ReDesigned — July 21, 2022 | John Moran Auctioneers

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Tuesday, July 19, 2022



Tuesday, July 19, 2022—12pm Featuring property from a notable private Hidden Hills estate, designed by Martyn Lawrence Bullard Sale 234 145 East Walnut Avenue, Monrovia, CA 91016 Previews: Friday, July 15th: 12-4pm Saturday, July 16th: 12-4pm Monday, July 18th: 12-4pm Or by appointment

Meet the Team Maranda Moran Head of Sale, Specialist marandam@johnmoran.com

Anne Spink

Fine Art Cataloguer anne@johnmoran.com

Shannon Dailey Senior Furniture & Decorative Arts Cataloguer shannon@johnmoran.com

Sally Andrew

Jewelry, Western, and American Indian Cataloguer sally@johnmoran.com

Client Services Mario Esquivel

Ella Fountain

Office Manager mario@johnmoran.com

Client Services ella@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS


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1001

A 1980 Mercedes Benz 450 SL

VIN: WDB10704412063348; Plate: L086S0 Lapis Blue exterior with camel leather interior 97,6XX miles 4.5 liter, V8 engine Automatic transmission, rear wheel drive Updated radio/headunit Soft top and hardtop included Mercedes manuals included Partial service history included $12,000-18,000

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1002

Andrew Martin Designs

(20th/21st Century) Jean Shrimpton Astronaut, 2014, after Richard Avedon Digital photo print in colors on canvas, with attached neon fixture, over wood panel Edition of unknown size Unsigned 79” H x 48” W; Neon fixture: 26.5” Dia. $300-500 Provenance: Private Collection, Hidden Hills, CA Notes: This work references a series of photographs done by Richard Avedon for the April 1965 issue of “Harper’s Bazaar” magazine. Andrew Martin is a “global design” company with showrooms worldwide.

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1003

A modernist chrome floor lamp

20th Century Possibly by Kelly Wearstler, with chromed metal tubular frame with white glass globe shades on a white metal base, electrified 72” H x 17” W x 17” D $600-800

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1004

A set of tulip chairs

21st Century Appear unmarked Each white acrylic chair with black faux leather seat raised on a white finished metal base, 4 pieces Each: 32” H x 27” W x 21” D $800-1,200 Provenance: Private Collection, Hidden Hills, CA

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1005

An Italian Murano glass globe chandelier

21st Century The eighteen-light chandelier with polished steel frame issuing six branching arms terminating in clear blown glass globes, electrified 33” H x 59” Dia. $2,000-3,000 Provenance: Private Collection, Hidden Hills, CA

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1006

A set of chrome and glass cube coffee tables

21st Century Each cube table with inset glass top and chromed metal frame, 4 pieces Each: 15” H x 20” W x 20” D $800-1,200 Provenance: Private Collection, Hidden Hills, CA

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1007

An asymmetrical white metal side table

21st Century Appears unmarked The side table designed as an asymmetrical abstract tower comprised of rectangular compartments in white powder coated metal 22” H x 20” w x 24” D $400-600 Provenance: Private Collection, Bel Air, CA

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1009

A Gabriel Scott “Harlow”

21st Century The six-light chandelier with tu asymmetrical, radiating starbu glass pendant lights, electrifie 47” H x 70” W x 30” D approx $800-1,200

Provenance: Private Collection

1008

A large pink quartz geode specimen

21st Century or Earlier With a black metal stand Geode: 15” H x 19” W x 2” D; Stand: 15.5” H x 13” W x 7” D $200-300 Provenance: Private Collection, Hidden Hills, CA

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chandelier

ubular nickel frame issuing urst geometric purple blowned ximately

n, Hidden Hills, CA

1010

A LACAVA “Ovale” bathroom stool

21st Century With LACAVA mark to side The stool constructed of solid surface acrylic in a matte white finish 16.75” H x 17” W x 9” D $300-500 Provenance: Private Collection, Bel Air, CA

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1011

A pair of mid-century modern brass globe chandeliers

Mid-20th Century Each with label: Lustry / Kamenicky Senov Each with brass fixture with eight radiating arms terminating in a yellow glass globe light, suspended from a slender rod with tubular canopy, electrified, 2 pieces Each: 43” H x 33” Dia. $2,000-3,000 Provenance: Private Collection, Hidden Hills, CA

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1012

A pair of mid-century modern brass globe chandeliers

Mid-20th Century Each with label: Lustry / Kamenicky Senov Each with brass fixture with eight radiating arms terminating in a yellow glass globe light, suspended from a slender rod with tubular canopy, electrified, 2 pieces Each: 43” H x 33” Dia. $2,000-3,000 Provenance: Private Collection, Hidden Hills, CA

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1013

An amethyst geode specimen table 20th Century With amorphous smoky glass top 20” H x 19.5” W x 32.5” D $3,000-4,000

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1014

An Ampeg Dan Armstrong Lucite electric guitar

1969 Serial number: A377D The 6-string guitar with clear Lucite solid body and wood veneer pick guard and headstock, with a custom fitted case, electrified, 2 pieces Guitar: 38” H x 13” W x 2” D; Case: 44.5” H x 14” W x 4.25” D $2,000-3,000 Notes: This lot is accompanied by original brochure and a copy of the care manual.

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1015

A Gibson Les Paul Jr. electric guitar

1961 Guitar serial number: 3228; Amp serial number: A026661 The 6-string guitar with a red finished solid body, nickeled deluxe tuners, and with a fitted vintage Gibson hard-sided case, together with a 1960s Gibson Minuteman GA-20RVT amp, electrified, 3 pieces Guitar: 38.75” H x 13” W x 2.5” D; Case: 42” H x 15” W x 4.25” D $1,500-2,500

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1016

Jamie Russell

(b. 1949, Canadian) Carved wood music stand Wood Signed and numbered to the underside: J. Russell / 09-00 38.5” H x 19.5” W x 22” D $800-1,200

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1017

A pair of L’Objet Haas “Simon Leg” table lamps

21st Century, Portugal Each marked to underside: L’Object / The Haas Brothers Each with polished brass stylized leg bases with a light pink ceramic shade, electrified, 2 pieces Each: 14.25” H x 7.5” Dia. $1,000-1,500 Provenance: Private Collection, West Hollywood, CA Notes: “Elad Yifrach, a former interior designer, introduced L’Objet in 2004. With a collection that blends ancient techniques with a modern sensibility, L’Objet features beautiful dinnerware, table linens, serveware, and accessories that are carefully handmade by European and Asian master craftsmen. The L’Objet collection also includes accents for the home, including frames, candles, and desk accessories, many of which are crafted from 24-karat gold, platinum, and other fine materials.”

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1018

A silver wall mirror

Circa 2015 The circular mirror enclosed in a silvered metal frame 36” Dia. x 1” D $300-500 Provenance: Private Collection, Hidden Hills, CA

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1019

1020

(1928-1987, American) “Marilyn Monroe 11.30” Screenprint in colors on museum board, presumably laid to foamboard, under Plexiglas Edition of unknown size With the printed blue ink “authorized signature” reading: published by Sunday B. Morning; with the typed date: December 17, 2012, and the publisher’s blindstamp, all on a document headed: “Sunday B. Morning / Certificate of Authenticity” affixed to the backboard of the frame Sight: 35.75” H x 35.25” W

(1928-1987, American) “Marilyn Monroe 11.28” Screenprint in colors on museum board laid to foamboard under Plexiglas Edition of unknown size With the printed blue ink “authorized signature” reading: published by Sunday B. Morning; with the typed date: December 17, 2012, and the publisher’s blindstamp, all on a document headed: “Sunday B. Morning / Certificate of Authenticity” affixed to the backboard of the frame Image/Sheet: 36.25” H x “ 35.875” W

After Andy Warhol

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After Andy Warhol

$500-700

$500-700

Provenance: Private Collection, Hidden Hills, CA

Provenance: Private Collection, Hidden Hills, CA

Notes: Although we did not examine this screenprint out of its frame, we assume that with its matching frame and from the same consignor, it has been mounted and cared for in the same way as “Marilyn 11.22,” which we did temporarily unframe for cataloguing purposes.

Notes: Although we did not examine this screenprint out of its frame, we assume that with its matching frame and from the same consignor, it has been mounted and cared for in the same way as “Marilyn 11.22,” which we did temporarily unframe for cataloguing purposes.

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1021

1022

(1928-1987, American) “Marilyn Monroe 11.22” Screenprint in colors on museum board, presumably laid to foamboard, under Plexiglas Edition of unknown size With the printed blue ink “authorized signature” reading: published by Sunday B. Morning; with the typed date: December 17, 2012, and the publisher’s blindstamp, all on a document headed: “Sunday B. Morning / Certificate of Authenticity” affixed to the backboard of the frame Sight: 35.75” H x 35.25” W

(1928-1987, American) “Marilyn Monroe 11.26” Screenprint in colors on museum board, presumably laid to foamboard, under Plexiglas Edition of unknown size With the printed blue ink “authorized signature” reading: published by Sunday B. Morning; with the typed date: December 17, 2012, and the publisher’s blindstamp, all on a document headed: “Sunday B. Morning / Certificate of Authenticity” affixed to the backboard of the frame Sight: 35.75” H x 35.25” W

After Andy Warhol

After Andy Warhol

$500-700

$500-700

Provenance: Private Collection, Hidden Hills, CA

Provenance: Private Collection, Hidden Hills, CA Notes: Although we did not examine this screenprint out of its frame, we assume that with its matching frame and from the same consignor, it has been mounted and cared for in the same way as “Marilyn 11.22,” which we did temporarily unframe for cataloguing purposes.

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1023

A Stark area rug

21st Century The silk and wool rug with overall floral medallion motif in warm hues 196” L x 113” W $500-700 Provenance: Private Collection, Bel Air, CA

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1024

A Stark “Quincy” area rug

21st Century With label to underside The rug with a scrolled foliate pattern in cream silk on a taupe wool field 166” L x 118” W $500-700 Provenance: Private Collection, Bel Air, CA

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1025

A Ben Soleimani shag area rug 21st Century With white wool shag 143” L x 107” W $600-900 Provenance: Private Collection, Hidden Hills, CA

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1026

A Ben Soleimani cloud area rug 21st Century Woven in blue and white wool 143” L x 107” W $600-900 Provenance: Private Collection, Hidden Hills, CA

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1027

Benjamin Moore

(1952-2021, American) “Palla Series” red and black bowl, 1988 Glass Edition 2/5 Engraved signature, date, and number to underside: Benjamin Moore © 1988 2/5 4.375” H x 18.375” Dia. $800-1,200 Provenance: Kurland/Summers Gallery, Los Angeles, CA Notes: This lot is accompanied by a receipt of sale from Kurland/Summers Gallery dated July 3, 1991.

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1028

Richard Silver

(b. 1961, American) “Callisto,” 2000 Glass With engraved signature and date: Richard Silver 2000 17.75” H x 25” W x 6.5” $600-800 Provenance: Signatures in Acrivue, Los Angeles, CA Notes: This lot is accompanied by a receipt of sale from Signatures in Acrivue dated March 3, 2000.

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1029

A contemporary art glass sculpture

20th/21st Century The abstract geometric sculpture with blue, clear, and textured yellow glass elements 9.5” H x 14” W x 6.5” D $600-800

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1030

Peter Schlech

(b. 20th Century, American) Abstract wood sculpture, circa 2003 Wood With impressed signature, date, and inscription to underside: P. Schlech / 8/03 / J.M. #2 24.5” H x 7.5” W x 8.5” D $800-1,200 Provenance: Del Mano Gallery, Los Angeles, CA Notes: This lot is accompanied by an undated receipt of sale from Del Mano Gallery.

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1031

Peter Schlech

(b. 20th Century, American) Abstract wood sculpture, circa 1990s-2000s Wood Signed to underside: P. Schlech [numbered illegibly] 8” H x 21” W x 9” D $500-700 Provenance: Del Mano Gallery, Los Angeles, CA Notes: This lot is accompanied by an undated receipt of sale from Del Mano Gallery.

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1033

Two contemporary wood sculptural items Two works:

J.C. Brule (b. 20th Century, American) A turned mixed-wood vase, 1999 Maple, cherry, and ebony wood Signed, dated, and inscribed on the underside: J.C. Brule ‘99 / Cherry Maple Ebony 9.75” H x 7.5” Dia. W. Weholi (b. 20th Century, American) Untitled (Walnut Spire), 1996 Walnut With carved signature and date: W. Weholi 96 © 42.5” H x 6.25” W x 5.25” D 2 pieces $200-400

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1032

Two carved koa wood boxes Two works:

Robert Grundman (b. 20th Century, American) A koa wood lidded box with rosewood dovetails With burned signature to underside: Robert Grundman 5.5” H x 12.5” W x 7.625” D Jer Houston (b. 20th Century, American) A koa, wenge, and sugi wood footed and lidded box Signed, dated, numbered, and inscribed in pencil to underside: “12’s” / Jer Houston / Hawaii, 2000 / Koa - Wenge - Sugi / #3 of 3 4” H x 10.5” W x 5.625” D $500-700 Provenance: The first: Upcountry Connection, Kamuela, HI The second: Under the Koa Tree, Hawaii, HI Notes: This lot is accompanied by a receipt of sale from Upcountry Connection dated December 9, 2000 and from Under the Koa Tree dated December 7, 2000.

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1034

J. Paul Fennell

(b. 1938, American) Dyed mesquite basket, 2001 Mesquite wood With carved signature, date, numbered, and inscribed to underside: J. Paul Fennell ‘01 / Dyed mesquite 464 11” H x 7.5” Dia. $800-1,200 Provenance: Del Mano Gallery, Los Angeles, CA Notes: This lot is accompanied by a receipt of sale from Del Mano Gallery dated December 3, 2002.

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1035

A group of Hawaiian “Ipu Pawehe” gourd vessels Three groupings:

A Wayne Ching sea turtle gourd 1999 With carved signature, date, and inscription to base: WT Ching 1999 / Hilo Hawaii / Eucalyptus wood The gourd with shallow carved sea turtle and various fish, raised on a live edge eucalyptus base Overall: 13.5” H x 8.5” W x 8.5” D A Jennifer Rothschild lidded gourd 20th Century With carved signature: Made in Hawaii by / J Rothschild In the form of a naturalistic gourd with carved leaf-style lid 9” H x 13” Dia. Three Kina Kam gourds Late 20th/Early 21st Century Each with carved signature and variously dated and inscribed Each with carved floral and figural designs, 3 pieces Larger: 12.75” H x 8” Dia.; Smaller: 7.75” H x 9” Dia. 5 pieces $300-500 Provenance: The first: Upcountry Connection, Kamuela, HI The second: Maui To Go Arts & Crafts, Lahaina, HI The third: Maui To Go Arts & Crafts, Lahaina, HI Notes: This lot is accompanied by receipts of sale from Maui To Go Arts & Crafts dated December 8, 1999, December 2, 2001, March 10, 2003, and March 12, 2009; and Upcountry Connection dated December 6, 2000.

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1036

A Brutalist-style architectural stoneware sculpture Mid-20th Century or Later Unsigned The modern bisque ceramic sculpture in the form of an abstract building with purple glazed removable roof 14.125” H x 11.25” W x 13” D $500-700

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1037

A group of Richard and Alice Petterson glass chargers

Circa 1950s-60s; Claremont, CA The larger signed: A+ R / Petterson / Claremont Each fused tempered glass designed with concentric gold and copper rings, V3 pieces Larger: 1.75” H x 17” Dia.; Smaller: 1.375” H x 10.5” Dia. $400-600

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1038

A group of Richard and Alice Petterson glass chargers

Circa 1950s-60s; Claremont, CA One signed and dated: A+ R Petterson / 1966; One signed and dated: Petterson / 1955 Each fused tempered glass designed with concentric gold and copper rings, 4 pieces Larger: 0.75” H x 11.25” Dia.; Smaller: 1” H x 7.75” Dia. $300-500

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1039

A group of Richard and Alice Petterson glass chargers

Circa 1950s-60s; Claremont, CA One signed: A. / R. Petterson; One signed: For / Ruth / With / Love / A+R / P Each fused tempered glass designed with concentric gold and copper rings, 3 pieces Larger: 1” H x 11” Dia.; Smaller: 0.75” H x 7.5” Dia. $200-300

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1040

Joan Strauss Carl

(1926-2021, American) “Nuclear Solution” Oil on Masonite Signed lower right: J S Carl; signed again and titled on two separate typed labels affixed verso, one to the verso of the piece, partially obscuring the second signature, and one to the verso of the frame 48” H x 18.5” W $800-1,200 Literature: The work may also be viewed on the artist’s website: http://www.joancarl.com/paintings.htm, titled “Testament to Atom Testing.”

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1041

Joan Strauss Carl

(1926-2021, American) “Sportin’ Life,” circa 2005 Bronze brazed steel on marble base With incised signature: JS Carl 32.5” H x 10” W x 8” D $700-900 Exhibitions: San Fernando, CA, San Fernando Valley Arts Council, “Valley Artist Studio Tour,” 2005, no. 4C Notes: This lot is accompanied by an artist consignment form from the Valley Artist Studio Tour, San Fernando, dated September 12, 2005.

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1042

Joan Strauss Carl

(1926-2021, American) Abstract figures Patinated bronze on marble base Signed in the casting: S. Carl 20.25” H x 8” W x 6” D $800-1,200

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1043

Joan Strauss Carl

(1926-2021, American) “Not So Still Life,” 1958 Oil on Masonite Signed lower left: J S Carl; faintly signed again and dated, verso; titled on a typed label partially affixed to the verso of the frame 48” H x 23.625” W $1,000-1,500 Literature: The work may also be viewed on the artist’s website: http://www.joancarl.com/paintings.htm

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1044

Joan Strauss Carl

(1926-2021, American) A collection of miniature abstract figural sculptures, circa 2011-2012 Patinated bronze on onyx and wood bases presented on wood and acrylic stands Most signed, dated, and variously titled to underside: Joan Carl © 9 pieces Larger: 7.5” H x 2.375” W x 2.375” D; Smaller: 2.75” H x 1.5” W x 1.5” D $1,000-1,500

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1045

A Drexel “Declaration” modern walnut buffet

Circa 1964 With Drexel manufacturing marks to verso, numbered: 851-131-2 / 10-64 Designed by Kipp Stewart and Stewart MacDougall for Drexel, the mid-century modern walnut buffet two cupboards centering four drawers with white porcelain pulls 31.25” H x 72.25” W x 20” D $800-1,200

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1046

A Drexel “Declaration” modern walnut table and chairs

Circa 1950s Some chairs with Drexel manufacturing paper label to underside; table with Drexel manufacturing marks to underside, numbered: 851-340-37 Designed by Kipp Stewart and Stewart MacDougall for Drexel, the mid-century modern walnut table with round extendable top and two leaves, together with two arm chairs and four side chairs with black Naugahyde upholstered seats, 9 pieces Table: 29” H x 44.5” W x 44” D; Table extended: 88.5” W; Armchairs: 32.75” H x 22” W x 19” D; Side chairs: 32” H x 20.5” W x 18” D $600-800

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1047

A mid-century modern studio pottery table lamp

Mid-20th Century Appears unmarked The ceramic base in a speckled brown glaze with cream cattail motif supporting a milk glass torchiere diffuser and single light under a geometric patterned fabric shade, electrified Overall: 42.75” H x 17” Dia. $400-600

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1048

Joan Strauss Carl

(1926-2021, American) “Iowa Sun” Oil on Masonite Signed lower left: J S Carl; signed again and titled in ink on the verso of the frame; titled again on a typed label partially affixed to the verso of the frame 27.5” H x 25” W $400-600 Provenance: [indistinct] possibly Paideia Gallery, [indistinct] La Cienega Blvd, Los Angeles, CA Literature: The work may also be viewed on the artist’s website: http://www.joancarl.com/paintings.htm Notes: The faint, partially indistinct gallery name and address are stamped on the verso of the upper frame edge.

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1049

A mid-century modern carved wood table lamp

Mid-20th Century The two-light lamp with rectangular wood base carved with geometric designs surmounted by a gear patterned fabric shade, electrified Overall: 19” H x 20.5” W x 12.5” D $300-500

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1050

A pair of modern lounge chairs

20th Century In the style of Billie Haines, each with curved back and polychrome geometric patterned upholstery on black painted wood legs, 2 pieces Each: 30.75” H x 25” W x 26” D $600-800

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1051

Joan Strauss Carl

(1926-2021, American) A reptile motif mosaic side table Unmarked With a polychrome glass tile mosaic top depicting a reptile inset in a wood frame raised on tapered splayed legs 15.75” H x 28” W x 22” D $800-1,200

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1052

A modern armchair and ottoman

20th Century Appears unmarked The mid-century modern-style armchair with a wood frame and newly covered in polychrome, green-hued geometric upholstery, together with a matching ottoman, 2 pieces Armchair: 36” H x 27.5” W x 34” D; Ottoman: 18” H x 22” W x 17” D $400-600

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1053

Joan Strauss Carl

(1926-2021, American) Four blue mosaic tile side tables Unmarked Each with a square mosaic tile top in hues of deep blue and aqua on a black coated iron frame, 4 pieces Each: 16.125” H x 12.5” W x 12.5” D $700-900

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1055

A modern free-form wood wall sculpture

Fourth-Quarter 20th Century Marked: Made in Italy In a helical ribbon form with metal hanging cord 57” H x 14.5” W x 19” D $400-600

1054

Giuliano Malimpensa

(b. 1950, Italian) Bud vases Silver plate Each impressed to underside: Mesa Italy Larger: 15.375” H x 7” W x 2.25” D; Smaller: 13.125” H x 6.75” W x 2.125” D $200-300

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1056

Edgar Ewing

(1913-2006, Los Angeles, CA) “Demetra with Scarf (Mykonos),” 1957 Oil on canvas Signed and inscribed “Homage to Goya” in ink on the artist’s label affixed to the backboard of the frame: Edgar Ewing; with the title, date, and some exhibition information typed onto this same label Sold together with an ink study on paper of the same date: “Demetra - Mykonos Greece,” 1957 Double-sided India ink drawing on wove paper, partial watermark Johanna, under glass Signed and with a dated dedication below the image: “To Billie Dea Crowe with very best wishes - Edgar Ewing 1968,” titled and dated upper left Oil on canvas: 42” H x 32” W; Drawing on paper: 18.5” H x 14.25” W $800-1,200 Provenance: Gifted commission from the artist Thence by descent to the present owner Exhibitions: Dalzell Hatfield Gallery, Los Angeles, CA, n.d., according to a label affixed to the backboard of the painting’s frame Notes: There is an unsigned, undated, red India ink sketch of an owl on a branch on the verso of the sheet with the ink study of Demetra.

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1057

Henry Moore

(1898-1986, Brithish) “Eight Reclining Figures with Architectural Background,” 1963, from the “Europäeische Graphik I” portfolio Lithograph in colors on Japon nacrÈ paper under glass Edition XXXIV/XXXV Signed, dated and numbered in pencil in the lower margin; Curwen Prints Ltd, London, England, prntr; Felix H. Man, London, England and Galerie Wolfgang Ketterer, Stuttgart, Germany, pub., with the blindstamp of the latter in the lower left margin corner Image: 17” H x 12.875” W; Sheet: 30” H x 20.375” W $800-1,200 Literature: Cramer 44 Notes: There were also 65 impressions on Arches wove paper.

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1058

Thomas Larkin

(b. 20th Century, American) A Brutalist-style chess set in white and gold Painted plaster Appears unsigned 16 pieces Larger: 4.75” H; Smaller: 2.75” H $600-800

74

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1059

Thomas Larkin

(b. 20th Century, American) Two “Votive Image” tower sculptures, circa 1991 Each patinated bronze, one on wood base From an edition of 800, numbered illegibly One signed, dated, titled, and inscribed in pen to underside: T. Larkin / Bronze “91” / Votive Image 2 pieces Larger: 16.25” H x 2.5” W x 2.25” D; Smaller: 15.75” H x 2” W x 3.5” D $300-500

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75


1060

Thomas Larkin

(b. 20th Century, American) A Modernist chess set in green and gold Painted ceramic Appears unsigned 16 pieces Larger: 4.5” H; Smaller: 4.25” H $600-800

76

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77


1061

Thomas Larkin

(b. 20th Century, American) “Cloaked Warrior,” 1983 Patinated bronze on wood base Signed, dated, titled, and inscribed in pen to underside: T. Larkin / Bronze “83” / Cloaked Warrior/[illegible] 19” H x 4.5” W x 3.5” D $400-600

78

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1062

Harriet Larkin

(b. 20th Century, American) A Modernist chess set in grey and black with a soft board Glazed ceramic, fabric, and MDF Appears unsigned 17 pieces Larger: 3.25” H; Smaller: 2” H; Board: 25.5” W x 25.5” D $600-800

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79


1063

Thomas Larkin

(b. 20th Century, American) A Modernist chess set in brown and grey Painted plaster Appears unsigned 16 pieces Larger: 3.75” H; Smaller: 2” H $600-800

80

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1064

Thomas Larkin

(b. 20th Century, American) Two “Votive Image” figural sculptures, 1990 and 1991 Each patinated bronze on wood base Each signed, dated, titled, and inscribed in pen to underside: T. Larkin / Bronze / Votive Image; one dated “90” and one dated “91” 2 pieces Larger: 12” H x 4.5” W x 2.75” D; Smaller: 11” H x 3” W x 2.5” D $300-500

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81


1065

Thomas Larkin

(b. 20th Century, American) A Modernist chess set in gold and greenish brown Painted ceramic Appears unsigned 15 pieces Larger: 4.25” H; Smaller: 1.75” H $600-800

82

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1066

Thomas Larkin

(b. 20th Century, American) Two works: “Landscape: Somme,” 1982; an abstract figural sculpture, circa 1980s Each patinated bronze on wood base The first signed, dated, titled, and inscribed to underside: T. Larkin / 82 / Landscape: Somme / Bronze 2 pieces The first: 8.125” H x 3” W x 2.25” D; The second: 6.75” H x 7.75” W x 3.5” D $300-500

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83


1067

A pair of Herb Ritts Sr. “Pretzel” Lucite table lamps, for Astrolite Fourth-Quarter 20th Century Each lamp with a swirled circular Lucite base, together with a white paper shade, electrified, 2 pieces Each overall: 25” H x 19” W x 19” D $400-600

84

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85


86

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1068

Cleon Peterson

(b. 1973, American) A Modernica X Cleon Peterson V-Leg Daybed, 2016 Edition 29/100 With metal plate to verso, signed and numbered in black pen The daybed upholstered in woven jacquard raised on a composite wood frame with brushed aluminum hairpin legs 26.25” H x 75.5” W x 35” D $2,000-3,000

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87


1069

Victor Vasarely

(1906-1977, French) Blue composition Screenprint in colors on paper under glass Edition 151/300 Signed and numbered in pencil in the lower margin: Vasarely Image: 18.75 “ H x 18” W; Sight: 24.25” H x 21.25” W $800-1,200 Provenance: Private Collection, California

88

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89


90

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1070

Alan Shields

(1944-2005, American) “Cretaceous,” 1976 Mixed media including lithograph in colors, rubber stamping, embossing, hand-coloring, and glitter on collaged, handmade paper under glass Edition 10/20 Signed, titled, dated and numbered, all in pencil, along the lower sheet edge: Alan J. Shields Image/Sheet: 14.25” H x 14.25” W approx. $600-800 Provenance: Private Collection, California

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91


1071

Yaacov Agam

(b. 1928, Israeli) Composition with circles Screenprint in colors on paper under glass Edition 29/66 Signed in what appears to be orange grease pencil near the lower edge at center: Agam; numbered in white pencil to the left of the black circle Sight: 29.75” H x 29.75” W $300-500

92

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1072

A black wall mirror

21st Century The circular mirror enclosed in a black wood frame 36” Dia. x 2.5” D $300-500 Provenance: Private Collection, Hidden Hills, CA

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93


1073

Roy Carruthers

(1938-2013, South African) “Tilted chair,” 1984 Black enameled metal, walnut, and caning Signed to verso: Roy Carruthers 1984 51” H x 21” W x 30” D $1,000-2,000 Provenance: Sold: Bonhams, Los Angeles, CA, “Modern Design Art,” March 8, 2022, Lot 195 Collection of Jerome Falk, Berkeley, CA

94

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95


1074

A pair of Art Deco-style lounge chairs

21st Century Each Hollywood Regency-style chair with an asymmetrical scalloped back over a lightly curved seat and upholstered in black and silver velour, 2 pieces Each: 32” H x 27” W x 29” D $500-700

96

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1075

A Stark area rug

21st Century With illegible label to underside The rug with blue silk abstract Euro coin pattern on a cream wool field 142” L x 108” W $500-700 Provenance: Private Collection, Bel Air, CA

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97


1076

A modern-style black lacquered dining table with Lazy Susan 20th/21st Century With black lacquered circular top centering a polished steel Lazy Susan raised on a black lacquered columnar base 27” H x 60” Dia. $300-500 Provenance: Private Collection, Hidden Hills, CA

98

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1077

A contemporary Nouveau Réalisme-style sculpture

21st Century Unsigned The polychromed and gessoed paper-mache sculpture in the form of an abstract female figure 35” H x 19” W x 15” D $500-700

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99


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1078

Steve Chavez

(b. 20th Century, American) “The Elements: Ribbon Series,” 1989 Wool tapestry Attributed, titled, and dated to fabric tag verso: Steve Chavez / “The Elements” / Ribbon Series / © 1989 S. Chavez / Jan ‘89 46” H x 62” W $500-700 Provenance: Roswell Museum & Art Center, Roswell, NM Exhibitions: Roswell, NM, Roswell Museum & Art Center, “New Mexico Tapestry Today,” 1989 Notes: This lot is accompanied by a receipt of sale from Roswell Museum & Art Center dated June 8, 1989.

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1079

Bettye Sullivan

(b. 20th Century, American) “New Mexico Night Unfolding,” circa 2003 Wool tapestry Signed to fabric tag verso: Bettye Sullivan / Taos NM 27” H x 28” W $500-700 Provenance: Weaving Southwest, Taos, NM Notes: This lot is accompanied by a receipt of sale from Weaving Southwest dated June 7, 2003.

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1080

Raymond Loewy

(1893-1986, French-American) “Antipainting,” 1971 Paint and collage on Masonite under glass Signed, titled and dated with stenciled lettering along the lower edge: Raymond Loewy Sight: 19.5” H x 23” W $500-700

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1081

Mario Bellini

(b. 1935, Italian) A Cassina “La Rotunda” dining table Appears unmarked With a circular glass top raised on a walnut base constructed of three perpendicularly interlocking square legs 28.5” H x 48” Dia. $600-800 Provenance: Private Collection, Bel Air, CA

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1082

A contemporary chrome and glass dining table 21st Century With circular glass top over a X-style base 29.75” H x 48” Dia. $500-700 Provenance: Private Collection, Hidden Hills, CA

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1083

Raymond Loewy

(1893-1986, French-American) “Night and Day” and “Formula Car in Mountains,” each 1978-82, from “Space Race Portfolio,” printed 1985 Each: Screenprint in colors on paper under Plexiglas Edition of each: 73/300 The first initialed in pencil in the image at lower right: RL, the second initialed in pencil in the lower margin, at right: RL; each numbered in pencil in the lower margin, at left, and with an unidentified blindstamp along with that of the publisher, Circle Fine Art Corp.; Chicago Serigraphic Workshop, prntr. Sight of first: 21.375” H x 27.375” W; Image of second: 20” H x 26.875” W $400-600

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1084

Raymond Loewy

(1893-1986, French-American) “Race Car with Flag” and “Rocket,” each 1978-82, from “Space Race Portfolio,” printed 1985 Each: Screenprint in colors on paper under Plexiglas Edition of each: 73/300 Each initialed in pencil in the blank at lower right: RL; each numbered in pencil at the lower left; with an unidentified blindstamp along with that of the publisher, Circle Fine Art Corp.; Chicago Serigraphic Workshop, prntr. Sight of first: 21.25” H x 27.25” W; Sight of second: 27.25” H x 21.25” W $400-600

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1085

A Milo Baughman-style chrome and glass coffee table

20th Century The square table with inset glass top and a chromed metal frame with intersecting crossed bar legs 17.5” H x 41” W x 41” D $300-500 Provenance: Private Collection, Hidden Hills, CA

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1086

A group of sterling silver holloware items Four groupings:

A hammered silver bowl 1987 Marked: [possibly WP] / [crescent moon] / 1000 / 1987 With arched handles 3.625” H x 8.75” W x 5.625” D A Mauser pierced tumbler Late 19th/Early 20th Century Marked for Mauser and sterling; numbered: 3964A With scrolled heart design 4” H x 2.75” Dia.

A Japanese hammered silver teapot and creamer 20th Century Each with Japanese maker’s marks to underside The teapot with braided fiber handle Teapot: 5.5” H x 3.5” W x 2.75” D; Creamer: 5” H x 2.5” W x 2.25” D 5 pieces 26.935 gross oz. troy approximately $400-600

A Tiffany & Co. lidded jar 1907-1947, directorship of John C. Moore II Marked: Tiffany & Co. / 17481 Makers 9526 / Sterling Silver / 925-1000 / M The octagonal jar with domed lid 4.25” H x 3” Dia.

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1087

A Gorham “Greenbrier” sterling silver flatware service

Circa 1938-1991 Each marked for Gorham sterling Designed 1938 by James Russell Price, comprising 6 hollow-handled New French place knives (8.875), 2 hollow-handled Modern place knives (8.875”), 8 hollow-handled butter spreaders (6.125”), 1 flat butter spreader (5.75”), 1 flat master butter knife (7.125”), 8 place forks (7.25”), 8 salad forks (6.75”), 8 cocktail forks (5.5”), 8 ice cream forks (5.5”), 1 pickle/olive fork (5.75”), 1 lemon fork (4.375”), 8 teaspoons (5.875”), 8 round bowl cream soup spoons (6.25”), 8 iced tea spoons (7.5”), 1 sugar spoon (6”), 1 bon bon spoon (4.875”), 2 jelly servers (6.25”), 1 tomato server (7.75”), 3 table/serving spoons (8.375”), 1 medium cold meat serving fork (8.125”), 1 solid salad serving spoon (8.75”), 1 hollow-handled wood salad serving spoon (11.125”), 1 hollow-handled wood salad serving fork (11.125”), 1 hollow-handled pie server (10.25”), 1 hollow-handled cheese server (6.5”), and 1 gravy ladle (6.25”), 91 pieces Weighable sterling: 80.335 oz. troy approximately $1,200-1,500

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1088

A Reed and Barton “Classic Rose” sterling silver flatware service

Circa 1954-2005 Each marked for Reed and Barton and sterling Designed 1954 by Theodore E. Cayer, comprising 8 hollow-handled Modern place knives (9”), 8 hollow-handed butter spreaders (6.5”), 8 place forks (7.375”), 8 salad forks (6.5”), 8 teaspoons (6”), 5 round bowl soup spoons (6.75”), 1 table/serving spoon (8.625”), 1 pierced table/serving spoon (8.625”), 1 table/serving fork (8.25”), 1 gravy ladle (7”), 1 cream ladle (5.5”), and 1 weighted candlestick (3.5” H x 3.75” Dia.), 50 pieces Weighable sterling: 52.785 gross oz. troy approximately $800-1,200

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1089

Paul Winthrop McCobb

(1917-1969, American) A brass ottoman, circa 1950s With a sienna-colored Naugahyde upholstered cushion on a brass frame with an X-stretcher 15.5” H x 20.25” W x 20.25” D $400-600

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1090

Paul Winthrop McCobb

(1917-1969, American) A walnut and cane coffee table, for Calvin, circa 1950s With label to underside: Calvin / Grand Rapids / Furniture Design by Paul McCobb The round top with inset brass edge over a cane undershelf 18” H x 32” Dia. $400-600

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1091

A mid-century modern walnut table vitrine

Mid-20th Century The walnut vitrine with glass top and four drawers raised on a metal rolling stand 27.625” H x 24.5” W x 18.25” D $800-1,000

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1092

A contemporary chrome laddered floor lamp

Second Half 20th Century With tubular, ladder-style chromed metal frame on a rectangular base with one central up-light and cream, electrified Overall: 87” H x 36” W x 12” D $400-600

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1093

A Monte leather recliner chair with ottoman

21st Century Each with Monte fabric tag The reclining armchair upholstered in black leather with matching swivel ottoman, 2 pieces Chair: 40” H x 28” w x 31” D; Ottoman: 16” H x 20” W x 23” D $500-700 Provenance: Private Collection, Hidden Hills, CA

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1094

A mirrored sideboard, by Martyn Lawrence Bullard

21st Century The three-cabinet sideboard with black panels and inset, free-form mirrored panels 36.75” H x 78.25” W x 22.25” D $1,000-1,500 Provenance: Martyn Lawrence Bullard Private Collection, Hidden Hills, CA, acquired from the above

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1095

A Stark “Kesha Pluto” area rug

21st Century With label to underside The silk and wool rug with blue scrolled foliate medallions 169” L x 119” W $500-700 Provenance: Private Collection, Bel Air, CA

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1096

Two contemporary side tables

21st Century Comprising one tripod table with round inset glass top over an abstract basket-style steel frame (26.25” H x 16” Dia.) and a metal table with round top on a cantilevered base with circular foot (26.5” H x 14” Dia.), 2 pieces $400-600 Provenance: Private Collection, Hidden Hills, CA

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1097

A contemporary marble and steel console table

21st Century With rectangular grey veined white marble top raised on brushed steel box-style tubular frame joined by an X-stretcher 30.5” H x 108” W x 40” D $1,500-2,000 Provenance: Private Collection, Hidden Hills, CA

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1098

A free-form lacquer dining table

21st Century With outswept, spiraling legs and a rectangular tempered, frosted glass top with pull-out extensions 29” H x 74.5” W x 41.5” D; Extended: 114.5” W $1,000-1,500 Provenance: Private Collection, Hidden Hills, CA

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1099

Myles Maillie

(b. 1951, American) “Ridin’ the West Side,” 1991 Acrylic on canvas in the artist’s painted wood frame Signed, dated, and inscribed in the lower right and left corners, respectively: Maillie ‘91 / N.Y.C.; titled on a label affixed to the verso of the frame Canvas: 40” H x 30” W; With painted frame: 48” H x 37.75” W $500-700

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1100

Mischa Kallis

(1903-1987, California) Fishermen Oil on canvas Signed lower left: Mischa Kallis 27” H x 35” W $400-600

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1101

American School

(20th/21st Century) Untitled Monotype in colors on two sheets of wove paper, watermark BFK Rives, under Plexiglas Appears unsigned Image/Sheet of each: 29.625” H x 20.75” W $800-1,200 Provenance: Property of an Estate, Beverly Hills, CA

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1102

A pierced iron lantern pendant light

21st Century The lantern-style light fixture with foliate motif pierced sheet iron body lined with natural linen, electrified 33” H x 12” Dia. approximately $300-500 Provenance: Private Collection, Bel Air, CA

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1103

A beveled wall mirror

21st Century The rectangular mirror with beveled mirrored sides 36” H x 24.5” W x 2.5” D $300-500 Provenance: Private Collection, Hidden Hills, CA

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1104

A contemporary mirrored glass console table 21st Century With all-over beveled mirrored glass panels with an oxidized-style finish 32” H x 60” W x 17.75” D $400-600 Provenance: Private Collection, Hidden Hills, CA

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1105

A white acrylic side table

21st Century With round top raised on four tubular legs 23.75” H x 18” Dia. $300-500 Provenance: Private Collection, Hidden Hills, CA

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1106

A Gus Modern cowhide pouf ottoman

21st Century With Gus Modern label to underside The small pouf upholstered in black and white cowhide 17” H x 14.5” W x 14.5” D $300-500 Provenance: Private Collection, Hidden Hills, CA

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1107

A Stark area rug

21st Century The silk and wool rug with blue and chartreuse mottled pattern 142” L x 108” W $500-700 Provenance: Private Collection, Bel Air, CA

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1108

Harry Bertoia

(1915-1978, American) A Knoll “Bertoia” side chair, 21st Century With impressed Knoll mark to seat rail verso Designed 1952, the mid-century modern chair in polished chrome with wire seat and back and “Tide” blue colored seat and back cushion 28.5” H x 21” W x 22” D $200-300 Provenance: Private Collection, Bel Air, CA

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1109

A contemporary glass and chrome table

21st Century With a frosted and clear glass top raised on a rectangular column base with rounded chrome corners 28.5” H x 68.25” W x 46.25” D $1,000-2,000 Provenance: Private Collection, Hidden Hills, CA

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1110

An Italian carved wood side table

First Half 20th Century With “Made in Italy” label to top of base With a circular black and white marble top raised on a silvered wood base with carved foliate design 21.75” H x 24” Dia. $300-500 Provenance: Private Collection, Hidden Hills, CA

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1111

Richard Satava

(b. 20th Century, American) Two “Iris on Red” vases, 1995 Glass Each with engraved signature, date, and number; the first: Satava / 2028-95; the second: R Satava / 1721-95 2 pieces Larger: 12.75” H x 5.5” Dia.; Smaller: 11.25” H x 5” Dia. $600-800 Provenance: Corning Glass Center, Corning, NY Notes: This lot is accompanied by a receipt of sale from the Corning Glass Center dated August 3, 1995.

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1112

JoAnn Tanzer

(b. 20th Century, American) “A Figure in Red” Enamel on steel Signed, titled, and inscribed in black pen verso: JoAnn Tanzer 14” H x 14” W X 1.375” D $500-700

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1113

Ross Bleckner

(b. 1949, American) “Throbbing Hearts (Small),” 2005 Screenprint in colors on paper under glass Edition 150 [indistinct]/250 Signed, dated, and numbered in pencil in the lower corners of the image Sight: 22.375” H x 20.25” W $800-1,200 Provenance: Private Collection, California Notes: The artist used 12 colors to create this screenprint.

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1114

Richmond Burton

(b. 1960, American) “Frequent Flyer,” 1998 Woodcut in colors on paper under glass Edition 1/25 Signed, dated and numbered in pencil in the lower margin: R. Burton; K5 Editions, New Paltz, New York, pub. Image: 17.25” H x 25” W; Sight: 18.5” H x 26” W $300-500 Provenance: Private Collection, California

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1115

Gronk Nicandro

(b. 1954, Los Angeles,CA) “La Tormenta,” 1994 Woodcut in colors on German etching paper under Plexiglas Edition 29/30 Faintly signed, titled, dated and numbered in pencil in the image along the lower sheet edge: Gronk; Tandem Press, Madison, WI, pub. and with their blindstamp Image/Sheet: 29.625” H x 29.625” W $300-500 Provenance: Property of an Estate, Beverly Hills, CA Notes: The artist’s full name is Glugio Gronk Nicandro, however, he prefers to use only his middle name,”Gronk.” This lot is accompanied by a copy of a “print documentation” sheet, presumably issued by Tandem Press, signed by the artist on April 7, 1994. This document states that the edition was 40, and erroneously states that this impression is numbered 29/40.

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1116

A Spongebob x J Balvin x Louis De Guzman Modernica shell chair

2019 With stamped Modernica, Nickelodeon, and J Balvin labels to underside and verso, dated: Sep 12 2019 / Made in California The molded fiberglass chair with printed upholstery and steel legs 32” H x 19” W x 20” D $1,000-1,500 Provenance: Private Collection, Hidden Hills, CA

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1117

Mario Bellini

(b. 1935, Italian) A Cassina “Cab 413” cowhide chair With Cassina mark to underside The armchair with all-over, die-cute brown cowhide upholstery over a steel frame 32” H x 23.5” W x 18” D $1,000-1,500 Provenance: Private Collection, Bel Air, CA

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1118

A Herman Miller “Everywhere” desk

21st Century With manufacturer’s label to underside The rectangular composite wood top with a maple veneer raised on white powder-coated steel legs 28.75” H x 50.75” W x 30” D $300-500 Provenance: Private Collection, Bel Air, CA

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1119

A large Minotti dining table

21st Century Appears unmarked With a rectangular black composite wood top raised on conformingly designed slab legs with mirrored metal feet 28.5” H x 143.5” W x 47.5” D $1,000-1,500 Provenance: Private Collection, Bel Air, CA

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1120

A Minotti “Johns” bookcase

21st Century Appears unmarked The composite wood bookcase finished in a pink beige gloss with two shelves 69.25” H x 71” W x 16” D $300-500 Provenance: Private Collection, Bel Air, CA

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1121

A Minotti console table

21st Century Appears unmarked The large table with a brown lacquered top raised on a faux bois composite wood base 31.5” H x 109” W x 19.375” D $800-1,200 Provenance: Private Collection, Bel Air, CA

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1122

George Kovacs

(1926-2007, Austrian/American) A pair of brass stacked ball table lamps Appear unmarked Each with contemporary cream silk shades, electrified, 2 pieces Each overall: 31.75” H x 15.25” Dia. $300-500 Provenance: Private Collection, Hidden Hills, CA

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1123

A Christian Heckscher bronze four-panel screen

2017 Comprising four panels of acid-etched polished and matte bronze Each panel: 24” H x 39” W x 1” D $2,000-4,000

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1124

An HD Buttercup “Brandt” console table

21st Century With a bleached oak top raised on a tubular steel frame 32” H x 65” W x 17” D $500-700 Provenance: Private Collection, Hidden Hills, CA

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1125

A Restoration Hardware “Aero” dining table

21st Century With Restoration Hardware label to underside In the style of Eero Saarinen’s “Tulip” table, with round, bullnose faux marble top on a flared, cast brass base 29.5” H x 60” Dia. $1,000-1,500 Provenance: Private Collection, Hidden Hills, CA

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1126

Louise Rollins

(b. 20th Century) Cat with large vase of flowers Oil on canvas Signed lower left: Ouisa; signed again: Louise ‘Ouisa’ Rollins along with other practical notations, verso 48” H X 48” W $500-700 Notes: The artist sometimes signed her works “Ouisa,” a nickname based on her first name.

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1127

Christine Ranes

(1929-2002, Polish/American) “Genesis,” 1984 Mixed media on paper, presented as a scroll under Plexiglas Signed, dated and with the © in pencil in the lower margin, at right: Christine Ranes; titled in pencil in the lower margin, at left Image: 40.5” H x 68.5” W approx.; Sheet as displayed with rolled ends: 44” H x 76” W approx. $500-700

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1128

A pair of ceramic horns

21st Century One with a Baker retail label to underside Each ceramic tusk in white glaze, 2 pieces Each: 31” H x 6” Dia. $400-600

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1129

A bronze ibex head coffee table, attributed to Alain Chervet 21st Century With rectangular glass top supported by two bronze ibex goat heads 19.5” H x 52” W x 28” D $1,000-1,500

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1130

Rick Wolfryd

(b. 1953, American) “Pop Star,” 2022 Photopolymer resin and beads Signed, dated, and titled in pen to bottom edge: Chroma aka Rick Wolfryd [star symbol] / “Pop Star.” .0001 TP 2022; further inscribed to underside: Eliza 19.25” H x 14” W x 13.5” D $1,500-2,500

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1131

Ross Bleckner

(b. 1949, American) “Untitled,” 2000 Screenprint in colors on paper under glass Edition 55/100 Signed, dated and numbered in pencil in the lower margin: Ross Bleckner Image: 16.25” H x 25” W; Sight: 17.75” H x 26.5” W $400-600 Provenance: Private Collection, California

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1132

A Lawson-Fenning console table

21st Century Appears unmarked The composite wood console table finished in light grey gloss with an open rectangular frame with two short drawers atop a recessed base 31.75” H x 48” W x 13” D $400-600 Provenance: Private Collection, Bel Air, CA

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1133

A contemporary silver cube pendent light

21st Century With a plastic cube lined with reflective silver-style coating, electrified 11.75” H x 11.75” W x 11.75” D $200-300 Provenance: Private Collection, Hidden Hills, CA

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1134

A Fiona Curran “Zap” area rug

21st Century With label and Rug Company trim to underside For The Rug Company, the wool rug with a polychrome radiating geometric pattern 166” L x 119” W $1,500-2,500 Provenance: Private Collection, Bel Air, CA

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1135

A Stark “Ava Minkcoat” area rug

21st Century With label to underside With grey silk scrolled foliate motif on a beige wool field 165” L x 120” W $500-700 Provenance: Private Collection, Bel Air, CA

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1136

A Helen Amy Murray “Peony” area rug

21st Century With Rug Company trim to underside For The Rug Company, with an all-over, low relief floral pattern in hand-carved wool 142” L x 108” W $1,000-1,500 Provenance: Private Collection, Bel Air, CA

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1137

“Il Padrino” (The Godfather), 1972

Color poster on paper under Plexiglas Italian release, edition size unknown Unsigned; Sericolor, Rome, Italy, prntr.; Paramount Pictures, Hollywood, CA, pub. Image: 38” H x 23” W; Sight: 54.5” H x 38” W $400-600

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1138

A MDF Italia Arpa shelving unit

21st Century Appears unmarked With five black wood shelves joined by diagonal metal tube supports 67” H x 94.5” W x 15.75” D $800-1,200 Provenance: Private Collection, Bel Air, CA

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1139

A Pierre Paulin-style ribbon lounge chair

21st Century The modern ribbon-style chair with blue-grey cotton upholstery on black acrylic swivel base 28” H x 38” W x 29” D $700-900

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1140

Ezra Stoller

(1915-2004, American) A portfolio of 15 black and white images of a single residential location, circa 1955-1965 Black and white photographs printed on heavy stock gloss paper, bound with a plastic binding comb in black covers embossed with the company name Each page with paper label to verso: © Ezra Stoller Associates; each further marked with image number Overall: 11” H x 11.25” W x 0.5” D $800-1,200

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1141

Théophile Alexandre Steinlen

(1859-1923, Swiss/French) “Les voilà!...,” 1915; “Le repos du soldat,” bon!,” 1916 Each: Lithograph on wove paper, the first w watermark, the others on similar paper but Each: Edition 96/400 Each: With the printed signature in the sto in the stone; the first and third titled in pen numbered in pencil in the lower margin, at Image of smallest: 12” H x 15.875” W; Ima $400-600

Literature: Christophe 132; Christophe; an

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” 1915 ; and “Á bientôt...pour de

with a partial Van Gelder Zonen t with no visible watermark

one only: Steinlen; the first also dated ncil in the lower margin, at left; all t right age of largest: 14” H x 19.5” W

nd Christophe 133

1142

Emil Ganso

(1895-1941, American) “At the Seashore,” 1932 Wood engraving on paper under glass From the edition of 235 Signed in the lower margin, at right: Ganso; Pynson Printers, New York, NY prntr.; The Print Club, Cleveland, Ohio, pub., and with their label affixed to the frame’s backing paper Image: 8” H x 12” W $500-700 Literature: Smith R-3 Notes: The Print Club of Cleveland publication no. 10.

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1143

Claire Leighton

(1899-1989, American) “Corsican Washerwomen,” 1936 Wood engraving on paper under glass Edition 46/215 Signed, titled and numbered in pencil in the lower margin; The Print Club of Cleveland, Cleveland, Ohio, pub., with their label affixed to the frame’s backing paper. Image: 8.5” H x 10” W; Sight: 9” H x 10.375” W $500-700 Notes: The Print Club of Cleveland publication no. 14.

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1144

Jasper Johns

(b. 1930, American) “Untitled,” 2013 Offset lithograph on Giama Natural paper under glass From the edition of unknown size With the printed signature and date in the image, lower right: Jasper Johns; Bill Goldston/Universal Limited Art Editions, New York, prntr.; “Art in America” and Sharon Coplan Hurowitz, pub. Image: 14.5” H x 10.375” W; Sight: 14.75” H x 10.75” W $300-500 Notes: Johns produced this piece for the May 2014 issue of “Art in America” magazine.

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1145

A contemporary black desk

21st Century With a concave rectangular black composite wood top raised on tubular metal legs with lockable castors 29” H x 63” W x 31.5” D $400-600 Provenance: Private Collection, Bel Air, CA

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1146

Jeanette Styborski

(b. 1946, American) Untitled (Color Maze) Oil on canvas Signed on the stretcher verso: Styborski 72” H x 72” W $500-700

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1147

Wolfgang Tolk

(b. 20th Century, German) A “Load-It” shelving system, for Porro With Porro labels to shelves The modular shelving system with five L-shaped, waxfinished black steel shelves joined by arrangeable, magnatized grey lacquered MDF wood back panels 54” H x 79” W x 11.75” D $800-1,200 Provenance: Private Collection, Bel Air, CA

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1148

Pat Dozier

(b. 20th Century, American) “Rainstorm,” circa 1999 Wool tapestry Signed and titled to fabric tag verso: Pat Dozier / “Rainstorm” 39” H x 46” W $500-700 Provenance: Rio Grande Weavers Supply, Taos, NM Notes: This lot is accompanied by a receipt of sale from Rio Grande Weavers Supply dated September 23, 1999.

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1149

Denise Miller

(b. 20th Century, American) “Lunar Sea,” circa 2004 Wool tapestry Attributed, titled, and inscribed to laminated tag verso: Denise Miller / Lunar Sea / Made in Taos NM 37” H x 39” W $500-700 Provenance: Weaving Southwest, Taos, NM Notes: This lot is accompanied by a receipt of sale from Weaving Southwest dated January 13, 2004.

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1150

A contemporary mixed-media wall sculpture

Circa 1983 With engraved signature and date to verso: Leonard S [illegible] / 3/83 The steel, enamel, and marble wall sculpture with polychromed action paint strokes 30” H x 61” W x 2.5” D $500-700

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1151

Marques de Jadraque

(b. 1961, Spanish) “Tres Dalis” Oil on canvas Initialed in an oval and signed lower left: Marques de Jadraque; initialled and signed again, and titled, all verso 47” H x 50” W $700-900 Notes: This artist’s name at birth was Miguel Garcia.

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1152

A JJ Custom, Inc. vinyl snakeskin armchair

21st Century With JJ Custom label to seat interior Upholstered in grey snakeskin vinyl on a swivel base 36” H x 33.5” W x 36” D $500-700 Provenance: Private Collection, Hidden Hills, CA

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1153

A translucent brown acrylic cabinet

21st Century The small cabinet in semi-translucent dark brown acrylic with two open compartments 32” H x 27” W x 14.75” D $300-500 Provenance: Private Collection, Bel Air, CA

Lot 1154 has been withdrawn.

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1156

A contemporary full-length mirror

21st Century The rectangular mirror with grey-toned frame 96” H x 42” W x 1.75” D $600-900 Provenance: Private Collection, Hidden Hills, CA

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1155

A “George Nakashima: Woodworker” trade catalogue

Circa 1962 With letterpress printing to recto and verso of front cover: George Nakashima, Woodworker / New Hope, Pennsylvania Designed by Quentin Fiore, printed by Meridan Gravure, the furniture trade catalogue for the New Hope, PA studio comprising twenty-eight pages with greyscale illustrations showing a range of products interspersed with text descriptions, with hand-made Japanese paper cover and endpapers and a hand-sewn binding Overall: 11” H x 8.625” W x 0.125” D $600-900

1157

An Edgar Brandt-style wall rack

Late 20th/Early 21st Century The Art Deco-style wall rack with five hooks decorated with fan motifs 10.5” H x 42.5” W x 6.25” D $800-1,200

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1158

A geometric stone coffee table, by Martyn Lawrence Bullard

21st Century With a geometric-form black stone top raised on conforming bronze supports 18” H x 66.5” W x 40.25” D $500-700 Provenance: Martyn Lawrence Bullard Private Collection, Hidden Hills, CA, acquired from the above

1159

A geometric stone coffee table, by Martyn Lawrence Bullard

21st Century With a geometric-form black stone top raised on conforming bronze supports 18” H x 56.75” W x 50.25” D $500-700 Provenance: Martyn Lawrence Bullard Private Collection, Hidden Hills, CA, acquired from the above

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1160

A geometric stone coffee table, by Martyn Lawrence Bullard

21st Century With a geometric-form black stone top raised on conforming bronze supports 18” H x 60.5” W x 36” D $500-700 Provenance: Martyn Lawrence Bullard Private Collection, Hidden Hills, CA, acquired from the above

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1161

Andrew Tavarelli

(b. 1942, American) Geometric composition, 1974 Oil on canvas Signed and dated twice, once along the extreme lower edge of the canvas, verso, and once on the stretcher bar, verso: A. Tavarelli; inscribed, or possibly titled, on the stretcher bar verso: Painting for K. J. 54” H x 66” W $1,000-1,500

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1162

Sean Finocchio

(20th/21st Century, American) “Sunglasses,” 2011 Digitally manipulated color photograph printed on a handmade plywood box frame Edition 12/200 Signed and numbered lower right: Finocchio; signed again, titled, dated and numbered, verso 24” H x 23.5” W $600-800 Provenance: Private Collection, Bel Air, CA Notes: A black ink stamp on the verso references the artist’s online gallery at www.33stew.com.

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1163

Sean Finocchio

(20th/21st Century, American) “Skate Rentals,” 2011 Digitally manipulated color photograph printed on a handmade plywood box frame Edition 5/200 Signed and numbered lower right: Finocchio; signed again, titled, dated and numbered, verso 24” H x 23.5” W $600-800 Provenance: Private Collection, Bel Air, CA Notes: A black ink stamp on the verso references the artist’s online gallery at www.33stew.com

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1164

Ray and Charles Eames

(1912-1988 and 1907-1978, American) A pair of “Time Life” desk chairs, for Herman Miller, 2017 Each with the Herman Miller oblong label to underside Designed 1961, each with black leather upholstery, tufted seat and back, and polished aluminum frame with castors, 2 pieces Each: 36” H x 26.5” W x 27” D $1,200-1,800 Provenance: Private Collection, Hidden Hills, CA

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1165

A pair of Pablo Studio “Link” table lamps

21st Century Designed by Peter Stathis, each with an orange aluminum body and articulating neck, electrified, 2 pieces Each: 33.25” H x 9.5” W x 9.5” D, dimensions variable $200-300 Provenance: Private Collection, Bel Air, CA

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1166

A Modani “Ludlow” office chair

21st Century With Modani fabric tag to side The mid-century modern-style swivel chair with polished steel and aluminum frame and black leather upholstery 45” H x 22.125” W x 23” D $400-600 Provenance: Private Collection, Hidden Hills, CA

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1167

Two Stark “Ava Minkcoat” runners

21st Century Each with label to verso Each with grey silk scrolled foliate motif on a beige wool field, 2 pieces Each: 166” L x 48” W $400-600 Provenance: Private Collection, Bel Air, CA

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1168

1169

21st Century Each three-light fixture with a natural brass cylindrical frame fitted with individual glass rods, electrified, 2 pieces Each: 27” H x 5.75” W x 5” D

21st Century Each three-light fixture w fitted with individual glas Each: 27” H x 5.75” W x

A pair of Ralph Lauren “Allen” linear sconces

A pair of Ralph Laure

$1,000-1,500

$1,000-1,500

Provenance: Private Collection, Hidden Hills, CA

Provenance: Private Colle

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en “Allen” linear sconces

with a natural brass cylindrical frame ss rods, electrified, 2 pieces 5” D

ection, Hidden Hills, CA

1170

A pair of Ralph Lauren “Allen” linear sconces

21st Century Each three-light fixture with a natural brass cylindrical frame fitted with individual glass rods, electrified, 2 pieces Each: 27” H x 5.75” W x 5” D $1,000-1,500 Provenance: Private Collection, Hidden Hills, CA

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1171

A pair of Restoration Hardware brass wall mirrors

21st Century Each rectangular mirror with brushed brass frame, 2 pieces Each: 96.75” H x 55.25” W x 1.25” D $800-1,000 Provenance: Private Collection, Hidden Hills, CA

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1172

A Restoration Hardware “San Marco” chandelier

2019 With manufacturer’s label Designed by Theo Eichholtz, seven-light chandelier with a brass-finished metal frame 41” H x 22” Dia. $500-700 Provenance: Private Collection, Hidden Hills, CA

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1173

A Restoration Hardware marble and brass console table

2019 With RH manufacturing labels to underside With a white and grey marble top raised on a cast brass base with faux chip carved design 34.25” H x 48” W x 12” D $1,000-1,500 Provenance: Private Collection, Hidden Hills, CA

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1174

A Martyn Lawrence Bullard bar cabinet, for Frontgate

2017 With MLB tag to inside of drawer The black lacquered bar cabinet with bookmatch veneered upper cabinet with gilt and lighted interior over a pull-out shelf and a three-drawer console finished with brass trim and gilt handles, electrified 66.125” H x 40.125” W x 21.125” D $1,000-1,500 Provenance: Martyn Lawrence Bullard Private Collection, West Hollywood, CA

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1175

Jack Mason

(1930-1986, American) Stoneware charger, 1984 Glazed ceramic With incised signature, date, and inscription: Jack Mason / Stone Mountain, GA / 1984 / Georgia Clay 1.25” H x 14.5” Dia. $400-600

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1176

Elliott Newton

(1937-2015, American) Three crystalline glazed vessels Ceramic Each with incised signature to underside: Elliott 3 pieces Larger: 22.5” H x 11” D x 9.5” D; Smaller: 20” H x 6.5” Dia. $800-1,200

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1177

Marques de Jadraque

(b. 1961, Spanish) “Lin-coln-i-an-a,” 1988 Oil on canvas Initialed in an oval at the upper right; titled along the lower edge; dated at the upper right 55” H x 47” W $700-900 Notes: This artist’s name at birth was Miguel Garcia.

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1178

A leather Chesterfield sofa

21st Century Upholstered in white leather with tufted backs and rolled arms 26” H x 56” W x 36” D $800-1,200 Provenance: Private Collection, Bel Air, CA

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1179

A leather Chesterfield sofa

21st Century Upholstered in white leather with tufted backs and rolled arms 26” H x 56” W x 36” D $800-1,200 Provenance: Private Collection, Bel Air, CA

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1180

An American articulated copper blacksmiths weathervane

20th Century Depicting two blacksmiths at a forge with wood barrel, tulip motif windmill, and flags on an iron frame 16” H x 22.625” W x 9.5” D $800-1,200

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1181

An American molded copper horse and buggy weathervane Second Half 20th Century With full-bodied running horse and buggy with rider on a rod 18” H x 31” W x 11.25” D $500-700

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1182

An American molded zinc horse weathervane 20th Century With full-bodied running horse on a rod 16” H x 24” W x 1.5” D $500-700

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1183

A group of American folk art duck decoys

Second-Quarter 20th Century Each carved and polychromed wood, comprising five multi-colored mallards, redhead, and black-headed ducks as well as one Pratt Factory redhead duck with glass eyes, 6 pieces Larger: 7.25” H x 5” W x 14.25” D; Smaller: 4.75” H x 4.25” W x 11.5” D $400-600

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1184

A French Art Deco pastry shelf

Second-Quarter 20th Century The steel frame pastry shelf with ogee curved sides with radiating design over a white marble top and an upper shelf raised on an X-style support with brass medallion and fittings 48” H x 33” W x 29” D $800-1,200

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1185

An Indian carved wood dowry chest

20th Century The hinge-top chest fitted with iron straps, side handles, and pierced iron panels raised on wheels 20” H x 30.5” W x 18” D $500-700

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1186

An American molded copper pig weathervane

20th Century With impressed plaque: Made in USA With full-bodied pig and directional elements on a rod and iron stand Weathervane: 37” H x 32” W x 22” D; Rod and stand: 59” H x 14” W x 14” D $1,000-2,000

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1187

An American molded copper eagle weathe

Second Half 20th Century With full-bodied eagle and directional elements o Weathervane: 28.5” H x 24” W x 23” D; Rod: 53.2 $800-1,200

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ervane

on a rod 25” H

1188

A group of fly fishing wicker creel baskets

First Half 20th Century Comprising three with leather strapping and two with toggle closures, 5 pieces Larger: 10.25” H x 13.5” W x 9” D; Smaller: 6.5” H x 12.5” W x 6.5” D $400-600

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1189

A Schwinn reproduction cruiser bicycle

Circa 1990s With cantilevered tubular frame in blue with pearlescent white trim and with fender light and rear luggage carrier 42” H x 28” W x 73” D $600-800

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1190

A Schwinn Hornet bicycle

1962 Serial number: E214075 With cantilevered tubular frame in Radiant red with ivory trim and with fender light, bell, and rear luggage carrier 40” H x 26.25” W x 71” D $600-800

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1191

A Columbia 5-Star 1952 Reproduction 110th Anniversary bicycle

1986 Serial number: 61320302 With tubular frame in green with cream trim and with fender light and rear luggage carrier 39” H x 27.25” W x 70” D $600-800

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1192

A Colnago Titanium road bike

21st Century With various Colnago markings With titanium main frame, carbon forks and rear stays, and Mavic CXP21 tires 36” H x 17” W x 64” D $600-800

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1193

Four Stendig “Prometheus” high stools

1979 Each with paper label: Made in Italy Model no. 151B, each bar stool with sienna brown Naugahyde upholstered seat and back on a cantilevered chromed metal base with foot rest, 4 pieces Each: 42.5” H x 15.25” W x 23” D $1,000-1,500 Provenance: Property of an Estate, Beverly Hills, CA Notes: This lot is accompanied by a receipt of sale from Stendig dated November 14, 1979.

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1194

Two Marcel Breuer “Cesca” armchairs, for Gavani Italy

Third-Quarter 20th Century Each with silver foil Gavani Italy label to underside Designed 1928, each cantilevered armchair with a woven cane seat and back in a black painted beech frame on tubular steel supports, 2 pieces Each: 31” H x 23.375” W x 20” D $300-500

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1195

Milo Baughman

(1923-2003, American) A set of chrome bar stools Each with a tubular chromed metal frame with footrest and upholstered in newer snow leopard print velvet, 4 pieces Each: 41” H x 20.25” W x 20” D $500-700 Provenance: Private Collection, Hidden Hills, CA

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1196

A large Phoenix Day “Josef” pendant chandelier, by Thomas Lavin 21st Century The two-light bronze fixture with white paper shade, electrified 41” H x 16” Dia. $500-700 Provenance: Private Collection, Bel Air, CA

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1197

A pair of Phoenix Day “Josef” pendant chandeliers, by Thomas Lavin 21st Century Each two-light bronze fixture with white paper shade, electrified Each: 29.5” H x 16” Dia. $800-1,200 Provenance: Private Collection, Bel Air, CA

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1198

A set of Christian Liaigre “Greco” sconces

21st Century Each with a bronze-finished brass back plate issuing one right-angled arm with a white paper shade, electrified, 8 pieces Each: 15.75” H x 9.5” W x 11” D $1,500-2,000 Provenance: Private Collection, Bel Air, CA

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1199

A set of Christian Liaigre “Greco” sconces

21st Century Each with a bronze-finished brass back plate issuing one right-angled arm with a white paper shade, electrified, 8 pieces Each: 15.75” H x 9.5” W x 11” D $800-1,200 Provenance: Private Collection, Bel Air, CA

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1200

Joan Strauss Carl

(1926-2021, American) 20th/21st Century Unsigned The painted terracotta sculpture depicting an abstract female bust on a wood base Overall: 31” H x 17” W x 15” D $700-900

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1201

A Curtis Jeré-style wall sculpture

Mid-20th Century or Later The modernist-style wall sculpture with perpendicularly welded iron rods and multi-colored glass discs 92” H x 54” W x 6” D $1,000-1,500

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1202

A cast bronze Buddhist-style hand

20th Century Displaying the gyan mudra and mounted to a metal and stone base Hand: 12.5” H x 6.5” W x 7.5” D; Overall: 22.5” H x 8” W x 7.5” D $200-300 Provenance: Private Collection, Hidden Hills, CA

1203

Dan Cunningham

(b. 20th Century, American) Monumental radiata pine chalice Wood With burned signature and inscription to the underside: Cunningham / “Radiata Pine” 21” H x 22.5” Dia. $800-1,200 Provenance: Upcountry Connection, Kamuela, HI Notes: This lot is accompanied by a receipt of sale from Upcountry Connection dated December 6, 2000.

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1204

An ELC Du Nord mid-century modern studio pottery table lamp

Mid-20th Century Signed: ELC Du Nord The glazed ceramic base with maroon and blue speckles against a beige ground and polychrome kite motif with a cream silk shade and carved nephrite finial, electrified Overall: 32” H x 13” Dia. $300-500

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1205

Joan Strauss Carl

(1926-2021, American) Three mid-century modern tile-top coffee tables, circa 1960s-70s Appear unmarked Each studio made table with inset polychrome terracotta tiles in a wood box frame and raised on wood slab legs, comprising one square and two rectangular tables, 3 pieces Square: 12.75” H x 33.125” W x 33.125” D; Larger rectangle: 12.75” H x 73” W x 19.25” D; Smaller rectangle: 12.75” H x 59.125” W x 23.125” D $400-600

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1206

Michael K. Hansen and Nina Paladino Caron (b. 20th Century, American) Red free-form fluted vase Glass With engraved signature to underside 15.75” H x 17.5” W x 12” D $500-700 Notes: This lot is accompanied by a copy of an informational brochure from California Glass Studio, Inc.

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1207

Michael Mortara

(b. 20th Century, American) “Mirage” bowl, 2001 Glass Engraved signature and date: Mortara / 2001 5.5” H x 15” Dia. $500-700 Provenance: Elizabeth Doyle Gallery, Kapalua, Hawaii Notes: This lot is accompanied by a receipt of sale from Elizabeth Doyle Gallery dated November 29, 2001.

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1208

Leon Applebaum (b. 1945, American) Two works:

“Textured Bowl” Glass Engraved signature: Leon Applebaum 5.375” H x 9.75” W x 8.25” D Sculptural vessel Glass Engraved signature: Leon Applebaum 9.25” H x 10.25” W x 10” D $600-900 Provenance: The first: Del Mano Gallery, Los Angeles, CA Notes: This lot is accompanied by a receipt of sale from Del Mano Gallery dated December 3, 2002.

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1209

Livio Seguso

(b. 1930, Italian) “Sasso,” for Oggetti Glass Engraved signature: Seguso A.V. / For Oggetti; titled on sales receipt 9” H x 9.5” W x 3.5” D $400-600 Provenance: Signatures in Acrivue, Los Angeles, CA Notes: This lot is accompanied by a receipt of sale from Signatures in Acrivue dated October 26, 1999.

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1210

Sandra Clark

(b. 20th Century, American) “Jelly Fish Aquarium,” 2006 Dichroic glass Signed in silver pen verso: Sandra Clark 17.5” H x 20” W x 1.75” D $700-900 Provenance: Hana Coast Gallery, Maui, HI Notes: This lot is accompanied by a certificate of authenticity and receipt of sale from Hana Coast Gallery dated December 5, 2006.

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1211

A group of art glass nesting vessels

Circa 2004-2007 Two with engraved date and illegible signature The art glass sculpture consisting of five nested cobalt blue and clear ribbon glass vessels, 5 pieces 5.5” H x 14” Dia. approx., dimensions variable $300-500 Provenance: Third Dimension Gallery, Kohala Coast, HI Notes: This lot is accompanied by a receipt of sale from Third Dimension Gallery dated January 19, 2008.

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1212

Two art glass jellyfish sculptures Two works:

Christopher Richards and Chris Lowry (b. 20th Century, American) “Double Jellyfish,” 2001 Engraved signature and date: Hot Island Glass / 2001 / Maui / C.S. Richards - E.C. Lowry 8.25” H x 4.5” W x 4” D Richard Satava (b. 20th Century, American) “Passion Moon Jellyfish,” 2005 Engraved signature, date, and number: Satava / 3057 / 05 6” H x 2.5” Dia. $500-700 Provenance: The first: Hot Island Glass, Makawao, HI Notes: This lot is accompanied by a receipt of sale from Hot Island Glass dated December 1, 2001.

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1213

Four mid-century modern acrylic sculptures

Circa 1967 Two with engraved signature: Joseph J. Smith; one inscribed: 9A; two titled to paper label on underside, “The Crown” and “Les Sylphides;” one dated: 67 Each acrylic pillar with internal, polychrome abstract designs raised on carved wood stands, 4 pieces Larger: 12” H x 6.125” Dia.; Smaller: 6” H x 3.75” Dia. $400-600

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1215

Randy Puckett

(b. 1946, American) “Singer,” 1986 Patinated bronze on wood base Edition A.P. 18/25 Signed, dated, and numbered in the casting: Randy Puckett / AP 18/25 © 1986 10.5” H x 10.5” W x 6.5” D $300-500 Provenance: Dolphin Galleries, Kihei, HI Notes: This lot is accompanied by a certificate of authentication and a receipt of sale from Dolphin Galleries dated May 29, 1991.

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1214

Todd Michael Guevara

(b. 20th Century, American) “Hammerhead Shark,” 1998 Painted fiberglass 25” H x 120” W x 26” D $600-800 Provenance: The Fish Man, Laguna Beach, CA Notes: This lot is accompanied by a receipt of sale from The Fish Man dated April 13, 1998.

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1216

A Japanese articulated bronze model of a crab

Meiji Period (1868-1912) Signed in Japanese characters to underside The naturalistically modelled crab, or “okimono,” with movable legs, claws, and eyes in patinated bronze 2” H x 9” W x 4.5” D approximately $700-900

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1217

A Japanese bronze censer

20th Century A lobbed lidded bronze censer with applied floral and foliate decoration and grasshopper fasteners 8” H x 10” W x 9” D $300-500 Provenance: Silk Road Gallery, Kamuela, HI Notes: This lot is accompanied by an undated receipt of sale from Silk Road Gallery.

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1218

A pair of Buddhist devotional figures

20th Century Each depicting the Tibetan goddess Tara wearing a crown and adorned with flowering vines and jewels, 2 pieces Each: 16.5” H x 10” W x 9” D approx. $700-900

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1219

A pair of cowhide rugs

21st Century One with stamped label underside: [illegible] / Made in Brazil; One with various markings and labels to underside Each with white fur and natural edge, 2 pieces Larger: 89” L x 75” W; Smaller: 87” L x 77” W $300-500 Provenance: Private Collection, Hidden Hills, CA

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1220

A large group of Bakelite, plastic, and metal bangle bracelets

Mid-20th Century Appears unmarked Comprising bangle bracelets in a variety of colors, materials, and designs; some carved, some stone set, and ten are enameled metal; some are solid color, some transparent, mottled, or marbled; some with round edges, some with angled edges, 101 pieces approx. 7.25” inner C - 8” inner C (most are 7.5” inner C) x 0.125” W - 1” W $300-500

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1221

Two Modernist silver rings Second Half 20th Century Two works:

A Sam Kramer Modernist silver ring with set moonstone (1913-1964, New York) Stamped with artist’s cipher / further stamped: Sterling Ring size: 5 A James Parker silver band with incised lines (1914-1987, California) Stamped: conjoined JP / Hand Made / Sterling Ring size: 10.25 27.6 grams gross $500-700 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

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1222

A mixed group of Modernist-style jewelry

Fourth-Quarter 20th Century or Later A group comprising four freeform silver pendants, one with chain, one with a cord (Each marked: SFR / © / 925; one further marked: 17/99; Largest: 1.875” H; chain stamped: 925 / N/C; 24” L); two round modernist stone set pendants, one with a thin snake chain, one on a cord (each unmarked; Largest: 1.375” Dia.; chain marked: India / 925; 31” L); two incised narrow modernist necklaces, one on a chain and one on a wire collar (Each unmarked, largest: 3” H; chain marked” Italy / 925; 16” L; wire marked [illegible letters] / 925; 17.75” L), and two pairs of modernist pierced earrings, (Each unmarked; largest: 0.5” H), 16 pieces 171.8 grams gross $400-600

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1223

A group of silver and set stone jewelry

Mid-20th Century and Later A mixed group of nine works comprising a collar necklace with pendant (collar stamped for Anna Greta Eker / Norway / Sterling / 925S; 15” L; pendant stamped: 925; 2.25” H); two necklaces, one with filigree links (27” L) and one with chunky narrow links (stamped: MDM / Mexico / 925 / TO-14 / MDM[?]; 17.5” L); three pendants including a small round pendant with clear cut stone, (Stamped: Issac Cohe[n] / ICO / [city mark] / S9 [for 1968]; 1.25” H), a lapis-set freeform pendant (etched: G. LeGerman / 92; 2” H), and a brutalist-style pendant with cut set blue stone (Stamped: Sterling; 1.5” H); two brooches, including one star-shaped brooch (stamped with makers mark [S or CD?] / Sterling; 2.375” H); and one pair of mixed metal earrings with blue stones (each stamped: PTP [script] / GF; 1” H), 11 pieces 144.3 grams gross $200-300 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

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1224

A large mixed group of Modernist-style jewelry

Mid-20th Century and Later Eighteen works comprising two necklaces, one with overlay portrait stone-set pendant with paperclip chain (Pendant stamped: LG / Sterling; 2.75” H; chain: 18” L) and one shadowbox overlay pendant with sea creature designs on a paperclip chain (Pendant stamped: Coro ©; 2.5” H; chain stamped: Germany; 24.5” L); five pendants, including an articulated stylized fish pendant (Stamped: MMC / Taxco / Mexico / 925 / Eagle 63; 4” H), a set-stone figural pendant (Stamped: Muriel; 2.75” H), a silver charm hand pendant holding pool of light sphere (Stamped: [conjoined] AO [or] VO / Brazil / 925 / ©; 1.25” H), and a heavy single hand pendant (unmarked; 2.5” H); two link bracelets, one with rectangular links (Stamped: Sterling; 7.5” L) and one with oval links (unmarked; 9” L); a Brutalist style brooch and pair of matching earrings (Each unmarked; brooch: 1.75” h x 2.5” W; earrings: 2” H); seven further brooches, including a narrow Danish silver knotwork brooch (Stamped: HaH [for Hans Hansen] / Denmark / 925S; 3” H), a silver overlay “Tree of Life” brooch (Stamped: GMN / HP / 925; 2” H”), an oval openwork brooch (Stamped: [maker’s mark] / 925S; 1.625” H), a mixed metal portrait brooch (Stamped: R; 2.125”H), and two modernist blockhead torso brooches, one with cut-out tie and quiff hair (etched: B / “Corporate Blockhead” / 7/90 / sterling; 2.125’ H) and one with double row buttons, earring and mohawk hair (Etched: B / “Punker Blockhead” / 7/90 / sterling; 2.5” H); and a pair of mixed metal flaming heart stone set earrings by Sandy Comstock (each stamped: Comstock / © / sterling; 1.5 “H), 21 pieces 395.1 grams gross $300-500 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

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1225

A contemporary life-size glazed ceramic sculpture Late 20th/Early 21st Century Signed: Jon Standing girl with ponytail 52.75” H x 18.25” W x 18.75” D $500-700

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1226

A contemporary life-size glazed ceramic sculpture Late 20th/Early 21st Century Signed: Jon Boy and girl 30” H x 46.5” W x 22” D $600-800

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1227

A group of fur pillows

21st Century Comprising three rectangular pillows and one square pillow in various furs, 4 pieces Each rectangular: 11” H x 21” W; Square: 17” H x 20” W $300-500 Provenance: Private Collection, Hidden Hills, CA

1228

A Zanotta “Pianoalto” sectional sofa

21st Century With Zanotta fabric label Design 2012 by Ludovica and Roberto Palomba, comprising two modular sectionals with three back cushions, three throw pillows, and an ottoman, raised on graphite painted steel feet and upholstered in grey, brown, and ivory graduated polyurethane/ Dacron Du Pont, 9 pieces Larger sectional: 25.5” H x 64” W x 49” D; Smaller sectional: 25.5” H x 52” W x 36.5” D; Ottoman: 13” H x 36” W x 36” D $1,000-1,500 Provenance: Private Collection, Bel Air, CA

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1229

1230

21st Century Each with an inset, speckle-finished mirrored glass top over a single composite wood drawer and raised on a black tubular metal base, 2 pieces Each: 20.25” H x 20” W x 20” D

21st Century With label to With cast iro together wit 34” H x 102”

Two Restoration Hardware “Gramercy” mirrored nightstands

$400-600 Provenance: Private Collection, Hidden Hills, CA

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A Restorat

$300-500

Provenance:


tion Hardware “Zinc” console table

y o underside on Parisian cafe-style legs on a zinc-clad top, th a later-added white marble oval top ” W x 47” D

: Private Collection, Hidden Hills, CA

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1231

Two contemporary chrome side tables

21st Century One with retail label: Global Views / Made in India Each with chromed metal frame, comprising one three-tiered table with smoky mirrored glass shelves and one Global Views table with a black composite stone top on a tripod base, 2 pieces Larger: 26” H x 22” Dia.; Smaller: 24” H x 18.5” Dia. $400-600

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1232

A custom tufted bed

2016 The queen-sized bed frame upholstered in tufted white faux leather, comprising four bed slats, two side rails, one box spring, one headboard, and one footboard, 9 pieces Bed: 64î W x 90î L; Headboard: 62î H x 66î W; Footboard: 24.5î H x 64î W; Box spring: 23î H $800-1,200

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1233

A group of three contemporary table lamps

21st Century Comprising two West Elm mercury glass stacked polyhedron lamps (each: 20” H x 7” Dia.) and one gilt mica-patterned ceramic lamp with a cream silk shade (overall: 25.25” H x 13.25” W x10.25” D), electrified, 3 pieces $300-500 Provenance: Private Collection, Hidden Hills, CA

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1234

A group of Modernist-style silver jewelry

Mid-20th Century and Later Ten works including an Unn Tangerud for David Anderson brooch/pendant (b. 1933; Stamped: UNI / D-A / 925S / Sterling / Norway / INV. UT.; 1.875” Dia.); a freeform Brutalist style hinged bracelet (Illegibly signed; Stamped: 925 / [clasp] 14K; 8” total inner C x 1” H); a Matti J. Hyvarinen Finland textured silver link bracelet (Stamped: MJH / 925 / [cipher for Turku] / U7 [for 1973; 7.5” L x 0.75” H); a freeform Brutalist-style ring (Appears unmarked; Ring size: 9, 1.25” H); an H. Fred Skaggs multistone set ring (Stamped: Sterling / Handmade / H. Fred Skaggs; Ring size: 7); a large Erik Dennung stone set pendant (Stamped: Erik Dennung / Made in Denmark; 3” H); a pair of brutalist earrings (illegibly signed; 2.5” H); a twined silver wire cuff with climbing mice (Appears unmarked; 7.5” approx. total inner C x 2” H); a Brutalist-style freeform cuff (Etched signature: [illegible, possibly Barbara Bisand or Brand]; 6.75” total inner C x 2.3” H, wrist opening: 0.75”); a biomorphic concave brooch with central cut glass stone and wire accents (Etched with pictograph letter “H” or “K” with dragon’s head; 3.5” L x 2.25” W); a pair of Brutaliststyle earrings with bezel mounted ebonized wood (Stamped: Pera / 975; 3.5” L x 1.75” W),13 pieces 415.1 grams gross $500-700 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

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1235

Large group of mixed Modernist-style jewelry

Mid-20th Century and Later Most unmarked A large group of mixed metal items comprising five buckles, three of hammered or shaped bronze and copper (Largest: 4.5” H x 5.25” W), one heavy brass/bronze buckle in openwork design of interlaced branches (2.5” H x 3” W) and a two-piece buckle with round copper overlay and stone set roundels (Each stamped: Mexico / [one partially stamped] HU; 2.25” H x 6.25” W); three necklaces including a copper link necklace with a hammered copper pendant with seed dangles (22.25” L x 5” H), a collar necklace with tubular copper links and copper and brass dangles on a thick leather cord (16” L) and a Seppo Tamminen bronze and silver articulated link pendant necklace or belt (Stamped: ST [cipher] / Handmade / Finland; 39” L x 4” H); three mixed metal pendants including a Brutalist freeform bronze pendant (3” H x 2” W), a freeform copper pendant with Brutalist style overlay and set stone accent (3’H x 2” W) and a round mixed metal and stone inlay sunburst pendant (2.5” Dia.); a mixed metal overlay cuff bracelet with shell inlay (Stamped: Hecho en Mexico; 8” total inner C x 1.375” H; 1.75” wrist opening); a bronze freeform ring with set stone (Ring size: 7.5; 1.5” H); and a pair of bronze and copper clip earrings (3” H x 2” W), 16 pieces $300-500 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

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1236

A group of Modernist-style bracelets

Mid-20th Century or Later Seven bracelets comprising a large sculptural cuff by Patricia Von Musulin (Stamped: Von Musulin / Sterling / 925; 1” H x 4” W x 0.5 “ D; 6.25” total inner C, wrist gap: 1.125”), a heavy silver bangle, (Stamped: NOA NOA / 925; 8” total inner C x 0.75” H), a textured incised thin cuff (Stamped: Israel / 925; 7.75 total inner C x 1” H; wrist opening: 0.5”), a Bent Knudson silver cuff with square set amber colored stone (Stamped: Sterling / Denmark / BENT K / 192 / ©; 6.5” total inner C x 1.375” H; wrist opening: 1”), a silver and leather double-cord bracelet with red set stone (Stamped EG / 925; 7” L x 1” H), a narrow bone-shaped cuff bracelet (Marked with faint maker’s mark; 8” total inner C x 0.5” H; wrist opening: 1”), and a weave-textured cuff (Unmarked; 7” total inner C x 1” H; wrist opening: 1.25”), 7 pieces 327.4 grams gross $200-300 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

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1237

A large group of mixed jewelry

Mid-20th Century and Later Majority of brooches each marked for silver; Five pairs earrings unmarked A group of Modernist-style silver items comprising fourteen pairs of clip and post earrings, one stone-set pair by Lori Bonn (stamped: Lori Bonn / 925; 1.25” H); one oval pair (stamped: Sweden / RFQ [script] / 9; 1” H); six pairs marked for Mexico, including a silver twist pair (Stamped: MEE / Mexico / 980; 2” H), a pair of silver star clip earrings (Stamped: NM / Mexico / 925; 1.5” H); and a small round silver pair (Stamped: VGV / 925 / Hecho en Mexico / D.F.; 0.625” Dia.) along with a group of silver modernist brooches, with eight marked for Mexico, including a geometric brooch by Dominique Dinouart (stamped: DDD / 925 / Mexico; 2.75” H), a stylized “X” brooch (Stamped: Alicia / Mexico / TO-43 / 950; 3” H); four Scandinavian works including a Danish silver triangle brooch by Hans Hansen (Stamped: Hans Hansen [signature] / 925S / Denmark / 113; 3” H), a Finnish cut-out rectangular brooch by Erik Granit (Stamped: EG / [marks for Finland/Helsinki] / 925H / T7 [for 1972] / 925 / Sterling; 1.375” H), a Finnish silver swirl brooch by Jorma Laine (Stamped: J Laine / 925 / Sterling; 1.75” H); and further brooches, including a large silver leaf brooch (Stamped: Nina / 925; 7” H)and a Van Dell silver swirl brooch (stamped V.D. / Sterling; 2” H), as well as a small silver buckle and a heart pendant, approximately 51 pieces 391.5 grams gross $200-300 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

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1238

A group of Modernist jewelry

Fourth-Quarter 20th Century Comprised of a Mexican silver cuff bracelet with a single bezel set cabochon goldstone (Stamped: TF - 01 / Mexico / 925; 6.625” total inner C x 1” H, wrist opening: 1”); a free-form silver link clasp bracelet (Stamped: 925 [partially legible on clasp bar]; Further stamped with partial 92 inside hexagram; 7.25” L x 1.5” H); an openwork wire pendant (Stamped: X X IIII; 4.25” H x 3” W); a leaf-shaped silver brooch (Stamped: Sterling; 3” H x 0.625” W); a Roland Landerholm openwork geometric pewter pendant with a central blue ceramic cabochon (Etched signature: R Landerholm [for Roland Landerholm, Swedish]; Further stamped: TENN; 2” H x 1.75” W); and a sculptural link collar necklace (Appears unmarked; 16.5” L x 2” H), 6 pieces 177.5 grams gross (excluding pewter) $100-200 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

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1239

Georges “Sem” Goursat

(1863-1934, French) “Pour la liberté du monde. Souscrivez á l’emprunt national á la Banque Nationale de Crédit,” 1917 Lithograph in colors on paper under glass From the edition of unknown size Signed with the printed signature in the image at lower right: SEM; Devambez, Paris, pub. Sight: 45.5” H x 29.5” W $600-800 Notes: Known simply as “Sem,” this French Belle époque artist’s full name was Georges Goursat. The title translates as, “For the freedom of the world. Subscribe to the National Loan at the Banque Nationale de Crédit.”

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1240

Leo Dupin

(1898-1971, French) “Champagne de Castellane,” circa 1930 Lithograph in colors on paper laid to paper under Plexiglas From the edition of known size With the printed signature in the stone only: Leo Dupin; Joseph Charles, Paris, prntr. Sheet/Image: 55.25” H x 39.375” W $600-800 Provenance: Property of an Estate, Beverly Hills, CA

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1241

Cristèn Lyon

(20th Century, French) “Les Vins de Grandes Caves de Lyon,” 1950 Lithograph in colors on paper laid to paper under Plexiglas Unsigned From the edition of unknown size Image/Sheet: 60.5” H x 44.25” W $800-1,200 Provenance: Property of an Estate, Beverly Hills, CA

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1242

A set of Christian Liaigre “Greco” sconces

21st Century Each with a bronze-finished brass back plate issuing one right-angled arm with a white paper shade, electrified, 12 pieces Each: 15.75” H x 9.5” W x 11” D $1,800-2,500 Provenance: Private Collection, Bel Air, CA

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1243

A pair of Phoenix Day “Josef” pendant chandeliers, by Thomas Lavin 21st Century Each two-light bronze fixture with white paper shade, electrified Each: 29.5” H x 16” Dia. $800-1,200 Provenance: Private Collection, Bel Air, CA

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1244

A Phoenix Day “Josef” pendant chandelier, by Thomas Lavin 21st Century The two-light bronze fixture with white paper shade, electrified 29.5” H x 16” Dia. $500-700 Provenance: Private Collection, Bel Air, CA

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1245

A contemporary Venetian wall mirror

21st Century The rectangular mirror with beveled edges, a scrolled crest, and applied floral elements 91” H x 40” W x 2” D $1,500-2,000 Provenance: Private Collection, Hidden Hills, CA

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1246

A partial contemporary glass chandelier

21st Century With large, shallow drum with cut glass X-prisms, suspended from a four-arm brass harness, parts are a marriage, lacking light fixture Chandelier: 6.5” H x 36” Dia.; Harness: 67” H x 11” Dia. $1,000-2,000 Provenance: Private Collection, Hidden Hills, CA

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1247

A Zanotta console table

21st Century With metal tag to underside: Zanotta / Made in Italy The console table with asymmetrical black leather and metal top raised on a conforming black metal tubular frame 26” H x 52.5” W x 14” D $300-500 Provenance: Private Collection, Bel Air, CA

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1248

An Arteriors Home “Tilda” chandelier

2016 The five-light chandelier with white finished iron frame issuing upward-curved arms terminating in white painted wood dowls, with chain and canopy, electrified 73.5” H x 31” Dia. $400-600 Provenance: Private Collection, Hidden Hills, CA

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1249

A Sangiacomo “Boiserie” modular storage system

21st Century With manufacturer’s label to verso: Boiserie / 5620 / P5620A / 29-1-P2 / AL / XP The composite wood storage system comprised of wall mounted shelving units, shelving towers, and a cabinet with grey acrylic accents, 10 pieces 75.5” H x 151.25” W x 19” D $3,000-4,000 Provenance: Private Collection, Bel Air, CA

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1250

A Minotti leather ottoman

21st Century With Minotti mark to underside The large square ottoman upholstered in brown leather with metal support 16” H x 40” W x 40” D $600-800 Provenance: Private Collection, Bel Air, CA

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1251

A pair of Restoration Hardware “Marbella”aluminum outdoor sofas

21st Century Each white finished metal with upholstered seat cushions in white Perennials fabric, one sofa with two matching pillow, 2 pieces Each: 25” H x 84” W x 32.5” D $1,000-2,000 Provenance: Private Collection, Hidden Hills, CA

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1252

A set of lacquer and chrome outdoor planters

21st Century Each square, white lacquered planter with chromed metal insert, 4 pieces Each: 16” H x 36” W 36” D $1,000-1,500 Provenance: Private Collection, Hidden Hills, CA

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1253

A pair of mid-century modern iron mesh outdoor chairs

Mid-20th Century Each with square-punched perforated metal seat and back on an iron frame with a white finish, 2 pieces Each: 30” H x 19.25” W x 16” D $200-400

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1254

A pair of Restoration Hardware “Havana” outdoor lounge chairs

21st Century Designed by Louis Ho, each chair with graphite-colored, vertical wrapped allweather cord back and arms on a teak box base with beige upholstered seat and back pillow, 2 pieces 33” W x 35.75” D x 29.25” H $400-600 Provenance: Private Collection, Hidden Hills, CA

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Condition Reports

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1001 Good overall condition, car starts, runs, drives, and stops. Engine idles smoothly and presents well as a daily driver. Areas repainted (mainly deck lid and rear panel), minor rust, nicks, scratches, scuffs, and wear to interior and exterior. Interior good overall condition with normal wear to the seats, door panels, and carpet. Current owner has partial service history. 1002 Visual: Good condition. Very soft vertical ripples showing slightly at the upper and lower edges of the canvas. Two short and unobtrusive reverse pressure marks showing in the form of thin lines in the lower section, near the left edge, one 4” long, and one 0.5” long. An extra tuck in the canvas at the outer edge of the upper left corner, not visible from the front, and attendant with what appears to be a very small distortion in the corner of the underlying wood panel. Blacklight: No evidence of restoration. Overall, including the neon fixture: 79” H x 48” W x 3.5” D 1003 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Wiring should be checked by a qualified electrician prior to use.

Condition Reports

1004 Each overall fair to good condition with scattered scuffs and scratches commensurate with age. Each with scattered chips to white finish on metal bases and chairs, most heavy along rim of foot and arms.

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1005 Overall good condition with scattered scuffs and light scratches commensurate with age. Lacking one glass globe. Wiring should be checked by a qualified electrician prior to use. 1006 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Each with scattered chips to glass edges. 1007 Overall good condition with scattered scuffs and scratches commensurate with age. Scattered areas of surface wear and small chips to white finish.

1008 Overall good condition with shelf wear, dust accumulation, inherent surface-reaching fractures, inclusions, and abrasions commensurate with age. Stand with light wear and scratching. 1009 Overall fair to good condition with minor scuffs and light scratches commensurate with age. One arm is loose and will not support weight of glass shade, the shade accompanies the lot to allow for repair. Wiring should be checked by a qualified electrician prior to use. 1010 Overall good condition with scattered scuffs and light scratches commensurate with age. 1011 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Each glass globe with fleabites and chips at fitter rim. Wiring should be checked by a qualified electrician prior to use. 1012 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Each glass globe with fleabites and chips at fitter rim. Wiring should be checked by a qualified electrician prior to use. 1013 Overall good condition with scuffs and light scratches commensurate with age. Stone with inherent fractures, inclusions, and abrasions typical for the natural material. The cut edge of the geode with areas of adhesive glue residue. 1014 Overall fair to good condition commensurate with age and use. Lacking E string. Cover missing from one tuner peg. Wiring should be checked by a qualified electrician prior to use. Working condition unknown. 1015 Overall fair to good condition commensurate with age and use. Body is refinished. A partial crack near neck, nicks and chips to varnish throughout, surface abrasions, and the bridge bolts are not tightened. Amp with heavy dust accumulation, wear, surface moisture oxidation, and scattered surface soiling. Wiring should be checked by a qualified electrician prior to use. Working condition unknown.


1016 Overall good condition with scattered scuffs, scratches, and shrinkage cracks commensurate with age. More prominent scuffs to feet.

1024 Overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use.

1017 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Wiring should be checked by a qualified electrician prior to use.

1025 Overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use.

1019 Good condition, the colors vibrant. Presumably laid to foamboard. Presumably with the slightest and nearly imperceptible hint of toning, hidden by the frame, along the extreme edges. Not examined out of the frame. Frame: 39” H x 38.5” W x 1.25” D

1026 Overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use. 1027 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 1028 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1020 Good condition, the colors vibrant. Laid to foamboard as described. The slightest and nearly imperceptible hint of toning, hidden by the frame, along the extreme edges of the image/sheet.

1029 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. A 1.5” chip to lower corner of yellow element.

Frame: 39” H x 38.5” W x 1.25” D

1030 Overall good condition with scattered scuffs, scratches, and indentations commensurate with age. The top with prior glued repair to reattach it to the base, the glue is loose and the top will spin.

1021 Good condition, the colors vibrant. Presumably laid to foamboard. Presumably with the slightest and nearly imperceptible hint of toning, hidden by the frame, along the extreme edges. Not examined out of the frame. Frame: 39” H x 38.5” W x 1.25” D 1022 Good condition, the colors vibrant. Presumably laid to foamboard. Presumably with the slightest and nearly imperceptible hint of toning, hidden by the frame, along the extreme edges. Not examined out of the frame. Frame: 39” H x 38.5” W x 1.25” D 1023 Overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use.

1031 Overall good condition with scattered scuffs, scratches, abrasions, and indentations commensurate with age. 1032 Each overall good condition with scattered scuffs, scratches, and indentations commensurate with age. 1033 Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. The vase with a pea-sized nick to the side. Sculpture with adhesive felt pads to underside.

Condition Reports

1018 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age.

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1034 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and indentations commensurate with age. 1035 Each overall good condition with scattered scuffs, scratches, nicks, and inherent natural imperfections commensurate with age and material. 1036 Overall good condition with shelf wear, dust accumulation, and inherent firing flaws commensurate with age. The lid with a prior repair running down the center, with glue visible under blacklight and plaster bandages to underside, also with a 1” unobtrusive chip to corner of shingle element on underside.

Condition Reports

With base: 23.25” H x 9.25” W x 4.75” D 1043 Visual: Good condition. Dust accumulation and grime commensurate with age. The artist’s paintedover nailheads showing slightly in places around the extreme outer edges, occasionally with attendant minute paint losses. Several tiny and very unobtrusive flecks of stray lighter pigment near the upper edge. Blacklighght: No evidence of restoration. Frame: 49.25” H x 25.25” W

1037 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with inherent uneven/textured edges.

1044 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Onyx bases with minor chips and abrasions. Stands with some acrylic shelves loose.

1038 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with inherent uneven/textured edges.

Each stand: 13.5” H x 6.125” W x 6.125” D

1039 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with inherent uneven/textured edges. The larger with scattered small chips to edge, one with a possible attendant hairline. The smaller with one small chip to edge.

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1042 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1040 Visual: Good condition. Dust accumulation and grime commensurate with age. The artist’s painted-over nailheads showing very slightly in places at the extreme upper edge. A 4” long, diagonal line of slight surface scuffing showing at the lower left. Blacklight: No evidence of restoration. Frame: 49” H x 19” W x 2” D 1041 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. With base: 34.75” H x 8.75” W x 7.5” D

1045 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Top with uneven finish, scratches, and possible moisture damage. Cabinet interiors with moisture rings. 1046 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Chairs with more localized wear to legs and scattered minor chipped abrasions from use. Table top with surface wear, uneven finish, chips to veneer at edge, and areas of fading. Table legs with dark scuffing and scratches. 1047 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With scattered minor spots of surface abrasion to the ceramic. The metal socket with a 2.5 crack/split. The shade with light scuffing and a 1” patch of stitch loss. Wiring should be checked by a qualified electrician prior to use. Base: 35.5” H x 8” Dia. Shade: 19” H x 17” Dia.


Blacklight: No evidence of restoration. Frame: 29” H x 26.5” W x 1.75” D 1049 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The shade with light soiling and pilling. Wiring should be checked by a qualified electrician prior to use. Base: 19” H x 8.75” W x 5.5” D Shade: 10” H x 20.5” W x 12.5” D 1050 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The legs with heavier scratches and wear. The upholstery with scattered light soiling/staining. 1051 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The legs slightly loose and with heavier wear. Glass tiles with scattered inherent imperfections typical to the material, with one loose red tile. 1052 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Has been previously reupholstered and refinished. More localized nicks and scratches to arms and legs. 1053 Each overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. Iron frames with areas of rust and oxidation. Glass tiles with scattered inherent imperfections typical to the material, one table lacking one tiles with three others that are loose.

1054 Each overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. The smaller with a 1” Dia. patch of heavy rubbing and exposed base metal. 1055 Overall good condition with scattered nicks and scratches commensurate with age. Areas of scuffing throughout. 1056 Condition of the Painting: Visual: Good condition. Dust accumulation commensurate with age. Occasional small areas of unobtrusive paint shrinkage. Blacklight: Scattered touch-ups throughout, including in the figure’s chin and left eye. Difficult to read under varnish. Condition of the Drawing: Good condition. The left sheet edge deckled. Slight surface soiling commensurate with age, recto and verso. An occasional soft and unobtrusive handling mark near the sheet edges, visible only in raking light. A 1” horizontal tear in the lower portion of the left sheet edge, not affecting the image. There is an additional India ink drawing, unsigned, untitled and undated, on the verso of this sheet. Not examined out of the double-sided frame. Frame of the painting: 51” H x 41” W x 3” D Frame of the drawing: 25.25” H x 20.5” W x 1.25” D

1057 Good condition. The sheet retains nearly full margins. Very slight toning of the cream-colored paper. Pale time staining along the extreme margin edges, and pale backboard staining verso. The usual registration pin holes at the center of the upper and lower margins. A pale and very unobtrusive foxmark in the lower portion of the left margin. Two old, pale, damp stains at the extreme upper margin edge, the largest approximately 0.25” H x 0.5” W. A few very minor losses along the extreme margin edges. The sheet is loose, not mounted. Frame: 32.75” H x 23” W x 1” D

Condition Reports

1048 Visual: Good condition. Dust accumulation and grime commensurate with age. An occasional small and unobtrusive paint loss, the largest pea-sized, mostly near the outer edges. Lumps from nail heads, inherent in the original creative process and painted over by the artist showing near the outermost edges, primarily in the yellow.

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1058 Each overall good condition with minor shelf wear, scuffs, light scratches, and scattered surface chips commensurate with age. Adhesive felt pads to underside. 1059 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Larger with base: 18” H x 3.125” W x 3.75” D 1060 Each overall good condition with minor shelf wear, scuffs, light scratches, and inherent firing flaws commensurate with age. 1061 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. With base: 22.25” H x 4.5” W x 5” D 1062 Each overall good condition with minor shelf wear, scuffs, light scratches, and inherent firing flaws commensurate with age. 1063 Each overall good condition with minor shelf wear, scuffs, light scratches, and scattered surface chips commensurate with age. Adhesive felt pads to underside.

Condition Reports

1064 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each wood base with scuffs and scratches.

302

Larger with base: 13.75” H x 6” W x 4.5” D Smaller with base: 12.75” H x 4” W x 3.5” D 1065 Each overall good condition with minor shelf wear, scuffs, light scratches, and inherent firing flaws commensurate with age. Adhesive felt pads to underside. Lacking one bishop piece.

1066 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. The first not properly mounted to base, needs remounting. The second with adhesive felt pad to underside, loosely mounted on base, and base with heavy scratching. The first with base: 10.375” H x 6.75” W x 3.25” D The second with base: 9” H x 8” W x 3.5” D 1067 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Shades with wear, scuffing, and repaired tears. Wiring should be checked by a qualified electrician prior to use. Each base: 25” H x 12.5” W x 9” D Each shade: 9” H x 19” W x 19” D 1068 Overall good condition with scattered scuffs, scratches, and scattered light soiling commensurate with age. The upholstery with pilling at the seat front and a small 2.25” stain toward the seat back. 1069 Very good condition. The sheet retains wide margins. Not examined out of the frame. Frame: 35.5” H x 31.25” W x 1.25” D 1070 Very good condition. Not examined out of the frame. Frame: 18.5” H x 18.5” W x 0.75” D 1071 Good condition. It appears that a small portion of the top surface of the orange grease pencil has transferred to the inside of the glass. Not examined out of the frame. Frame: 31” H x 31” W x 1.5” D 1072 Overall good condition with scuffs and light scratches commensurate with age.


1074 Each overall good condition with scattered scuffs, scratches, and wear commensurate with age. Feet with localized scratching and nicks. One chair with two bleach stains to the seat front, 2” and 1.75”. 1075 Overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use. 1076 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Steel Lazy Susan with heavier scratching from use. The lacquered top with scattered chips and nicks, mainly to edge. 1077 Overall good condition with shelf wear, scattered scuffs, and scratches commensurate with age. The base with scattered chips to surface paint around edge. 1078 Overall good condition commensurate with age. With one weighted rod. 1079 Overall good condition commensurate with age. 1080 Visual: Good condition. Dust accumulation and grime commensurate with age. Two very unobtrusive, pinhead-size marks in the background near the upper edge. A few stray, faint, and very delicate scratches in the background. Not examined out of the frame. Blacklight: No evidence of restoration. Frame: 26” H x 29.75” W x 1.5” D

1081 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered minor chipped losses to corners. 1082 Overall good condition with scattered scuffs and light scratches commensurate with age. 1083 Each: Good condition. Not examined out of the frame. Frame of each: 31.5” H x 37.25” W x 1.5” D 1084 The first in good condition; the second with two short but distinct edge creases where a 2.5” section in the lower portion of the extreme left sheet edge is protruding out from under the overmat. A 0.5” horizontal tear just visible near the extreme upper edge, close to the upper left sheet corner. Each: Not examined out of the frame. Frame of each: 37.5” H x 31.5” W x 1.5” D 1085 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. The glass top with a minor chip to one corner. 1086 Each overall good condition with tarnishing and light scratches commensurate with age. Tumbler, Tiffany jar, teapot, and creamer with scattered indentations and bending. The tumbler and jar monogrammed. Tumbler lacking glass insert. Teapot lacking lid. 1087 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. 1088 Overall good condition with tarnishing and light scratches commensurate with age. Ten pieces older with heavier tarnishing. Most pieces new and unopened in plastic packaging sleeves. Gross weight does not include hollow-handled items, but does include plastic sleeves that were not removed.

Condition Reports

1073 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered minor chips to enamel finish on metal. A 2” area of surface abrasion with some shallow chipping to edge of walnut seat.

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1089 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 1090 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Possible moisture damage to top and undershelf. Heavier wear to top. Finish with fading and areas of heavy varnish with chipping to underside of top. 1091 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Metal stand with heavy oxidation. Glass with scattered heavy scratches to top. Incudes key, key appears to be stuck in one drawer and will not open. 1092 Overall good condition with scattered scuffs, light scratches, and light oxidation commensurate with age. Wiring should be checked by a qualified electrician prior to use. Base: 71” H x 13.25” W x 7” D Shade: 16” H x 36” W x 12” D 1093 Each overall good condition with scattered scuffs and light scratches commensurate with age.

Condition Reports

1094 Overall fair to good condition with scattered scuffs and scratches commensurate with age. With areas of desilvering to mirror edges, one door with a chip in the acrylic and a conchoidal fracture to the glass.

304

1095 Overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use. 1096 Each overall good condition with scattered scuffs and light scratches commensurate with age. 1097 Overall good condition with scattered scuffs, scratches, minor surface abrasions commensurate with age.

1098 Overall good condition with scattered scuffs and scratches commensurate with age. 1099 Visual: Good condition. Occasional unobtrusive surface lumps, bubbles, or broken bubbles attendant with the artist’s working methods. A few small and very unobtrusive, scattered areas of craquelure. A minor, 0.125” scrape in the painted frame’s inner edge, at lower center, with an attendant pinheadsize nick into the impasto surface of the adjoining painted canvas. A pea-sized surface scrape in the upper section of the painted frame’s left side. Blacklight: No evidence of restoration. Frame: 48” H x 37.75” W x 1” D 1100 Visual: Good condition. Dust accumulation and grime commensurate with age. A few scattered and unobtrusive pinpoint-size pigment losses, mostly near the lower edge. Two pea-sized, or smaller, seemingly stray spots of pigment, one in the sky left of center and one in the water left of center. Stretcher bar creases along all four edges. Blacklight: Scattered small touch-ups, the largest approximately 3” H x 1.75” W near the upper left corner. Certain pigments fluoresce under blacklight, however, these appear to be in the hand of the artist. Frame: 28” H x 36.25” W x 1.25” D 1101 Very good condition. A few soft creases near the lower edge, at left, of the sheet displayed on the right, visible only from the verso. Pin holes at the tip of the upper and lower right corners of the left sheet, and at the tip of the upper and lower left corners of the right sheet. Framed floating and hinged to the back mat at the verso of the upper sheet corners. Framed: 39” H x 51” W x 2” D 1102 Overall good condition with scattered scuffs and light scratches commensurate with age. Spots of slight oxidation throughout. Height measurement includes chain and canopy. Wiring should be checked by a qualified electrician prior to use. 1103 Overall good condition with scuffs and light scratches commensurate with age.


1105 Overall good condition with wear, black scuffs, scratches, and scattered minor chips to surface finish at feet commensurate with age. 1106 Overall good commensurate with age and use. A 2” x 3” patch of wear with loss to fur on one lower corner. 1107 Overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use. 1108 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 1109 Overall good condition with scuffs and light scratches commensurate with age. Top with scattered minor chips and fleabites to edge. 1110 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 1111 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 1112 Overall good condition with scattered scuffs, scratches, and spots of oxidation commensurate with age. A 1” scratch to enamel surface at upper left corner. 1113 Good condition. Not examined out of the frame. Frame: 29.5” H x 27.5” W x 1.25” D

1114 Good condition. Several pale and very unobtrusive foxmarks in the upper margin, at right. Not examined out of the frame. Frame: 27” H x 34.75” W x 1” D 1115 Very good condition. The full sheet. Framed floating and hinged to the back mat. Not examined out of the frame. Frame: 33.5” H x 33.5” W x 0.75” D 1116 Overall good condition with minor wear, scuffs, and light soiling commensurate with age. 1117 Overall good condition with scattered scuffs and light scratches commensurate with age. 1118 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. 1119 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. The top with cracks to two corners visible to underside with attendant chipping to surface finish on underside. 1120 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Scattered small spots of surface wear with rubbed/chipped losses to gloss finish. 1121 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Scattered surface chips to lacquered finish and to base.

Condition Reports

1104 Each overall good condition with scattered scuffs and light scratches commensurate with age. Scattered small fleabites to edges. Scattered areas of tape residue. Top with localized heavier scratches.

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1122 Each overall good condition with scattered scuffs and light scratches commensurate with age. Each shade with scattered indentations. Wiring should be checked by a qualified electrician prior to use.

1129 Overall good condition with minor scuffs, scratches, and oxidation with verdigris to bronze commensurate with age.

Each base: 31.75” H x 5.5” Dia. Each shade: 12.125” H x 15.25” Dia.

1130 Overall good condition commensurate with age. Minor scattered areas of loss to beadwork.

1123 Overall good condition with scattered scuffs and minor oxidation. 1124 Overall good condition with scattered scuffs, light scratches, nick, shrinkage cracks, and small indentations commensurate with age. 1125 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Circular foot of brass base inherently slightly out of round. The top with scattered scratches and attendant flaking to finished surface. 1126 Visual: Good condition. Dust accumulation and grime commensurate with age. Blacklight: No evidence of restoration.

Condition Reports

Frame: 55” H x 55” W 1127 Very good condition. Deckled upper and lower margin edges. The vertical margins each appear to be approximately 10 inches wide and are rolled and affixed to the backboard via a wood strip hidden within each rolled section. Slight surface soiling commensurate with age. A 0.375” vertical tear in the deckle of the upper margin edge, not affecting the image. Framed floating and mounted to the linencovered backboard. Not examined out of the frame Framed in a Plexiglas box frame 53.5” H x 84.5” W x 5.5” D 1128 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. One with a 0.5” chip to the foot and one with a repaired break to the tip.

1131 Very good condition. Not examined out of the frame. Frame: 27” H x 35” W x 1” D 1132 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. 1133 Overall good condition with scattered scuffs and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. 1134 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered stains, evidence of prior spot removal, and furniture indentations. 1135 Overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use. 1136 Overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: some staining and scattered furniture indentations. 1137 Good condition. Slight toning to the paper. A flattened, and skillfully touched-in central, vertical old fold, and three horizontal old folds with the same treatment. Each of the margin corners made-up, and the same at the outermost margin edges, attendant with the termination points of the folds already described. Presumably laid to paper or canvas as is usual for posters of this size. Not examined out of the frame. Frame: 69.5” H x 53.5” W x 2” D

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1139 Overall good condition with scattered scuffs, scratches, and wear commensurate with age. Upholstery with some runs and losses to stitching at the seat front.

1146 Visual: Good condition. Dust accumulation and occasional specks or small spots of grime. Slight wear with attendant very minor paint loss at the outer edges of the corners and in a few places along the extreme sides, only visible upon close inspection. An unobtrusive pinhead-size pressure mark in the background at upper left. A few transparent vertical drips, in the blue at left, in the purple right of center, and near the lower left corner, the longest approximately 11.”

1140 Generally good condition. Shelf wear commensurate with age.

Blacklight: No evidence of restoration.

1141 Each: Generally good condition. Wide margins with deckled edges. Uneven toning and a few minor stains showing in the margins and on the verso. An occasional short tear at the margin edges, not affecting the image. Soft horizontal creasing near the upper margin edge. Hinge remains at the verso of the upper margin corners. The sheet is loose, not mounted. The second image with a paper loss at the lower right margin corner, not affecting the image.

1147 Overall good condition with minor scuffs and light scratches commensurate with age. Some small surface chips to black finish on shelves.

Each: Unframed 1142 Good condition, with at least 0.25” wide margins showing from beneath the overmat along all four sides. Not examined out of the frame. Frame: 14.75” H x 18.75” W x 0.5” D 1143 Good condition. The paper slightly toned. Not examined out of the frame. Frame: 14.75” H x 18.75” W x 0.5” D 1144 Very good condition. With the usual horizontal fold across the sheet, just below the map. Not examined out of the frame. Frame: 20” H x 15.875” W x 1.25” D 1145 Overall good condition with scattered scuffs, light scratches, and small indentations commensurate with age.

Unframed

1148 Overall good condition commensurate with age. 1149 Overall good condition commensurate with age. With attached mounting rod. 1150 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. 1151 Visual: Good condition. Dust accumulation. A vertical, 2.5” scattered line of paint loss in the curved yellow line near the left edge. A 0.75” line of scattered paint loss in the red diagonal line, lower center. Blacklight: No evidence of restoration. Unframed 1152 Overall good condition with wear, scuffs, scratches, commensurate with age. 1153 Overall good condition with scattered scuffs and light scratches commensurate with age. Scattered areas of possible hairlines to the plastic along front and back edges.

Condition Reports

1138 Overall good condition with scattered scuffs and scratches commensurate with age.

307


1154 Good condition. Not examined out of the frame. Frame: 40.5” H x 58.5” W x 2” D 1155 Overall good condition with wear commensurate with age. The cover with toning/sun fading, edges of the cover lightly worn, the paper bound cover with slight lifting and separation at the spine that exposes the sewn binding, some leaves with deckled edges, and two leaves uncut. 1156 Overall good condition with scuffs and light scratches commensurate with age. 1157 Overall good condition with minor commensurate with age. 1158 Overall good condition with scattered scuffs, scratches, chips and abrasions to corners, and oxidation to metal commensurate with age. Each corner with chips, the larger 1”. 1159 Overall good condition with scattered scuffs, scratches, chips and abrasions to corners, and oxidation to metal commensurate with age. Each corner with chips, the larger 1”.

Condition Reports

1160 Overall good condition with scattered scuffs, scratches, chips, and oxidation to metal commensurate with age. One corner with a chip to the stone.

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1161 Visual: Good condition. The canvas is slightly loose. Dust accumulation and occasional grime. Two slight pressure marks at center, one 1.5” diameter and one 0.75” diameter. Additional small pressure marks in places around the extreme edges. Blacklight: No evidence of restoration. Unframed

1162 Good condition. A very narrow and unobtrusive 1.125” long gouge along the uppermost edge of the left corner, partially touched-in with ink. The heads of the very small nails used by the artist in his creation of this plywood box frame show only slightly and at regular intervals around the outermost edge. Unframed/Overall: 24” H x 23.5” W x 1.75” D 1163 Good condition. An unobtrusive, approximately peasized surface gouge just touching the crest of the distant hills, at left. An unobtrusive, 0.75” long, diagonal surface scrape near the center of the lower edge. The heads of the very small nails used by the artist in his creation of this plywood box frame show only slightly and at regular intervals around the outermost edge. Unframed/Overall: 24” H x 23.5” W x 1.75” D 1164 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 1165 Each overall good condition with shelf wear, scattered scuffs, and light scratches commensurate with age. Height measurement is when fully articulated vertically. One mounted with a black plastic attachment to foot. Wiring should be checked by a qualified electrician prior to use. 1166 Overall good condition with scattered scuffs and light scratches commensurate with age. 1167 Each overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use. 1168 Each overall good condition with scuffs and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. 1169 Each overall good condition with scuffs and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use.


1171 Each overall good condition with scuffs and light scratches commensurate with age. 1172 Overall fair condition with scattered scuffs, light scratches, and oxidation commensurate with age. Lacking the raked glass panels that should be attached to the exterior. Wiring should be checked by a qualified electrician prior to use. 1173 Overall good condition with scattered scuffs and light scratches commensurate with age. 1174 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Heavier surface chips/nicks to feet, a 0.5” to one leg at front. Wiring should be checked by a qualified electrician prior to use. 1175 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 1176 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: each with thick glaze with heavy inherent crazing throughout, the green handled ewer with a more prominent raised line of crazing to side under handle. 1177 Visual: Good condition. Dust accumulation commensurate with age. Stretcher bar creases along all four edges. A 3” long diagonal surface scuff just above the buttons of the figure’s coat. A pea-sized spot of grime near the center of the upper edge. Blacklight: No evidence of restoration. Unframed

1178 Overall good condition with scattered scuffs, scratches, and soiling commensurate with age. 1179 Overall good condition with scattered scuffs, scratches, and soiling commensurate with age. 1180 Overall good condition with scuffs, scratches, and darkening/oxidation commensurate with age. Copper and iron with areas of oxidaiton and rust. Scattered areas of slight bending to elements. Wood barrel with heavy weathering, chips, cracks, losses, and woodworm. 1181 Overall good condition with scattered scuffs, scratches, oxidation, and weathering commensurate with age and use. Scattered areas of indentations and bending. Possibly a later reproduction. 1182 Overall good condition with scattered scuffs, scratches, oxidation with rusting, and weathering commensurate with age and use. Heavier rusting to mounting hole at rod with some losses to metal. 1183 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Rubbed wear and surface losses to paint. The Pratt Factory duck with heavier surface wear and chips/losses to paint throughout. 1184 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. Marble with heavy wear, abrasions, and scattered chips as well as two prominently chipped corners. 1185 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. A visible repaired shrinkage crack to underside. Scattered surface chips and touch-ups to the finish.

Condition Reports

1170 Each overall good condition with scuffs and light scratches commensurate with age. One fixture with approximately two broken glass rods. Wiring should be checked by a qualified electrician prior to use.

309


1186 Overall good condition with scattered scuffs, scratches, oxidation, and weathering commensurate with age and use. Scattered areas of indentations and bending. Remains of gilt finish but with heavy verdigris oxidation throughout. 1187 Overall good condition with scattered scuffs, scratches, oxidation, and weathering commensurate with age and use. Scattered areas of indentations and bending. Possibly a later reproduction. 1188 Overall good condition with typical signs of wear, weathering, and minor breaks/losses to wicker commensurate with age and use. The leather with drying, fading, scattered staining, cracking, and some minor losses. The largest with some small breaks in wicker to bottom and reattached toggle. 1189 Overall good condition with wear, scuffs, scratches, and weathering commensurate with age and use. Paint with scattered areas of scratching, loss, rubbed wear, and oxidation to exposed metal frame. Scattered minor indentations. Tires flat.

Condition Reports

1190 Overall fair to good condition with wear, scuffs, scratches, and weathering commensurate with age and use. Paint with weathering, surface wear, losses, and areas of visible oxidation to exposed areas of frame. Paint color has darkened. Scattered minor indentations. With modern Kenda tires, tires flat.

310

1191 Overall good condition with wear, scuffs, scratches, and weathering commensurate with age and use. Paint with weathering, surface wear, losses, and areas of visible oxidation to exposed areas of frame. Scattered minor indentations. Tires flat. 1192 Overall fair to good condition with wear, scuffs, scratches, and weathering commensurate with age and use. Handles with fading, dust, and black tape affixed to handlebars. Various logos and markings with rubbed wear. Seat with heavy wear and drying to leather.

1193 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 1194 Each overall fair to good condition with scuffs and scratches to chrome and painted surface, shrinkage cracks, oxidation, and separation at joints commensurate with age. One with a perforation to seat’s caning and a 1” hole to back’s caning. 1195 Each overall good condition with scuffs and light scratches commensurate with age. Recent upholstery. 1196 Overall good condition with scattered scuffs and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. 1197 Each overall good condition with scattered scuffs and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. 1198 Each overall good condition with scattered scuffs and light scratches commensurate with age. Accompanied by assorted hardware. With color variations to bronze finish. Wiring should be checked by a qualified electrician prior to use. 1199 Each overall good condition with scattered scuffs and light scratches commensurate with age. Accompanied by assorted hardware. With color variations to bronze finish. Wiring should be checked by a qualified electrician prior to use. 1200 Overall good condition with wear, scattered scuffs, scratches, minor surface chips/abrasions, and inherent firing flaws commensurate with age. A shallow pea-sized hole drilled to top of head. 1201 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Approximately seven glass discs with cracks.


1202 Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age.

1210 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1203 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age.

1211 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

Base: 32” H x 6.5” Dia. Shade: 16.25” H x 14.25” Dia. 1205 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with fading and moisture spots. The square with approximately three cracked tiles. Larger rectangle with approximately one cracked tile. Smaller rectangle with approximately one cracked tile. 1206 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 1207 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. A pinsized ruptured air bubble to the interior near outer rim and scattered fleabites to foot. 1208 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The second with an inherent rough edge to lower sculptural element. 1209 Overall good condition with minor shelf wear, scuffs, and scratches commensurate with age. A deeper .025” scratch to the verso along center line. Adhesive felt pads to underside. Sticker label remnants to verso.

1212 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 1213 Each overall good condition with minor shelf wear, scuffs/surface abrasions, and light scratches commensurate with age. 1214 Overall good condition with scuffs and light scratches commensurate with age. One tooth with a chipped loss. 1215 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Unfinished wood base with inherent imperfections and possible moisture damage. With base: 12.25” H x 10.5” W x 6.5” D 1216 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Two legs on one side slightly loose in sockets and fall forward more than the other legs. 1217 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Scattered minor surface indentations throughout. 1218 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each with scattered wear and chipping to surface finish.

Condition Reports

1204 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With inherent crazing to the glaze. The shade with scattered areas of light soiling and small holes. Wiring should be checked by a qualified electrician prior to use.

311


1219 Each overall good condition with light soiling and typical signs of wear commensurate with age. Each with natural imperfections and markings inherent to the material. One with visible branding marks and scattered spots of rubbed loss to fur. One with visible patches or repairs to the underside, possibly inherent to the manufacturing process.

1227 Each overall good condition with minimal signs of wear and natural imperfections commensurate with age.

1220 Each in overall good condition with minor scratches commensurate with age and use. A few have a minor flea bite chip to the inside edge. One enamel bracelet has a minor area of missing enamel.

1229 Each overall good condition with scattered scuffs and light scratches commensurate with age.

1221 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered light abrasions, a minor fleabite to top, and visible inclusions. 1222 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with light abrasions. 1223 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Collar necklace slightly off true.

Condition Reports

1224 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. Stones of “Muriel” brooch each with chip to top corner. Heart earrings lacking hooks.

312

1225 Overall good condition with wear, scattered scuffs, scratches, and inherent firing flaws commensurate with age. 1226 Overall good condition with wear, scattered scuffs, scratches, and inherent firing flaws commensurate with age. Two shallow flakes of loss to glaze on one foot, the larger 0.25” x 0.25”.

1228 Overall good condition with light wear, scuffing, and soiling commensurate with age.

1230 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One leg with a subtle outward bend. Heavy scuffs and scratches to the base. 1231 Each overall good condition with scuffs, surface nicks/abrasions, and light scratches commensurate with age. 1232 Overall good condition with scattered scuffs, scratches, and wear commensurate with age. 1233 Each overall good condition with shelf wear, scattered scuffs, and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. 1234 Each in overall good condition with light scratches and tarnishing commensurate with age and use. Stones with scattered abrasions. Brutalist style ring missing one stone. Skaggs ring with multiple stones with chips and surface reaching fractures. 1235 Each in overall good condition with tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. Cuff bracelet missing areas of shell inlay. 1236 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Wear to leather cords.


1238 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Pendant lacking central stone. One element of necklace detached and retained. 1239 Fair to Good condition. The colors slightly attenuated. An approximately 8” long, mostlyhorizontal, surface scuff in the green water near the lower right corner, not affecting the lettering or the figure. A pea-sized hole in the lower section of the black border at right. Creases, scuffs, edge tears, and old damp and other staining confined mostly to the black printed border on all sides. Paper losses at the tips of the lower sheet corners, confined to the black borders, not affecting the color portion of the image. Not examined out of the frame. Frame: 48.5” H x 32.5” W x 1.5” D 1240 Good condition. The colors fresh. The paper is laid down as stated. Some scattered small creases, mostly near the edges of the sheet. An approximately 1.5” long vertical crease to the left of the man’s chin reveals a trace of the white paper below the blue ink. Not examined out of the frame. Frame: 62” H x 46” W x 1.5” D 1241 Good condition. The paper is laid down as stated. The colors fresh. There appears to be some scattered, black, printer’s ink in the lower section near the left edge, and also in the letter “C” of the title. Small paper losses at the tips of the upper and lower right corners. An unobtrusive, 0.5” diagonal crease across the upper right corner. A 0.25” vertical tear near the center of the upper edge. Scattered short, generally soft creases, primarily in the support sheet. Not examined out of the frame. Frame: 67” H x 50” W x 1” D

1242 Each overall good condition with scattered scuffs and light scratches commensurate with age. Accompanied by assorted hardware. With color variations to bronze finish. Wiring should be checked by a qualified electrician prior to use. 1243 Each overall good condition with scattered scuffs and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. 1244 Overall good condition with scattered scuffs and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. 1245 Overall good condition with scuffs, light scratches, and scattered minor chips commensurate with age. 1246 Each overall good condition with scuffs and scratches commensurate with age. Parts are a marriage. No lighting fixture. 1247 Overall good condition with scattered scuffs and scratches commensurate with age. The leather top with wear, moisture rings, and bumping to corners. 1248 Overall good condition with scattered scuffs and light scratches commensurate with age. Some wood dowls with shrinkage cracks and scuffing to paint. Height measurement includes chain and canopy. Wiring should be checked by a qualified electrician prior to use. 1249 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. The push to open mechanism on the grey cabinet door does not close completely. 1250 Overall good condition with scattered scuffs and light scratches commensurate with age.

Condition Reports

1237 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with minor abrasions. One post earring lacking backing.

313


1251 Each overall good condition with scattered scuffs, scratches, surface nicks/chips, and weathering commensurate with age. Cushions with slight soiling/ staining. 1252 Each overall good condition with scattered scuffs, scratches, weathering, and minor surface chips commensurate with age. Chips mostly located at corners and edges. 1253 Each overall good condition with scattered scuffs, scratches, and oxidation/rusting commensurate with age. Scattered patches of loss to white finish.

Condition Reports

1254 Overall good condition with scattered scuffs, scratches, nicks, and weathering commensurate with age and use. Each teak base with scuffs and scratches.

314



John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale, Western, American Indian Specialist Maranda Moran Senior Vice President, Fine Art Director Morgana Blackwelder AAA Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz Post-War & Contemporary Fine Art Specialist Hayden Hunt Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Furniture & Decorative Arts Department Manager / Junior Specialist Danielle Kim Senior Furniture & Decorative Arts Cataloguer Shannon Dailey Fine Art Cataloguer Anne Spink Fine Art Department Administrator/Junior Cataloger Ian Anderson Western and American Indian Cataloguer Sally Andrew Jewelry Director Mollie Burns Keith, G.J.G Arizona Regional Representative Deborah Davis

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Finance Administrator Julia Hamilton Seniot Art Handler Joe Miranda Senior Art Handler Richard Corral Art Handler Jacob Baer Art Handler Angel Sanchez

MARKETING

Advertising & Marketing Director, Art Design Nathan Martinez PR Manager Brenda Smith Graphic Designer Brian Olivas

PHOTOGRAPHY

Photographer Keith Berson Photographer Madison Torres

TRUSTS & ESTATES

Associate Director Noelle Valentino AAA Department Administrator Melissa Brownell

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran


This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the


purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.


Consign Today

Summer Modern & Contemporary August 30, 2022

Peter Fischli (b. 1952, Swiss) and David Weiss (1946-2012, Swiss) “As Far As It Goes,” 1986, from the “Equilibres” series

Price Realized: $26,000 Consignment and Auction Inquiries: hayden@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833


Consign Today

Post-War & Contemporary Art + Design November 1, 222

Charles Arnoldi (b. 1946, American) “Swamp,” 2000

Price Realized: $28,125 Consignment and Auction Inquiries: hayden@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 w w w. j o h n m o r a n . c o m 3 2 1


SINCE 1969

AUCTIONEERS & APPRAISERS

w w w. j o h n m o r a n . c o m · i n f o @ j o h n m o r a n . c o m · ( 6 2 6 ) 7 9 3 - 1 8 3 3


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