JACQUELINE TANG Portfolio of Work
TABLE OF CONTENTS Brand Identity
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eCards + Icons 08 Environmental Graphic Design 10 Interactive Design 16
JACQUELINE TANG
PORTFOLIO OF WORK
BRAND IDENTITY The Knot HONG KONG, SAR JANUARY 2013
Knot the
The Knot is one of the first sew and craft by the hour studios in Hong Kong that also offers its clients an enormous selection of fabrics from international designers. The typeface and the icon of the knot both clearly communicate the intent of the store and also tie the front and back of the business card designs together.
the the Knot Knot
the the Knot Knot
378 HENNESSEY 378 HENNESSEY ROAD ROAD QUEENSWAY, QUEENSWAY, HONG KONGHONG KONG TEL: +(852) 2637 TEL: +(852) 7783 2637 7783
THEKNOT.COM.HK THEKNOT.COM.HK YA R N S , FA BR I CYA S & R NS M O, R FAB E R ICS & M O R E
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BRAND IDENTITY Sandwich Shoppe TORONTO, ONTARIO CANADA FEBRUARY 2013
SANDWICH
488 WELLINGTON ST. W. TORONTO ON M5V 1E3 416 979 1990
SHOPPE
SANDWICHSHOPPE.COM
SANDWICH SANDWICH
SHOPPE SHOPPE
488 WELLINGTON 488 WELLINGTON ST. W. ST. W. TORONTO ON TORONTO M5V 1E3ON M5V 1E3 416 979 1990416 979 1990
SANDWICHSHOPPE.COM SANDWICHSHOPPE.COM
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MA
Schelpstraat 42, Oranjestad, Aruba t: 2
Museo Arqueologico Nacional Aruba
National Archaeological Museum Aruba Arminda Franken-Ruiz Director Schelpstraat 42, Oranjestad, Aruba t: 297 582 8979
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Arminda Franken-Ruiz Director Museo Arqueologico Nacional Aruba
National Archaeological Museum Aruba
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Museo Arqueologico Nacional Aruba
National Archaeological Museum Aruba
BRAND IDENTITY A National Archaeological Museum Aruba
Museo Arqueologico Nacio
National Archaeological Mus
NANational Archaeological Museum Aruba
Schelpstraat 42, Oranjestad, Aruba t: 297 582 8979
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Museo Arqueologico Nacional Aruba
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PORTFOLIO OF WORK
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JACQUELINE TANG
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Schelpstraat 42, Oranjestad, Aruba t: 297 582 8979
ORANJESTAND, ARUBA JULY 2009
As an archaeological museum celebrating over 1000 years of history, the identity of the National Archaeological Museum Aruba stemmed from ancient artifacts such as pottery shards and ceramic paintings which were predominant in archaeological excavations of this region.
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Museo Arqueologico Nacional Aruba
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National Archaeological Museum Aruba
Schelpstraat 42, Oranjestad, Arub
Museo Arqueologico Nacional Aruba
National Archaeological Museum Aruba
Schelpstraat 42, Oranjestad, Aruba t: 297 582 8979 Schelpstraat 42, Oranjestad, Aruba t: 297 582 8979
Schelpstraat 42, Oranjestad, Aruba t: 297 582 8979 6
Arminda Franken-Ruiz Director
Arminda Franken-Ruiz Director
Armind
BRAND IDENTITY Azure Properties TORONTO, ONTARIO JUNE 2013
Azure is a new residential development in Richmond Hill. Inspired by the clean and bold lines of the architecture, the word “Azure” has been reduced to the essential lines or “structure” require for legibility.
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Danielle Armstrong Sales Representative 1499 16th Avenue Richmond Hill, ON L4B 4W5 T (905) 743-9889 F (905) 743-9887 E info@azureproperties.com
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JACQUELINE TANG
PORTFOLIO OF WORK
eCARDS + ICONS Multiple clients VARIOUS LOCATIONS
YOU’VE BEEN INVITED TO
a Summer
Various electronic and printed cards were designed for clients for different occasions including weddings, personal parties, baby showers, just to name a few.
BBQ!
YOU’VE BEEN INVITED TO
a Summer
BBQ!
YOU’VE BEEN INVITED TO
a Summer
BBQ!
YOU’VE BEEN INVITED TO
a Summer
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BBQ!
WHERE 182 Robinson Street (look for the red door!) WHEN Sunday, July 28 WHY To celebrate summer with delicious treats!
WHERE 182 Robinson Street (look for the red door!) WHEN Sunday, July 28 WHY To celebrate summer with delicious treats!
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JACQUELINE TANG
PORTFOLIO OF WORK
ENVIRONMENTAL GRAPHIC DESIGN Westport Visitor Center Westport Innovations
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WESTPORT VISITOR CENTRE GRAPHIC CONCEPT
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GRAPHIC APPLICATIONS TYPE D - CUSTOM - FLIP PANEL Panel size: 12” wide x 14” high
VANCOUVER, CANADA APRIL 2013
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A.
WESTPORT VISITOR CENTRE GRAPHIC CONCEPT
A.11 GRAPHIC APPLICATIONS TYPE E - RIBBON GRAPHICS Draft Graphic Concept example of a combination of different ribbon graphic treatments.
14 June 2013
Westport Visitor Centre C.3 CORPORATE SOCIAL RESPONSIBILITY
RIBBON GRAPHIC PAInt oR VInYL
C.2 ENERGY FUTURES RIBBON FABRIC stRetCHeD oVeR ALUMInUM FRAMe
CORPORATE SOCIAL RESPONSIBILITY
FUTURE FRESH
INTRO GRAPHIC PRInteD ACRYLIC GLossY FInIsH BACKLIt
Draft Graphic Concept 10Westport Visitor Centre
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14 June 2013
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A.
WESTPORT VISITOR CENTRE GRAPHIC CONCEPT
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GRAPHIC APPLICATIONS TYPE B - SECONDARY PANEL (WALL GRAPHICS)
Westport Innovations Inc. is a global leader in alternative fuel, low-emissions technologies that allow engines to operate on cleanburning fuels and biofuels such as landfill gas.
the secondary panels are applied on walls, and can differ in size while maintaining the same graphic template.
Slated to open in Spring of 2014, the Westport Visitor Centre will share stories of the company’s history as well as the company’s steps towards sustainbility and innovation.
RIBBON GRAPHIC PAInt oR VInYL
GRAPHICS CHRoMeD DIMensIonAL HeADLIne VInYL teXt APPLIeD to WALL
WESTPORT IS A PASSIONATE CATALYST
FLIP PANEL QUESTION GOES HERE?
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WALL FINISH GRADIent PAInt GReY to WHIte
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WESTPORT VISITOR CENTRE GRAPHIC CONCEPT
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GRAPHIC APPLICATIONS
- INTRODUCTORY PANEL DraftTYPE GraphicA Concept Westport Visitor Centre
14 June 2013
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these introductory panels are full height freestanding graphic panels. Panel size: 50” wide x 90” high.
raft Graphic Concept Westport Visitor Centre
DIMENSIONAL RIBBON PRInteD stRetCH FABRIC oVeR ALUMInUM FRAMe
VISIONARY TECHNOLOGY
VISIONARY TECHNOLOGY Westport is a passionate catalyst.
GRAPHIC PANEL FRONT PRInteD ACRYLIC GLossY FInIsH BACKLIt
Westport is a passionate catalyst. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Etiam convallis faucibus venenatis. Ut porta id lacus sed viverra. Sed ut nulla in sem sodales consectetur eu ac dui. Cras eu vulputate est. Sed vulputate risus ut vehicula venenatis. Fusce vel augue commodo ligula placerat tempor ac luctus lectus. Nulla et ornare eros. Cras in tempor leo, sit amet tristique neque. Cras ut convallis lacus. Suspendisse porta odio at nibh porta sollicitudin. Morbi fringilla feugiat mauris.
GRAPHIC PANEL BACK PRInteD ACRYLIC GLossY FInIsH BACKLIt IMAGe
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GRAPHIC PANEL SIDE WooD tRIM
FRont
sIDe
BACK
14 June 2013
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JACQUELINE TANG
PORTFOLIO OF WORK
ENVIRONMENTAL GRAPHIC DESIGN Heritage Room Bank of Montreal Institute for Learning TORONTO, CANADA NOVEMBER 2011
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BMO Financial Group Institute for Learning’s “Heritage Room” was an opportunity for BMO to showcase and share the rich history of a world renown financial institution with the public. Reflecting BMO’s innovation in banking technologies and customer service, the material palette of brushed aluminium, reflective surfaces and illuminated graphics created a light, sleek and refreshing environment. Through the use of touchscreen interactives, artifact displays and large-scale heritage photos, the Heritage Room speaks to BMO’s past while at the same time celebrating its future in an innovative and memorable way.
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JACQUELINE TANG
PORTFOLIO OF WORK
ENVIRONMENTAL GRAPHIC DESIGN Wasaga Beach Welcome Centre WASAGA BEACH, CANADA MAY 2012
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Wasaga Beach Welcome Centre was created out of the need to promote the tourism opportunities, providing necessary resources for tourists, and connecting visitors and residents with the cultural and historical significance of the region. Coinciding with the War of 1812 Bicentennial, the Welcome Centre opened its doors on May 24, 2012. Inspired by the colour palette of vintage photographs and postcards of this vibrant area, the exhibition space uses a historic material and colour palette to create a space that is both welcoming and engaging to visitors of all ages.
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JACQUELINE TANG
PORTFOLIO OF WORK
INTERACTIVE DESIGN Wasaga Beach Welcome Centre WASAGA BEACH, CANADA MAY 2012
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GRAPHIC DESIGN Ralph Klein Legacy Park
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CALGARY, CANADA AUGUST 2012
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57 %
89 %
Ralph Klein Park is Calgary’s newest major park featuring a man-made wetland that uses natural vegetation to treat stormwater before it is discharged into the Bow River.
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Working with Weatherston Bruer Associates, who developed the concept design of the exhibition, we created a graphic language that was cohesive with the established design language yet also injected a sense of playfulness that made the content universally accessible.
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