ipcm n. 76 | July-August 2022

Page 116

© LeRond

ART WITHIN SURFACES

LeRond’s Works of Art on Show in Places where Shapes and Colours Come to Life Monica Fumagalli ipcm®

T

he ipcm® editorial staff went back

It has been more than a year since

to “strengthen and maintain beauty”, as

to interview Giovanni Lamberti,

our last interview. How has your work

philosopher Tzvetan Todorov wrote in his well-

AKA LeRond, to explore how artistic

evolved during the pandemic and what do

known essay “Les Aventuriers de l’absolu”2,

perception has evolved during the pandemic

you have planned now that people have

should do so even more in times like these. In

and what the future holds in terms of working

returned to visit museums, galleries, and

fact, unlike most artists, who have represented

with materials and colours. At the end of the

art exhibitions?

the COVID-19 pandemic and its effects more

year, this multifaceted art-designer will gather

Yes, time goes by fast. I remember the

or less directly in their works, and unlike what

his works into a solo exhibition based on the

contents of our last interview1 very well. The

I did on the occasion of the 9/11 terrorist

profound and suggestive link between the

pandemic, which, by the way, is not definitively

attack, where I represented the drama of

place of birth of his chosen materials and their

over yet, has been conditioning the actions

that moment by creating and completing a

processing.

of each person and, therefore, also of us

work on that same day, I must admit that this

artists. Indeed, the latter, who have a duty

time, after an initial period of bewilderment, I

https://www.ipcm.it/en/open/ipcm/2021/68/142144.aspx

2

1

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N. 76 - JULY/AUGUST 2022 - international PAINT&COATING magazine

Tzvetan Todorov, Les Aventuriers de l’absolu, Robert Laffont, 2006


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