The George G. Matthews Collection of Western Art

Page 22

WILLIAM AHRENDT 1933 - 0000 William Henry Ahrendt was born in Cleveland, Ohio. Apparently, Bill knew his destiny very early, informing his parents when he was just seven that he was going to become an artist. Dedicating himself to art, Bill made it his top priority through his public-school years, taking art lessons at the Cleveland Museum of Art. When his family moved to Phoenix, Arizona to care for his ailing grandmother, Bill fell in love with the western landscape.

Ahrendt relocated to Arizona to attend Arizona State University, where he earned a Master’s in Fine Art. Following that he worked as a commercial artist in California and then as the chair of the art department at Glendale Community College in Glendale, Arizona. In 1979, Ahrendt retired to concentrate on his art and moved to Pine, Arizona, where he and his wife, Renate had built a 4,000 square foot house and studio with their own hands. A contributing editor for Arizona Highways magazine for many years, Ahrendt’s paintings and historical articles have been published in more than 40 issues.

Ahrendt went on to study at the Los Angeles Art Center School and later returned to Cleveland to study at the Cleveland Institute of Art, where he earned a Bachelor of Arts in Fine Arts, graduating magna cum laude, and won a travel scholarship that allowed him to visit all the major museums in Europe and establish a studio first in Rome and later Munich. During his 11 years in Europe Ahrendt’s primary focus was the study of the work and techniques of the Old Masters.

Regarding his art and career, Ahrendt says, “My vision of art as a reflection of human life had already been revealed to me in my youth. And although I couldn’t have anticipated the circuitous path of decades that I was to follow in pursuit of my vision as a painter, I’ve never regretted a moment of the long journey. Art is not the paint alone, but a medium for communication between the viewer and the artist. If expression conveyed in a work of art is perceived by the beholder, a connection is shared that completes the work and links the artist and the viewer together. At that moment, Art comes to life. The artist and the viewer form an alliance of mutual fulfillment though the two may never meet.”

While in Germany, Ahrendt engaged in a variety of art related occupations, from serving as the Arts and Crafts Director for the U.S. Army in Giessen, Germany to directing the advertising department for The U.S. Air Force European Exchange Program in Wiesbaden. In 1965 Ahrendt was admitted to the Munich Academy of Fine Arts where he studied in the Max Doerner Department of Painting Technology. There he continued to study the work of the Masters and developed his painting technique that begins by mixing and applying egg tempera as the foundation before applying layers of oil paint that results in a painting that appears to glow.

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Hubert Wackermann

2min
pages 254-259

Richard D. Thomas

2min
pages 248-253

John Paul Strain

2min
pages 242-243

Karl Thomas

2min
pages 246-247

Lyle Tayson

2min
pages 244-245

Ron Stewart

1min
pages 238-241

Oleg Stavrowsky

2min
pages 234-237

Don Spaulding

1min
pages 226-227

Gene Speck

2min
pages 228-233

Irvin Shope

2min
pages 224-225

William Steve Seltzer

1min
pages 222-223

David Sanders

2min
pages 214-217

Alfredo Rodriguez

3min
pages 204-211

William Rushing

1min
pages 212-213

Conrad Schwiering

1min
pages 218-219

Gary Lynn Roberts

3min
pages 198-203

Olaf Carl Seltzer

2min
pages 220-221

Mack Ritchie

1min
pages 196-197

Douglas Ricks

2min
pages 194-195

Robert Pummill

3min
pages 182-187

Leonard H. Reedy

1min
pages 188-189

Chuck Ren

2min
pages 190-193

John Phelps

2min
pages 178-179

Tom Phillips

2min
pages 180-181

Don Oelze

3min
pages 176-177

Jim C. Norton

3min
pages 168-175

John Moyers

2min
pages 166-167

Gerald McCann

2min
pages 142-143

Mitchell Mansanarez

1min
pages 138-141

David Mann

3min
pages 134-137

Frank McCarthy

2min
pages 144-147

Wendell Macy

1min
pages 132-133

Gerry Metz

1min
pages 148-153

Lanford Monroe

2min
pages 164-165

Kim Mackey

3min
pages 130-131

Dustin Lyon

1min
pages 128-129

Ted Long

2min
pages 124-127

Hayden Lambson

1min
pages 122-123

Morton Künstler

2min
pages 120-121

Harvey Johnson

2min
pages 116-117

Thomas Kinkade

3min
pages 118-119

John Jarvis

1min
pages 114-115

Heinie Hartwig

3min
pages 112-113

Robert Farrington Elwell

2min
pages 94-95

Raul Gutierrez

1min
pages 102-103

Carl Hantman

2min
pages 108-111

David Halbach

1min
pages 104-107

Martin Grelle

1min
pages 100-101

Joe Ferrara

1min
pages 98-99

John Fawcett

2min
pages 96-97

Charlie Dye

2min
pages 92-93

Robert Duncan

2min
pages 84-91

Austin Deuel

2min
pages 78-81

Gene Dodge

2min
pages 82-83

John DeMott

2min
pages 74-77

Stan Davis

1min
pages 70-73

Don Crowley

2min
pages 68-69

Sheila Cottrell

1min
pages 66-67

Jim Carson

3min
pages 44-55

Michael Coleman

1min
pages 56-61

Guy Corriero

2min
pages 64-65

Nicholas Coleman

2min
pages 62-63

Paul Calle

3min
pages 40-43

Don Brackett

2min
pages 34-35

Dan Bodelson

2min
pages 30-33

Reynold Brown

2min
pages 36-39

Paul Abram, Jr

1min
pages 16-19

Roy Andersen

2min
pages 26-29

William Ahrendt

2min
pages 22-25

INTRODUCTION

3min
page 15

Cassilly Adams

2min
pages 20-21
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