2018
j a m e s e y r e s
Architectural d e s i g n e r
P o r t f o l i o & C u r r i c u lu m V i ta e
James Eyres
declaration of intent What you will see in the following pages is a collection of my works throughout my professional and educational career, for which I have consistently excelled. However, I would like to stipulate here my yearning to provide more of a contribution than just design flare and an eye for the aesthetic and detail. I believe that Architecture as a profession is in a state of flux, where the next generation of architect will be required to be more dynamic and adjust to the ever changing economic climate and crises. Where I fit within this new role is still uncertain but this is my declaration that I will proceed with the attitude of exploration and open mindedness in the way that the role of the Architect will develop in the hope to ever avoid plateau and ensure continued growth & development. Having just completed nine months travelling through South East Asia with my girlfriend, we are now seeking a long term move to Australia with a refreshed sense of energy and purpose. I am ready more than ever to focus on progressing my Architecture career to the next level.
EDUCATION
James Eyres
2013 - 2015 University of the West of England (UWE) / Bristol / UK
MArch Architecture - (High Distinction) Master of architecture with specialism in sustainability
Awards & Grades RIBA Silver President Medal Shortlist (National) RIBA Wessex Prize Winner (Regional) Highest marks in the year for both years of Design Studio with 80%
Architectural Designer
Profile I am a strong believer in the importance of the Architect for shaping the lives of those around us on more than just an aesthetic level. I have found developing creative and ambitious design solutions that are grounded with a solid understanding of tectonics, social & environmental impact to be my Architectural focus. I am inspired by an honest approach to design that lets space, structure and materials speak for themselves. Tutors and employers have often commented on the strength of my design eye and ability to think in 3D.
Technical Skills Revit Vectorworks SketchUP V-Ray Photoshop Illustrator InDesign AutoCAD Rhino IES Ecotect
20072011 University of the West of England (UWE) / Bristol / UK
BEng Architecture & Environmental Engineering - (Merit) A dual degree accredited by both Architecture and Engineering bodies. Achieved distinction in Architecture modules
Awards & Grades Educate Sustainability Award (International) Honorary mention (top 5 from over 100 universities worldwide)
2005- 2007 South Dartmoor Community College / A levels / Design Award 2004 -2005 Somerset College of Arts & Technology BTEC National Diploma in Construction (Merit)
research 2014 - 2015 2010 - 2010 2007 - 2010
experience 2017 - 2018 Freelance Architectural Designer Independently led the design for the conversion of a group of barns into three four bed residential units to planning. Dealt with all negotiations with planners and consultants. Also worked part time whilst travelling for Stonewood Design on a freelance basis. 2015 - 2017 Stonewood Design / Architectural Designer / BD Small Project Architect of the Year 2017 Regularly liasing and negotiating with contractors. Carried out client meetings independently and as part of team. Drafting planning and construction packages. Given design responsibility over key design elements. Co-ordination and project management of junior members of the team. Regular on site experience and management of builders. 2017
Hobbies I spent a lot of my spare time throughout University writing music and gigging at the weekends with a band. We had a couple of UK and European tours supporting larger American bands and played some great festivals including Glastonbury before disbanding. In the UK I liked to keep active in the evenings and weekends, playing squash for my local club and golf when weather permits. I’m looking forward to getting stuck into some Aussie sports during my time here.
references
Design Research Thesis / Affordable Housing Solutions / Self Build Systems Fundamental & Advanced BIM (Revit) Week Intensive Training Course Integrated sustainable Engineering & Architecture modules First class dissertation on pre-fabrication techniques
Guest Tutor of Architecture / UWE & Bath University Provided one on one tutorials with 4th and 2nd year students. Gave guest lectures on visualisation and post editing. Attended interim presentations and assisted with marking. Invited by former tutors, I primarily used my holiday allowance to attend the sessions whilst still employed by Stonewood Design. I was asked to return in 2018.
2011 - 2013 Stride Treglown Architects / Mixed Use & Residential Team / International Practice Worked on a wide variety of projects within residential, commercial, refurbishment and interior design sectors of values ranging from <£1m to £40m. I played a key role in drawing up planning and construction drawing packages as part of a small team on multiple larger scale residential projects. 2011
Designer/Maker / Volunteer Project / “Air Your Laundry” Raising money for homeless charity Shelter we designed and built an art installation / market stall that sought to create a buzz in a deprived area of Bristol.
2006 - 2011 Labourer Practical experience on site in between academic years. Gave me a good understanding of site mentality and project management on site. Worked on school and residential projects undertaking simple carpentry and manual tasks.
Written references available on request
Contact
M: +44 (0)7722950215
e: eyresy12@gmail.com
James Eyres
James Eyres
06
university
Experience Masters, Yr 2 UWE
makerhub
live / work / make
07
The LIVE.WORK.MAKE brief for the second year of the masters was developed through meetings with real on site stakeholders. My project developed a masterplan for the site, a custom-build co-housing scheme, selfbuild live-work units and a creative arts maker school in the run down suburban context of Knowle West, Bristol. It sought to redefine traditional methods of living, working, and educating, where the ambition was to foster social cohesion and resiliance amongst a deprived and fractured community through making.
James Eyres
08
M aste rpl a n
Existing School
A se lf e vo lv i n g a r tis an c ommu nit y A masterplan for 61 co-housing units, 71 live-work units and a Maker School Masterplan Strategies
Flexible Development Strategy
Blurring “inside” & “outside”
A
B
Street as Valuable Public Space
Connecting people
Connecting to nature N
A Diverse Community
James Eyres
M a k e r - Li ve A Street
A House A Room
Development model
Tight knit, village like
View â&#x20AC;&#x153;Aâ&#x20AC;? down a typical co-housing
T
he design of these units has been orientated around developing a framework that enables all levels of society to take control of the design of their home. Residents are able to choose their level of involvement from complete construction, to self finish, or full turn key.
A Streetyard
+10 Years
A Standardised Custom-Build Housing Solution
James Eyres
Maker-Work An “Open-Building” System The design of the live work units has been differentiated from the residential character of the custom build houses to be tailored towards the “maker”. These units require more self build skills with a pre determined structure that inhabitants can infill as they wish. The twin glulam structure gives some unity to the street frontage amonst the organic infill. External space rises up through the levels, with the structure giving the potential for informal cover or a framework for greenery.
Section “B” : Maker High St. - Artisan live-work units with communal
Live/ Worker
Independent Businesses
7.5m
Pre-determined structure
In-fill by inhabitants
Green S pa c e
Self-build Resident
artisan M erc h a n t
Flexible and diverse development options
James Eyres
maker-school ce ntre for experient ia l & exp er im enta l lea r ning
Maker Market Square
Roof plan of the Maker School in context showing relationship to Maker Forest and Maker Square.
Concept Diagram Trade
Maker Market Square
Creativity Maker School
Nature
Maker Forest
Site Gateway
Site Gateway
Stitching trade and nature together through the creative arts
Concept model
Maker Forest
James Eyres
Maker-Learn
10.
6.
12. 14.
13.
11. 12.
16.
First Floor Plan
1. Exhibition space/spill out cafĂŠ social space 2. Raised South facing external balcony with stair to Maker Forest 3. Cafe with external deck to North side for sheltwered external work 4. Physical maker classrom - stairs to fabrication workshop beneath 5. Digital maker cladssroom Room - sliding doors control privacy with visian panel between physical and digital makers 6. Maker Library - flexible open plan maker spaces with quiter reading zones 7. Maker Collaboration pos - Spaces next to the windows can be cordened off for group work
5. 4. 8.
3.
7.
1. 2.
8. Print and light machinery room 9. Library reception and material store 10. Storage 11. Quiet spillout maker space 12.Private classroom 13. School common room 14. Community room/lecture hall - flexible use for events for local residents 15. School entrance
N
James Eyres
scale
& f o r m
Building Diagrams Trade
Nature
SHELTERED MARKET AND MAKER SPACE
Ends of building strips down to structure towards an enclosed tree
The rhythm of the roof form helps to break up the buildings size and works to the scale of the surrounding housing
Building picks up the roof scape of the self build maker high st. and begins to gain energy
Natural/ Lightweight
Learner Maker
ManMade/ Industrious
Pro Maker
James Eyres
020
maker s pa c e s
T
he progression of spaces through the building starts conceptually from the tail end in the form of material deliveries, these make their way through the building being used for occupants to realise their ideas. The creations are then celebrated in the gallery exhibition space at the other end.
Maker Space
+
Social Space
View in the Maker Gallery space
021
Entering the Maker Library space
View in the Maker Cafe
View looking up through the central void in the Maker Library
James Eyres
Structural Development Models
Componetised glu-lam structure strategy
Structural views: The roof form was inspired by the cell structure of a series of stacked leaves
James Eyres
024
Structural
025
Technical Section
James Eyres
Structural
Primary internal glue - lam structure Polished screed with underfloor heating pipes Steel flitchplate Mechanical ventilation Pre-cast concrete slabs Concrete frame Polished screed floor with underfloor heating Concrete raft foundation
â&#x20AC;&#x153;The best standardisation committee in the world is nature herself, but in nature standardisation occurs mainly in connection with the smallest possible units: cells. The result is millions of flexible combinations in which one never encounters the stereotyped.â&#x20AC;? Alvar Aalto
1. 7. 8.
10.
9.
2.
3.
5.
Eaves Detail Roof build up 1. 20x 80 cedar cladding 38 x 20 counter battens Rubber waterproofing membrane 38x20 battens Plywood Vapour control layer 220mm cellulose insulation Plywood Internal timber finish Secondary timber structure Primary structure 2. 440x200 Glue laminated timber 3.320x440 Glue laminated timber tieing member 4. 320 x 320 glue laminated timber column
6.
4.
Overhang Detail Floor build up 1. Polished screed with underfloor heating Plywood 100mm cellulose insulation Vapour barrier Screed creates structural diaphragm Hallowcore pre-cast concrete slabs
2. 7. 1.
8.
10. 11. 9. 4. 6.
3.
5.
Structure 320mmx320mm glue laminated timber column fits into steel shoe connector that is the bolted to the screed
Windows 5. Pilkington optiwhite glazing system with inward opening windows 6. Vertical louvres Guttering 7. Galvanised steel guttering system notched into glulam fascia 8.Timber support for guttering 9. Service void Facade 10. 200x 320mm glue laminated timber with lead capping
Edge detail 3. Insulation continues round to stop thermal bridge and is met by a recessed steel cap to the edge 4. 200x320mm concrete frame beam 5. 200 x 320 glue laminated timber fascia 6. Threaded steel bar with steel fasteners pins the glulam to the structure Glazing 7. Sliding double glazed door 8.Supported by steel strap that is pinned to the precast concrete slab 9. Window sill wraps over glue laminated timber to protect from water
James Eyres
makerhub
Section location
SEll
Work
Section through Maker Library, Maker forest and Maker Market Square
Sheltered external space for markets and working
Greenery spreads from Maker Forest and Maker Sq up through the triple height space of the Maker Library
The concept for the use of the materials stems from the structuralist theory of binary opposition, in the way that two terms or two related terms are opposite in meaning. The strategy was to emphasise this relationship and develop a complementary and contrasting material pallete that draws attention to the way the building is made.
Gables gain ryhthm where the creativity happens
Library spaces project out into the trees with direct views at ground floor and glimpse views above through vertical louvres James Eyres
3. Circulation & core 4. Restaurant 5. Kitchen 6. Circulation & core 7. Plant 8. Theatre (3 storeys) & sheltered external stage 9. Workshop & store 10. Theatre changing & WC’s 11. Core 12. Community workshops 13 Artisan retail 14. Coreart store and washroom 15. Art shop
7. 6.
The raised timber canopies that extend from the roof form offer opportunities for raised planting that can provide additional shade
1. Nodes - Entrance points 2. Districts (Houses) - Studio spaces 3. Landmarks - Iconic leisure spaces 4. Pathways - Circulation & breakout space 5. Service zones
Landscaping
Masters, Yr 1 UWE
The “collision” Roof Top Bar
S
Theatre
LLoyds
Promenade
Foundations 1 - Building Footprint 2 - External courtyard
Planters are used to bring greenery to the roof external deck and down to lower levels through external courtyards where artists and dancers have direct access
Lifted Greenspace
D a n c e & C r e a t i v e A r t Journeys s School
Landscaping
Extension of promoenade walk to rooftop bar. Roofscape animates riverside by wrapping up and down from LLoyds to the existing riverside promenade
Site Plan
Potted trees are brought to the roof external deck and down to lower levels through external courtyards where artists and dancers have dircet access.
Arch
+2 From millenium square
To millenium square
Service yard
1. 3. 2.
4. From fountains
5.
7.
Intern plantin
From fountains 7. South
6. To Amphitheatre 6.
Active Frontage
Access & Servicing
Pedestrian Route
The existing line of bars and restaurants is extended along the riverfront and wraps round with retail to join millenium square
1. Loading bay 2. Workshop direct access to loading bay and theatre 3. 2m external service corridor 4. Deliveries 5. Bin storage 6. Primary building entrance points 7. Secondary building entrance points
New pedestrian corridor through animated external space enables the building to become a new linch pin for events and festivals
oute through the
pace)
1
1
2
2 2
1 1 Exploded Programme Diagram
Section
1
1
2
G WC’s
Ancillary
5
Performance
Building Diagrams
1
Creative Retail
Elevation 1
mme ram Diagram
Exploded Programme Diagram Boundary Condition Building Building DiagramsDiagrams
2
Building Diagrams
Leisure
admin
Creative Retail
WC’s
Ancillary
Performance
1
Form Exploded Programme Diagram Building wraps in section elevation & plan in order to maintain
Form
Image of eakout he focus e commuuccessful
Creative Retail
The exterior elemennts maintaina a rigid facade that reacts to its context. Internal facades represent the creativity and movement that is created by the occupant within, and simultaneously aim to increase these activities.
12.
2.6.
6.
2.
3.
3.
Ancillary
The raised timber canopies that extend from the roof Art Studio Leisure admin form offer opportunities for raised planting that can provide additional shade 5. 6. 5. 6.
15.
WC’s
Performance
6.
13.
Dance Studio
2.
Landscaping
ocial Breakout External
4.
Social Breakout circulation 1.
Developing form
4.
admin
Art Studio
9. 7.Promenade 8.
17.
6. Landscaping
18.
19.
ds to the
1.
dios and circulation 11. rnal stage 10.
8.
9.
6. height) atre (double 5.
14.
1. Brick External 2. Cedar Cladding
9.
1.
From millenium square 1.
5.
4.
2.
6.
1.
2.
4. 1 - Main public entrance 1. Community 1 & 2&-foyer Timber clad and louvred on upper levels to add a light aesthetic that services 2 - External courtyard 2. Service zones that of the previous saw mills and industrial buildings that3.were on site. 3. Circulation & references core Theatre (ffl atground floor with access on first) 4. Showcase performanceFrom studiosFrom - Studios are on the main publicfountains route through the From fountains fountains fountains From 5. Kitchen building 6. Circulation & core 5. Learning focused studios (more private) 7. Plant 6. Private studios (external circulation & breakout dance and work space) To millenium square 8. Theatre & sheltered external stage 9. Workshop & store theatre changing
2.
4.
3.
Spatial Arrangement
4. Restaurant From fountains
5.
6.
From
3.
Amphitheatre FirstTo Floor
From fountains
To Amphitheatre
To Amphitheatre
3
1 1 - Flexible exhibition space 1 2 -Core 3. Creatives 4. Dance 3 5. External courtyard 26.Dance 2 7. Breakout space from studios and circulation 8. Theatre & sheltered external stage 8. Core 4 9. Offices 3 10. Meeting & Conference room 11. WC’s 11. 2 hall/studio 10. theatre (double height) 8. 112. Lecture 1 9. 13. WC’s 7. 3 14Core 3 15. Dance 16. Creatives 6. 17. 5. Dance 18. Creaives 19. Core
Spatial Arrangement
Orientation
5. Kitchen
11.
12.
3
1 - Flexible exhibition space
8.
10.
1 7. 6.
2
15. 2.
1
3
3
5.
5
3. Creatives
4. Dance 4 5. External courtyard 16.Dance
17.
Progromatic Progromatic Concept Concept
8.with flexible event/gig space gig foyer space 11. 10.
Active Frontage
Zinc roof form wraps down to deck
Stone paving at ground floor Bouncing section
building
14.
First Floor
Access &Pedestri Servicin Access
Concept Programme is integrated in section as well as plan by dropping downProgromatic and North facing rooflights for studios give glare free5. consistant light,studios (more private) Learning focused The arrangement of the scheme has been inspired by Kevin Lynch’s Image of up studios into adjacent spaces. whilst leisure spaces benefit from protected south light. studios (external circulation & breakoutpushing 1 as breakout 6. Private dance and work space) the City. Arranging spaces around internal streets that also act 9. social, dance and work spaces for the integrated studio spaces; with the focus 2 13.
5 2 -Core
Pedestrian Active Frontage Pedestrian Route Route
1
4. 3.
5
4 2
1
being to encourage interaction between the dancer, the artist and the community. The following characteristics lynch describes as necessary for a successful city and have been used to define areas of the building 1
Ground Floor 1 - Main public entrance & foyer with flexible event/gig space 2 - External courtyard Section 3. Circulation & core 4. Restaurant 5. Kitchen 6. Circulation & core 7. Plant 8. Theatre (3 storeys) & sheltered external stage 9. Workshop & store 10. Theatre changing & WC’s 11. Core 12. Community workshops Elevation 13 Artisan retail 3 14. Coreart store and washroom 15. Art shop
7. Breakout space from studios and circulation 2 2 8. Theatre & sheltered external stage 1 8. Core 4 9. Offices 3 Condition Boundary Condition Boundary 3 10. Meeting & Conference room 11. WC’s 2 12. Lecture hall/studio theatre (double height) 1 4. 13. WC’s 3 Foundations 14Core 3. 1 - Building Footprint 15. Dance 2 - External courtyard 2. 16. Creatives 17. Dance The arrangement of the scheme The arrangement has been inspired of the by scheme Kevinhas Lynch’s been inspired Image by Kevin Lynch’s Image of The arrangement of theexterior scheme has beenthat inspired Lynch’s Image ofto its context. The exterior elemennts maintaina The a rigid elemennts facade maintaina reactsby toaKevin its rigid context. facade that reacts 18.of Creaives the City. Arranging spacesthe around City. internal Arranging streets spaces that around also actinternal as breakout streets that also act as breakout City.represent Arranging around internal streets that also actby asthe breakoutthat is created by the 19. Core Internalthe facades Internal thespaces creativity facades andrepresent movement the that creativity is created and movement
18. 19. 20.
12.
12. 13.
15. 16.
1.
7.
2.
3. Zinc From millenium squareFrom To millenium squaremillenium square Diagrams
Second Floor theatre clad with contrasting timber
Timber boarding at external deck level
First Floor
room
6.
4.
Materiality Social Breakout
Active Spatial Frontage Active Arrangement Frontage
Potted trees are brought to5. the roof external deck and down to lower levels 6. Circulation & core through external courtyards where artists and dancers have dircet access. 7. Plant 8. Theatre & sheltered external stage 4. 9. Workshop & store 3. 2. theatre changing
e
3 1.
12.
14. are used to bring greenery to the roof external deck and down to Planters 15. lower levels through external courtyards where artists and dancers have 16. direct access
5.
8.
6.
Dance Studio
S
Second Floor Arrangement Spatial Arrangement Spatial
10.
nal stage
7.
3. 10. 7.
1.
Social Breakout Leisure External 1.
5.
2
1 1 - Flexible exhibition space 2. 2 -Core 6. 6 14. 3. Creatives 1. 4. Dance 13. 3 5. External courtyard 15. 4. 2 6.Dance 16. 7. Breakout space from studios and circulation 5 Social Breakout Social Breakout 11. 17.1. Community 1. Loading bay 1. Loading bay corr 1 - Main public entrance & foyer 1. Community services 1. Community services services The existing line of bars The and existing restaurants lineisofextended bars 10. and along restaurants the is extended along the & sheltered external stage New The pedestrian existing line corridor of bars New through and pedestrian restaurants animated corridor isexternal extended through space along animated the external space New pedestrian 8. Theatre circulation External 8. Tothe Amphitheat 2. to Workshop loading baydirect and Core 2 - External courtyard 1. millenium8.square 2. Service zones 2. Service zones zonesround riverfront and wraps riverfront with retail and wraps to join9.round millenium with retail squareto join enables riverfront the building and wraps to become enables round with the a new building retail linchtopin to join become for millenium events a new and square linch pin for events and 2. 4Workshop direct access enables building 18. 2. Service 9. Offices 3 3. 2m external service corridor 3. 2m external servic Circulation coreaccess 7. 3.11. Theatre (ffl 3. atground floor 3. & Theatre with (ffl atground on first) floor with access on first) 1 festivals festivals festivals 19.3. Theatre (ffl atground floor with access on first) 10. Meeting & Conference room 4. Deliveries 4. Deliveries 4. Restaurant4. 4. Showcase performance studios Showcase - Studios performance are on thestudios main public - Studios route are through on the main the public route through the20. 4. Showcase performance studios - Studios are on the main public route through the 11. WC’s 12. 2 5. Bin storage 5. Bin storage 5. Kitchen building 6. building building 12. Lecture hall/studio theatre (double height) 1 4. 6. Primary building entrance 6. Primary points building 13. WC’s 5. 6. Circulation core private) 5. Learning focused studios 5. & Learning (more focused studios (more private) 5. Learning focused studios (more private) 3 14Core 3. (external circulation & breakout dance and work space) 7. Secondary building entrance 7. Secondary points buildi 7. Plant Second 6. Private studios (external6.circulation Private studios & breakout (external dance circulation and work & breakout space) dance andFloor work space) 6. Private studios 13. 15. Dance 1 - Main public entrance & foyer 8. Theatre & sheltered external stage 1. Community services The existing line of bars and restaurants is extended along the 2. 16. Creatives 10. 2 - External courtyard 2. Service zones 9. Workshop & store riverfront and wraps round with retail to join millenium square 17. Dance 9. 1. 7. 8. 3. Circulation & core 3. Theatre (ffl atground floor with access on first) 18. Creaives theatre changing 4. Restaurant 4. Showcase performance studios - Studios 19. Core are on the main public route through the
Theatre
6.
2.
16. Creative 17. Retail 18. 19.
Site plan showing the building hugging the site boundary 5. 6. 2. 2. to create an enclosed courtyard space 1. 1. 1.Materiality Developing Form
Dance Studio
3.
Dance Studio
G - Brick chosen for its robust aesthetic and continuity with context.”landmar”
14.
nce rt Studio Studio
oyer
Social Breakout circulation
rhythm and flow. Which develops an animated facade and interior Tothat millenium square 11. Tothe millenium square is representative of activity within. Building
2.
6.
1 Art Studio
Plan
reative formance tail
2
3
2
Progromatic Form Form Concept
5
Section
1. Nodes - Entrance points 2. Districts (Houses) - Studio spaces 3. Landmarks - Iconic leisure spaces 4. Pathways - Circulation & breakout space 5. Service zones
S 1
G
El 2
Roof Top Bar
LLoyds
Plan
2
Form
2
Theatre
1
Plan Boundary Condition
Form Form
11
1
Elevation
Boundary Condition
1
1
The ex to its c courty create
2 1 Promenade
2
1
2
Materiality Materi Form
1. Brickwraps in se The exterior maintaina a& rigid thatelevation reacts to its Building wrapselemennts in section Building elevation wraps plan infacade section in order to maintain & context. plan in order to maintain 1. Brick Building Journeys 2. Cedar Cladding 2. Cedar Internal the creativity andWhich movement that created bywalk the rhythm andfacades flow. represent Whichrhythm develops andanflow. animated facade develops andofisan interior animated facade andbar.interior rhythm andCladding flow. W Extension promoenade to rooftop social, dance work spaces for integrated studio spaces; the focus Buildi 3. Zinc occupant within, andand simultaneously occupant within, aimthe toand increase simultaneously these activities. aim towith increase these activities. within, and aim to increase these activities. Roofscape animates riverside by wrapping up and down from LLoyds to the that3.isZinc thatoccupant is representative ofsimultaneously that the activity is representative within. of the activity within. representative existing riverside promenade being to encourage interaction between the dancer, the artist and the commuThe arrangement of the scheme has been inspired by Kevin Lynch’s Image of The exterior elemennts maintaina a rigid facade that reacts to its context. der to nity. The following characteristics lynch describes necessary for spaces a successful - Brick chosen for its robust G - Brick aesthetic chosen andf theas City. Arranging around internal streets that also act as breakout Internal facades represent the creativity and movement that is G created by the edwith facc city and have been used to define areas of the building theatre clad with contrasting theatre timber clad social, dance and work spaces for the integrated studio spaces; with the focus occupant within, and simultaneously aim to increase these activities. being to encourage interaction between the dancer, the artist and the commu1 & 2 - Timber clad and1louvred & 2 - on Timber upperc Ground Floor 3. Circulation & core Form development models nity. The following characteristics lynch describes as necessary for a successful 8.points1. Nodes - Entrance points 1. Nodes - Entrance 1. Nodes Process models references that of the previous references saw mills thatand of t 1 - Main public entrance & foyer with flexible event/gig space- Entrance points 4. Restaurant
social, dance and work spaces social, fordance the integrated and workstudio spacesspaces; for thewith integrated the focus studio spaces; with the focus being to encourage interaction being between to encourage the dancer, interaction the artist between and the thecommudancer, the artist and the commuGround Floor nity. The following characteristics nity. entrance Thelynch following describes characteristics as necessary for adescribes successful 1 - Main public & foyer with flexiblelynch event/gig spaceas necessary for a successful 9. city and have been used tocity define andareas haveof been theused building to define areas of the building 2 - External courtyard
Progromatic Concept
city and have been used to define areas of the building
Form
existing promenade existing riverside promenade between ist and the thecommudancer, the artist and the commu- being to encourage beingGround to encourage interaction being interaction between to encourage the between dancer, interaction the thedancer, artist between the the artist thecommudancer, and the the commuartisthas andbeen theinspired commutheexterior dancer, the artistriverside and the commuThe and arrangement of the scheme by Kevin Lynch’sbeing Imageto ofencourage interaction betweenThe Theelemennts arrangement of the scheme has been inspired byits Kevin Lynch’s Image of 1. Brick der to main Floor maintaina a rigid facade that reacts to context. The exterior elemennts maintaina rigid that to reacts to its context. der to maintain rhythm and flow,a&developing anmaintain animatBuilding wraps in section elevation planfacade in order Bui sary cs lynch for adescribes successful necessaryspace for a successful nity. The following nity. 1The characteristics following nity.characteristics Thelynch following describes lynch characteristics asdescribes necessary as for necessary aArranging describes successful for as a successful necessary a successful nity. The following characteristics lynchInternal describes necessary for acreativity successful 8.with - Brick chosen for its robust G - Brick aesthetic chosen andfor continuity its robust with aesthetic context.”landmar” and continuity with context.”landmar” - Brick chosen G - Brick forchosen its robust G - Brick aesthetic its Cladding robust chosen and aesthetic for contin its thelynch City. spaces aroundfor internal streets that also act as breakout theas City. Arranging around internal streets also act breakout 2. for Cedar facades represent the spaces and movement that that is G created byasthe Internal facades represent the creativity and movement that interior is G created by the gig ble foyer space event/gig flexible spaceasevent/gig - Main public entrance & foyer with flexible event/gig space rhythm and flow. Which develops an animated facade and rhyar 9. edwith facade and interior edwith facade e areas of the building city and have citybeen and have used been tocity define used andareas have to define of been theareas used building of tothe define building areasdance of the building and have been used to define areas occupant of the building theatre contrasting theatre timber clad contrasting timber theatre cladtheatre with contrasting clad withtheatre timber clad timber contras social, and work spaces for the integrated studio spaces; withcity the focus social, dance and work spacesaim for to theincrease integrated studio spaces;clad withwith the focus 3. contrasting Zinc within, and simultaneously these activities. within, and simultaneously aim to increase these activities. 2 - External courtyard thatoccupant is representative of the activity within. that being to encourage interactionFloor between the dancer, the artist and the commubeing to encourage interaction between the dancer, the the commu11. 1 artist & 2 and - Timber clad and1louvred & 2 - on Timber upperclad levels and tolouvred add a light on upper aesthetic levels thatto add a light aesthetic that 1 & 2 - Timber 1 & 2 clad - Timber and1louvred & clad2 and - on Timber louvred upperclad levels on an up Ground Floor Ground 3. Circulation & core ment models Formpoints development models nity. The following characteristics lynch describes as necessary for a1.successful nity. The following characteristics lynch describes as necessary forthat a successful 8.-points G the - Brick chosen forthe its rob 1. Nodes - Entrance 1. Nodes Entrance 1. Nodes points - Entrance Nodes - EntranceProcess points models Process models references of the previous references saw mills that and of the industrial previous buildings saw mills that and were industrial on site. buildings that were on site. references references that of the that previous of references saw previous mills that and of saw indust mills pre 1 - Main public entrance & foyer with flexible event/gig space 1 Main public entrance & foyer with flexible event/gig space 4. Restaurant 10. 12. 7. city and have been used to define areas of the building city and have been used to define areas of the building theatre clad with contrastin aces 2. Districts2.(Houses) Districts (Houses) Studio 2. Districts spaces Studio (Houses) spaces Studio spaces 2. Districts (Houses) Studio spaces 2 - External courtyard 2 External courtyard 5. Kitchen 1 & 2 - Timber clad and l 3. Circulation & core 3. Circulation & core aces 3. Landmarks 3. Landmarks - Iconic leisure Iconic 3. Landmarks spaces leisure spaces Iconic leisure spaces 3. Landmarks Iconic leisure spaces 6. Circulation & core 1. Nodes - Entrance points 1. Nodes - Entrance points references that of the previo 13. 7. akout space 6.4. Restaurant 4. Pathways 4. -Pathways Circulation & 4. Pathways breakout &space -breakout Circulation space & breakout space 4. Restaurant 4. Pathways - Circulation & breakout space 7. Plant- Circulation 2. Districts (Houses) - Studio spaces 2. Districts (Houses) - Studio spaces 5. Kitchen 5. Kitchen 5. Service zones 5. Service zones 5. Service zones 5. Service zones ltered tage external 6.stage 3. Landmarks - Iconic leisure spaces 3. Landmarks - Iconic leisure spaces Creative + Flamboyant 8. Theatre6.(3 storeys) & sheltered external stage Circulation & core Circulation & core 5.Rigid + Modular Rigid- Circulation + 6.Modular 14. 4. Pathways 4. Pathways - Circulation & breakout space 9. Workshop & store 7. Plant 7. Plant & breakout space 5. Service zones 8. Theatre (3 storeys) & sheltered external stage 5. Service zones C’s 10. Theatre changing & WC’s 8. Theatre (315. storeys) & sheltered external stage 5. 11. Core 9. Workshop & store 9. Workshop & store 10. Theatre changing & WC’s 10. Theatre changing & WC’s 12. Community workshops 4. 11. Core 11. Core 13 Artisan retail 2. 12. Community workshops 12. Community workshops 3. oom 14. Coreart store and washroom S S S S S S 13 Artisan retail 13 Artisan retail 15. Art shop 14. Coreart store and washroom 14. Coreart store and washroom S S 15. Art shop 15. Art shop Roof Top Roof Bar Top Bar Roof Top Bar Roof Top Bar
Roof Top Bar
Theatre
Theatre Promenade LLoyds
Foundations 1 - Building Footprint 2 - External courtyard
Roof Top Bar
Theatre
LLoyds Promenade LLoyds Foundations 1 - Building Footprint 2 - External courtyard
Roofscape
Theatre
Theatre
PromenadePromenade LLoyds Promenade
LLoyds
Foundations 1 - Building Footprint 2 - External courtyard
Journeys Journeys Journeys Journeys Roofscape Journeys Landscaping Landscaping
Theatre
Theatre Promenade
LLoyds
Theatre
Promenade
Studios North Light, Leisure South Orientation Journeys Journeys Journeys Orientation Orientation Landscaping Landscaping Landscaping Landscaping
Promenade
Bouncing Section Orientation Bouncing Section Bouncing Bouncing section section Orientation Orientation Orientation Orientation Landscaping Landscaping
Boun Bouncing Bouncing Bouncing Bouncing section sect O Orientatio
North facing rooflights for the studiosofgive glarewalk to rooftop bar. NorthinProgramme facing rooflights Programme for issection the integrated studios give in section glare asglare well asand plan light, Programm promoenade walk to rooftop bar. Extension promoenade o rooftop bar. Extension Extension of promoenade of promoenade Extension walk to rooftop of walk promoenade rooftopwalk bar. Extension to rooftopofbar. Extension of promoenade walkstudios tofacing rooftop bar. Programme iswell inb is integrated section asrooflights well is integrated as plan by in dropping asare down well asand plan by dropping down is integrated is integrated in Programme section inrooflights section isintegrated integrated as plan asNo w North facing rooflights for studios give free consistant North facing rooflights North for give rooflights glare free for consistant studios give light, glare freeto consistant light, North facing North rooflights North for studios facing for give studios rooflights glare give free for glare consistant studios free consistant give light, glare free light, consistant light, North facingas fo hbouring bordeaux The roofscapeExtension gathers momentum ofare promenade and walk flair from totobar. rooftop the neighbouring bordeaux Extension of promenade walk toare rooftop Potted trees are brought to the roof deck and down toProgramme lower Potted trees brought to the roof external deck and down toProgramme lower levelsProgramme Potted Roofscape trees brought toPotted roof trees external brought deck and tobar. the down roof toexternal lower levels deck and down to lower Potted trees Potted are brought trees aretoPotted brought the roof trees toexternal roof brought deck external and tobar. the down deck roof and to external lower down levels deck to lower and levels down lower arefacing brought to thewhilst roof external deck and down to lower levels Roofscape animates riverside by wrapping up and LLoyds tofree the Roofscape animates riverside by wrapping up levels and down fromlevels LLoyds Potted tofree the trees wrapping om LLoyds uptoand thedown from LLoyds to the Roofscape animates riverside animates Roofscape bythe riverside wrapping animates byare up wrapping and riverside down up by and from wrapping down LLoyds from uptoand LLoyds the down tofrom the LLoyds tolevels the down from Roofscape animates riverside bythe wrapping up and down from LLoyds toexternal the pushing up studios into ad consistent light, whilst leisure spaces benefit consistent light, dropping down leisure and spaces pushing benefit upartists dance studios by droppin pushing studios into adjacent pushing spaces. upby studios into adjacent spaces. pushing studiosup into studios adjacent pushing intospaces. up adjacent studios spaces. into whilst leisure spaces benefit from protected south light. wh whilst leisure spaces benefit whilst leisure protected spaces south benefit light. from protected south light. leisure whilst spaces leisure benefit spaces whilst from benefit leisure protected spaces from protected south benefit light. from south protected light. south light. whilst leisure spaces benefi through external courtyards where artists and dancers have dircet access.up whilst through external courtyards where and dancers have dircet access.uppushing existing riverside promenade existing riverside promenade through external courtyards through where external artists and courtyards dancers have where dircet artists access. and dancers dircetto access. throughexisting external through courtyards external through courtyards where external artists where and courtyards artists dancers and have where dancers dircet artists have access. and dircet dancers access. have dircet access. through external courtyards where artists and dancers have dircet access. artist in mid flow. quay as it covers Roofscape over the animates building, riverside much like byapromenade wrapping dancer orup artist and indown mid flow. fromhave Lloyds the Roofscape animates riverside byfrom wrapping up and down from Lloyds to the existing riverside existing promenade riverside existing promenade riverside riverside promenade existing riverside promenade
from protected south light. existing riverside promenade
from protectedinto south adjacent light. spaces.
into adjace
Facade design Development
Aerial view from theAerial North Eastview corner ofshowing the site - Planting is brought all levelspicking of the building the roof toform up
the roofscape of the industrial sheds & “dancing” with it
This experiment used horizontal louvres which was later changed for vertical. The facade combines vertical timber cladding panels with louvering over glazing to dance studios. This allows the continuity of the facade to flow over the glazing and emit a glow across the harbourside and also helps to control solar gain and glare.
James Eyres
Structural Strategy
• Minimise on site construction by generating a kit of parts that can be quickly erected on site. • Expose and celebrate the buildings structure • Maximum flexibility for internal spaces • Structure sticks to the rigid 5 x 10m grid towards the North of the site and gradually begins to break on the way through the building
Primary structure (305 x 180mm) Secondary structure (180 x180mm)
Screed seals concrete slab to create structural diaphragm Precast hollowcore concrete slabs (1.2m x 5m) Cross bracing at key junctions and cores adds lateral support
Raised cafe seating space overlooking the harbour View from raised cafe overlooking amphitheatre & cranes
Concrete foundation
ce yard
5.
7.
6.
1
1
Primary structure is erected first with the secondary skin system attached on top
4.
3
xt.”landmar”
sthetic that at were on site.
View from external deck on second floor - the louvred skin that wraps the courtyard gives glimpse views of the movement through the corridors
Covered balconies wrap the inside of the courtyard to act as studio spillout
Structural diagram
3D Views
View from t
Building inspired by the timber yard aesthetic of the harbours context View to main entrance
View from c
Night shot View looking north up promenade to fountains
James Eyres
Professional
Architectural Designer, Stonewood Design
experience Stonewood Design
About Stonewood Design A small practice of ten who have received national RIBA recognition for numerous projects and won BD Small Project Architect of the Year 2016. Stonewood Designâ&#x20AC;&#x2122;s work is founded in building. With a sister construction company, the practice cares and fully understands the detail. The theme that connects their work is their interest in craft and context. I had the ability to work on a diverse range of projects at different stages with an increased level of responsibility due to the practices small size.
Pod Gallery
Art Gallery Extension Within Barn RIBA South West Award 2015, Wood Awards 2015 Highly Commended
035
Myrtle Cottage Garden Studio
RIBA National Award 2015, RIBA Stephen Lawrence Prize 2015 Finalist James Eyres
036
Architectural Designer, Stonewood Design
Residential My Experience
A planning application for 20 sustainable new homes in a riverside location in Box Wharf. The scheme maximises the use of the sites complicated topography. We also developed a smaller scheme of 12 homes on the opposite side of the river with a creative tech worker space. The scheme uses a subtle, contempory style that uses materials from the surrounding context.
- Concept Design - Masterplanning - Site analysis/visits - Design Development - Design team meetings with wider professionals/consultants - Concept Proposals - Planning Application - Design + Access Statement - Visuals/Graphics (Vray/Photoshop) - 3D Modelling in SketchUp - 2D Drafting in Vectorworks
037
â&#x20AC;&#x153;A sustainable community of 20 new homesâ&#x20AC;?
James Eyres
038
Swindon housing
â&#x20AC;&#x153;Breaking the status quo of afforable housingâ&#x20AC;?
View along canalside An affordable housing scheme for 85 new homes in the Canalside area of Swindon. Working in partnership with urban design specialists Metropolitan Workshops on behalf of Swindon Borough Council. There will be a choice of 1, 2, 3 and 4 bed homes for sale and be situated along both banks of the canal. The scheme aims to deliver a unique, and quality, housing offer for Swindon.
My Experience I worked on early stage strategic masterplanning and helped develop unit types and visualisation. My experience studying house types and residential strategies at University was a helpful contribution to the team. Section through 3 bed typology
039
bruton h o u s e
â&#x20AC;&#x153;A b e s p o k e high end homeâ&#x20AC;?
A contemporary new-build house which nestles in to the historic fabric of the village of Bruton in Somerset. Utilising a basement amenities floor, the scheme uses multpile pitched roof forms to give grandeur to the internal spaces that open out onto the enclosed south facing garden.
My Experience
I developed on site modelling and design iterations up to planning status. I had direct communication with the client over design concerns and layouts. I attended site meetings and regularly liased with ecologists & required consultants Aerial showing roof form and open courtyard
Approach material study image
James Eyres
040 Architectural Designer, Stonewood Design
Rockliffe House
Rear garden elevation
Snug lounge with integrated witndow seat
041
A bespoke home on a tight budget
My Experience The project required a sensitive design approach due to the siteâ&#x20AC;&#x2122;s proximity to the centre of UNESCO heritage City Bath. I Gained experience negotiating with planners to reach a design they felt comfortable with.
Section showing double height split living
Master bedroom in the eaves James Eyres
042
Architectural Designer, Stonewood Design
C u lt u r a l welham garden museum
A Museum of the Garden. The Museum is set underground to blend into the landscape with one elevation opening onto the adjacent woodland. Exposed elements use rammed earth. The proposals will include an exhibition gallery, a visitor reception, refreshments, gift shop and conveniences.
View from timber woodland walkway showing how the elevation blends to the landscape
My Experience
- Museum Concept Design - Site layout options - Site visits - Graphics/Visualisation - Facade options - Internal layout options - 2D Vectorworks Drafting - 3D Sketchup Modelling - Bridge/balustrade design
043
Approach view showing acessible roof linking to the woodland walkway
â&#x20AC;&#x153;Almost every man, woman and child in Britain has some connection to the garden. From the pots of carefully cultivated herbs on the balcony of the high-rise urbanite to the sprawling manicured lawns and clipped parterre borders of the country house, the pastimes of tending and enjoying gardens are almost universally shared.â&#x20AC;?
RE a l i s ation They include Kisiju (Coast region), Boko (Dar es Salaam) and Bagamoyo. Border posts such as Horohoro, Namanga, Holili, Tarakea, Songwe and Tunduma have law enforcement authorities, but they lack expertise for identifying counterfeits How can you change your value? Home Cinema is a market that demands calibration that is identical to that used within professional environments, essentially matching.
Entance view
James Eyres
044
Architectural Designer, Stonewood Design
Ed u c a t i o n p r i m a r y, n u r s e r y & S p o r t s
A new classroom and hall building and new nursery for Kingswood School in Bath. The project is currently on site. The new building will take the form of a collection of pitched and hipped roofs. Roofs and walls will be clad in western red cedar shingles, a woodland crafted response, with a scale that children can relate to. A plinth is formed in a tactile brick which has the tones of Bath stone, relating the building to the wider school site and the World Heritage City.
My Experience - Internal layouts - Construction details - Landscape details - Material/product specification - Stair detail design - Acoustic detailing/ specification - Interior joinery package - Sports hall concept design 3D approach view of the school showing ground level brick plinth and shingle pitches above.
045
3D view of typical art classroom
Interior view of swimming pool showing Cross Laminated Timber structure
James Eyres
Off i c e matter studios
My Experience I worked primarily on getting this project on site. I was responsible for a lot of the detailing and liasing with product manufacturers and contractors whilst developing the product/material specification.
I attended late stage client meetings and organised and attended weekly site meetings with the builders, often independently.
3D section showing workshops bespoke staircase and design meeting rooms
3D section showing kitchen & quiet work space
Boutique product deisgn office refurb
Upstairs study collab space
Photo from site visit James Eyres
048
Pa r t 1 Experience
A sustainable community in a medieval town
Architectâ&#x20AC;&#x2122;s aerial sketch depicting winding street character Photo showing shared surface plaza
b a lt i c wharf This is a sustainable community at the southern edge of Totnes in Devon. It is on the site of a working boatyard adjacent to the River Dart. Phase 1 consists of 95 residences with associated streetscape, foodgrowing areas and a community orchard. The homes achive a minimum of Code for Sustainable Homes 4 with some achieving Code 5 and 6. All houses are provided with wiring for photovoltaic panels.
049
Stride Treglown Architectâ&#x20AC;&#x2122;s About: The practice is a multidisciplinary practice offering Architecture, Landscape Architecture, Surveying, Graphics, Interiors & Masterplanning & Urban Design services with international offices. It was beneficial to be exposed to larger scale projects and integrate with different professions within the industry in the same office; I gained a very different experience to Stonewood Design. I worked primarily in a small team with the regional director, head of sustainability and BIM champion within the mixed use & residential team.
Minimum code for sustainable homes 4 with some 5 & 6. Photo showing rear garden of 4 bed townhouse Photo from site visit
My Experience
I spent a lot of time modelling the site and housetypes in Revit up to planning. Other roles included: - Attending site meetings. - Design team meetings. - Material studies. - Liasing with material suppliers. - Graphics/ Visuals - Sustainable design research
James Eyres
p a i n t works Part 1 Experience, Stride Treglown
IS
RIVERSIDE CYCLE PATH
NTWORKS
NTS
HOUSES
RIVER AVON
MENTS
2 BEDROOM HOU
9, 90, 93, 94, 97,
4.0 - Homes 24, 2 66 + 67
109, 110, 113, 8, 121,
BLOCK F
BLOCK C
137, 140, 143,
4, 156, 157, 160, 65, 168,
BLOCK B
213,
23 22
11
88, 91, 92, 95, 101, 103, 104
108, 111, 112, 9, 120, 123, 124
128, 129, 130, 3 + 134
138, 139, 141, 5, 147, 148, 150,
155, 158, 159, 66, 167, 170,
176, 179, 182, 7, 188, 190, 191 195, 197, 199, 206, 207, 208,
19 + 221
28
16
05
02 01
BLOCK A
12
BLOCK R
3.0 - Homes 17, 1 32, 33, 40, 4 46, 47, 48, 4 65, 70, 71, 8
BLOCK N
3.2 - Homes 51
BLOCK Q
79
BLOCK M
77
36
65
BLOCK T
25
13
4 BEDROOM HOU
78
26
14
03
BLOCK P
64
76 75
63
24
BLOCK E
BLOCK U
62 61
2.1 - Home 60
5.0 - Homes 73, 7 78, + 79
80
37
27
15
04
BLOCK S
38
BLOCK L
67 66
54
39 29
17
06
68
55
BLOCK D
30
18
07
47
2.0 - Homes 12, 1 27, 28, 29, 3 39, 52, 53, 5 80 + 81
81
56
40
31 19
08
48
3 BEDROOM HOU
83 82
69
57
46
41
32
20
09
42
33 21
10
43
34
218 + 220
CENTRAL PLAZA
70
58
49
44
35
84
71
59
50
45
196, 198, 200,
MENTS
60
3 BEDROOM LIV 1.0 - Homes 1, 2, 10 + 11
72
51
177, 178, 180, 5 + 189
BLOCK K
BLOCK J
BLOCK H
74 73
Site masterplan showing layout of terraced streets, apartment blocks & commercial linked by shared space.
3.3 - Home 84
COMMERCI BLOCK K BLOCK L BLOCK M BLOCK N
A mix of apartment blocks, terraced streets and commercial spaces
Site photos near completion
Site photo near completion
Paintworks Phase 3
This was a dense inner city residential scheme based in the heart of Bristolâ&#x20AC;&#x2122;s Creative Quarter. The original paintworks site was built in 1850 and used as a Victorian paint and varnish factory, and has since undergone a huge reinvention during the last decade. It was a great experience to work on such a large residential project in a small team. Experience summarised below: - Masterplanning strategies - House type design - Facade design - Revit modelling (daily) - Schedule information - Presentation material preperation - Attended public consultation - Tender information James Eyres
greenhill
the landscape. A high level clerestory makes use of the roofs natural step to negate the need for roof lights and to enable the new roof to â&#x20AC;&#x153;floatâ&#x20AC;? above the historic walls. All client and consultant New stone retaining wall meetings were led by myself.
DP
farm 4.0
Greenhill Farm
Design F reelance 4.1 Concepts designer
FL
FL
Parking to Pound Cottages
this project was to turn some dilapidated barns into a collection of 3 high quality fourbed homes. The design focussed on exposing the barns character internally using double height spaces and ensuring good connections and views across
Clien
Rear first floor access via raised patio
o Pound Cottage
Our c
1. Th agricu
DP
Existing stone stairs retained Parking to Pound Cottages
Pound Cottages
Greenhill Farm
o Pound Cottage FL
New stone retaining wall Utility/
Boots
Bedroom 1
FL
Secure gate to farm house
Master Bedroom
UNIT 3
Garden to Pound Cottage
Rear first floor access via raised patio
Existing window widened Existing stone stairs retained
3. To distan
En-suite
Pound Cottages
Fam Bath
Garden to Pound Cottage
4. To shell
Utility/ Boots
Bedroom 1
Secure gate to farm house
Master Bedroom
En-suite
UNIT 3
Existing window widened
Soft landscaping
En-suite
Bedroom 2
Parking to Pound Cottages
2. Eac intern celeb heigh existin
En-suite Soft landscaping Bedroom 2
Parking to Pound Cottages
Existing lean-to demolished
Living
3. For micro
Living Fireplace Fireplace
UNIT 1 Store
UNIT 1
WC
Living
Dining
Living
Fireplace
Fireplace
Store
WC UNIT 2
UNIT 2 Dining
Dining
Dining
Bedroom 1 Kitchen
Utility Bedroom 1 /Boots
Utility /Boots Kitchen
Bedroom 1 Kitchen
Kitchen
Bedroom 1
Gate position retained for access to biodigester
Gate position retained for access to biodigester
Drawing No.
2446.P.005
Blocked up openings re-opened
Existing doorway opening widened
Existing lean-to demolished
Existing doorway opening widened
Proposed Ground Floor Plan
in8 Design
round Floor Site Plan
Status: PLANNING
Hedgrows to form 0 boundary between units.
Existing lean-to demolished
2
4
in8 Design
6
8
10m
1:200 @ A3
Status: PLANNING 0
Proposed Courtyard Elevation
Blocked up openings re-opened
Hedgrows to form boundary between units.
DrawingGround Name Floor Site Plan Proposed Ground Floor Site Plan Proposed
10
Spec 1. To
Fam Bath
Existing lean-to demolished
2. To budg air tig insula gives of cer
2
4
6
8
10m
1:200 @ A3
Existing Site Photo From the Farm Courtyard
Proposed Courtyard 3D
Proposed South Elevation Showing Eaves level Windows James Eyres
Volunteer
U G AN DA St. Michaelâ&#x20AC;&#x2122;s Primary School, Busembatia, Uganda is a government aided school. Working as part of a small team we provided design ideas for a new Teachersâ&#x20AC;&#x2122; Accommodation, building on their previous work with clay brick forms in Southern Africa.
Bear Pit I designed and built the project with a friend from Uni. “Air Your Laundry” was a one day event that aimed to create a hive of activity and interaction and change peoples negative perceptions of a key public space in the centre of Bristol known as the Bear Pit.
Using donated items, passers by were invited to purchase an item hanging from the structure for a donation that they see fit. These donations went on to the charity “Emmaus”, a charity that helps homeless people in need, a demographic of particular relevance to the Bear Pit.
James Eyres
JE eyresy12@gmail.com