Trio Dance II

Page 1

Trio Dance II (2008) "3"舞 II for Flute, Oboe & Piano

Flute

  

Thema Tempo rubato, misterioso 



3

sfz

f

 Oboe    

      sfz

    fp

          

      

sfz

Piano



  

mf

Chow Jun Yi

 

  

f



p

sf

 

  

  

fp

   

   f

f

        

   

Fl.

Ob.

Pno.



     



  

          mf

(2008)

p

pp

sf

 

 

 

 

 

p

   

 

cantabile

  

pp

   3   

3

     

     f

  

 

mf

        



3



 

     

mp

 


2

  7

Fl.

 3        

 Ob.  

 



      

Pno.









        

   

f

    

 

 

    

  







 

Pno.

 

 

 

mf

pp

p

       

 

 

  

 

 

 

 

 

 



   

 

 

 

f

3

mf

 

 

 

 

                

 

 

f

 

 

mf

    

pp

  

f

            

  

 

     

      

  

 

3

 

 

 

mf

ff



sempre pp

pp

ff

 

  

     



 



 

ppp

 

   

3

   

cantabile Ob.

3

p

     

ppp

  

3

 

   

p

p

   

  

 

cantabile

      



   

ff  

14

Fl.

   

p



 

  

     

sfz pp

Ob.

mf

10

Fl.

3

f

 Pno.

Var. I Adagio q=66

3

 f

 3

 

 

   


  16

Fl.

Ob.

 p



  

  

mf

 

sempre legato

  

Ob.

 

 



6





6

 



3

 

 



                                                 mp

6

Pno.





6

6



                          p



 

18

Fl.

      

una corda

   

mp

p

Pno.

 

6





  

mf

3

p

    

Var. II Più mosso con tranquillo q= 72

6

sempre pp



  





6

6









6

6

6







 

 





6







    20

Fl.

Ob.

p

 

 

mf

Pno.

  



mf

6

6

  

 

pp

6

 

 

 





                     6

6



p

p

                       3

f



  p

6

6

sempre pp

  



 

 

6



 


4

   22

Fl.

Ob.

mf

p

  

mf

 

 Pno.







mf

 



3

p

f

p

6

  

6

 



  

 

6

6

 





  

 

ff

  

  



sf

    

6

Pno.

 

Fl.

 

Ob.

 



      

6



6







 

    

  Pno.

 





p



 

   



 





6

 



Var. III Moderato con furioso q=80

    

    

 

 

 

sf

sfp

    sf

 

  ff

 

sf

ff



6

 

sf tre corde

   

       

mp

           f

6

6

                 



 







 26

3





6

 





ff





 

                                                

24

Ob.



f

mf

Fl.

 

  

    

     

 

 

      

               

fp

   

ff

        

 

  

 

 

     


   28

Fl.

Ob.

  

Pno.

  

  

 

   

 Pno.

 Fl.

Ob.

 

  

 

  

       

   

       

sfp

 

p

   

  

     

            

              fp

sf

  

                



 

     

Var. IV Andante q. = 60

    

       sf

 

 

             



 

    

 

 

     

      rit.

 

 

p

         sf

    

                             

 

   

fp

  

     

f

    



       

        

pp

     

  pp

  

 

    

    

  

    

  

    

  

    

 

 

 

 

 

 

 

  

    

  

    

  

    

   

 

 

 

 

   

                                    

  

 

   

   

     

35       

p

Pno.

    

          

  

         

    

31

Ob.



       

 Fl.

       fp sf 

5

pp


6

Fl.

Var. V Moderato con animato q. = 66

                42

    

mf

Ob.





    

 

      

     

  47

 

  

              



    

    

mf



f

 

 

Fl.

Ob.

 

 

        

        f

 52               

    

      

 

     

   

          

   

 

          

f

Pno.

 



  

        

   

mf

Ob.

 

mf

Pno.

Fl.

     

      

mf

  

     

 

  

   



         

   

     

     mf

  mf

    

     







   

  

    

 

               p



 

 

 

         

  

p

   p

Pno.

mf

                       

       

   


  57

Fl.

Ob.



  

Fl.

 60    

3



  





 



mf

  

3

 

 



       

 



3





3

  

f

     



 

        

3

f

           





       



3

3



3

 

mf

3

                  3 3 3

 Ob.         Pno.

3

 

 

              

p

  

 Pno.

7

Var. VI Più mosso con marcato q. = 72

3





             3

3

3

3

mf

 







        

  









        63

Fl.

3

 Ob.    

         3

   

   3

3



       



  

3

3

  

 

  

      

3

      

    

 

   3

 

   3

   

   

   

 

 



 

 

 

   

 

  

3

    

Pno.

  

 


8

Fl.

Ob.

  66



           

 Pno.

 Fl.

 

mf

3

 







3                      3 3 3

 69                       

3

3







3

  

3

   



3

3

       72

3

     

Pno.





  



3         f      

          3

   

3

3

      





 

   

          3

3

   

3





      3



     3

     

      

        

3

 



     

  

3

   

3

   

   

   

                             3 3 3 3

3

3

mf

  



mf

3

3

       3

 

       

3

              

3      

 



3

3

3



   

3

f

     

3                 

Ob.

    

  

   

Pno.

Fl.

3

 



mf

mf

    

 

3



     

3 3                   3

     p

3

Ob.

 

  

 

 

 

 

 

 


Var. VII Rubato

 

   75

Fl.

Ob.

9

Adagio, Grave q = 60

  



         



Pno.

mp

   81

Fl.

 

mp

     

 

        Ob.  

 

 

Pno.

    89

Fl.

Ob.

  

  mf

  

mf

 

 

 



p

 

  

  



   

          

   



  

mf

p

 



 

pp

p

       

 

      

                     

       

                        

mf

mf

p

     

p

    

 

   

      



   

    f

sf

   

      



       



     sf

  

mp

mf

p

 

    



          

f

                        f

 

 

Var. IX Più mosso e pesante q = 108

  

      

 

3

  

            



      



Pno.



Var. VIII Allegretto, scherzo q. = 72

p

   

    

mf

 

   

 

 

   

p

mp

 

  

pp

  



        

p

    

  

    

mp

                                                                         


10

  94

Fl.

Ob.

  

       





         

                      

            

                              

 

 



 



 



   

 

     

  



 

 

 

 

   







Pno.

                      97

Fl.

Ob.

 

 

           

f

 

 

 



fp

   

 



   



   



  

f



  100

Fl.

 

f

Pno.

 

 

 

 

 

 

 



 

    

  

    

  

       f

   Ob.                                   Pno.

               

   

fp

    

       

f

   

 

    

  

    

 

    

  

           

  

         

  

  

     f

   

   

    

   

 

f

 

   

   

   

 


  103

Fl.

Ob.





Ob.

      sf



sfz

    

 

  

 

mf

f

f

q = 80

f





p

6

6

 

 

  

6



mf

f

 

    

pp

   

 

          p

   

mf

 



 

  

                 

q = 80

            

Pno.

q = 108

 

  

p

6

 



                   rit.

  

mf

         Ob.      

mf

p

        

  

                       

 

  

pp

 

p legato

    

108

sf

       

mf

f

Pno.

Fl.

  

 

 

mf

   

q = 60

fp

      

sfz

      

f



               

105  

Fl.

3

sfz

                    

 

                        



                

Pno.

11

Coda Tempo rubato

3

3

3

 

 

3

 

  

    rit.

   

pp

3











    p

 

f



 

 

     pp

 


12

q = 108

       112

Fl.

mf

Ob.

                  

p

f

                   mf

p

 

           Pno.

        

   

               

   



  

 

f

                   

   

   

    ff

                 

 

 

 

 

 

 

    ff      

f

f

   

  

   

 

 

 

 

 

 

  

Trio Dance II is using the set 3-5[0, 1, 6] from Allen Forte's Pitch-Class Set as a main material. As a result of translating "3-5" into Chinese, it becomes the name of the piece where we can see-"3"舞. This material basically run through the whole piece melodically, harmonically or else. Besides, Trio Dance II could be described as "a dance for three persons", by using these three instruments, it would be very interesting to see how they are going to communicate with each other. In this piece, "3" is very meaningful where it could be presented not only the performance, but also the structure and the other musical elements.

ff

   


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