wood chipboard accordion [updated version]

Page 41

[construct] digital development

Concept 1.Design Intent

PANEL DESIGN

Primary Type: Univers Lt Std Odd Number Panel Design: 01 – 07

Strathmore Pure Cotton

Graphic design has often looked to architecture as an intellectual model. We long infuse our work with the same kind of theoretical knowledge and the same kind of broad ranging, legendary critique. But we are not architects. We are graphic designers. Our role is less defined. We cross between print

Graphic design has often looked to architecture as an intellectual model. We long infuse our work with the same kind of theoretical knowledge and the same kind of broad ranging, legendary critique. But we are not architects. We are graphic designers. Our role is less defined. We cross between print

and web, 2-D and 3-D. Our work is easier to produce & ephemeral.

and web, 2-D and 3-D. Our work is easier to produce & ephemeral.

Fluidity coupled with discipline wide pragmatic streak, makes it difficult to establish a defined

Fluidity coupled with discipline wide pragmatic streak, makes it difficult to establish a defined

body of graphic design theory.

body of graphic design theory.

1/4" Screw Post Placement

GRAPHIC GRAPHIC DESIGN DESIGN THEORY THEORY Kraft Paper 100 lb C

Jamie Turpin . Wood + Chipboard Design . Portfolio Design

Primary Type: Univers Lt Std Even Number Panel Design: 02 – 08

d ke loo al en tu ec oft ork tell as n h an in ur w cal ti o sig de re as fuse ore of e ic ph f th kind e. ctu g in u Gra rchite e lon ind o me tiq a W me k e sa ry cri are to el. th a a d s d We less nd mo the e an ge ects. is h le t g it , hit w role prin led ing ow rang ot arc Our een n rk k . n d tw wo l. ad re ers ke bro we a sign ss be . Our mera loo al e e t en tu Bu hic d e cro d 3-D eph ne ec oft ll rk s n p W & ipli ha inte r wo al gra ned. 2-D a uce isc kes c u d ign s an d ti , o fi s a de web pro with k, ma ned se de ore of to fi d d a hic cture g infu f the ind r e n e le p . d a k tr p sie ry. ue Gra rchite e lon ind o me ea y cou atic s lish a eo tiq k is a sa cri are n th to tab idit l. W ame the gm e ary de s Flu e pra to es desig d nd ts. W less mo the e an ge ic h wid ficult g ph , le hitec role is rint if wit led gra ing p it d y of ow rang ot arc Our een kn . ork l. d n d o rs tw w a re b e bro we a sign ss be . Our mera e e t Bu hic d e cro d 3-D eph ne li n p W & cip s gra ned. 2-D a uce dis ke d , fi de web pro with k, ma ned fi d d a r to de ry. an sie ouple c stre a a o e e lish y c mati is n th tab idit g Flu e pra to es desig ic wid ficult ph if gra it d y of d bo

GRAPHIC GRAPHIC DESIGN DESIGN THEORY THEORY Mohawk

PANEL DESIGN

8"

Fro n

t

d ke loo al en tu ec oft as intell work l r a nh n ou retic sig as a se de o of hic cture g infu f the ind p . k ue Gra rchite e lon ind o me tiq k a sa cri are to l. W ame the e ary de s d nd ts. W less e mo the e an c is h leg dg g, rchite role print wit le in r u n ow rang ot a rk ee kn .O n d tw wo l. ad re ers ke bro we a sign ss be . Our mera loo al e e t en tu Bu hic d e cro d 3-D eph ne ec oft li n p W & ork tell as cip s gra ned. 2-D a uce n h an in ur w cal dis ke d , o fi sig reti of de web pro with k, ma ned de re as fuse o e ic fi d r to pled trea ph f th kind e. ctu de ry. an g in sie u Gra rchite e lon ind o me ea y cou atic s lish a eo tiq k is a sa cri are n th to tab idit l. W ame the gm e ary de s Flu e pra to es desig d nd ts. W less mo the e an ge ic h wid ficult g ph , le hitec role is rint wit led ing p dif of gra it ow rang ot arc Our een n rk k . dy n tw wo l. ad re bo ers bro we a sign ss be . Our mera e e t Bu hic d e cro d 3-D eph ne li n p W & cip s gra ned. 2-D a uce dis ke d , fi de web pro with k, ma ned to fi d d a r e n e d a tr ple sie ry. ea y cou atic s lish a eo is n th tab idit gm Flu e pra to es desig ic wid ficult ph if gra it d y of d o b

G GR AP D DER A HIC SE PH I T G Ba THHS N ck E Pa I IC G RYOGN GR nel De OE sig AP RY D DER A HIC n S E P T THHIGS NI H EOE IC RYOGN RY

Pa G GR nel De sig AP D DER A HIC n SE IGSPH T THH NI EOE G IC G R GR Y O N AP R D DER A HIC Y SE PH I T G THHS NI EOE IC RYOGN RY

Below are three different views of the grid + layout structure for the fandeck panel design. There will be a total of 9 panels including the front/cover panel. The layout integrates visual forms that enhance hierarchy and clarity navigation through type. Overall, the rhythmic panel design creates a playful, interactive piece for the target audience.

Outer Front Panel

Display Type: Univers Lt Std Radius Edges: Pure, Finish Look

2.5"

page

.37


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