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70. A Wedgwood Dolphin plate designed by Laurence Whistler, printed with a classical dolphin to the well, the rim with a border of starfish and shell vignette, a Wedgwood Harvest Festival platter designed by Eric Ravilious, two Wedgwood plates designed by Richard Guyatt, a Foley plate designed by Graham Sutherland, a Wedgwood cup and saucer designed by Marcel Goupy, and nine other items, printed marks, 27cm. diam. (18) £150-200 Provenance Wedgwood Exhibition, 1982, Richard Dennis Gallery catalogue number 251 (Marcel Goupy)
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Literature Maureen Batkin Wedgwood Ceramics Richard Dennis Publications, page 173 plate 406 for an example of the Dolphin plate illustrated.
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71. ‘Outlines of Grandeur’ a set of six Wedgwood plates designed by Laurence Whistler, printed in black, the rim with red ribbons, comprising New Delhi, St Paul’s Cathedral, Tintern Abbey, Holyroodhouse, Clifton Suspension Bridge, and Stonehenge, printed factory marks, 25.5cm. diam. (6) £600-800
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Literature Maureen Batkin Wedgwood Ceramics 18461959, Richard Dennis Publications, page 166 plate 402. 72. A Wedgwood Pottery earthenware desk set designed by Keith Murray, comprising crescent-shaped tray, powder box and cover and two candlesticks, all covered in a Matt Green glaze, impressed marks and facsimile signature, one candlestick re-stuck, 24cm. wide (tray), (5) £120-180
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73. A Susie Cooper jug, incised with a running ibex, covered in a matt white glaze, and five other Susie Cooper vases incised signature, 21.5cm. high (6) £120-180 74. A Royal Doulton stoneware vase by Vera Huggins, slightly swollen cylindrical form, incised with simple grasses, under a mottled pink and pale grey glaze, another vase by Vera Huggins with simple running glaze, and four other Royal Doulton vases probably by Vera Huggins, impressed mark, incised signature, 21.5cm. high, (6) £120-180
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Provenance Applied Arts, Sotheby’s 29th May 2003 lot 315 (main vase part)
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