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ARCHITECTURE. INTERIOR DESIGN. PHOTOGRAPHY. GRAPHIC DESIGN. HAND DRAWIN PHOTOGRAPHY. GRAPHIC DESIGN. HAND DRAWINGS. ARCHITECTURE. INTERIOR DESI HAND DRAWINGS. ARCHITECTURE. I N.T~R,JPJil...4E.SJ~. ,£.H Q:!:.CfGWj;l.Y" ~ RAPHIC DESI GRAPHIC DESIGN. HAND DRAWINGS. )JNJ-lIlIEd1~Jf\E}~TEIPA~ t1!J:;~ HOTOGRAPH DESIGN. PHOTOGRAPHY. GRAPHIC DESIGN. HAND DRAWINGS. ARCHITECTURE. I • ARCHITECTURE. INTERIOR DESIGN. PHOTOGRAPHY. GRAPHIC DESIGN. HAND DRAWIN HANDDRAWINGS. ARCHITECTURE. INTERIOR DESIGN. PHOTOGRAPHY. GRAPHIC DESIG GRAPHIC DESIGN. HAND DRAWINGS. ARCHITECTURE. INTERIOR DESIGN. PHOTOGRAPH DESIGN. PHOTOGRAPHY. GRAPHIC DESIGN. HAND DRAWINGS. ARCHITECTURE. I • INTERIOR DESIGN. PHOTOGRAPHY. GRAPHIC DESIGN. HAND DRAWINGS. ARCHITECTUR· 1 DRAWINGS. ARCHITECTURE. INTERIOR DESIGN. PHOTOGRAPHY. GRAPHIC DESIGN. HAN DESIGN. HAND DRAWINGS. ARCHITECTURE. INTERIOR DESIGN. PHOTOGRAPHY. GRAPH PHOTOGRAPHY. GRAPHIC DESIGN. HAND DRAWINGS. ARCHITECTURE. INTERIOR DESI INTERIOR DESIGN. PHOTOGRAPHY. GRAPHIC DESIGN. HAND DRAWINGS. ARCHITECTUR· 1

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Architectural staging is a concept developed by Jamie Herzlinger Interiors, to aid realtors in selling property, Along with a team of architects and builders, we were able to re-imgaine an existing residence to help potential buyers see the potential of the space, This "remodel " was a seven story townhouse that has been on the market for over a year, Formally zoned for commercial space, the following drawings are the proposed designs, D/W

FAM ILY ROOM

18' x 22'

DINING ROOM

17' 5" x 22'

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LIVING ROOM

22' x 24'

MECHANICAL

BASEMENT

1st FLOOR

2nd FLOOR

Ceiling Ht: S'-7"

Ceiling Ht: 9'-4"

Ceiling Ht: 11'-9"

o BEDROOM 3

CH ILD BEDROOM 3

14' 7" x 18' 4"

CH ILD BEDROOM 2

BED ROOM 2

11' x 17'

11'4" x 17'

MAS TER BEDROOM

22' x 24'

CH ILD BEDROOM 1

22' x 15'

3rd FLOOR

4th FLOOR

Ceiling Ht: 12'-0"

Ceiling Ht: 10'-0"

5th FLOOR Ceiling Ht: 19'-0"(high point)

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The Gindi family requested an entire remodel of their "dream home". The client made a few update's themselves, however, they needed Jamie Herzlinger Interiors in order to take the home to the "next level ".

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The home owner was a fan of Kelly Wearstler, in particular they graphic elements of her design.

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The following images reflect those inspirations.

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The objective of this project was to explore and manipulate a single material , in this case , wood , then transition these experiments with the materioal into a space.

After learning about the material, the task was to take the form and create an inhabital space. took the curves of the bass wood to create a sculpture park.

Instead of using basswood , I created molds out of chip board and casted plaster to create the sculptures. However, I was not able to maintain a crisp edge.

The painted chip board allowed for more flexibilty and a cleaner sculpture.

Following this assignment, we had to create an observatory located in Forest Park, St. Louis, Mo. I chose to observe the soil.

St. Louis rarely, if ever, utilizes the roof tops of buildings, especially in the residential neighborhoods. However, the front porch is seen as an extention of the house. Often times, people are seen utilizingthe front porch as a living room, a place to gather with neighboors as well as members of the household. With roof gardens and upper decks off the living room and bedroom, dwellers still get the feel of the "porch ", without having it at the front door.

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FIRST FLOOR PLAN

SECOND FLOOR PLAN

Although each building contains 4 attached units, there is no exterior space looking into a private interior space.

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J THIRD FLOOR PLAN

ROOF PLAN

MATERIAL STUDY The native building material in Sl. Louis is brick. I wanted to provide residence with an alternative to the tradition , while maintaing familiar elements.

From the brick pattern , I chose to highlight the consistant horizontal lines.

ELEVATIONS

NORTH

SECTION

SOUTH

Metal siding most resembles thispattern. I chose to use this as arain screen on the units. I tookthe basic color RED from the brick to maintain the color of the exisiting neigborhood.

Concept: To design a space within a space to create a sound barrier from the Brooklyn Bridge. To make a visual and spatial connection to the largest piece of the program, the reading space.

CONCEPTUAL DRAWINGS

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FIRST FLOOR PLAN

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SECOND FLOOR PLAN

THIRD FLOOR PLAN

FOURTH FLOOR PLAN

As far as the interior color green, i chose this particular color for two reasons. Green has been proven to be a calming color. Since the space is used for reading and research , I wanted to intensify the serenity of the space, which constrasts with the busy bridge above. Also, the space looks out to a park nearby, so I wanted to bring the color from the park inside.

SITE PLAN: NOLI DIAGRAM PEDESTRIAN TRAFFIC THROUGH ADJACENT BUILDING AND NEW SITE.

The streets of Sanfe Fe resemble that of a busy New York City street, full of pedestrians. While observing the people, I realize that the streets did not guide their path, the store fronts did. Often times, I would witness people walking into one another because they were not looking in front of themselves but at the store windows. I wanted to take advantage of this effect. Instead of continuing with the linear path, I chose to cut a curve into the path, in hopes that the pedestians would maintain their visual fixation with the store fronts and lead them directly into the multi-center.

This diagram shows the proposed curve cut into the building, which would force the pedestrians inside since they are more focused on the exterior of the building and not the path ahead of them.

Due to the extreme density of Buenos Aires, Argentia, vertical space is the only way to add to an already tightly knitted urban fabric. The site is an expansion ofthe existing retail space on the ground level. The program not only has a 7 theatermulti-plex, but a cafe, retail space and even a recreational complex.

PROXIMITY DIAGRAM: demonstrating human comfort levels in tight vs open spaces

4TH FLOOR

3RD FLOOR GROUND FLOOR PLAN

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Notice the exterior space between the major parts of the program. As one travels up though the building, the exterior space gets smaller as the interior space grows to accomodate more program. This also adds to the effect that one building will "fall" on the other, creating the tension sought after in the proximity diagram.

2ND FLOOR

FRONT ELEVATION

For the facade treatment, I wanted to design a pattern that would lend itself to inforcing movement of pedestrians as well as fit in with the existing facades. I drew lines from the adjacent building facades and exaggerated them to make the window openings for the face. The staggard horizontal lines mimic the movement of the pedestrians on the street.

SECTIONAL AXON

2. Concrete slab 3. Acoustic tile

4. Acoustk panel 5. Wood flooring 6.Plywood 7. Glass 8. lighting 9. Floor Lighting 10.Re-Bar 1t,Ceiling

Because we were in another country, resources were limited. Although our studio was use to designing with materials, such as bass wood or styrene, we were forced to model with chip board, which was normally used for sketch models.

Being a concrete jungle, there is little open green space.ln addition to the rec center, I added an interior open air garden for users to run or rest.

Taking a vacant lot in North Sl. Louis that has been effected by "white flight" and replace the density of the neighborhood with a new housing typology

PROGRAM DIAGRAM

RESIDENTIAL COMPONENTS

o HOUSING

o COMMUN ITY CENTER

0 WEllNESS CENTER

NTERTAINMENT LOUNGE

ADMINSTRATIVE OFFICES DINING ROOM

FITNESS CENTER

KITCHEN

STORAGE RESTROOM(S)

This diagram is of the site. I used lines from the adjacent builings to create a new grid to add a new typology to the site.

The program is for a self sustainging neigborhood. Not only housing , but a community and wellness center is included.

CONNECTION DIAGRAMS Based on the line connection diagram, I grouped together pieces of the new grid based on the square footage needed for each housing typology. I wanted to maintain a connection between the units, so I used the lines to create paths to each unit.

ORIGINAL MODEL DIAGRAMS Originally, the intent was to create standard modules of the program that could be manipulated to form a variety of units.

"Kit of Parts"

part 1

part 2

part 3

part 4

part 5

Group Manipulations

Although I abandoned this concept, I kept a few key ideas that helped me develop the new idea. I kept the modularity of the concept, as well as the idea of creating exterior spaces withing each unit.

MODULE C

FIRST FLOOR PLAN

SECOND FLOOR PLAN

SECTION A

SECTION B

MODULE D

FIRST FLOOR PLAN

Iflw SECOND FLOOR PLAN

• SECTION A

FACADE TREATMENT I wanted to mimic the modularity of the form with the facade. I used a louver system that would vary in dimension as well as incorporate a living wall and window openings.

SITE PLAN - SITE SECTION

GROUND FLOOR PLAN

FIRST FLOOR PLAN

MODULE A

FIRST FLOOR PLAN

SECOND FLOOR PLAN

MODULE B

FIRST FLOOR PLAN

SECOND FLOOR PLAN

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In this project, a group of 4, including myself, has to develope a vacant lot into an inhabitable landscape. Since the site was a corner lot, we wanted to take advantage of its hierarchy on the location. We built up the corner with plants and sectioned the site off into "mini corners" for pedestrians to walk though. We had to deal with water run off, native plants, and ways we could activate the site in a way that drastically contrasted from its previous usage, a make shift parking lot on the weekends.

The model was constructed with insullation foam to help sculpt the new topography. This was then followed by layers of plaster, styrene and landscaping materials.

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Valentino Garavani is the undisputed master of haute couture and one of the leading representatives of Italian style and creativity in the world of fashion and lUxury. In over 40 years of being in business, his collections have dressed and accessorized top international celebrities time and time again. Its image of glamour, exclusivity and strong style make Valentino abrand well known for the sophistication and elegance of its creations. With this is mind, the design of the store needed to reflect the sustainability of the line.

Richard Serra's Torqued Ellipses does just that. The Torqued Ellipses, which comprise giant plates of towering steel, that is bent and curved, leaning in and out, inspired the design. Also, the constant contrast of firm , which is represented by the steel and the soft, depicted in the curves, is translated in the design by harmonizing "cold " and "warm "elements. The idea of contrast also inspired the use of scale, which sends you on a physical journey. The winding through a tight path to reveal an open space reinforces this idea. When made into a spiral, the form carves a very private space from large sites.

INSPIRED HANGING SYSTEMS

PLANS - SECTION

SECTION A

SECOND FLOOR PLAN

ELEVATION - EXTERIOR RENDERING The retail space exists in an existing building in Columbia, MO. Although the store's merchandise is "high end", the exterior of the building should correspond with the surrounding buildings.

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