169* Knight (Dame Laura, 1877-1970). Country Girls, etching with drypoint on watermarked laid paper, titled, signed and additional unidentified signature in pencil to lower margin, toned to verso, plate size 23 x 17cm (9 x 6.75ins) (1)
£200-300
170* Knight (Laura, 1877-1970). A group of 5 printed diplomas awarded to Laura Knight, including a diploma for the Royal Society of Painters in Water Colour, 10th June 1929, signed by King George V (George R.I.), Honorary Graduate at St. Andrews University, 1931, numerous signatures at foot, a diploma with honorable mention for ‘Boxing Sketch’ at the Olympic Games London 1948, marginal splits, plus 2 certificates from the Societe des Artistes Francais, 1928 (honorable mention) and 1939 (gold medal), with a sixth certificate for a gold medal at the same Salon awarded to Laura Knight’s husband Harold, all completed in manuscript, various sizes (6)
£150-200
171* Lawrence (Peter, 1951-). Black Quay, 1998, wood engraving on japan tissue, signed, dated, titled and numbered 4/50, sheet size 194 x 241mm (7.7 x 9.5ins), together with Composition, 1995, black ink and watercolour on card, signed and dated, 150 x 106mm (5.9 x 4.2ins), mounted on backing card, plus The Quay, 1995, wood engraving on wove paper, signed, dated, titled and numbered 12/50, and a colour reproduction of a collage by the same artist, dated 1999, printed in an edition of 25 (two copies), plus two other wood engravings (Ian Stephens, The Causeway Chill, 1997 & Edwina N. Ellis, Spots Bit), each signed, titled and numbered from editions of 50 and 10 respectively (7)
£100-150
Lot 169
172* McBey (James, 1883-1959). Ranstorp, 1910, etching on laid paper, only state, from the edition of 41, signed in ink, and numbered XXVI, with margins, some toning, plate size 127 x 230mm (5 x 9ins), together with another etching from McBey’s Dutch Set, signed and numbered X in ink, toned, plate size 165 x 121mm (6.5 x 4.75ins), matching frames, glazed Hardie & Carter 75 for the first work. (2)
Lot 171
53
£200-300