portfolio Ipsita Rajak
The study of architectural character for timelessness in a space integrated with nature, materials, light and colour to bring forth its aesthetics, blending traditional knowledge of building and modern day technology has been my design paradigm for the works.
Ipsita Rajak
Thesis
Swa-manthan: a conscious and creative collaborative living experiment, Rishikesh, Uttarakhand
Semester IX
Gol Market, Jaipur
Semester VII
National School of Drama, Jaipur
Architecture Research
Selected works Dissertation
Livable Streets: a study for making a neighbourhood lively
Mural Art at Suresh Gyan Vihar University, Jaipur team work
Art
Art Installation in Studio using given keywords, Jaipur team work
Professional Trainning
Terra Amata, a residential development in Auroville
Urban Stories, an anthology of graphic novels
“Art washes away from soul the dust of everyday life.� -Pablo Picasso
aim The thesis aims at designing an alternative community where people with different abilities and disabilities, orders and disorders co-exist being engaged in creative and conscious activities.
site area 38 640 sq m
View of Creative Mentor's/ Scholar's Residence
What can be the morphology and arrangement of living, learning and contemplating spaces in an inclusive art retreat in a hilly region for creative engagement and a conscious living ?
Tapovan
Laxman Jhula Ram Jhula
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Goa Beach
Trayambakeshwar Temple
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Muni ki Reti
Swa-manthan
Parmarth Niketan Ashram
a conscious and creative collaborative living experiment, Rishikesh, Uttarakhand Recreational
Swargashram
USRTC Rishikesh Bus Stand
Guides: Ar. Sanjeev Pareek Ar. Mohit Chordia Thesis Project
why Rishikesh ?
The mystical and enchanting environment of the spiritual capital attracts everyone across the world to enjoy its varied shades of spirituality, religion, creativity, adventure and grow in its natural canvas. pedestrian movement NMV and MV movement
Beatles' Ashram
Triveni Ghat
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Site and major destinations, its accessibility, mode of access and footfall density
Participants: Long/ short term
Research
To create an experiential meditation space, that nurtures energy levels of five elements of our body. To design spaces for collective learning, engaging and researching in creative arts therapy.
Target Users
Challenges
The natural setting of the site, being in the foothills of Himalayas, overlooking the Ganges makes this site suitable for the project that enables one to yield his spiritual and creative self.
Therapeutic Spaces
music
mentors
Opportunity
Orientation Space Library Interpretation Gallery
Participants: Long/ short term
To design dwelling spaces and community kitchen for mentors and people coming for long and short term stays.
The dense vegetation of the site, which includes 104 trees with a slope of 1:5 makes the project interesting in terms of imprinting a rejuvenating experience for the people, and challenging in a way that it is envisioned to be an inclusive design for people and the environment.
Extending the visual boundaries of Orientation Space through inverting the roof system.
service providers
Objectives
single day visitors
Swa-manthan is an inclusive art retreat for people willing to regenerate their senses from their busy life to explore themselves in collective creative engagement, experience the nature and man-made interventions to evolve into a conscious human and elavate themselves and others with the art of life.
service providers
Notion
mentors
Thesis Proposal
body movement
art
pottery
Design Evolution Path - Space Relationship
The form and configuration of materials is designed in a way to guide people's movement.
To e x p l o r e
The inclined butterfly roof system is an element that invoke the idea of freedom.
To
evolve
The configuration of paths and the programming of zones are based on functionality, universal accessibility, experience of the built-and-void with minimum cuting of trees.
in
What?
To
experience
The meditation space is designed to deliver a dream-like experience, both from inside and outside, and also across the river. Meditation Space
To elevate
Accommodation LESS IS MORE: The notion behind designing accommodation for participants is to minimize private space and maximise community interaction. Hence, programming of area for daily activities is minimum.
in
Built Form The intend of built spaces is such that it is a dialogue with nature and within through use of inverted roofs or tinted vertical louvres. The basic circular form is esstablished because it is stable yet dynamic.
Architectural Drawings Orientation Space
B A
Parking
Orientation Space
Office
The orientation space introduces people to the counsellers and brief about the conduct of the place.
Interpretation Gallery
The character of the orientation space is envisioned to be visually permeable through vertical rotating louvres to let people connect with the place.
Guest Houses
Tent Houses Community Kitchen Meditation Space
B' Permanent Mentor's Residence Music Therapy Space Body Movement Therapy Space Clay Therapy Space
Art therapy and Research
Roof Plan
A'
Reading Room The reading room, below the orientation space is universally accessible that receives diffused sunlight. The seating arrangement in the library is designed along half of the periphery overooking the Holy Ganges and the other half houses the book-shelves with grouped seating arrangements.
Interpretation Gallery : The Vitrine The upper floor of the interpretation gallery accommodates art gallery showcasing various forms of art therapy works through digital panels, artworks, murals and sculptures.
Partial Plan at -1.55m lvl
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Lower Ground Floor Plan at -11.00m lvl
Interpretation Gallery : The Cymatics Studio The lower floor of the intetrpretation gallery accommodates cymatics studio which is also universally accessible and visually impaired friendly, fully air-conditioned with artificial lighting over each stand, where people can behold their brainwaves or any other music.
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Section A-A' through the Orientation Space, Library, Mentors' residences and Guest houses
Meditation with a difference : The Walk of Life Meditation is inner engineering of thoughts, emotions and body, stimulated by our sensory experiences and perception of mind in the context of time and place. Building Envelope The art of materials, play of light and shadow initializes a sensory-spatial experience of spirituality. veins branches water bubbles custard apples The design of the outer skin of the structure of leaves of trees with sky in macro with defined cells has been conceived from the voronoi structure that is found in various forms of nature. Its eccentricity and its indirect approach from the cymatics studio through a 14m long pathway in open landscape of Rishikesh makes it the Genius Loci. The tinted acrylic sheets are held by timber voronoi cell-like frames which are connected to each other by steel joineries. The rettaining walls are constructed of stone rubble masonry that continues the picture of voronoi cells which carry the load of the structure. Circulation: Walking Meditation The circulation inside the meditation space is inspired from the concept of yingyang and the golden ratio, such that it is aesthetically and metaphisically pleasing. The Hall of Aroma is connected by the upward moving helical ramp whereas the downward moving ramp takes one to the Hall of Colour. The landings at various intervals lets one to observe and absorb the experience of the space.
The helical ramp
Ramp moving upwards
Walking Meditation
ramp moving downwards
Meditation Space Pond of Reflection The pond of reflection alongwith the sitting steps across the ramp, where risers grow in fibonacci series so that it appears like the formations formed by the receding water near banks of rivers and beaches.
Pond of Refection
Hall of Aroma
Meditation
Hall of Colour
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The Cymatics Studio
The Vitrine
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Hall of Colour
Hall of Aroma
Pond of Reflection
Walking Meditation
Meditation Space
Section B-B' through the Interpretation Gallery and the Walk of Life
Architectural Drawings : Therapeutic Spaces 1a : Awareness to Body Hall : Acrobatics, Yoga, Martial Arts 1b : Awareness to Body Hall : Dance, Theatre 2a : Open Air Theatre : Community Performing Arts 2b : Music Therapy Space : Sound Healing, Practice, Sound Research
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3a : Art Therapy Hall : Visual Expression 3b : Art Studios: Art Therapy 4a : Clay Therapy Hall : Elementary Clay Art 4b : Clay Therapy Space : Pottery Plan at -23.00m lvl
C' D'
Section C-C' through Art Therapy and Research Space and Body Movement Therapy Space
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Art therapy and Research The seating arrangement in the upper floor of the art therapy and research building is perpendicular along the periphery with built-in furniture. Interactive artwork performances that requires viewing from top is done in the courtyard, that connects both the floors through a helical ramp. The lower floor along the pond is designed with boulders for seating as well as flooring, extending the boundaries.
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Plan at -27.00m lvl
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Plan at -32.00m lvl
Section B-B' through the Interpretation Gallery and the Walk of Life Clay Therapy Space Clay therapy space also includes two levels and two kilns, the structure is supported on inclined columns with curtain walls and windows on the upper floor and stone walls on the lower floor.
Body Movement Therapy Space The extroverted architectural character of the upper floor is visually permeable as there are no walls whereas the lower floor holds practice areas as well as utility spaces and mentor's room.
Music Therapy Space A mini OAT is designed over the music rooms that let people practice music with nature. It is connected through a ramp across the water stream and a bridge that connects to the lower floor of the body movement therapy space.
The edge falling along residential district is designed with landscaped seatings, steps and ramps to induce an inclusive street life
aim The project aims at designing a commercial complex that is an insert to the urban complexity, development trend and city fabric of Jaipur site area 25 725 sq m
Can the essence of open air indian markets be reflected on a commercial complex, taken its hot and dry climate, that gives city dwellers and tourists an urban square circumscribing the Jawahar Circle ?
ity alled c Towa rds W
Gaurav Tower World Trade Park
Durgapura
Genpact
Clarks Amer
Union Bank of India
Towards Sanganer
NWR Headquarters
Semester IX
Entertainment Paradise
Urban Design Intervention
EHCC
B-2 Bypass
Commercial
ahar Ci
Gold Sukh Mall, food joint
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The Lalit
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Jaipur Marriott
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a commercial complex on one quarter around Jawahar Circle, Jaipur
Fortis
Radisson Blu
Tonk Road
Gol - Market
JLN M
arg
Malviya Nagar
Jagatpura
Jaipur International Airport Site location, major landmarks, connectivity and footfall density
Context Study
Site Potential
The site overlooks the new Patrika Gate of the circular urban park. It is envisioned to be a vital urban district centre as the vicinity has residential districts with intense social diversity, juxtaposing the mass movement corridor that connects the Jaipur International Airport, Durgapura Railway Station and future Metro. The area has the potential to be developed as Airport City comprising of hotels, convention centres and business districts, extending the image of sociability of the urban park beyoud its boundaries catering to both city dwellers and the visitors.
Illustration
Circle as seen in 2D.
Shree Cement Office Jawahar Kala Kendra
New Gate Tripolia Gate
Patrika Gate World Trade Park
Albert Hall, Ramniwas Bagh
Gadh Ganesh Temple
Talkatora Lake
The Circle looks like an ellipse when seen in perspective.
The buildings on the edge of the Heritage Path show tremendous diversity in architectural character in terms of built form, scale, colour and texture. With an intend of creating a reflection of fast moving traffic of Jawahar Circle, the ellipse is rotated and skewed to give a dynamic character.
Landuse Mixed-Use Residential
Institutional Commercial
Airport
Districts and Edges Residential districts w/. commercial edges
Green Area
Open Areas to be converted to commercial districts
Nodes and Traffic Flow Fast
Medium Traffic
Major Nodes Slow
Oval Fenestration
Design Evolution
Blocks placed adopting the site configuration. Introducing a service road on the eastern side of the site.
Illustration
Study model
Blocks articulated with addition of steel section anchored curved Gabion wall.
Oval fenestrations tend to mark movement and give partial views. Changing vistas through these will generate curosity and attract people
Study model
Study model
Study model
Main entry to the shopping complex is embarked by one in middle with a stable rectangular opening and one end pushed inside showing direction of movement.
The richness of spatial experience and community interaction cascade into the plaza connecting the shopping complex and mandir extending to the events arena
North Elevation
Architectural Drawings
Sketched View as seen from the Jawahar CIrcle Garden
Layout Plan
Exploaded Circulation Diagram
First Floor Plan
Second Floor Plan
The shopping complex- is approached with staircase directly seen from the road on the north, which appears to be welcoming.
Third Floor Plan
The peripheral workstations on the eastern facade are designed to maximise day-lighting and west elevation windows are recessed and articulated to minimize the heat gain.
Office and shopping complex wings are connected on the second floor to food court, gaming zone and gym that serves both the user-types.
Fourth Floor Plan
Fifth Floor Plan
The design of the office wing is such that it gives its employees lively environment with light wells, outdoor garden0 and well lit corridors, articulated with indirect multiple entry points such that office spaces are flexible and further divided.
The fifth floor is well lit with outdoor garden and it is open floor plan type, so the space is flexible to be designed in desired way.
Index Open Floor Office
Gym
Type C Office Space
Toilets
Type B Office Space
Foud Court
Type A Office Space
Food Counter
Office Storage Space
Gaming Zone
Showrooms Retail Shops Staircase Shafts and Lifts Circulation; multipurpose space
CRY OF A PLAY Where the stories of creation and fragmentation are shown, about those faded sketches of known, reflect the dark and the light, telling the tale there, shinning in the bright, let it not be in gloom but bloom, bloom, bloom.
Is the drama school going to serve as another school of higher studies in the aera or something more, if yes then, what should be its architectural character?
aim The project aims at studying the morphology and spatial organization of institutional architecture for a strength of 150 students of drama and designing the environment that contributes in development of their expressions and emotions.
site area 15480 sq m
Open Air theatre, tangible visualization of coming out to the field of theatre and drama after a period of training as same as the blooming of a flower
National School of Drama
NH 8
Towa rds D
elhi
Amity University
International Center for environmental audit and sustainable studies
Semester VII
MJRP University
Towards Jaipur city
an institution telling an artist's story in Kant Kalwar, Jaipur Institutional
Kant Kalwar Road Project Site and major destinations and site accessibility
Master Plan Evolution Programmatic Zonning based on the functionality and interconnectivity of different zones with two defined axes, from opposite parts of the site intersecting at OAT area.
Staggering of classrooms, studios and workshops are done along an implied line parallel to the frontage of the site. The placement of blocks on either sides of the wall reflects similar to spreading of wings.
Blocks are articulated following the development of different zones, carving out voids like light wells, courtyards, informal rehearsal and congregational spaces.
Girls' Hostel Basketball Court Boys' Hostel Mess Area Auditorium Administration block Canteen OAT Academic block
interactive outdoor activity zone service zone most occupied zone: studios, lecture halls, canteen, mess, OAT and accommodation auditorium administration
Movement corridors at site level is established following the topography of the site and fuctionality of different zones with builtform oriented towards main access point of the site to generate a series of vistas with a showcase of play of light and shadow.
Two fenestrated walls of exposed concrete are designed to create a sense of curiosity in such a way to represent the thalia and melpomene of theatre architecturally.
Drama School creating Public Space For the fading art and science of dramatics Two fenestrated walls of exposed concrete are so placed that these represent an open gate to the institution and delivering layers of images along the line of vision. The propoortion and placement of the fenestrations on the facade gives a balance of introverted and extroverted character of architecture
Principal's Office
Informal practice space designed as stepped sunken court in front of academic block behind the facade. Academic block
Thalia and Melpomene of theatre is represented through the facade of the builtform
Exploded Axonometric View
B'
B A A' Roof Floor Level B'
Administration wing
B
Circulation and transition space Library and Archive
A
Studios
A'
Lecture Halls First Floor Level
B' Ramps Green area Mess seating area
B
Administration wing Circulation and transition space Utility and services Canteen Area; Coggregation space Studios Lecture Halls Ground Floor Level
A A'
Sectional View through AA' plane The forms, spatial arrangement and definition of the built mass and void with materials and colours are designed such that the institution justifies its uniqueness towards training of drama.
Architectural Visualisations
Canteen Area with an informal performance and gathering space
The academic block is designed in a way that the corridors are on the periphery of the staggered blocks of the studios and workshops. The corridors are 2.5 m wide that gives optimum space for movement of people and props as well as act as a space for interaction.
View of the workshops from outside the Academic Buildings
Exploaded Perspective View
Sectional View through BB' plane The perspective sectional view shows the reception and office areas of the administrative wing with the auditorium and its foyer area.
The notion was to design an OAT with green rooms and the space can be transformed and designed with rotatting backdrop, according to the theme of the drama and strength of the audience.
Old Calcutta Street
As Jane Jacobs said,“Think of a city and what comes to mind? Its streets. If a city’s streets look interesting, the city looks interesting; if they look dull, the city looks dull.� Today, streets, the image of a city are dotted with cars rather than people, leaving less or no room for them to walk, bicycle and to enjoy where they live. The character of a street has transformed adversely that imparts a degraded quality of street life.
aim
Jama Masjid
then
Marine Drive
now
Images that came to my mind
mumbai kolkata delhi indore jaipur
Images that strike when one says
Introduction
Hypothesis
Rajwada
The character of a street is defined by the quality of street life, interaction among the neighbours, their psychology and connection with the surroundings that a street setting enables them to experience.
Scope and Limitations
Walled City of Jaipur
Scope is to study peripheral built environment and public behaviour on secondary collector and local streets and cul de sacs with different land-use such as mixeduse, commercial and residential. Limitation: Utilities, communication facilities, sewers and natural gas lines carried along the streets are beyond the scope of study. Primary Collector Streets, Arterial roads, highways, express ways and toll ways have not been considered. Case studies are predominantly done in the city of Indore.
To study street character, elements, and design principles for its contribution towards healthy public life on identified streets of Indore, which is envisioned to be a pedstrian city by the World Research Institute. With the above study and concepts of great streets, analysis is being done for listing out strategies and parameters that might help in making neighbourhood lively and healthy.
Research Questions What role does a street play in making a neighbourhood lively? What role does a neighbourhood play in making a street lively? Is design of a street the only factor that affect its character? How edge conditions of the peripheral built environment affect the activities and movement of people? Can pedestrianisation of certain patch of streets at a particular time of day make a neighbourhood lively and enhance its character?
Livable Streets a study for making a neighbourhood lively Guide: Prof. N.S. Rathore
If a road connects places, then a street connects people.
Serial Vision of Chappan Dukaan Street : commercial street
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Major Nodes Skywalk Two-wheeler Parking Area Shop fronts Shops Densely concentrated place sidewalks used for parking and as extended shops
Residents from nearby areas and tourists for breakfast to eateries and koisks
Shopping Complex
Local Shops/ eateries
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Service to Shops
Local Shops/ eateries
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time
"mela" like feeling with camel ride
Shopping Complex
Thoroughfare
Local Shops/ eateries
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Footfall at peak, all age groups "mela" like feeling with camel ride
Shopping Complex
Local Shops/ eateries
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Shopping Complex
4m
Footfall increases, all age groups
2.5 m
Residents, tourists, office goers, students and workers come for lunch
2.5 m
Local Shops/ eateries
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Shopping Complex
2.5 m
Shopping Complex
2.5 m
People coming to Shopping centre, flower shops,and eateries
acitvity Light footfall of pedestrians, though increases as the time approaches to 5 pm.
2.5 m
Thoroughfare
4m
space
10
5 p.m. - 7 p.m.
20 m
People come for breakfast at eateries, thelas and kiosks
2.5 m
11 a.m. - 1 p.m.
4m
Workers Cleaning
7 p.m. - 9 p.m.
9 a.m. - 11 a.m.
2.5 m
1 p.m. - 3 p.m.
acitvity
3 p.m -5 p.m.
space
9 p.m. - 11 p.m.
7 a.m - 9 a.m.
time
Time Space Activity Analysis
4m
20 m
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Thoroughfare
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Footfall drops a little, but eateries, kiosts and street vendors are open to people
Shopping Complex
Local Shops/ eateries
2.5 m
4m
20 m
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4m 3 4
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Thoroughfare
No defined or designed open 4-wheeler parking. 2-wheelers parked on walkways, they sit over those and eat, people walk on driveway. As the footfall increases with the day growing, the street is used as thouroughfare. Thus, there is a need for designing pedestrian walkways with sitting spaces and planting zones and crossing, so that the city gets a comfortable urban space during day time and traffic will be automatically calmed during peak hours. The best the authority has done to make this an urban space is the selection of interlocking blocks as paving material on the driveway. The street on the evenings of weekends becomes pedestrain with mandatory parking in the basement of the shopping complex. effective driveway designed sidewalk activities to be checked activities with their intensity
Sarafa Bazaar Street mixeduse street turning into commercial street
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Peripheral Character and Streetscape Design
Parked No planting No designed The street along the zone or trees. is shaded sitting space shops in the for narrow by the built day time, environment street width. which hinder The edge along it. smooth conditions of Hence movement the buildings thermal of vehicles comfort is being used for and people commercial achieved. walking. (goldsmith shops, few foodshops) purposes at ground floor, make space for sitting.
There is no Parked 2- wheeler segregation along the Fast. Friendly or designed shops and in only on bicycle front of the weekdays and lane, but shopping in daytime in NMV and complex weekends pedestrian and on 4- wheeler ways should footpath, which Slower than be designed leaves very 2-wheeler. less of the Friendly only driveway on weekdays and people and in walking. daytime in weekends
Very few trees alongside the shopping complex but not along the local shops. Planting zone to be designed to lower the heat island effect.
Optimum
Sidewalks and pavement People walk in the middle of the street as two wheelers are parked alongside the shops. As the streets are narrow, these streets should be pedestrianised. Street is constructed of concrete.
Interaction
Street Lighting
Hygienic
Street Furniture
Walkable
Building Configuration
Interaction Lively
Trees
Sarafa Bazaar Street
There is no segregation or designed bicycle lane, but should be NMV and pedestrian friendly.
Parking Facility
Spatial Adequacy The height of the building is not enough to shade the whole street of 30m wide.
No designed sitting space. People sit on the stairs of the shopping complex. No public toilets.
Optimum
Sidewalks are designed but used as 2 wheeler parking zone as neither boulders nor sitting spaces are there. Sidewalks as well as driveway is done with concrete block pavers.
Chappan Dukaan Street
2- wheeler Not friendly, as the width is 9 m, but allowed during daytime, but not in the evening, after 7 p.m. as the street transforms into food street. 4- wheeler Not friendly, not allowed.
Nonmotorised
Physical Comfort and ease
Walkable
Motorised
Thermal Comfort
Hygienic
Movement of vehicles
Experiential Value
Lively
Mobility
civic engagement community interaction
Taffic Calming
Designed siting spaces around trees over the sidewalks with boulders will make the owners park their cars inside or in car parking areas in their vicinity so that people walk a little for better life of the community and themselves. Designing kids zone with planters can attract elderly people to sit with kids, so that it becomes vibrant as well as safe. The traffic in these streets can then be calmed.
Street in an LIG
Recommended street in an HIG community
Healthy life
eyes upon streets
Street in an HIG community
Recommended street i
pedestrianisation
Boundary walls are designed with railings and creepers above 1m so that the streets have watchers but outsiders do not hinder privacy. To design the streets such that traffic is calmed can be achieved by assigning optimum space for sidewalks and more for interactive activities with planting and parking zones alternatively, that will look organic. Street Art can also be done.
Street Furniture Urban Art
G community Fading Boundary Walls Planting Zones
in an LIG community
Street in an MIG community
Recommended street in an MIG community
contribution
Preparation of architectural drawings and physical model of certain parts of the housing project which was yet to be designed and remodelled according to the known clients. Preparation of working drawings, electrical layout plans and bathroom plumbing details Assisting Ar. Sonali Phadnis and later carrying out meeting with the clients and contractor and duty of site supervision individually
Site Photographs
Working Drawings Schedule of openings
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Ground Floor Plan
DATE 21.04.2016 DRAWN BY IPSITA RAJAK CHECKED BY SONALI PHADNIS
GROUND FLOOR PLAN
TERRA AMATA : HABITAT IN INTERNATIONAL ZONE, 2.5 TH FLOOR LEVEL
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info@anupamakundoo.com
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SILL LVL / PARAPET TOP F.LVL +1050MM
ANUPAMA KUNDOO ARCHITECTS
AUROVILLE
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FIRST FLOOR BEAM BOTTOM LVL +2650MM
Physical Model Photographs
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PARKING 12.92M. x 5.00M.
DOUBLE HEIGHT ENTRANCE LOUNGE 3000 MM. x 4330 MM.
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PARAPET TOP F. LVL +6900MM
GROUND LVL -600MM
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wall height 2100 mm.
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overhang at 210 cm. 2100 600
ALL DIMENSIONS SHALL BE CO-RELATED WITH STRUCTURAL AND SERVICE DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE SECOND ARCHITECT BEFORE THE COMMENCEMENT OF WORK. FLOOR
PLINTH LVL +/-0MM
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ALL DIMENSIONS IN THE DRAWING ARE TO BE READ AND NOT TO BE MEASURED THIS DRAWING SHALL SUPERSEDE ITS PREVIOUS REVISIONS.
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BEDROOM 3000MM. x 3715MM.
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can we make this column 23X 23
905 750 W5 1670/2100
900 6 7 8
Windows Specifications W1 = 2400MM x 1200MM W2 = 2540MM x 1200MM W3 = 2515MM x 1200MM W4 = 2100MM x 2100MM W5 = 905MM x 430MM W6 = 1655MM x 430MM W7 = 885MM x 1030MM
900
1700
955
740
1770
920.62
5
340
2100
340
4
115
2945 805
340
O2 0/2700
800
+1950MM 3
230
1000
340
1655
W6 1670/2100
230 1830
W7 1670/2700 BATH + TOILET 1655MM. x 1700MM.
300 230
1655
2
R= 15CM. T=30 CM.
SOUTH-EAST WING : STUDIO APARTMENT 1
230
Architectural Training
1
+/-0 MM
+/-0 MM
300 230 900
885
2945
4698.06 BATH + TOILET 4698 MM. x 1770MM.
Nos. 03 03 01 02 01 01
Openings O1 = 1655MM x 1200MM O2 = 805MM x 1800MM
OPEN TO SKY TERRACE 3130 MM. x 5050 MM.
645
1815
300
3400
340
230
6
2515
D
2890
PASSAGE 2.40M. WIDE
600
5
600
600
230 230
C
+750 MM
1100 922.5 340 NORTH-WEST WING : KALSANG'S FLAT
2400
2630
2399.69
13140
E 4
5050
940
1655 O1 1500/2700
922.5
600
a small scale housing project in Auroville International Zone
230
230
230 1655
1885
2115
230
D2 0/2100 900
1580
230
UP
600
KIT+ DIN 4889 MM. x 1885 MM 3530 WALL HEIGHT : 1500MM
D1 0/2100
3
Terra Amata, Auroville
495
+/-0 MM
LANDING 1083MM WIDE
B
+/-0 MM
500
600
600
2045
D4 0/2100
230 600
2
230
3395
3165
COVERED TERRACE ( with double height) 3000 MM. x 5050 M.
+/-0 MM
BEDROOM 1 3000 MM x 3765 MM
2565
A
+/-0 MM
T.V AREA 3000 MM x 3055 MM
1770
LIVING 6230 MM x 3165 MM
230
Doors Specifications D1 = 1100MM x 2100MM D2 = 900MM x 2100MM D3 = 805MM x 1830MM D4 = 2565MM x 2100MM D5 = 750MM x 2100MM D6 = 2400MM x 2100MM
PLINTH LVL +/-0MM GROUND LVL -600MM
Section E-E'
D
C
E
F
H
G
H
G
A
B
I
D
C
F
3230
3230
22610
3230
230
300 230
2400
3230
3230
3230
3230
3230
D
3000
230
3230
230
3230
3000
2540
2400
3230
D
C
300
300 230
3230
2400
300
230
3230
3000
G
H
FIRST FLOOR PLAN
TERRA AMATA : HABITAT IN INTERNATIONAL ZONE, AUROVILLE
ALL DIMENSIONS SHALL BE CO-RELATED WITH STRUCTURAL AND SERVICE DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE THE COMMENCEMENT OF WORK.
ALL DIMENSIONS ARE IN MM
info@anupamakundoo.com
450
450
680 1770
715 570 30
570 30
5 TERRACE BELOW
585 30
OPEN TO SKY TERRACE 3000 MM. x 5230 MM.
D
2400
1650
570 30
wall height 2100 mm.
1095
1435
B
340 300
230
2400
2540
3230
3230
22610
H'
3230
3230
I'
D
C
6
upto 830 mm. height
230
300 3230
G'
E
F
G
H
Second Floor Plan
DRG. NO.
A-101
DATE 15.06.2016 DRAWN BY IPSITA RAJAK CHECKED BY SONALI PHADNIS
(R-04)
SECOND FLOOR PLAN
TERRA AMATA : HABITAT IN INTERNATIONAL ZONE, AUROVILLE
ALL DIMENSIONS SHALLLVL BE CO-RELATED LINTEL +8100MM WITH STRUCTURAL AND SERVICE DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE THE COMMENCEMENT OF WORK.
ANUPAMA KUNDOO ARCHITECTS info@anupamakundoo.com
2100
LOWER TERRACE
3000
425
FIRST FLOOR BEAM BOTTOM LVL +2700MM
120
LINTEL LVL +2100MM 2770
LINTEL LVL +2100MM OPEN TO SKY TERRACE
GROUND FLOOR TERRACE F.F.LVL +150MM PLINTH LVL +/-0MM
2880
FIRST FLOOR F.F.LVL +3000MM
FIRST FLOOR BEAM BOTTOM LVL +2650MM
600
GROUND LVL -600MM
GROUND LVL -600MM
FIRST FLOOR F.F. LVL +3000MM
2650
OPEN TO SKY TERRACE
SILL LVL +4650MM BATH
3000
830
LOUNGE
2880
W1 830/2100
LINTEL LVL +2100MM
STAIRCASE
COVERED TERRACE
PLINTH LVL +/-0MM
BATH
STORAGE SPACE
SILL LVL +1500MM
KITCHEN 750
2100
1270
W2 830/2100
FIRST FLOOR BEAM BOTTOM LVL +26550MM
900
320 350
FIRST FLOOR F.F.LVL +3000MM
2100
BEDROOM 1
T.V AREA
830
830
W1 830/2100
830
2880
1270
3000
1270 830
3000
LIVING W1 830/2100
2650
COVERED TERRACE
LINTEL LVL +5100MM OPEN TO SKY TERRACE
1830
830 900
FIRST FLOOR TERRACE F.F.LVL +3150MM
230
LINTEL LVL +2100MM
LINTEL LVL +5100MM
PARAPET TOP F.LVL +4050MM
600
2650
320 350 W2 830/2100
830
830
W1 830/2100
435 350 115
FIRST FLOOR BEAM BOTTOM LVL +2650MM
LINTEL LVL +5100MM OPEN TO SKY TERRACE
BEDROOM 2 2100
1270
2650
2100
3000
2850
LOUNGE
6000
830
FIRST FLOOR F.F. LVL +3000MM
LOWER ROOF BEAM BOTTOM LVL +5650MM
230
350
115 435 350 1200
BEDROOM 3 W1 830/2100
830
2400
3230
ALL DIMENSIONS IN THE DRAWING ARE TO BE READ AND NOT TO BE MEASURED THIS DRAWING SHALL SUPERSEDE ITS PREVIOUS REVISIONS.
830
LINTEL LVL +5100MM
SILL LVL / PARAPET TOP F.LVL +1050MM
4
LOWER TERRACE LVL +6000MM
LOWER ROOF BEAM BOTTOM LVL +5700MM
PLINTH LVL +/-0MM
300 230
LOWER TERRACE
PARAPET TOP F. LVL +7050MM
230 upto 2100 mm. height
C
COPY FOR CONSTRUCTION PURPOSE ANUPAMA KUNDOO ARCHITECTS
70MM THICK SLAB IN CEMENT CONCRETE OR FERROCEMENT AS DECIDED FLOOR FINISHING WITH ANTI-SKID 50MM THICK CERAMIC TILES IN WHITE COLOUR WEATHERING COURSE IN BK. LIME JELLY 100MM THICK
LOWER ROOF F.F. LVL +6150MM
A
DATE 14.06.2016 DRAWN BY IPSITA RAJAK CHECKED BY SONALI PHADNIS
E 3000
830 3230
First Floor Plan
ALL DIMENSIONS ARE IN MM
TOILET 3000 MM. x 1770MM.
230
3230
F
230
9920
LOUNGE 2400 MM. x 4960MM.
1960
230
F'
E
BED 3000 MM. x 2150 MM.
1730
6
I'
COPY FOR CONSTRUCTION PURPOSE ALL DIMENSIONS IN THE DRAWING ARE TO BE READ AND NOT TO BE MEASURED THIS DRAWING SHALL SUPERSEDE ITS PREVIOUS REVISIONS.
230
340
230 300
230
22610
H'
G' B
340
600
3230
F' A
230
230
230
3000
230
6
LANDING 3000MM WIDE 3000
230
640
D
230
upto 830 mm. height
9 10 11 12
3000
585
3000
340 300
300
230
6
8
340 115
5000 5460 2405
1270
1505
2515
OPEN TO SKY TERRACE 3000 MM. x 5000 MM.
230
3000
750
230
5
3115
900
3395
wall height 2100 mm.
3400
715
230
+1500 MM
230
C
7
DN
230
715
1885
C 5
LIVING 6224 MM. x 3115 MM.
DN LANDING 1680MM WIDE 1200 415
1385
6
20 19 18 17 16 15 14 13
UP
230
1430
230
110
KIT+DIN 5030 MM. x 1885 MM.
30 29 28 27 26 25 24 23 22 21
40 39 38 37 36 35 34 33 32 31
4
2485
450 795
4
340
E
LANDING 1680MM WIDE
1200
230upto 2100 mm. height
3000
115
340
BEDROOM 3000M. x 3115 MM.
3005 2105
LOUNGE BELOW
230
3000
340
SOUTH-EAST WING : ONE BHK FLAT 1 230 1900 1100
750
BATH 3000MM. x 1770 MM.
1885
3165 1655
E
+1500 MM
230
3000
W13 1750/2470 1435
1135
3 UP
LANDING 3000MM WIDE
9 10
3570
8
wall height 2100 mm on the terrace
3
230
DN
230
3000
750
STORAGE CLEAR HEIGHT : 1380MM
+3000 MM
230
340 7
TERRACE BELOW
B
2400
6
TERRACE BELOW
2 B
2630
5
A
COMMON TERRACE 12690 MM.x 5050 MM.
13140
4
230
340 375 890
1545
-1950 MM 3
230
1655
2
Water proofing and floor finished with anti- skid ceramic tiles in white colour
2
3
wall height 2100 mm.
3000
230
1780 BEDROOM 4450MM. x3115 MM.
W3 830/2100
2515
2890
340
230
1815
5460 3400
9 10 11 12
600
D
6 7 8
2 B
375 600
1000
UP
230
3000
BATH + TOILET 1655MM. x 1700MM.
300 230
5
W6 1670/2100
1830
C
5
340
1
A
upto 2100 mm. height
+3000 MM 20 19 18 17 16 15 14 13 12 11
26 25 24 23 22 21
1185
2680
922.5
LANDING 1680MM WIDE
KITCHENETTE 2400MM. x 3000MM.
1815
3230
1
A
2485
1100
230
4
DN
600
850
1655 922.5
850
905
300
340
1100
2890 SOUTH-EAST WING : STUDIO APARTMENT
+3000 MM
2400
2630
13140
2945
600
1770
1655
BATH 3000 MM. x 1770 MM.
115 600
375 R= 15CM. T=25 CM.
750
column to be contd.
715
485
115
230
2135
1
TERRACE BELOW
+3000 MM
230
3
E
2570
2570 750
OPEN TO SKY TERRACE 3000 MM. x 5050 MM.
D4 0/2100
300 2380
3165
3395 5510
2115
1885
B
BEDROOM 2 3000 MM. x 3280 MM.
LOUNGE 3165MM. x 3000 M.
BEDROOM 3 3165 MM. x 3000 MM.
3165
2
3230
upto 830 mm. height
upto 830 mm. height
W1 830/2100
TERRACE BELOW
A
3230
upto 830 mm. height
1830
W2 830/2100
340
230
W1 830/2100 column to be contd.
230
600 230
upto 830 mm. height
1
3230
230
3000
340
300
1020
230
2540
830
3000
230
2400
3230
9920
300
300 230
H
G
I
22610 3230
F
E
H
G
600
B F
2375
A
GROUND LVL -600MM
100 MM CRUSHING POWDER 100 MM THICK LAYER OF P.C.C 100 MM THICK LAYER OF SAND 50 MM THICK CEMENT FLOORING
100 MM CRUSHING POWDER 100 MM THICK LAYER OF P.C.C 100 MM THICK LAYER OF SAND 50 MM THICK CEMENT FLOORING BRICK WORK FINISHED WITH PLASTER
Section A-A'
Section B-B'
A
A
B
D
C
F
E
F
H
G
H
G
I 22610
3230
3230
3230
3230
3230
3230
3230
1
1
3395
OVERHANGS WITH 2100MM BUILT IN EXPOSED BRICK 70MM THICK SLAB IN CEMENT CONCRETE OR FERROCEMENT AS DECIDED FLOOR FINISHING WITH ANTI-SKID 50MM THICK CERAMIC TILES IN WHITE COLOUR WEATHERING COURSE IN BK. LIME JELLY 100MM THICK
A TERRACE BELOW
PRECAST CONCRETE 70MM THICK STEPS 70
TERRACE BELOW
2
70 600
3230
A
B
2850
900
1200
1350
1350
2100
2850
1200
70
LINTEL LVL +2100MM
3230
3230
1350
FLOOR FINISHING IN ANTI-SKID CERAMIC TILES IN TOILETS WITH A WATERPROOFING TREATMENT OF TAR SHEETS BRICK WORK FINISHED WITH PLASTER 100 MM CRUSHING POWDER 100 MM THICK LAYER OF P.C.C 100 MM THICK LAYER OF SAND 50 MM THICK CEMENT FLOORING
3230
F
H
G
Terrace Floor Plan
Section through the duplex and the studio apartment at G-G' OVERHANGS WITH 2100MM BUILT IN EXPOSED BRICK
PARKING
PARKING
100 MM CRUSHING POWDER 100 MM THICK LAYER OF P.C.C 100 MM THICK LAYER OF SAND 50 MM THICK CEMENT FLOORING
900
PASSAGE
LINTEL LVL +3600MM
1200
2850
SILL LVL +2400MM
SOUTH-EAST WING : ONE BHK FLAT 1 PARKING
PARKING
900
4350
4200
2100
1750
2470
LIVING AREA + DINING AREA
2250
70
2100
900 900 900
SILL LVL +900MM PLINTH LVL +/-0MM
SILL LVL +5400MM 1.5 F.F. LVL +4500MM
300
DOUBLE HEIGHT ENTRANCE LOBBY
1/2 FLOOR SLAB F.F. LVL +1500MM STILT FLOOR BEAM BOTTOM +1200MM
GROUND LVL -600MM
PLINTH LVL +/-0MM GROUND LVL -600MM
150
GROUND LVL -600MM
GROUND LVL -600MM
1950
2020 1200
SILL LVL +830MM
600
LINTEL LVL +2100MM
BEDROOM
PLINTH LVL +/-0MM
1000
FIRST FLOOR BEAM BOTTOM LVL +2700MM
1500
DOUBLE HEIGHT ENTRANCE LOUNGE
LOUNGE
LINTEL LVL +5400MM
1.5 FLOOR BEAM BOTTOM LVL +4200MM
1800
PARKING
SILL LVL +3900MM FIRST FLOOR F.F. LVL +3000MM
450
PARKING
2100
GROUND FLOOR BEAM BOTTOM LVL +1150MM
3000
LIVING
D3 0/2100
70
LINTEL LVL +2100MM
4500
3000
FIRST FLOOR BEAM BOTTOM LVL +2650MM
BEDROOM
830
LIVING
FIRST FLOOR F.F.LVL +3000MM
830
LIVING AREA + DINING AREA
D3 0/2100
2250
SILL LVL +3830MM STORAGE SPACE OPEN TO SKY TERRACE
SOUTH-EAST WING : ONE BHK FLAT 2
LINTEL LVL +5100MM
BEDROOM
LINTEL LVL +3600MM
PARAPET TOP F.LVL +8400MM
70
LINTEL LVL +5100MM
FIRST FLOOR F.F. LVL +4470MM FIRST FLOOR BEAM BOTTOM LVL +4120MM
LOWER ROOF BEAM BOTTOM LVL +5700MM
info@anupamakundoo.com ROOF TOP F. LVL +9670MM
UPPER ROOF F.F. LVL +7650MM
1200
BEDROOM
LOWER ROOF F.F. LVL +6150MM
2700
STUDY
SECOND FLOOR BEAM BOTTOM LVL +5650MM
ENTRANCE PASSAGE
ANUPAMA KUNDOO ARCH
UPPER ROOF BEAM BOTTOM LVL +7200MM
300
LIVING
2880
PARAPET LVL +5370MM
2100
OPEN TO SKY TERRACE
PARAPET TOP F. LVL +7050MM 600
LOWER TERRACE F.F.LVL +6000MM
2850
LOWER TERRACE PARAPET LVL +6900MM
PHADNIS
SERVICE TERRACE
SERVICE TERRACE
300
LOWER TERRACE
LINTEL LVL +6570MM
ROOF TOP F.LVL +8170MM ROOF SLAB BOTTOM LVL +8100MM
2850
(R-02)
WEATHERING COURSE IN BK. LIME JELLY 100MMBY THICKSONALI CHECKED
1800
info@anupamakundoo.com
LOWER ROOF F.F. LVL +7350MM
FLOOR FINISHING WITH ANTI-SKID CERAMIC BY TILES IN WHITE COLOUR IPSITA RAJAK DRAWN PRECAST CONCRETE 70MM THICK STEPS
230
UPPER TERRACE
A-104
70
ANUPAMA KUNDOO ARCHITECTS
2100
TERRA AMATA : HABITAT IN INTERNATIONAL ZONE, AUROVILLE
ALL DIMENSIONS SHALL BE CO-RELATED WITH STRUCTURAL AND SERVICE DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE TOP F. LVL +8300MM ARCHITECT BEFOREPARAPET THE COMMENCEMENT OF WORK.
TERRA AMATA : HABITAT IN INTERNATIONAL ZONE, AUROVILLE
900
TERRACE FLOOR PLAN
DRG. NO.
30.03.2016 DATE OR FERROCEMENT SECTION THROUGH THE DUPLEX AND STUDIO APARTMENT70MM ATTHICK G-G' SLAB IN CEMENT CONCRETE AS DECIDED
900
DATE 14.03.2016 DRAWN BY IPSITA RAJAK CHECKED BY SONALI PHADNIS
ALL DIMENSIONS ARE IN MM ALL DIMENSIONS IN THE DRAWING ARE TO BE READ AND NOT TO BE MEASURED THIS DRAWING SHALL SUPERSEDE ITS PREVIOUS REVISIONS.
PLINTH LVL +/-0MM GROUND LVL -600MM
I' E
STILT F.F. LVL +1850MM SILL LVL +900MM
LIVING AREA
900
PASSAGE
2700
2700
KITCHEN
GROUND LVL -600MM
OPY FOR CONSTRUCTION PURPOSE
PARAPET LVL +2330MM
LIVING AREA
6
upto 830 mm. height
3230
D
C
4350
PLINTH LVL +/-0MM
22610
H'
COMMON TERRACE F.LVL +3000MM
1950
3400
SILL LVL +900MM
+7650MM
G'
PARAPET TOP F.LVL +3900MM
STORAGE
LANDING TO 1/2 FLOOR
2850
D
+8550 MM
3230
1.5 F.F. LVL +4500MM 1.5 FLOOR BEAM BOTTOM LVL +4200MM
FIRST FLOOR BEAM BOTTOM LVL +2700MM
1200
1545.32
12700
F'
115
LINTEL LVL +2100MM
COMMON TERRACE 12700 MM.x 5000 MM.
3230
PARAPET TOP F.LVL +5400MM
SOUTH-EAST WING : ONE BHK FLAT 2
2700
5
Water proofing and floor finished with anti- skid ceramic tiles in white colour
6
LANDING TO 1.5 FLOOR
FIRST FLOOR BEAM BOTTOM LVL +2700MM
2100
1660
1684.68
TOILET
FIRST FLOOR F.F. LVL +3000MM
wall height 2100 mm.
5000
230
BEDROOM
2700
70
450
340
3000 wall height 2100 mm.
D
SILL LVL +3900MM
C
+7800 MM
340
1655
+8250 MM
1435
1830
5
4
2100
upto 2100 mm. height
Open to sky Space for Drying 3000 MM x 1655MM
230
LINTEL LVL +5100MM
230
3000
900
230
3000
1500
230
3000
900
E 230
1730
300
LOWER ROOF BEAM BOTTOM LVL +5700MM
1500
+6900 MM
2630
13140
+6000 MM
4 C
UPPER ROOF F.F. LVL +7650MM UPPER ROOF BEAM BOTTOM LVL +7200MM
LOWER ROOF F.F. LVL +6150MM
DN
E
SERVICE TERRACE 2020
3
PARAPET TOP F.LVL +8400MM
1950
3
PARAPET TOP F. LVL +7050MM
ROOF TOP F. LVL +9670MM
SERVICE TERRACE 900
ROOF SLAB BOTTOM LVL +8100MM
B
upto 210 cm. height
70
1885
B
ROOF TOP F.LVL +8170MM
1950
2
1200
A
100 MM CRUSHING POWDER 100 MM THICK LAYER OF P.C.C 100 MM THICK LAYER OF SAND 50 MM THICK CEMENT FLOORING
BRICK WORK FINISHED WITH PLASTER
Section D-D'
Section through the double height entrance way at H-H' SECTION THROUGH THE DOUBLE HEIGHT ENTRANCE WAY AT H-H'
DATE
30.03.2016
Interior Storage details Type A Cupboard : Beside Tables eq
2200
eq
943
967
450
Plan
Plan
40 X 40 TW section
Storage opening to the pantry area
A
40
40
40 318
40
40
943 260 260
318
253
423
408
318
40 X 40 TW section 25 mm thick commercial ply finished with veneer as same as the adjustable table top from outside
410 2300
410
370
100 mm skirting
306 4860
306 967
306
Elevation as seen from reception
Type B Cupboard : Conference room
Type C Cupboard : Beside corner tables
C
B eq
eq
Partition of 25 mm thick commercial ply finished with duco paint of the selected colour from inside
Partition of 25 mm thick commercial ply finished with duco paint of the selected colour from inside
40 X 40 TW section
25 mm thick commercial ply finished with veneer as same as the adjustable table top from outside
100 mm skirting 100
1200 Elevation
400
500 Section B-B'
400
40 X 40 TW section 25 mm thick commercial ply finished with veneer as same as the adjustable table top from outside
Partition of 25 mm thick commercial ply finished with duco paint of the selected colour from inside
Duco paint finish of selected colour from inside
Partition of 25 mm thick commercial ply finished with duco paint of the selected colour from inside
375
425 425
Veneer finish same as the adjustable table top from outside
25 mm thick commercial ply finished with veneer as same as the adjustable table top from outside
Duco paint finish of selected colour from inside 900 1000
40 X 40 TW section 25 mm thick commercial ply finished with veneer as same as the adjustable table top from outside
C' Plan
Plan
1350
B'
Veneer finish same as the adjustable table top from outside
100 mm skirting
1200 Elevation
100
40 X 40 TW section
1200 eq
500 475
eq
500 475
eq
1200 eq
500 Section C-C'
PY FOR CONSTRUCTION PURPOSE
L DIMENSIONS ARE IN MM
L DIMENSIONS IN THE DRAWING ARE O BE READ AND NOT TO BE MEASURED IS DRAWING SHALL SUPERSEDE ITS PREVIOUS REVISIONS.
L DIMENSIONS SHALL BE CO-RELATED WITH STRUCTURAL AND SERVICE DRAWINGS D ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE CHITECT BEFORE THE COMMENCEMENT OF WORK.
STORAGE DETAILS
INTERIOR DESIGN FOR CORPORATE OFFICE OF OMICRON, INDIA at DWARKA Sector 12
20.02.2016 DATE Ipsita DRAWN BY CHECKED BY Yashoda ANUPAMA KUNDOO ARCHITECTS info@anupamakundoo.com
contribution
Preparation of Schedule of granite pieces, details of ferrocement sections, and assisting Ar. Yashoda Joshi in designing and drafting out storage details to be used in the interior design project. Assisting her in meeting with the contractor, fabricator, carpenter and material supplier. Revision of the sections of the interior project.
410
Column
423
100
Veneer finish same as the adjustable table top from outside
Elevation as seen from the other side of the table
717
383
Section A-A'
2350
100
100
Duco paint finish of selected colour from inside
100 mm skirting
100 mm skirting
A'
40 318
395
60
Duco paint finish of selected colour from inside
380
Veneer finish same as the adjustable table top from outside
1800
318
790
380
40 X 40 TW section 25 mm thick commercial ply finished with veneer as same as the adjustable table top from outside
1350
400
318
395
Partition of 25 mm thick commercial ply finished with duco paint of the selected colour from inside
2350
eq
475
eq
DRG. NO.
D-200 (R-01)
Photographs
Sections
Omicron Interiors Interior Dessign for corporate Office of Omicron, India at Dwarka, Sector-12, New Delhi Architectural Training Semester VIII
Pierre Tran, Auroville
Sangamam Housing
Installation Work at La Venice Biennale 2016 Task was to make Sketchup models without renderings of her selected past projects for 3D printing of architectural models at her exhibition in the Venice Biennale
"Kaak Chesta, Baka Dhyanam, Swan Nidra tathaiwa cha Alpahari, Grihatyagi, Vidyarthi panch Lakshnam"
aim The project aim was to rejuvenate the outside area of the cafeteria through Graffiti work.
painted area 644 sq ft
Team: 2 Members
Graffiti Work, Suresh Gyan Vihar University, Jaipur an artwork depicting the journey of life and what universe teaches us! Professional Work Dec- 2017-Feb 2018
ut m
essa
ge o f
ane go din rea sp
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To create an artistic expression of the three given words in the studio space Team: 3 Members
narration The installation is a physical manifestation of reflection of transformation with unfolding of events. The openings with and without screens are depicting events and situations that look distinct from varying viewpoints and layers appear if we take a closer and deeper look.
Art Installation at studio with three words ...folds... ...blinds... ...narration... Art and Graphics Semester IV The composition of a 2D surface transforming into a 3D volume of paper crafted with blinds of different sizes and shapes folded and put up like waves, overlaping each other rises a sense of curiosity to some and chaotic to rest. It gives a chance and freedom to the viewers to peep into the installation and look into various frames and changing vistas of the composition and build their own narration apart from what we are telling, just as we narrate our own story seeing the patterns of clouds
Story line A senior Hauz-Khas villager meets a lady traveller-environment activist-artist at an exhibition in a Hauz Khas Art Gallery, being moved by her exhibition of her artworks made from plastic and other electronic wastes, raising an alarm for environmental issues, rooted for the degraded quality of life of today’s developing cities of the country,he offers her to take around the Hauz Khas area that is uncontrollably developed with restaurants, cafes, bars and design studios having no safety clearance, along the so-called green lung of South Delhi, which is now no more than a firetrap! He felt his voice for a comfortable village space could be heard through this young lady.
aim The frames would be through the eyes of the lady and from the conversation between them while he takes her around the village, the Hauz Khas fort, the stinking lake that had been excavated in medieval era for meeting the needs of the people and deer park discussing the alarming issues of the choking condition of the urban village.
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Prologue
Urban Story Personal Work Ohhh Delhi
the greens seem hiding behind the sun kissed trees of concrete
going on feet is easier than sitting in this traffic jam???
aaa...nooo...I do not have a mask the pollution would choke me...
...there is more...
heap of garbage and trash from last night's party to welcome
and the village seemed to be walkable for the visitors!!!
The next day, we start our walk at sunrise from deer park
Fortunately, I met a concerned Hauz Khas resident villager at my exhibition, who offered me to take around his urban village the next morning to talk about the issues as same as my theme of artworks concerning man-made pollution
Exhibition day at Lokayata Art Gallery
People are compelled to take their morning walks with their masks on around this stinking lake which was used to facilitate the city of Siri in the medieval era. Greed of so-called development is making the richness of Dilli sink.
Beauty of the remains are continuosly ruined with no war but with lack of sensitivity towards nature, heritage and to themselves
The hub for designers has turned to a hub of party goers, leaving behind the village's bohemian culture. it has given rise to illegal construction tending to hazards to human life and polluting the green lung of the society
Anytime fire can break out for so many wires entangled like cobweb and for these illegal contructions and extensions ... and the weekend paradise will be in ruins.
EDUCATION 2010-12
Kendriya Vidyalaya No. 1, Indore
2006-10
Kendriya Vidyalaya IIT Powai, Mumbai
2000-06
Kendriya Vidyalaya Tarapur, Silchar Born on October 01 1994 in Kolkata
Resume
Ipsita Rajak rajakipssitta@gmail.com 8890059030
New Delhi QUALIFICATIONS 2012-17
Bachelor of Architecture Aayojan School of Architecture, Jaipur
2005-06
Visharad Part-1 in Painting Sarba Bharatiya Sangeet-O- Sanskriti Parishad Kolkata
2005-06
Junior Diploma in Painting Bangiya Sangeet Parishad Silchar, Assam
PARTICIPATIONS AND WORKSHOPS
ART PROJECTS AND EXHIBITIONS
Participated in Unfuse Black Taj competition 2017
Dec 2017-Feb 2018: Mural Art at Suresh Gyan Vihar University, Jaipur
Co-assisted Anupama Kundoo and team in UCJC Affordable Habitat Workshop 2016 Auroville in making of Easy WC: Ferrocement Toilet
Sept 2017: Solo Art Exhibition at Art Haat, Garhi Studios, Lalit Kala Akademi, Delhi
ACADEMIC PROJECTS
Attended workshops and seminars in 56TH & 57th Annual NASA Convention 2014 AND 2015, Hyderabad & Chennai respectively
ARCHITECTURAL DESIGN THESIS I semester X SWAMANTHAN: a conscious and creative collaborative living experiment, Rishikesh, Uttarakhand
Lead HUDCO Trophy, NASA 2014 Participated in Industrial Design Trophy, NASA 2013
WORK EXPERIENCE Anupama Kundoo Architects, Auroville Jan 2016 - June 2016
ACHIEVEMENTS The Annual NASA Design Competition 2014 Qualified in Top 56 (Group Project). All India level Winner in The Brain Hunt Talent Search Contest 2012 by Dainik Bhaskar Group, awarded by the then Honourable President of India, Smt. Pratibha Patil.
DISSERTATION I semester IX
SKILLSET
LIVABLE STREETS a study for making a neighbourhood lively Semester IX : Gol Market, Jaipur Semester VII : National School of Drama, Jaipur Working Womens' Hostel, Jaipur Semester VI : Jaipur Interpretation Center, Jaipur Community Market, Jaipur Semester V : Skill Development School, Pune Designers' Hub, Gurgaon Semester IV : Student Activity Center, Jaipur Meditation Centre, Jaipur Semester III : Residence, Assam Cafe, Jaipur
Secured Second in All India KVS National Level Logo and Motto Competition 2011 All India KVS Children's Art Exhibition 2008 and 2009 (consecutive years) : 1st position.
DOCUMENTATION AND STUDY TRIPS
Passed with an "A" grade in the Elementary Drawing Grade Examination in 2007 , Maharashtra.
Semester II
Semester V : Study Trip to Auroville,Pondicherry and Chennai Semester III : Measured Drawing of The City Palace, Jaipur : Study of Architectural character and elements of 'Gaitore ki Chattriya', Jaipur
... e x p l o r e... ... e x p e r i e n c e ... ... e v o l v e...
thank you