Belleville rendezvous

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Tischenko, who swears Gutierrez’s Wagyu was his secret to winning France’s Top Chef competition in 2010 (he then opened the inventive and wildly popular Le Galopin in 2011 with brother Maxime). Rather chic residents, one might say, for an old working-class street. Yet Rue SainteMarthe is a gateway to Belleville, the raffish, hilly, multicultural neighbourhood once haunted by singer Edith Piaf, and where today a gastronomic renaissance is brewing. Authentic atmospheres and affordable rents are inspiring young chefs with excellent pedigree, but limited budgets to launch their first restaurants. But Belleville’s draw wouldn’t be so strong were it not already home to two of Paris’s most influential neobistros: Le Baratin and Le Chateaubriand. “The Baratin has existed for years up at the top of Belleville, and is kind of the matrix of all these new types of cuisine,” says GQ France food critic Marie Aline. Co-founder Oliver Camus left the venture and opened a well-loved wine shop and table d’hôte in 2002, Le Chapeau Melon, just a block away. But Camus’s deep cellar of rare wines was never the only thing that brought gastronomes climbing up the steep Rue de Belleville to Le Baratin. Still today, they come in droves to partake in the cuisine of Raquel Carena, a well-travelled Argentine who let her peregrinations infuse her cooking before that was fashionable, with dishes like tuna tartare, cherries, malt vinegar and miso. “Inaki [Aizpitarte of Le Chateaubriand] was very inspired by Raquel Carena, and now he’s like the godfather to these young chefs,” says Aline. Le Chateaubriand, opened in 2006, is just a 10-minute walk down Rue de Belleville from Le Baratin. With dishes informed by flavours of his Basque homeland and his travels to the four corners of the world, Aizpitarte’s fivecourse, €60 prix-fixe menu – including creations like wasabi-accented black pudding with mangos and passion fruit puree, or Pyrenees pork knuckle confit with daikon radish and oyster – counts as some of the most innovative cuisine in the capital. And next door, his wine and “tapas” bar Le Dauphin offers small plates packed with flavour and imagination, natural wines, a minimalist white marble décor by Rem Koolhaas, and hipsters galore. Aizpitarte’s influence is evident at Le Galopin, for example in the balance between the raw and perfectly cooked, and plays on temperature and texture in dishes like pollack with button mushroom emulsion, mustard leaf and pale-leaf woodland sunflower root and

etc. Chatomat

6 Rue Victor Letalle Tel. +33 1 47 97 25 77

La Contre-Etiquette

36 Rue Sainte-Marthe Tel. +33 1 42 01 08 51 la-contre-etiquette.com

La Tête dans les Olives 2 Rue Sainte-Marthe Tel. +33 9 51 31 33 34 latetedanslesolives.com

Le 31

31 Rue Sainte-Marthe Tel. +33 6 22 47 00 27

Le Baratin

3 Rue Jouye-Rouve Tel. +33 1 43 49 39 70

Le Chapeau Melon

92 Rue Rebeval Tel. +33 1 42 02 68 60

Le Chateaubriand

129 Avenue Parmentier Tel. +33 1 43 57 45 95 lechateaubriand.net

Le Conservatoire

14 Rue Sainte-Marthe Tel. +33 9 51 31 33 34 latetedanslesolives.com

Le Dauphin

131 Avenue Parmentier Tel. +33 1 55 28 78 88 restaurantledauphin.net

Le Galopin

34 Rue Sainte-Marthe Tel. +33 1 42 06 05 03 le-galopin.com

Roseval

1 Rue d’Eupatoria Tel. +33 9 53 56 24 14 roseval.fr

CONTACT PLATINUM CARD SERVICE FOR BOOKINGS

salsify puree. “Inaki was one of the first to create a fixed menu, and this cuisine brute, focused on the ingredients,” says Tischenko. “He really created a new style of restaurant in Paris, and blazed a path for all of us chefs who came after him.” That certainly includes the 28-year-old Englishman Michael Greenwold, who worked for Aizpitarte and technical master Petter Nilsson of La Gazzetta before teaming with Simone Tondo, 24, to open the widely lauded bistro Roseval on a tranquil plaza a 10-minute trot east of Le Baratin in 2012. “Inaki kind of blew my mind,” admits Greenwold. “He would talk about seeing a dish in colours, like cèpe with chestnuts, and I’d never thought about that before. It was great to get ideas there – and then actually get taught how to cook from Petter!” But don’t assume Greenwold and Tondo to be just a provocateur pair of Inaki wannabes. Rather, expect creative takes on classic dishes like potato soup with bone marrow, burnt sage, winter herbs and olive oil; or pigeon with hay-cooked celeriac, sautéed black trumpet mushrooms, hazelnuts, and onion petals in Japanese ponzu and sherry vinegar. “Anyone can be rock’n’roll, but it’s hard to be classy, and we really try,” says Greenwold. So does Alice Di Cagno, whose restaurant Chatomat – which serves inspired, gratifying dishes like beetroot ice cream, black pudding and green apple coulis, or scallops with chrysanthemum puree and chickweed winter herbs (and ambrosial desserts) – has been packed since she and partner Victor Gaillard opened in 2011, a stone’s throw from where Roseval stands today. “We’ve all come from wellknown restaurants,” says the 31-year-old, Italian-born, Brazilian-raised, Arpègetrained chef. “But I think if we really share something in common, it’s that we all are doing our own, very personal cuisine.” And in the way the Chatomat duo helped Michael and Simone prepare their bank loan request; in the way Tischenko and the Rue Sainte-Marthe gourmet gang enjoy weekly revelry; and in the way the Roseval crew celebrated the night they first got the restaurant keys with a meal at Le Baratin, clearly these young chefs all share something else, something more rare in the ruthless restaurant world than even a rich urban terroir: community. As Tischenko said one recent evening over a glass of vintage bubbly, “This is the first time I’ve experienced such cohesion, fusion, and, in the end, friendships really, all around food. I’m not sure you could find it anywhere else.” departures-international.com

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