOMEN SHOWN IN THE PAINTING.

KAYLA ANDERSON

NYIT SoAD

EXTRACTED COUNTOURS [INDIVIDUAL CONTOURS]

CHAPTER PAINTING ANALYSIS

01_ INDIVIDUAL CONTOURS [CATALOG 01 : EXTRACTED CONTOURS]

DF2 SPRING 2020

[ANALYSIS OF DOMINANT COLORS]

04_ DOMINANT COLORS COLORS [CATALOG04_ 02DOMINANT : DOMINANT COLORS]

KAYLA ANDERSON

NYIT SoAD

[ CATALOG 03 : OPPOSITES : LIGHT VS DARK] 05_ NIGHT TO DAY 05_ NIGHT TO DAY

USING THIS DIAGRAM I ANALYZED HOW THE CONTRASTING LIGHT AND DARK COLORS FROM THE BACKGROUND OF THE PAINTING ARE CONNECTED. I DECIDED TO CAPITALIZE ON THIS FOR MY CONCEPT THAT OPPOSITES -- WHICH IN THIS CASE ARE LIGHTNESS AND DARKNESS-- ARE CONNECTED. AT THIS POINT, I BEGAN TO THINK ABOUT HOW TO CONNECT LIGHT AND DARK SPACES IN MY BATHHOUSE.

CHAPTERFORMATION CONCEPT

DF2 SPRING 2020

KAYLA ANDERSON

NYIT SoAD

CHAPTER

DF2 SPRING 2020

[LEAST DENSE]

[ LEAST DENSE ]

THESE DIAGRAMS DEPICT HOW I THOUGHT TO ARRANGE THE VESSELS I CREATED IN MY SITE. I PLACED THEM IN ORDER FROM LEAST DENSE VESSEL TO MOST DENSE VESSEL. THE LEAST DENSE WOULD BE AT THE HIGHEST POSITION OF MY BATHHOUSE AND RECEIVE THE MOST SUNLIGHT, WHILE THE DENSEST WOULD BE AT THE LOWEST POINT AND RECEIVE THE LEAST AMOUNT OF SUNLIGHT.

[ MOST DENSE ]

[MOST DENSE] KAYLA ANDERSON

NYIT SoAD

BATHHOUSE DESIGN

CHAPTER

DF2 SPRING 2020

SITE INFORMATION:

PROJECT LOCATION : PALISADES, NY SITE DIMENSIONS : 96’0” X 96’0” CONSTRUCTION OF THE BATHHOUSE TOOK PLACE IN A 96’0”X 96’0” SITE LOCATED ON A CLIFF IN THE PALISADES WHICH OVERLOOKS THE HUDSON RIVER. USING THE VESSELS I CREATED I STUDIED HOW I WISHED TO PLACE THEM IN THE SITE. TO DO THIS, I USED THE VESSELS TO CARVE INTO A BLOCK REPRESENTING THE SITE --AS I WOULD DO TO THE ACTUAL SITE OF MY BATHHOUSE. AS I DEVELOPED MY BATHHOUSE I DECIDED THAT IT SHOULD CATER TO COUPLES.TO EMPHASIZE HOW LIGHTNESS CONNECTS TO DARKNESS I FOCUSED ON GETTING LIGHT INTO EVERY SPACE IN MY BATHHOUSE AND CONNECTING SPACES THROUGH A LITERAL FLOW OF LIGHT

[EXCAVATION STUDY] [ ISOMETRIC VIEW ]

KAYLA ANDERSON

NYIT SoAD

[EXTERIOR VIEW OF BATHHOUSE] CHAPTER DRAWINGS

DF2 SPRING 2020

02

01 03

04

NORTH

01 - ENTRANCE 02 - SAUNA 03 - HOT BATH 04 - WARM BATH 05- PASSAGE TO COLD BATH

05

0’

4’

8’

16’

32’

SCALE : 1/32” = 1’-0”

01 - ENTRANCE 02 - SAUNA

[ ROOF [PLAN 01 : ROOFPLAN] PLAN] KAYLA ANDERSON

NYIT SoAD

01

02

03

04

01 - ENTRANCE 02 - SAUNA 03 - WARM BATH 04 - PASSAGE TO COLD BATH CHAPTER DRAWINGS

01 - ENTRANCE 02 - SAUNA

[SECTION 01]

[SECTION 01]

DF2 SPRING 2020

01

02

04 03

NORTH

01 - HOT BATH 02 - WARM BATH 01 03 - PASSAGE TO WARM BATH 04 - PASSAGE TO COLD BATH

0’

4’

8’

16’

32’

SCALE : 1/32” = 1’-0”

01 - HOT BATH 02 - WARM BATH #1 03 - PASSAGE TO WARM BATH #2

[PLAN [PLAN01] 02] KAYLA ANDERSON

NYIT SoAD

01

02

03

05

04

01 - ENTRANCE 02 - HOT BATH 03 - WARM BATH 01 04 - WARM BATH 02 05- PASSAGE TO COLD BATH CHAPTER DRAWINGS

01 - ENTRANCE 02 - HOT BATH

[SECTION 02]

[SECTION 03]

DF2 SPRING 2020

04

05 03

01

NORTH

01 - WARM BATH 02 02 - PASSAGE TO COLD BATH 03 - MASSAGE ROOMS 04 - COLD BATH 05 - PLUNGE POOL

02

0’

4’

8’

16’

32’

SCALE : 1/32” = 1’-0”

[PLAN 03] 02] [PLAN

01 - WARM BATH #2

KAYLA ANDERSON

NYIT SoAD

01

02

02 03

03 04

04 05

06 07

05 06

01 - ENTRANCE 02 - SAUNA 03 - HOT BATH 04 - WARM BATH 01 05 - WARM BATH 02 06 - PLUNGE POOL 07 - COLD BATH

[SECTION 03]

CHAPTER DRAWINGS

01 - ENTRANCE 02 - HOT BATH

[SECTION 02]

DF2 SPRING 2020

[SOUTHEAST ELEVATION]

[ELEVATION 02] KAYLA ANDERSON

NYIT SoAD

[NORTHWEST ELEVATION]

[ELEVATION 01]

CHAPTER DRAWINGS

DF2 SPRING 2020

PERSPECTIVES

KAYLA ANDERSON

NYIT SoAD

[PERSPECTIVE 01 : ENTRANCE] THE ENTRANCE MARKS THE BEGINNING OF THE JOURNEY THROUGH THE BATHHOUSE. IT IS THE BRIGHTEST AND HOTTEST SPACE IN THE BATHHOUSE AS IT RECEIVES THE MOST SUNLIGHT. IT ALSO INTRODUCES WATER INTO THE GUESTS’ EXPERIENCE OF THE BATHHOUSE FROM THE VERY BEGINNING, THROUGH THE SHALLOW POOLS LOCATED IN THE SPACE. CHAPTER

DF2 SPRING 2020

GIF 01: ENTRANCE

[JUNE 20- SUMMER SOLSTICE] TIMES SHOWN : 7AM, 9AM, 12PM, 3 PM, 5 PM, 7 PM, 9 PM

KAYLA ANDERSON

NYIT SoAD

[PERSPECTIVE 02 : HOT BATH]

CHAPTER

THE HOT BATH RECEIVES THE SECOND MOST AMOUNT OF SUNLIGHT. AS THE HOT BATH IS LOCATED IN A HOLE IT EMPHASIZES THAT THE COUPLE IS LEAVING AN EXTERNAL SPACE AND DESCENDING INTO THE INTERIOR OF THE SITE.

DF2 SPRING 2020

GIF 02: HOT BATH

[JUNE 20- SUMMER SOLSTICE] TIMES SHOWN : 7AM, 9AM, 12PM, 3 PM, 5 PM, 7 PM, 9 PM

KAYLA ANDERSON

NYIT SoAD

[PERSPECTIVE 03 : WARM BATH 01]

CHAPTER

THE FIRST WARM BATH MARKS WHERE THE BATHHOUSE BEGINS TO GET DIMMER. SUNLIGHT COMES IN THROUGH A PANELING SYSTEM ON THE ROOF WHICH MAKES A PATTERN ON DIFFERENT AREAS IN THE SPACE AS THE SUN MOVES THROUGHOUT THE DAY.

DF2 SPRING 2020

[ROOF PANELING SYSTEM]

GIF 03: WARM BATH 01

[JUNE 20- SUMMER SOLSTICE] TIMES SHOWN : 7AM, 9AM, 12PM, 3 PM, 5 PM, 7 PM, 9 PM

KAYLA ANDERSON

NYIT SoAD

[PERSPECTIVE 04 : WARM BATH 02] THE SECOND HOT BATH IS WHERE THE BATHHOUSE BECOMES NOTICEABLY DARKER. USING THE STAIRCASE IS USED TO DIRECTLY ENTER THE POOL FROM THE OUTSIDE. FROM THE POOL, A GLASS WALL GIVES A VIEW OF THE SKY AND CLIFF. CHAPTER

DF2 SPRING 2020

GIF 04: WARM BATH 02

[JUNE 20- SUMMER SOLSTICE] TIMES SHOWN : 7AM, 9AM, 12PM, 3 PM, 5 PM, 7 PM, 9 PM

KAYLA ANDERSON

NYIT SoAD

[PERSPECTIVE 05 : PASSAGE TO COLD BATH] THE PASSAGE TO THE COLD BATH IS A RAMP THAT SERVES AS THE LAST CHANCE FOR A COUPLE TO EXPERIENCE A SIGNIFICANT AMOUNT OF SUNLIGHT. THE PANELING SYSTEM SHOWN IN THIS PERSPECTIVE IS USED AS A WAY TO ALLOW SUNLIGHT INTO THE COLD BATH WHICH IS LOCATED ON THE OTHER SIDE OF THE WALL AS SOME PARTS OF THE WALL ARE SOLID WHILE OTHERS ARE VOID SO LIGHT IS ABLE TO CHAPTER

DF2 SPRING 2020

[PERSPECTIVE SHOWING LIGHT SOURCE OF PASSAGE]

GIF 05: PASSAGE TO COLD BATH [JUNE 20- SUMMER SOLSTICE]

TIMES SHOWN : 7AM, 9AM, 12PM, 3 PM, 5 PM, 7 PM, 9 PM

KAYLA ANDERSON

NYIT SoAD

[PERSPECTIVE 06 : COLD BATH]

CHAPTER

THE COLD BATH IS THE DARKEST SPACE IN THE BATHHOUSE AS IT RECEIVES THE LEAST AMOUNT OF SUNLIGHT. THE DARKNESS OF THE POOL GIVES A SENSE OF PRIVACY FOR COUPLES. THE PANELING SYSTEM ON THE WALL IS USED FOR DECORATIVE REASONS AS WELL AS FOR STORAGE OF TOWELS AND ROBES, AND SEATING.

DF2 SPRING 2020

GIF 06:COLD BATH

[JUNE 20- SUMMER SOLSTICE] TIMES SHOWN : 7AM, 9AM, 12PM, 3 PM, 5 PM, 7 PM, 9 PM

KAYLA ANDERSON

HT

NYIT SoAD

[ LIGHT DIAGRAM]

MOST SUNLIGHT

[ LIGHT DIAGRAM]

MEDIUM AMOUNT OF SUNLIGHT LEAST SUNLIGHT

CHAPTER

DF2 SPRING 2020

[ TEMPERATURE DIAGRAM]

HOT TEMPERATURE[ TEMPERATURE DIAGRAM] WARM TEMPERATURE COLD TEMPERATURE

ERATURE

KAYLA ANDERSON

NYIT SoAD

GIF 07: WALK-THROUGH OF BATHHOUSE [JUNE 20- SUMMER SOLSTICE]

TIMES SHOWN : 7AM, 9AM, 12PM, 3 PM, 5 PM, 7 PM, 9 PM

THE WALK-THROUGH OF THE BATHHOUSE SERVES AS A WAY TO DEPICT HOW THE BATHHOUSE GRADUALLY BECOMES DARKER. IT BEGINS AT THE BRIGHTEST SPACE --THE ENTRANCE-- AND ENDS AT THE DARKEST SPACE-- THE COLD BATH.

CHAPTER PERSPECTIVES

DF2 SPRING 2020

[EXTERIOR VIEW OF BATHHOUSE] KAYLA ANDERSON