Architecture Portfolio, Jiafeng Li

PORTFOLIO

THE APPLICATION FOR ARCHITECTURAL DESIGNER

JIAFENG LI

Tibet Winery Museum

Geometric Monument in Nature Trace Architecture Office

Aug-Oct 2021

Team Work

ROLE IN TEAM: Schematic Design (Conceptional Design & Rendering& Plan/Section)

Design Development (Finalizing Design & Specifying Structure and Materials)

The Architecture Concept

The Tibet winery museum is an extension project of the Zangdong Treasure Wine Industry. The Museum is located in the eastern part of Tibet and the upper reaches of the Lancang River. It is the east gate of the Tibet Autonomous Region. The museum is surrounded by vineyards on Eastside and mountains on Westside.

The building rises from the ground as an abstract architectural gesture following the geometrical forms distinguishing from nature, taking a subtle sculptural quality of its own. We don’t try to define a vernacular identity but rather a universal identity, free of false stereotypes.

We elaborated the distinction between ‘served’ and ‘servant spaces’, with great central public space and auxiliary spaces nestled into thick outside walls. The circular monument needn’t be constructed from solid stone, it can be hollow. The museum take advantage of the curvy geometry to create stunning spaces.

建设发展有限公司 and development co. Ltd Zhongsheng huichuang

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建设单位： 项目名称： 工程编号：

审 定 工程负责人 专业负责人 审 核 校 对 设 制

图纸专用章 注册建筑师执业章 注册结构师执业章 图 名： 中晟汇创

段 专 业

MELROSE HOUSING IN THE BRONX

Living Armaitures, Living Rooms

Columbia University

Sept 2020- Dec 2020

CORE 3

Team Work

Advisor: Eric Bounge

Role in Team: Design & Plan & Section & Detail & Renders

INTRODUCTION

The Fall 2020 Core 3 architecture studios are focusing on housing in the Melrose neighborhood in the South Bronx, NYC.

The “Living Rooms Housing” project grounds a broad and heterogeneous notion of housing as everything within a constrained architectural focus on the interrelated components of housing: rooms. We mine its potential to produce new forms of domesticity and collectivities in architecture. As a corollary to the room, our project also focuses on the contemporary definition of poché.

Through the site investigation, we find that a large area of public space in the Bronx is facing vandalism and inaccessibility, so we generate inner public space by curving out from residential towers. The inner large public space is broken down into smaller communal courtyard spaces with individual personalities. There are some hinge spaces carved out from each residential towers, which are served as public intimate rooms. Therefore, we get an exterior room catalog, rooms for a community event, rooms for a small gathering, and rooms for an intimate conversation.

When we carve out void and living space, the two different grids will come out with some smaller gap space between outside and inside. In a conventional context, they usually are regarded as thickness poché, but we try to treat poché as a living gap room instead of a solid wall. We defined them as intimate third space. Not only define rooms from the outside in, we also design them from the inside out. This diagram shows the catalog of those third space abstracted from plans. The depth of those intimate space is all under 10 feet. They could be windows and balconies. We classify those intimate space in a different hierarchy based on the depth of them.

ROOM FOR COMMUNITY EVENT ROOM FOR WINDOW / BALCONY CATALOGE

We have many cantilever hinge space, so we come up with checkboard opening pattern that cooperated with structural design. This diagram shows one portion of the facade. You could see the overlapping structure, post-tension cables hidden inside the prefabricated sheath walls, which offer a column free space. There are two different grids. As for the generic one, the window following this grid and paralleling with the street, would be in large and rectangular opening. As for those windows that follow the diagonal grid, they are in a carve out shape.

MET CLOISTER RENOVATION

2023 Fall ADVANCE VI

Individual Work Advisor: Juan Herreros

The new cloister challenge the conventional power and authority of museums that traditionally exhibit treasures collected from overseas. Instead, the new Met Cloister will serve as a bridge that narrows the distance between the community and the museum. Moreover, the new Met Cloister will play a vital role in reflecting the diversity and voices of the people within

Site Map of Met Cloister

their collections and surrounding communities. Many of the religious fragments that comprise the Met Cloister collection were originally sourced from various monasteries and cloisters constructed along the Camino de Santiago, a sacred pilgrims' route. These fragments were later compiled into what we now recognize as the Met Cloister.

The architects who designed the Met Cloister used a trick with materiality to blend the original fragments with new construction, creating a seamless sense of homogeneity throughout the museum. This is exemplified by the Cuxa cloister, here is a unfolding drawing show the oringinal fragments, but it is almost impossible to differentiate between the original fragments and new constructions in reality.

When I examine the history of medieval cloisters, I discover a strong affinity between the local community and these religious institutions, which provided both practical services and spiritual support to the secular world. However, this tight affinity between the local community and the Met Cloister has disintegrated in modern times. The museum now primarily functions as a showroom that exhibits fragile fragments from Europe, further distancing the institution from its local communities.

Botanic School/ Auditorium Axon

ContemporaryCloister SpacialTypology

2rd FLOOR PLAN

1. Artisan Residency (Nest)

2. Botanic School (Poche)

3. Concert Hall

4. Open Courtyard (Patio)

5. Art Archive (Beacon)

6. Restuarant (Bubble)

7. Exhibition Room

8. Gardening Zone

9. Entrance

10. Storage

ArtisanResidency

An artist-in-residence is the new met cloister recruits artisan, provide housing, workshop, various resources for half year, so those artisans will create art pieces and get inspiration in this unique site.

When done right, everyone can benefit from an artist residency: the museum gains new knowledge, ideas, products, and audiences, the artist-inresidence gets special access to the museum’s collections, spaces, and expertise to inform their own work

The design strategy aims to reintroduce the met cloister, not only conceptually, but also spatially. To achieve this, The design preserves part of the original met cloister while incorporating an infinite circle to connect programs.

Atist Housing

Art Archive

Bubble Restuarant

The RAMAPOUGH CULTURE MUSEUM

A

to the Spiritual World Columbia University

2021 Spring

ADVANCE V

Individual Work

The entrance of museum is extruded by curvy and oblique walls, the experiment is similar to the split rocks. Then visitors will enter a bright and open lounge with the reception. The zigzag corridor will introduce people to two different exhibition hall. The structure of one faced to the east is exposed, curator could take advantage of the flexible space, like setting exhibition walls between each columns. Thinking about the rainwater, the inverted cone roof with gullet could drain rainwater into the mini courtyard inside the module.

There is also a larger courtyard inside the exhibition hall. The whole space was divide by the timber wall into a loop sequence, also with some separate cells for video display and mechanical purpose. The end of the corridor is the restrooms and staff office.

The section cut of exhibition hall with inverted roof aperture shows how the light shape the space, and the distribution of mini courtyard for the drain of rainwater. The roof was constructed and covered by the wood tiles, which is similar to the wigwam. The structure here was hidden and covered by the plywood.

Render of Exhibition rooms

Over the last 20 years of China’s rapid urbanization, roughly one million villages have vanished. Young people move to big cities, and thousands of hollowed out villages face elimination.

The renovation project “Library on Terrace” took place in China’s southeastern inland, an area dominated by hills.

5

LIBRARY ON TERRACE

Structure Form Space

China Academy of Art

November-December 2018

Team Work

Course： Topic 10

Role in Team: Plan & Section & Detail & Site Model & Structure Model

The project rests on the old site of the Villagers’ Hall. It took the form of a 35m x 23m three-story space. The previously closed hall structure is now more open, thus corresponding to the openness of the surrounding landscape.

Site Plan

Site Section

STRUCTURE

These columns are connected with beams, each of which is a lap scarf of the other, forming a weave-like system. The horizontal connection between units provides a stable stress system — the more compressed the structure, the more stable it becomes.

The layout of this small public library is unrestrained and open. The axis intertwines with the tree columns, and the setting of the furniture and the stairs intertwines with the axis, creating a complexity between vision and the experience of intra-dimensional accessibility, tranquility and openness, as well as a sense of containment and transparency.

TREE COLUMN SYSTEM

Every series of multiple columns consists of a tree-like structured system. The load is transferred vertically but can be also directed into the horizontal grid system, and torque forces offset each other.

and Space

1:30 Building Model Structure

EXPERIENCE OF SPACE

The ground floor of the building is elevated, with two paths connecting adjacent platforms. The first floor is covered with coarse slate. Visitors enter the library through the glass door. After passing through the translucent door, the floor covering transforms into terrazzo — a transition from outside to inside, from rough to subtle.

FUNCTIONAL COMPOSITION

The ground floor of the building is elevated, with two paths connecting adjacent platforms. The first floor is covered with coarse slate. Visitors enter the library through the glass door. After passing through the translucent door, the floor covering transforms into terrazzo

DETAIL

A small amount of fully-transparent or semi-transparent materials, such as glass , serve as the background of the traditional wooden structures. The triangle glass window can be open from inside. The spatial division and organization still exist and is reinforced by the distinct forms and contrasts with the traditional materials.

The proposed design for the school is aimed at creating a dynamic and engaging learning environment. The design takes into account the surrounding buildings and follows the original 'H' plan to blend in with the context. However, the design also incorporates several twisting atriums that penetrate the old system, creating an animation of the school's inner space that contrasts with the outside.

The goal is to build spatial coherence between the atriums and the programs that are hung on them, while also demonstrating how dynamic objects can interfere with the inner space.

Advisor: Emmett Zeifman

Conceptional Model

Context of neighborhood

SchemePhysicalModel

The physical conception model of the school creates an overview of one of the atriums, showing how the transformation of the thickness of the wall shapes the space. Thin walls divide the space, while thick walls contain chambers. The difference in programs also controls the thickness of the walls, and the sectional collage encourages the creation of dynamic space.

Section A-A

REUSE ITALY

The Piscina Mirabilis Contemporary Art Museum celebrates the infinite cycle of water in the poignant reflection of a bygone era while interfacing with the present time. The new programme is envisaged as a vessel of programs contained in a proposed structure over the 'ruin' of the column forest buried below. The new structure floating above serves as an additional threshold for the existing monumental space, compelling viewers before and after their meditative exploration within the reservoir. In constant dialogue with the ruin, the dense structure filters light, organizes water and hosts new programs, bringing added layers of purpose to the ruin.

The new structure becomes the interstitial space to experience contemporary art and the ruins. Oriented at the centre of the courtyard, the pool with a clear glass base will contain rainwater collected by the roof, it meanwhile acts as the aperture of the ruins below it.The entirety of the holistic programme serves as a vehicle of integration between the past and the present, antiquity and modernity, oneself with all of humanity.

CONCEPT

Zicheng as the City Hall of ancient Jiaxing city, built 1700 years ago, is the only preserved gatehouse in China Jiaxing City. The ruin mainly includes ancient pavement bricks from Qing and Ming dynasty with tremendous archaeological v·alue.

Just like a mountain, half of the museum is under the ground . Through the museum’s window, tourists can only view the relic and exhibition underground; they can not enter the architecture from the facade, since the entrance to building is on the roof, which is both a plaza and an entrance. Tourists ramble from the sculpture stair down to the relic.Passing through columns of tensegrity seems like walking through in a forest.

HERITAGE MUSEUM

December2017- January 2017

Course: Topic 11 Team Work

TENSEGRITY STRUCTURE

Tensegrity is a structural principle based on the use of isolated component under compression inside a network of continuous tension, in such a way that the compressed members (usually bars or struts) do not touch each other and the prestressed tensioned members (usually cables or tendons) delineate the system spatially.

Tensegrity is a kind of extremely highefficient structure, which cover a large area with a minimum of materials. The structure integrity based on the combination of a few simple design patterns expresses mechanical stability, and allow the members to remain in tension/compression as stress on the structure increases. Features complement adaptive architecture

PHYSICAL DETAIL MODEL express detail and connection way

The whole structure can be fabricated in industries, then be sent to the lyric site and construct. The entire process only takes few weeks. With the excavating of new heritage area , the heritage museum can be easily extend to meet the need.

The whole structure can be fabricated in industries, then transport to the lyric site. The entire process only takes few weeks. With the excavating of new heritage area , the heritage museum can be easily extend to meet the need. construct.

THE PROCESS OF INSTALLATION

BATH IN THE SHELL 9

The Body in Nature

Competition/ China Academy of Art

CONCEPT

Our ancestor used to live in cave, where his heart and soul connect direcrly to the mother nature. But human being has disconnected with nature for a long time since we started living in boxes. Hard edges and cold corners have hindered our senses, we become clumsy in sensing the nature. The bath design therefore wishes to re-establish this long lost relationship with nature. It takes the form of sea snail shell, its internal cavity is generated through intertwining two spiral volumes into each other. The bath is where we nake ourselves, like the invulnerable snail in its shell, to let our heart and soul be as one with nature.

EXPERIENCE

There is a sequence of experiences before people arrive the center of the bath, which is defined by varied floor levels. Raw stone become chairs, tables or even steps.

When people approach the center bath, he must bend down to step over a low entrance, which is not only the portal connecting inside and outside natures, but also the key point for people to choose between two baths with entirely different spatial experience and atmosphere.

Lounge

Structure Model

Site Model

Drink Area Shoe Locker Shower Cubier Private Bath Public Spa

PAPER UMBRELLA PAVILION

Installation Design

Design Hub Architecture

June 2016- August 2016

ROLE IN TEAM: Physical Model & Diagarm drawing

Paper umbrella is a Chinese traditional craft. It contains deep culture values. Umbrella is not merely an object, it also represents a space. This design tries to destroy the sign and objecthood of traditional paper umbrella, to convert it as abstract surface to generate fluid space.

FORM

The Paper Pavilion is a multi-disciplinary project, combines product design and architectural design. Bamboo is used as the main material, which creates a beautiful structural space. The product is a modular system, a single module can be used as a stand-alone pavilion, or several modules can be combined into a continuous pavilion system. The fluid surface also can collect rainwater down into the flower bed.

Step 1.Roast the bamboo in order to bend it into the anticipated shape

Step 2.Drill holes in the bamboo, then install bamboo cane in these holes. Use wires to strengthen the structure.

Syep 3.Based on traditional paper umbralla technology, we utilized paste and rice papers to cover the bamboo structure

Step1

Physical Model

Physical Model

Högdelen

VIRGO

Fasad

Fasad

För att nedskalera fasaden, uppskalerar vi fasadelementen.

För att nedskalera fasaden, uppskalerar vi fasadelementen.

Elementen sträcker sig över två våningsplan. Detta ger ett lugn och en balans, samtidigt som det skapar rytm med förskjutningen. Burspråk och balkonger är också med till att ge en reliefverkan och ett djup till fasaden. Alla lägenheter har tillgång till balkon, burspråk, takterrass eller fransk altan.

Elementen sträcker sig över två våningsplan. Detta ger ett lugn och en balans, samtidigt som det skapar rytm med förskjutningen. Burspråk och balkonger är också med till att ge en reliefverkan och ett djup till fasaden.

Alla lägenheter har tillgång till balkon, burspråk, takterrass eller fransk altan.

Fasaden utgörs av ett lätt fasadsystem som bekläds med keramiska plattor. Fasaden för tankarna tillbaka till de klassiska höghusen tegel, men blickar även framåt då materialiteten översätts till en mer hållbar och modern lösning. De öppna hörnen är med till att ge en elegant siluett och fasaden läses mer som en sammanhängade yta.

Fasaden utgörs av ett lätt fasadsystem som bekläds med keramiska plattor. Fasaden för tankarna tillbaka till de klassiska höghusen tegel, men blickar även framåt då materialiteten översätts till en mer hållbar och modern lösning. De öppna hörnen är med till att ge en elegant siluett och fasaden läses mer som en sammanhängade yta.

Kronan

Ramstruktur, som upplöser kroppen och förbinder tornet med himlen.

Fasad

Högdelen

med gatan.

Ett lager med burspråk och balkonger som skapar mönster och djup till fasaden

Fasadens keramiska plattor har en varm roströd färg. Plattorna följer även på strukturen på den öppna pergolan på podie och krona. Att samma material används på både fasad och pergola är igen med till att väva ihop byggnaden och att fläta den med det omkringliggande området. Fasadens kulör anknyter både till de roströda hamnelementen och till den korrugerade plåt som används Karlastaden, samtidigt som den står kontrast till de andra byggnaders färg- och materialval. På dett sätt är byggnaden med till att skapa en diversitet området som ger ett levande och lekfullt stadsrum.

Fasadens keramiska plattor har en varm roströd färg. Plattorna följer även på strukturen på den öppna pergolan på podie och krona. Att samma material används på både fasad och pergola är igen med till att väva ihop byggnaden och att fläta den med det omkringliggande området.

Fasad

Material

Fasadens kulör anknyter både till de roströda hamnelementen och till den korrugerade plåt som används Karlastaden, samtidigt som den står kontrast till de andra byggnaders färg- och materialval. På dett sätt är byggnaden med till att skapa en diversitet området som ger ett levande och lekfullt stadsrum. De keramiska plattorna ger också möjlighet för att leka med öppet/ stängt när detta blir nödvändigt.

De keramiska plattorna ger också möjlighet för att leka med öppet/ stängt när detta blir nödvändigt. Kompletteringar metall, på balkongräcken, fönsterramar, vid entrédörrar etc, lackeras samma nyans som fasaden.

Kompletteringar metall, på balkongräcken, fönsterramar, vid entrédörrar etc, lackeras samma nyans som fasaden.

För att nedskalera fasaden, uppskalerar vi fasadelementen. Elementen sträcker sig över två våningsplan. Detta ger ett lugn och en balans, samtidigt som det skapar rytm med förskjutningen. Burspråk och balkonger är också med till att ge en reliefverkan och ett djup till fasaden. Alla lägenheter har tillgång till balkon, burspråk, takterrass eller fransk altan. Fasaden utgörs av ett lätt fasadsystem som bekläds med keramiska plattor. Fasaden för tankarna tillbaka till de klassiska höghusen tegel, men blickar även framåt då materialiteten översätts till en mer hållbar och modern lösning. De öppna hörnen är med till att ge en elegant siluett och fasaden läses mer som en sammanhängade yta.

Fasadens keramiska plattor har en varm roströd färg. Plattorna följer även på strukturen på den öppna pergolan på podie och krona. Att samma material används på både fasad och pergola är igen med till att väva ihop byggnaden och att fläta den med det omkringliggande området. Fasadens kulör anknyter både till de roströda hamnelementen och till den korrugerade plåt som används Karlastaden, samtidigt som den står kontrast till de andra byggnaders färg- och materialval. På dett sätt är byggnaden med till att skapa en diversitet området som ger ett levande och lekfullt stadsrum. De keramiska plattorna ger också möjlighet för att leka med öppet/ stängt när detta blir nödvändigt. Kompletteringar metall, på balkongräcken, fönsterramar, vid entrédörrar etc, lackeras samma nyans som fasaden.

Podiet

Ramstruktur som ger liv, men också tyngd i mötet med gatan.

Material

För att nedskalera fasaden, uppskalerar vi fasadelementen.

Elementen sträcker sig över två våningsplan. Detta ger ett lugn och en balans, samtidigt som det skapar rytm med förskjutningen. Burspråk och balkonger är också med till att ge en reliefverkan och ett djup till fasaden.

Alla lägenheter har tillgång till balkon, burspråk, takterrass eller fransk altan.

Fasaden utgörs av ett lätt fasadsystem som bekläds med keramiska plattor. Fasaden för tankarna tillbaka till de klassiska höghusen tegel, men blickar även framåt då materialiteten översätts till en mer hållbar och modern lösning.

De öppna hörnen är med till att ge en elegant siluett och fasaden läses mer som en sammanhängade yta.

Fasadens keramiska plattor har en varm roströd färg. Plattorna följer även på strukturen på den öppna pergolan på podie och krona. Att samma material används på både fasad och pergola är igen med till att väva ihop byggnaden och att fläta den med det omkringliggande området. Fasadens kulör anknyter både till de roströda hamnelementen och till den korrugerade plåt som används Karlastaden, samtidigt som den står kontrast till de andra byggnaders färg- och materialval. På dett sätt är byggnaden med till att skapa en diversitet området som ger ett levande och lekfullt stadsrum. De keramiska plattorna ger också möjlighet för att leka med öppet/ stängt när detta blir nödvändigt. Kompletteringar metall, på balkongräcken, fönsterramar, vid entrédörrar etc, lackeras samma nyans som fasaden.

A

Podiet och Kronan

Podiet och Kronan

tydligt fasaden och podiet, men framstår fasaden. skapar en som det podiet med sträcker sig förbinder gatunivå, unika grönska. vinterträdgård.

TORNETS SILUETT Karlastadens horisont

The Podium and the Crown

KRONAN Podiet och Kronan

Byggnaden landar på markplan med ett podie som framstår tydligt med sin pergola struktur. Pergolan växer upp längs fasaden och skapar möjlighet för skyddade takterrasser ovanpå podiet, men markerar även ingångar och entréer gatuplan. Podiet framstår som robust, men samtidigt med en elegant djupverkan fasaden. Övergången mellan podie och högdel upplöses och skapar en balanserad proportionering av huskroppen, samtidigt som det gröna växtligheten för blicken uppåt och kopplar podiet med Kronan på toppen av byggnaden.

Byggnaden landar på markplan med ett podie som framstår tydligt med sin pergola struktur. Pergolan växer upp längs fasaden och skapar möjlighet för skyddade takterrasser ovanpå podiet, men markerar även ingångar och entréer gatuplan. Podiet framstår som robust, men samtidigt med en elegant djupverkan fasaden. Övergången mellan podie och högdel upplöses och skapar en balanserad proportionering av huskroppen, samtidigt som det gröna växtligheten för blicken uppåt och kopplar podiet med Kronan på toppen av byggnaden.

ÖVERGÅNG

Kronan upptar pergola-motivet från podiet, men sträcker sig uppåt en allt mer porös och upplöst struktur som förbinder

Byggnaden landar på markplan med ett podie som framstår tydligt med sin pergola struktur. Pergolan växer upp längs fasaden och skapar möjlighet för skyddade takterrasser ovanpå podiet, men markerar även ingångar och entréer gatuplan. Podiet framstår som robust, men samtidigt med en elegant djupverkan fasaden.

Övergången mellan podie och högdel upplöses och skapar en balanserad proportionering av huskroppen, samtidigt som det gröna växtligheten för blicken uppåt och kopplar podiet med Kronan på toppen av byggnaden.

Kronan upptar pergola-motivet från podiet, men sträcker sig uppåt en allt mer porös och upplöst struktur som förbinder byggnaden med himlen.

Kronan blir en fantastisk identitetsskapare, både från gatunivå, stadsbilden och uppifrån de högre tornen.

Kronan trappar byggnadskroppen in, för att skapa unika takterrasser , beskyddade av pergolan med prunkande grönska. Man har även på flera ställen möjlighet för en vinterträdgård.

The building lands at ground level with a podium that stands out clearly with its pergola structure. The pergola grows up along the facade and creates the possibility for sheltered roof terraces on top of the podium, but also marks entrances and entrances at street level. The podium appears as robust, but at the same time with an elegant effect of depth in the facade.

Kronan upptar pergola-motivet från podiet, men sträcker sig uppåt en allt mer porös och upplöst struktur som förbinder byggnaden med himlen.

Kronan blir en fantastisk identitetsskapare, både från gatunivå, stadsbilden och uppifrån de högre tornen.

Kronan trappar byggnadskroppen in, för att skapa unika takterrasser beskyddade av pergolan med prunkande grönska. Man har även på flera ställen möjlighet för en vinterträdgård.

The transition between podium and high part dissolves and creates a balanced proportioning of the house body. The green vegetation brings the gaze upwards and connects the podium with the crown on top of the building.

TORNETS SILUETT Karlastadens horisont

VY _Gaturmmet Ankomst och entré framstår som vänlig och inbjudande. Pergolan skapar inramning och fasaden framstår som en förtolkning av hamnens robusthet en förfinad version.

VY_Lägenheter typplan A Lägenheterna två plan, med möjlighet för takterrass, men även balkong, som skapar liv flera nivåer. Gemenskap och grönska.

VY_Lägenheter typplan B-C Bra planlösningar med flexibilitet för att kunna följa livets gång. Fokus på vy och samspel med det omkringliggande, där burspråkens vinkling ger oväntade perspektiv.

VY_Lägenheter typplan D “Villas in the sky”. Exklusiva lägenheter med stora takterrasser och spännande öppna planlösningar.

The Architecture Concept

MICROCLIMATE

The new Aarhus Stadium interprets and celebrates the unique atmosphere in Kongelunden. It contributes to a sense of place and a collective memory of magic by responding to its context. Withs its location in the lush ancient beech forest, vicinity to the rich coastline, and in a strong connection to the city, the new stadium invites everyone to experience Kongelunden in new ways and unites nature, history, urban life, and the community of sports. In the evening the stadium reflects a warm light– a golden shine that radiates from the clearing, illuminating the treetops, expressing pride and the exhilarating sense of victory

The term microclimate concerns the local weather conditions, for instance parameters as wind, temperature, solar etc. in close proximity to the stadium. The localized climate conditions are strongly affected by the surrounding buildings and variations in the landscape levels. To achieve the best spectator experience when visiting the stadium, the microclimatic conditions both surrounding and within the stadium bowl has been considered in the design process, with the aim to maximize outdoor comfort and reduce summer overheating. Furthermore, the growth of the grass on the pitch can be encouraged by the microclimatic conditions.

Analyzing local climate weather conditions shows, that the dominating wind direction is from west and south-west. In the western part of the site the existing arena-building and threes shelters the stadium and breaks the wind to reduce wind speed and turbulence. Furthermore, the variation in of the terrain levels helps reducing the wind-tunnel effect. To achieve comfortable conditions within the stadium-bowl the entire stadium-bowl is equipped with a vertical transparent membrane that follows the structure, which significantly reduces the risk of uncomfortable wind conditions for the spectators. Furthermore, the slope of the roof construction deflects the airflows in minor upward direction.

The concern in terms of solar conditions is case of minimizing solar radiation in summer to prevent overheating and maximizing solar ration in the winter. The solar radiation differs significantly on the stands depending on the orientation. To address this matter, the stadium is covered by large roof

when visiting the stadium, the microclimatic conditions both surrounding and within the stadium bowl has been considered in the design process, with the aim to maximize outdoor comfort and reduce summer overheating. Furthermore, the growth of the grass on the pitch can be encouraged by the microclimatic conditions.

Analyzing local climate weather conditions shows, that the dominating wind direction is from west and south-west. In the western part of the site the existing arena-building and threes shelters the stadium and breaks the wind to reduce wind speed and turbulence. Furthermore, the variation in of the terrain levels helps reducing the wind-tunnel effect. To achieve comfortable conditions within the stadium-bowl the entire stadium-bowl is equipped with vertical transparent membrane that follows the structure, which significantly reduces the risk of uncomfortable wind conditions for the spectators. Furthermore, the slope of the roof construction deflects the airflows in minor upward direction.

construction (overhang) with transparent sheltering membrane, thus allowing light to penetrate the roof to some extent while significantly reducing the direct solar radiation. The vertical membrane following the structure at the outer perimeter at level 4 significantly more transparent since the direct solar radiation is low, which allows for more light to penetrate the membrane. Wind rose

radiation is low, which allows for more light to penetrate the membrane. Solar radiation

Miroclmate

The term microclimate concerns the local weather conditions, for instance parameters as wind, temperature, solar etc. in close proximity to the stadium. The localized climate conditions are strongly affected by the surrounding buildings and variations in the landscape levels. To achieve the best spectator experience when visiting the stadium, the microclimatic conditions both surrounding and within the stadium bowl has been considered in the design process, with the aim to maximize outdoor comfort and reduce summer overheating. Furthermore, the growth of the grass on the pitch can be encouraged by the microclimatic conditions.

Bowl Structure

The stadium bowl is made up from a modular, highly repetitive construction kit of precast concrete elements. This forms a robust and highly functional structure and enables a fast installation process on site, allowing for a minimized impact on the Aarhus stadium operations during construction. Modularity also fosters the potential for a reuse of the elements at the structure’s end of life, supporting a Circular Economy in the construction sector. The stadium grid has been optimized regarding spans especially for the precast concrete steps and total number of elements, leading to a regular grid with 8m spans.

CONSTRUCTION AND BUILDABILITY

OVERVIEW

A holistic design approach integrating the various disciplines and equally considering functional, architectural, environmental and economic requirements has been applied to the development of the Aarhus Stadium structure.

Through the choice of efficient structural systems with optimized geometries and suitable material selections a structural system has evolved throughout the design process which offers the highest level of functionality for a state-of-the art stadium while at the same time minimizing construction cost and resource input.

The following image gives an overview of the stadium elements and their building types and materials. All elements will be described in more detail on the following pages.

SCALE 1:100

Competition

Dorte Mandrup

March 2022- July 2022

ROLE IN TEAM: Watercolor drawing & & Diagarm drawing

Ventilation strategy: Cooling season

Plentiful ventilation on the top oor is guaranteed by keeping the perimetral windows open, where needed.

Inner rooms need to be mechanically ventilated throughout the year. they are too distant from the windows to be naturally ventilated. During cooling season, MVHR units guarantee constant intake of fresh air, in synergy with natural ventilation.

Ventilation strategy: Cooling season

VENTILATION STRATEGY COOLING SEASON

VENTILATION STRATEGY COOLING SEASON VENTILATION STRATEGY HEATING SEASON

Plentiful ventilation on the top oor is guaranteed by keeping the perimetral windows open, where needed.

Where possible, cross ventilation provides simple and e cient cooling. It is more e ective when less obstructions are present.

Inner rooms need to be mechanically ventilated throughout the year. they are too distant from the windows to be naturally ventilated.

AHU units on top of the building allow mechanical ventilation of inner rooms closer to the roof, minimising duct runs and saving space.

Aerodynamical e ects such as the formation of vorticles can be exploited through the installation of tall windows which facilitate air circulation. This guarantees e ective

Where possible, cross ventilation provides simple and e cient cooling. It is more e ective when less obstructions are present.

Aerodynamical e ects such as the formation of vorticles can be exploited through the installation of tall windows which facilitate air circulation. This guarantees e ective

AHU units on top of building allow mechanical ventilation of inner closer to the roof, minimising duct runs and saving space.

During cooling season, MVHR units guarantee constant intake of fresh air, in synergy with natural ventilation.

Air circulation towards the core of the building is facilitated by the stack e ect in correspondence of vertical shafts.

Highly occupied internal spaces need to be mechanically ventilated throughout the year. This can be integrated with natural ventilation during cooling season, where possible.

PLAN ENTRANCE LEVEL 1:500

PLAN ENTRANCE LEVEL 1:500

MVHR units guarantee constant exchange of air with outside allowing fresh air to circulate continously throughout o ce spaces next to the windows.

Air circulation towards the core of the building is facilitated by the stack e ect in correspondence of vertical shafts.

Highly occupied internal spaces need to be mechanically ventilated throughout the year. This can be integrated with natural ventilation during cooling season, where possible.

MVHR units guarantee constant exchange of air outside allowing fresh circulate continously throughout o ce spaces to the windows.

PLAN LEVEL 2 - 1:250

PLAN LEVEL 2 - 1:250

PLAN LEVEL -1 - 1:500

PLAN LEVEL -1 - 1:500

35 Lincoln’s Inn Fields

Large opeanable doors on top oor reduce overheating risk by encouraging cross ventilation

Structure designed for demountability at end-of-life and recon gurability for the future

Adaptive controls ensure that lighting and HVAC operate only when users require them

Radiant cooling panels in high occupancy spaces ensure that cooling is resilient to global warming

Acoustic absorption integrated within ceiling build-up

Reuse of existing bricks as facade shading

Low grade perimeter heating from radiators or n tubes

Low energy external lighting strategy, designed to minimise lighting pollution

Embedded pipework in exposed slabs could help meet future cooling demands

SUSTAINABILITY STRATEGY

Kitchen Extract Vents at Roof Level, away from neighbours

Sustainability strategy WC

Large opeanable doors on top oor reduce overheating risk by encouraging cross ventilation

PVs on overhangs can provide shading whilst generating electricity Roof PVs for electricity generation Green roof retains water, ensuring sustainable drainage

Structure designed for demountability at end-of-life and recon gurability for the future

Adaptive controls ensure that lighting and HVAC operate only when users require them

Radiant cooling panels in high occupancy spaces ensure that cooling is resilient to global warming

Acoustic absorption integrated within ceiling build-up

Reuse of existing bricks as facade shading

Low grade perimeter heating from radiators or n tubes

Live in-use energy

Low energy external lighting strategy, designed to minimise lighting pollution

Embedded pipework in exposed slabs could help meet future cooling demands

AHU GSHP

All Electric Energy Solutions in Basement Plant

Closed or open loop ground source heating and cooling system, depending on viability, provides renewable energy for the site

SUSTAINABILITY STRATEGY

Kitchen Extract Vents at Roof Level, away from neighbours

PVs shading electricity Roof PVs for electricity generation Green roof retains water, ensuring sustainable drainage

Roof is designed for rainwater runo allowing for e cient rainwater capture and storage

Planting provides solar shading for low sun, and protection from wind

Materials chosen based on low embodied carbon palette

Low ow toilets used throughout, reducing water use Greywater from sinks used to irrigate planting and ush WCs

Mechanical Ventilation with Heat Recovery (MVHR) at O ce Levels Triple Glazing could be used throughout the facade to reduce heat losses

Highly insulated envelope, from high-grade insulation in wall build-up

Embodied Carbon is reduced by reusing both the basement level and original foundations

AHU GSHP

Rainwater is stored in basement tanks, for use in WCs and for irrigation

Sustainability strategy WC

Live in-use energy

All Electric Energy Solutions in Basement Plant Closed or heating and on viability, for the site