BARRY PILCHER COLLECTION CONTEMPORARY NEW ZEALAND PAINTING, SCULPTURE & PHOTOGRAPHY 27 May 2015
Conditions of Sale & A Guide to Buyers The highest bidder shall be the buyer. In the event of any dispute as to the bidding in respect of any lot, that lot may be offered again at the discretion of the auctioneer whose decision shall be absolute and final. The auctioneer has the right (i) to refuse any bid; (ii) to advance the bidding at his absolute discretion; (iii) to place a reserve on any lot; (iv) to place a bid or bids on behalf of the seller; (v) to withdraw any lot from sale; (vi) to require a successful bidder to pay forthwith the whole or any part of the purchase price. The auctioneer acts as the agent of the seller and neither he nor the seller shall be responsible for any defects or faults in any lot or for any errors of description or for genuineness or authenticity of any lot and no compensation shall be paid in respect of same. From the time of lot being sold, such lot will be the responsibility of the buyer. Successful bidders are required to pay for purchases immediately on completion of sale unless otherwise arranged. All intending buyers are required to register for a bidding number prior to auction commencing. Subscribers can use their permanent bidding number. We reserve the right to ask for identification if you are a first time client of International Art Centre. Each lot shall be paid for and removed at the buyers expense by no later than 4pm Friday 29 May 2015 unless otherwise arranged failing which the auctioneer and/or the seller shall have the right to forfeit any deposit paid by the buyer and to resell the lot either by public or private sale and any deficiency on costs of resale shall be borne by the defaulting buyer. No lot may be collected or paid for whilst auction is in progress. SUBJECT BIDS When the auctioneer declares a lot ‘subject’ this means the bid is below the set reserve and is subject to vendor accepting, rejecting or negotiating the bid. International Art Centre will endeavour to make contact with the vendor immediately after sale or the following day. If the bid is accepted, the highest bidder is obligated to make purchase.
ESTIMATES Estimates are provided for each entry and act as a guide only. They are prepared well in advance of sale and are subject to revision at any time. Estimates are based on hammer price and do not include our buyers premium. ABSENTEE BIDS Absentee bidding arranged - please refer to absentee bidding page in back of catalogue. Fax to (09) 307 3421 or post to PO Box 37 344 Parnell. Please do not be offended if a member of our staff asks for your credit card details as security. Absentee bids can also be left via our website to registered members. International Art Centre website www.fineartauction. co.nz acts as a useful auxiliary to the catalogue but we recommend inspection or a condition report prior to leaving a bid. Our staff will gladly supply you with a condition report on any lot. TELEPHONE BIDS Telephone bidding available to subscribers. There is no charge for this service. PAYMENT FACILITIES Eftpos: Available for transactions $2,000 or less which is the banks daily limit. For transactions less than $4,000 a 50% deposit on the evening and balance following morning is acceptable as long as the goods remain on our premises until full payment is made. Bank deposits: Please ask for our bank details to be faxed or sent by email if you wish to pay by direct debit. Quote the Lot number(s) Cheques: Accepted by known clients of International Art Centre or at our discretion. When posting cheques please ensure they are sent to the following address. International Art Centre PO Box 37 344 Parnell, Auckland 1151. Make cheque payable to ‘International Art Centre’ Credit cards: Visa & Mastercard accepted with a 2% surcharge. No other credit cards accepted. FREIGHT & PACKING International Art Centre will gladly arrange in house or professional packing and international, national or local freight at cost. Please arrange insurance on your items prior to them leaving our premises. In some cases, we may be able to arrange delivery ourselves within the Auckland area. OTHER ENQUIRIES +64 9 379 4010 Toll Free 0800 800 322 info@fineartauction.co.nz www.fineartauction.co.nz BUYERS PREMIUM 15% Buyers premium plus GST on premium applies to all lots. Total buyers premium is 17.25% including GST
BARRY PILCHER COLLECTION CONTEMPORARY NEW ZEALAND PAINTING, SCULPTURE & PHOTOGRAPHY 6:30pm Wednesday 27 May
272 PARNELL RD, AUCKLAND, PO BOX 37 344 TEL +64 9 379 4010 FAX +64 9 307 3421 www.fineartauction.co.nz
Auction Venue Scarborough Gallery, International Art Centre Lower Ground Level 272 Parnell Road, Auckland
Viewing Times Thursday Preview evening
21 May 21 May
10:00am - 5:30pm 5:30pm - 8:00pm
Friday
22 May
10:00am - 5:00pm
Saturday
23 May
11:00am - 4:00pm
Sunday
24 May
11:00am - 4:00pm
Monday
25 May
9:00am - 5:30pm
Tuesday
26 May
9:00am - 5:30pm
Wednesday
27 May
9:00am - 1:00 pm - Auction 6:30pm
Absentee Bids Absentee Bidding Form - page 107 Fax to (09) 307 3421 Conditions of Sale - inside front cover Email bidding instructions info@fineartauction.co.nz Bid via website www.fineartauction.co.nz
272 PARNELL ROAD, AUCKLAND PO BOX 37 344 AUCKLAND 1151 TEL +64 9 379 4010 FAX +64 9 307 3421 www.fineartauction.co.nz
Seung Yul Oh
JJaboo, 2008
Invitation Opening Preview
Please join us to view artwork and meet Barry Pilcher 5:30pm - 8:00pm Thursday 21 May
Please RSVP Luke Davies luke@artcntr.co.nz Text 021 741 360
272 PARNELL RD, AUCKLAND, PO BOX 37 344 TEL +64 9 379 4010 FAX +64 9 307 3421 www.fineartauction.co.nz 5
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The Barry Pilcher Collection spans fifteen years of diverse acquisition. Painting, sculpture and photographic art works by emerging, midcareer and established contemporary New Zealand artists come direct to the auction rooms from the taxation adviser’s Manawatu home. The Pilcher Collection commenced with the purchase of a work from Paul Dibble’s Calici Smile series following Pilcher’s viewing of Dibble’s major Survey Exhibition at the Manawatu Art Gallery, 2001. Over the next decade and a half, Pilcher actively viewed, researched and acquired the art that piqued his interest. In the process an impressive and note-worthy collection has been created. Many of the works are by Wallace Art Award winning artists who have gone on to attain firm positions in the New Zealand contemporary art market. This sale affords a unique buying and viewing opportunity to art lovers and collectors alike.
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Horace Moore-Jones Simpson and His Donkey (Private Dick Henderson) Watercolour 90 x 60cm, Signed & dated 1915 Estimate $300,000 - $500,000 Auckland Commerce Club Collection
Important, Early & Rare July 2015
Consign Today
International Art Centre’s Important, Early & Rare sales continue to attract some of New Zealand’s most important artworks. The July 2015 sale is no exception. From the Auckland Commerce Club Collection, after over thirty years on longterm loan to Auckland War Memorial Museum, International Art Centre is privileged to offer two of Australasia’s most memorable ANZAC images. The largest and best known watercolour of six versions painted by Horace Moore Jones of Simpson and His Donkey, will be sold with the original photograph. This photograph, taken by Dunedin born, Sergeant James G. Jackson, NZMC on 12 May 1915, is of stretcher-bearer Dick Henderson of Waihi with his help-mate, Murphy the donkey. The Red Cross insignia is pinned to Murphy’s muzzle-band. It is this photograph which inspired Horace Moore-Jones to paint one of the most poignant images of the Gallipoli campaign. Regarded as a national treasure and icon of Gallipoli this is a truly extraordinary offering.
Further Consignments invited
Contact Richard Thomson richard@artcntr.co.nz Toll Free 0800 800 322 Mob 0274 751 071
Sergeant James G Jackson The Man and the Donkey The original 1915 photograph on the market for the first time Auckland Commerce Club Collection
EXTRAORDINARY ART FOR EXTRAORDINARY PEOPLE
1
Kushana Bush b. 1983 Squared off Muzzle Gouache and graphite on paper 760 x 560 Signed, inscribed & dated 2010 verso Estimate $4,000 - 6,000
Provenance: Ivan Anthony, Auckland Exhibited: Pimp Squeaks Kushana Bush Ivan Anthony Gallery 20th October - 20th November 2010
2 Sam Mitchell b. 1971 Bravo Acrylic on perspex 420 x 330 Signed, inscribed & dated 2010 Estimate $2,000 - 3,000 Provenance: Mary Newton Gallery, Wellington
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Michael Harrison b. 1961 You Can’t Do That, 2002 Watercolour and pencil 300 x 210 Signed Estimate $1,500 - 2,000 Provenance: Hamish McKay Gallery, Wellington
Illustrated: p. 36 Home New Zealand February - March 2010 issue
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Kelcy Taratoa b. 1972
Who Am I Episode 003 Acrylic on canvas 1060 x 1670 Signed & dated 2003 Estimate $3,000 - 5,000
Provenance: Purchased directly from the artist 2004 Exhibited: Te Whare Toi, The Dowse May 2004 Latitude, Taketake Gallery, Whakatane 28 February - 29 April 2005
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kelcytaratoa: myspace Christchurch Art Gallery 23 March 2007 – 24 June 2007
Kelcy Taratoa has been hailed as one of New Zealand’s most exciting young artists, bringing a new presence to New Zealand art. His work explores popular culture, personal identity and what it means to grow up as a Maori in the city. He is of Ngaiterangi and Ngati Raukawa descent. Through his work he acknowledges his disassociation from any positive sense of identification with his Maori ancestry, growing up in a detribalised typically urban New Zealand
setting. The landscapes in which his self-portraits dwell are suburban and capture the debilitating sense of soullessness that may be experienced in many New Zealand cities and towns. Through his studies in Maori Visual Arts at Massey University, completed in 2005, where study of New Zealand history played an important role, he came to assertively appreciate the value of his own individual story and path. kelcytaratoa: myspace Christchurch Art Gallery.
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5 Harry Watson b. 1965 Koru, 2004 Oil on oak 360 x 295 Estimate $1,000 - 1,500 Provenance: FHE Galleries Gallery label affixed verso 14
Sara Hughes b. 1971 Data Attraction II Screenprint on Fabriano paper 565 x 750 Edition of 25 Signed, inscribed & dated 2006 Estimate $700 - 1,000
Karl Maughan b. 1964 Vivian, 2007-08 Oil on canvas 500 x 600 Signed, inscribed & dated 2007-08 verso Estimate $3,500 - 5,500
Provenance: Thermostat Gallery, Palmerston North Exhibited: Karl Maughan, A Clear Day Te Manawa, Palmerston North 2008
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Judy Millar b. 1957 Untitled, 2001 Acrylic and oil on aluminium 550 x 760 Signed, inscribed & dated 2001 verso Estimate $4,000 - 6,000
Provenance: Bartley Nees Gallery, Wellington Illustrated: p. 44 - 45 Judy Millar You You, Me Me Kerber Verlag, Bielefeid Published on the occasion of Judy Millar’s exhibition Giraffe-Bottle-Gun at the 53rd Biennale di Venezia 2009
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Paul Maseyk b. 1964
In Coromandel Town I Listened to BFM Earthenware, coloured slips, clear glaze, gesso, acrylic paint 730 x 300 Signed, inscribed & dated 2007 Estimate $7,000 - 10,000
Provenance: Masterworks, Auckland Paul Maseyk is a leading New Zealand ceramic artist who is steadily developing an international reputation. His work has grown out of a domestic pottery practice and today largely focuses on individual works that combine a strong narrative approach with a considerable monumentality of form.
10 Judy Millar b. 1957 Untitled Acrylic, oil on aluminium 1020 x 800 Signed & dated 2003 verso Estimate $6,500 - 9,500 Provenance: Bartley Nees Gallery, Wellington
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Andre Hemer b. 1981 I’m New Zealands’ next top painting (...more soul than a sock with a hole) Acrylic on canvas 300 x 300 Signed, inscribed & dated 2006 verso Estimate $800 - 1,200
Provenance: Bartley & Company Art, Auckland
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Andre Hemer b. 1981 Things to do with paint that won’t dry Acrylic on linen 200 x 200 Signed, inscribed & dated 2008 verso
Estimate $500 - 1,000
Provenance: Antoinette Godkin Gallery, Auckland
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Reuben Paterson b. 1973
I am the Resurrection, and I am your Wife Oil & glitter on canvas 760 x 760 Signed, inscribed & dated 2003 on stretcher verso Estimate $4,000 - 6,000
Provenance: Gow Langsford Gallery, Auckland
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Exhibited: Are You Right Not to Like Modern Art Te Manawa, Palmerston North 6 December 2008 - 8 March 2009 21
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Seraphine Pick b. 1964 Hell Hound on my Trail From Burning the Furniture Series Oil on canvas 250 x 250 Signed & dated 2007
Estimate $2,000 - 3,000
Exhibited: Burning the Furniture, Seraphine Pick 7 November - 30 November, Hamish McKay Gallery, Wellington 2007
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15 Seraphine Pick b. 1964 It Will Take Time to Restore Chaos Oil on canvas 200 x 250 Signed & dated 2007 Estimate $2,000 - 3,000 Exhibited: A Winter Show - Group Exhibition, 25 July - 11 August 2007, Hamish McKay Gallery, Wellington Hamish McKay Gallery stamp verso
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Fiona Pardington b. 1961 Still Life with a Persimmon, Puriri Flowers and a Skull Glass, from the Colin McCahon Residency, 2013 Pigment inks on Epson hot press natural, edition of 10, 400 x 550 Signed verso Estimate $2,500 - 3,500
Provenance: Two Rooms, Auckland
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Israel Tangaroa Birch b. 1976 Golden Oriori Series 2005 Lacquer on stainless steel 510 x 510 Signed verso
In Still Life with a Persimmon, Puriri Flowers and a Skull Glass two puriri flowers, found in the luxuriant bush outside the studio, nestle on top of a plump persimmon. The pictorial space in this work is extremely shallow and it’s not apparent what the fruit is resting on. We can intuit a horizontal surface only because we know the kowhai seeds must be resting on something. This strategy of taking the world away from the images by photographing them against dark backgrounds creates a climate of uncertainty and encourages us to see the objects in a new context. It’s something Pardington does often in her photographs.
Estimate $1,000 - 2,000
Virginia Were, Art News, Summer 2013
Provenance: Thermostat Gallery, Palmerston North Oriori is generally translated as lullaby. An oriori was traditionally used as a method of transmitting knowledge to a baby. ‘I wonder if she can hear us calling to her? Israel Birch
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Heather Straka b. 1972
Estimate $12,000 - 16,000
St Sebastian Oil on canvas 630 x 430 Signed, inscribed & dated 2005 verso
Provenance: Janne Land Gallery, Wellington Exhibited: Wallace Trust Touring Exhibition 2005 - 2006
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John Andrew
Marivare Oil on canvas 840 x 1200 Signed, inscribed & dated 2006 Estimate $1,000 - 1,500
Provenance: Purchased directly from the artist
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Heather Straka b. 1972
Estimate $8,000 - 12,000
The Noble Savage II Oil on board 1070 x 810 Signed, inscribed & dated 2012 verso
Provenance: Jonathan Smart Gallery, Christchurch Exhibited: The Noble Savage March 23 - April 14, 2012 Jonathan Smart Gallery, Christchurch
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Ben Cauchi b. 1974 Portrait & Smoke Ambrotype 230 x 300 Signed, inscribed & dated 2004 verso Estimate $1,500 - 2,000 Provenance: McNamara Gallery, Wanganui
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Exhibited: Exhibition Toured by Aratoi - Wairarapa Museum of Art & History, augmented by Te Manawa Palmerston North 29 October - 9 December 2005
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Heather Straka b. 1972
Foe & Friend Oil on two canvas boards 430 x 325 Signed, inscribed & dated 2004 verso
Exhibited: In the The First Fleet - 28/8/04 - 16/9/04 Catalogue No.11 Milford Galleries Dunedin
Estimate $6,000 - 9,000
Provenance: Janne Land Gallery, Wellington
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Seung Yul Oh b. 1981
Estimate $4,000 - 6,000
Ode Pou Automotive paint on fibreglass, two parts 880 x 700 x 545
Provenance: Starkwhite, Auckland
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Sara Hughes b. 1971 Melissa 2, 2005 Acrylic on linen 800 x 800 Signed & inscribed verso Estimate $4,000 - 6,000
Provenance: Bartley Nees Gallery, Wellington Exhibited: Beyond the Horizon Bartley Nees Gallery, Wellington 2005 The New Painting - Paintings in the Digital Age. Pataka 12 May - 12 August 2007
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Sara Hughes b. 1971 For My Darlings 2004 Acrylic on aluminium 3 panels 520 x 1420 Signed & inscribed verso Estimate $3,000 - 4,000
Provenance: Bartley Nees Gallery, Wellington
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Sara Hughes b. 1971 Infiltrate 2007 Acrylic on linen 800 x 800 Signed & inscribed verso Estimate $4,000 - 6,000
Provenance: Gow Langsford Gallery, Auckland
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Will Handley
Shifted Theories, 2013 Ink and acrylic paint on X board, foam board, cardboard and corflute 1050 x 790 Signed, inscribed & dated 2013 Estimate $2,500 - 3,500
Exhibited: In Notable Outcomes, Sanderson Gallery 2013
28 Judy Millar b. 1957 Untitled Acrylic, oil on aluminium 760 x 550 Signed & dated 2004 verso Estimate $4,000 - 6,000
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Provenance: Bartley Nees Gallery, Wellington
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Roberta Thornley b. 1985 Untitled (Son) Archival pigment ink photograph on Ilford Galerie Gold Fibre Silk paper mounted on aluminium, edition of 3, 910 x 645 Estimate $2,500 - 3,500
Provenance: Tim Melville Gallery, Auckland
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Roberta Thornley b. 1985 Eddie, 2008 C-type photograph, edition of 3, 250 x 300
"... although the cinematic quality of her photographs might evoke the dark sensuality of Bill Henson or the surreal narratives of David Lynch, the place to begin with Roberta Thornley's work is in the 'everyday' world. There is no narrative linking her works. Rather, they are discrete images about the simplest and yet most evocative of ideas. Contained within each work is a sense of the efflorescence of life and the wet, dark, decaying extreme that is part of its cycle of disintegration and renewal. Her work has an underlying element of unease, as if each image marks a crucial connection between beauty, desire, and the 'bible-black' of melancholy." Dr Kriselle Baker, Art New Zealand, issue #134, Winter 2010.
Estimate $800 - 1,200 Provenance: Tim Melville Gallery, Auckland
I want my photographs to ask questions and to be rich with narrative possibilities. At the same time I try to evoke atmospheres that oscillate between melancholy and desire. Roberta Thornley
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Kate Woods
River Site 2008 C-type photograph, edition 1/4, 19.5 x 28 Signed, inscribed & dated 2008 Estimate $500 - 1,000
Provenance: City Art Rooms, Auckland
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32 John Pusateri b. 1978 The First Lesson - From ‘Wrest’ Series 2008 Charcoal drawing on paper 960 x 740 Signed Estimate $1,000 - 1,500 Provenance: Seed Gallery, Auckland
Tony De Lautour b. 1965 Untitled 2004 Oil on canvas 300 x 400 Signed Estimate $800 - 1,500 Provenance: Hamish McKay Gallery, Wellington
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Andrew McLeod b. 1976 That’s Love Oil on canvas 260 x 280 Signed & dated 2005 Estimate $1,000 - 1,500
Provenance: Peter McLeavey Gallery, Wellington Illustrated: Shhhh Shhhh Shhhh Shhhh Shangrila Andrew McLeod
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Andrew McLeod b. 1976 Liz 2006 Oil on canvas 330 x 240 Signed & dated 2006 Estimate $1,000 - 1,500 Provenance: Ivan Anthony, Auckland 41
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Andrea Du Chatenier b. 1958 The Man who Smelt the Flowers Ceramic sculpture with glass eyes 450 x 350 x 410 Estimate $1,000 - 1,500
Provenance: Seed Gallery, Auckland Exhibited: Andrea du Chatenier, Weepers, Wonderers and Wounded, Seed Gallery 2014
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Brendon Wilkinson b. 1974 Androgyne, 2011 Watercolour 370 x 380 Signed & dated 2011 Estimate $800 - 1,200
Provenance: Purchased from Peter McLeavey 2011 Peter McLeavey chose the frame for this work. Exhibited: Silverfish, Brendon Wilkinson Ivan Anthony Gallery, Auckland Illustrated p. 16 Silverfish, Brendon Wilkinson Self published
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John Oxborough
Angel 2001 Acrylic on paper 600 x 420 Signed, inscribed & dated 2001 Estimate $1,000 - 1,500
Provenance: Christopher Moore Gallery, Wellington Exhibited: Reflections, John L Oxborough Christopher Moore Gallery, Wellington 26 August - 21 September 2002
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Richard Orjis b. 1979 Flower Idol, Floros Type C print, edition of 8, 978 x 838 Inscribed & dated 2006 verso
Estimate $4,000 - 6,000
Provenance: Roger Williams Contemporary Art Auckland Illustrated: p. 6, Richard Orjis Park Elam MFA Show 2006 Exhibited: Floriferous, Sarjeant Gallery, Wanganui 3 April - 23 May 2010 44
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Saskia Leek b. 1970 Small Lips Oil on board 240 x 330 Signed & dated 2001 verso
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Gavin Hurley b. 1973 Love Sydney I Oil on linen 460 x 360 Signed, inscribed and dated 2007 verso
Estimate $2,000 - 3,000
Estimate $3,000 - 5,000
Provenance: Ivan Anthony, Auckland
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Provenance: Mary Newton Gallery, Wellington
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Seung Yul Oh b. 1981
Estimate $4,500 - 6,500
JJaboo, 2008 Oil on canvas 900 x 1800 Signed verso
Provenance: Starkwhite, Auckland Exhibited: Are You Right Not To Like Modern Art Te Manawa, Palmerston North 6 December 2008 - 8 March 2009 48
43 Shane Cotton b. 1964
Slow Red Line Acrylic on paper 530 x 760 Signed & dated 2007 Estimate $7,000 - 10,000
Provenance: Hamish McKay Gallery, Wellington
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Andy Leleisi’uao b. 1969 Plastic Kiwis of New Zealand Mixed Media sculpture 330 x 150 Signed & dated 2005 Estimate $1,000 - 1,500
Provenance: Whitespace, Auckland Exhibited: Ballad of Cheekie Darkie, Whitespace, Auckland 2006
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Paul Dibble b. 1943 Shrine from Calici Smile Cast Bronze, edition of 2, 470 x 580 x 110 Signed & dated 2001 Estimate $8,000 - 12,000
Provenance: Taylor Jensen Fine Arts, Palmerston North Exhibited: The Calici Smile, Bowen Galleries, 2001 Illustrated: p. 37 Home New Zealand February - March 2010 issue
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Paul Dibble b. 1943 Torso after Brancusi with Seagull Cast bonze, edition of 3, 510 x 390 x 155 Signed & dated 2004 Estimate $4,000 - 6,000
Provenance: Thermostat Gallery, Palmerston North Exhibited: Group Sculpture Exhibition, Bowen Galleries, Wellington, 2004
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Paul Dibble b. 1943 Above and Below Cast bronze, edition of 3, 520 x 730 x 120 Signed & dated 2005 Estimate $8,000 - 12,000
Provenance: Taylor Jensen Fine Arts Exhibited: Parallel Strands, Taylor Jensen Fine Arts, Palmerston North, 2005
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Rohan Wealleans b. 1977
Sub Mariner 2009 Acrylic paint, paper, adhesive tape 300 x 215 x 600 Signed, inscribed & dated 2009 verso Estimate $1,000 - 1,500
Provenance: Hamish McKay Gallery, Wellington Exhibited: Private View, Group Exhibition Hamish McKay Gallery, Wellington 12 - 23 December 2009
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Alvin Pankhurst b. 1949 Silent Echoes Oil on canvas 770 x 1020 Signed & dated 2000 Estimate $10,000 - 15,000
Provenance: Purchased directly form the artist, 2003
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I have a long association with this painting. I started painting Silent Echoes in the late 1970s, completing it several decades later in 2000. In 2001 the work was part of a series accepted for the the Royal Academy's Summer Exhibition when thirty paintings from non-British artists were shown. It features the room in which I painted when living in Newtown,
Wellington. The same room was the setting for my 1970s paintings Maybe Tomorrow and Urban Sprawl. In this work we open the door on a forgotten scene. A fallen vase of entangled wild roses in search of water, a glass fruit bowl bearing desiccated orange skins and a plate of broken stemmed wine glasses. Alvin Pankhurst
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Bill Hammond b. 1947
Estimate $2,500 - 3,500
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Picnic Lithograph, edition of 30, 540 x 660, Signed, inscribed & dated 2007
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John Walsh b. 1954
Tane Tanga Oil on board 900 x 1200 Signed, inscribed & dated 2005 Estimate $10,000 - 15,000
Provenance: Papergraphica, Christchurch
Provenance: John Leech Gallery, Auckland
Exhibited: Cave Painting 14 August - 8 September 2007, Brooke Gifford Gallery, Christchurch
Illustrated: p. 36 Home New Zealand February - March 2010 issue
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Israel Tangaroa Birch b. 1976
Manutai 6 Sculpture 280 x 280 On display plinth
Estimate $800 - 1,200
Provenance: Thermostat Gallery, Palmerston North Exhibited: Thermostat Gallery 8 - 28 May 2009. Manutai is the name of my marae in Nuhaka situated between Wairoa and Gisborne. Manu translated is bird, and Tai is the sea. When I initially started researching my whakapapa (genealogy) of Ngati Rakaipaaka of Nuhaka, I found Manutai was not only a reference to sea birds, but also referred to the birds beneath the sea. I have utilised the Mangopare (hammerhead) Kowhaiwhai pattern to express the narratives associated with my marae. The compositions are arranged to reflect the ideas and concepts of whakapapa. Israel Birch
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Shane Cotton b. 1964 Stelliferous Biblia VII Acrylic on canvas 355 x 355 Signed, inscribed & dated 2001 verso Estimate $6,000 - 8,000
Provenance: Hamish McKay Gallery, Wellington 58
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Sylvia Siddell 1941 - 2011 The Birds, the Bat and the Beasts Aesop Fables Oil & acrylic on canvas 800 x 1200 Signed & dated 2006 Estimate $3,000 - 5,000
Provenance: Artis Gallery, Auckland
55 Fatu Feu’u b. 1946 Sopoilangi Acrylic on canvas 835 x 1115 Signed, inscribed & dated 2001 verso Estimate $2,000 - 3,000 Provenance: Warwick Henderson Gallery, Auckland
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Nigel Brown b. 1949
Manart Humanism Oil on board 1180 x 600 Signed, inscribed & dated 1990 Estimate $4,000 - 6,000
Provenance: Warwick Henderson Gallery, Auckland Illustrated: p 65 Art New Zealand, #104 Spring 2002 61
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Sam Duckor-Jones
Estimate $1,000 - 2,000
Sydney Ceramic paint dolly 920 x 300 x 600 Signed & dated 2014
Exhibited: First Trip to the Big City, Bowen Galleries, Wellington 7 April - 3 May 2014
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Mark Curtis b. 1975 England
Estimate $2,500 - 3,500
William at War Oil and glitter on canvas 1010 x 560 Signed, inscribed & dated 2006 verso
Provenance: Orexart, Auckland Exhibited: New Zealand Academy of Fine Arts, Wellington Platform Gallery, Hamilton Orexart, Auckland This work is part of a series of works that investigate contemporary articulations of Queer identity in a postmodern world. The works are an exploration of Queer stereotypes, gay motifs and my own critical responses to theses modes of representation within New Zealand and the Pacific. There are three William paintings in the Wallace Arts Trust Collection. MC Mark Curtis was born in Windsor, England. He is well known for his large-scale glitter carpet installations, he maintains a painting practice and is an experienced printmaker (relief and etching). Curtis graduated from RMIT University, Melbourne in 2003 with a Masters Degree in Fine Arts and currently lectures at Mediarts, Waikato Institute of Technology, New Zealand. As part of his Masters, Curtis was ordained as a Minister of the Universal Life Church, Modesto, California. His works are in major collections nationally and internationally, including: The Wallace Trust Collection and the Waikato Museum Collection. 63
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Stephen Marty Welch b. 1972
Asianus Oil on board 1200 x 900 Signed & dated 2007 Estimate $1,500 - 2,500
Provenance: SOCA Gallery, Auckland Exhibited: The Sitting, Stephen Marty Welch The New Zealand National Portrait Gallery, 18 December 2008 - 31 January 2009 64
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Reuben Paterson b. 1973
Black and White T.V. Screenprint and glitter on paper, edition of 45, 700 x 500 Signed, inscribed & dated 2005 Estimate $1,500 - 2,500
Provenance: Gow Langsford Gallery, Auckland Exhibited: Dispelling the Myth, Te Manawa, Palmerston North, 20 September - 7 December 2008
61 Star Gossage b. 1973 Eden Oil on board 290 x 180 Signed & inscribed verso Estimate $1,500 - 2,500 Provenance: Tinakori Gallery, Wellington
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Mark Rayner
Estimate $500 - 1,000
Little Green Man - Alien Invasions Mixed media sculpture 1170 x 540 x 350 Signed, inscribed & dated 2012 on base
Provenance: Purchased directly from the artist, 2012 Exhibited: The Conspiracy Theory Art Exhibition, Mangaweka Yellow Church Gallery, 2012
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Liz Maw b. 1966
Hos達nna Oil on board, 450 x 570 Signed, inscribed & dated 2006 Estimate $4,000 - 6,000
Provenance: Peter McLeavey Gallery, Wellington
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64 Simon Kaan b. 1971 Untitled Oil on board 170 x 550 Signed & dated 2013 verso Estimate $1,000 - 2,000 Provenance: Sanderson Gallery, Auckland
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Young Sun Han b. 1982 USA
Pareidolia Unique digital c-type print 500 x 400 Signed, inscribed & dated 2008 verso Estimate $800 - 1,200
Provenance: City Art Rooms, Auckland
Includes a unique text and image Audio CD, 4 mins 48 sec, looped - read by Young Sun Han & Siobhan Harvey.
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John McLean
Acrobat Returning Home Oil on canvas 800 x 800 Signed & dated 2004 Estimate $3,000 - 5,000
Provenance: McPherson Gallery, Auckland
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67 Wayne Youle b. 1974 Three Artists in a Bar Four powder coated laser-cut steel pieces 380 x 310 Signed & dated 2005 on each piece verso Estimate $1,000 - 1,500 Provenance: Purchased from Bartley Nees Gallery, Wellington, June 2005
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John Oxborough
Model with Couch Acrylic and ink on archival paper 740 x 540 Signed & dated 2004 Estimate $1,000 - 1,500
Provenance: Sanderson Contemporary
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Ans Westra b. 1936 Te Kao, North Cape, 1983 Silver gelatin print 260 x 270 Signed Estimate $2,000 - 3,000
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Provenance: Suite Gallery, Wellington
Provenance: Suite Gallery, Wellington
Illustrated: p. 152 Whaiora The Pursuit of Life, Photographs: Ans Westra Text: Katerina Mataira, Allen & Unwin Port Nicholson Press 1985
Illustrated: Washday at the Pa, Ans Westra Schools Publications, 1964
Ans Westra b. 1936 Smoking Minties Wrappers Silver gelatin print 280 x 280 Signed Estimate $2,000 - 3,000
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71 Robyn Kahukiwa b. 1940 Uenuku Watercolour 210 x 150 Signed, inscribed & dated 2012 verso Estimate $800 - 1,200
Provenance: Warwick Henderson Gallery, Auckland
72
Robyn Kahukiwa b. 1940 Maui E Muriranga Whenua Oil on canvas 453 x 605 Signed & dated 2003
Estimate $2,000 - 3,000
Illustrated: p. 3 Nga Atua, Robyn Kahukiwa, self published 2012
Provenance: Bowen Galleries, Wellington Illustrated: p. 148 The Art of Robyn Kahukiwa, with essays by Hinemoa Hilliard, Edward Lucie-Smith, Jonathan Mane-Wheoki, Reed Publishers 2005 Maui Tikitiki a Taranga went to his kuia Muriranga Whenua for knowledge. She gave him her kauae raro, bottom jaw. He was the chosen one to receive the knowledge. Robyn Kahukiwa
73
73
Todd Stratton
Estimate $1,000 - 1,500
Little Son and You Oil & varnish on board 1230 x 800 Signed & dated 2006 verso
Provenance: Roger Williams Contemporary, Auckland
74
74 James Robinson b. 1972 Paracite Mixed media on canvas 2440 x 960 Signed & dated 2004
Estimate $8,000 - 12,000
Provenance: Bath Street Gallery, Auckland Exhibited: Rise: A Series of New Works by James Robinson Toured by Temple Gallery Dunedin 2004 Te Manawa, Palmerston North 15 October - 11 December 2005 Illustrated: p. 36 Home New Zealand - Art Houses Feb / March Issue
75
75
Wayne Youle b. 1974
Tony De Lautour Lion from the Old Boys Club Series Nickel plated laser cut steel 150 x 130 Estimate $500 - 800
Provenance: Bartley Nees Gallery, Wellington Exhibited Kia Ora Bro - New Works by Wayne Youle, Bartley Nees Gallery, Wellington 16 August - 11 September 2005
76
Tony De Lautour b. 1965
Conspiracy Plan Oil on canvas 800 x 1000 Signed, inscribed & dated 2002 Estimate $5,000 - 8,000
Provenance: Hamish McKay Gallery, Wellington Exhibited: Landscaper, Te Manawa, Palmerston North, 20 September - 30 November 2003
Illustrated: p. 36 Home New Zealand February - March 2010 issue
77
77
Wayne Youle b. 1974 Pretty Boy 1 & 2, 2003 - A Pair Mixed media 170 x 170 Signed verso Estimate $500 - 1,000 Provenance Bartley Nees Gallery, Wellington lllustrated: Seen This Century: 100 Contemporary New Zealand Artists - Warwick Brown Random House 2009
78
78
Hye Rim Lee b. 1965
Estimate $1,500 - 2,000
Candyland #4 C-type print with custom made frame with two pot automotive paint finish, edition of 5, 400 x 400
79
Hye Rim Lee b. 1965
Candyland #19 C-type print with custom made frame with two pot automotive paint finish, edition of 5, 400 x 400 Estimate $1,500 - 2,000
Illustrated: p. 79+95+97 Hey Rim Lee, Art Contemoraneo, Malaga 2008
Illustrated: p. 94+95+98 Hey Rim Lee, Art Contemoraneo, Malaga 2008
Exhibited: Starkwhite, Auckland 2009 Candyland, Hye Rim Lee, Adam Art Gallery, Wellington 2008
Exhibited: Starkwhite, Auckland 2009 Candyland, Hye Rim Lee, Kukje Gallery, Seoul, South Korea 2006 Adam Art Gallery, Wellington 2008
79
80
Young Sun Han b. 1982 USA
Estimate $1,200 - 1,800
81
Young Sun Han b. 1982 USA
Estimate $1,200 - 1,800
82
Young Sun Han b. 1982 USA
Estimate $1,200 - 1,800
Mr Universe Chromira print mounted to di-bond, anti-UV glossy laminate, edition of 4, 1830 x 915
Chaugazer Chromira print mounted to di-bond, anti-UV glossy laminate, edition of 4, 1830 x 915
Alpha Male Chromira print mounted to di-bond, anti-UV glossy laminate, edition of 4, 1830 x 915
Exhibited: invAsian!, City Art Rooms, Auckland, 2007
80 80
The portraits present various ethnic Asian men as icons who are in control of their sexuality. I have vamped up exotic qualities in exchange for power. These bodies create desire from a position of control while hinting at the threat of a takeover. Young Sun Han
81
82 81
83 Irene Ferguson b. 1970 Man With Chicken Chalk on toned paper 560 x 370 Signed & dated 2005 Estimate $800 - 1,200 Provenance: Janne Land Gallery, Wellington Exhibited: Landscapes and Figures Janne Land Gallery, Wellington 17 July - 11 August 2007. Irene Ferguson gained a Diploma of Fine Arts with Honours from Otago School of Fine Art, Dunedin in 1993 and a Master of Fine Arts from the New York Academy of Art in 2005. In 2002 she was awarded the William Hodges Fellowship residency by the Southland Art Foundation. In 2003 she was awarded a Creative Communities Grant by the Wellington City Council and in 2008 Ferguson was the Artist in Residence at Samuel Marsden Collegiate School, Wellington. From 2005 - 2006 she lived and worked in New York City. In 2010 she travelled to Italy to complete training in portraiture at the Charles H. Cecil Studios in Florence, Italy. In 2006 Ferguson was as finalist in the BP Portrait Award at the National Portrait Gallery, London latter winning the 2008 Adam Portrait Award.
82
84
Ryuzo Nishida b. 1976 Japan Matsu Modoki Acrylic paint and plastic models 260 x 260 Inscribed & dated 2007 Estimate $500 - 800
Provenance: Seed Gallery, Auckland
85
Kylie Tiuka b. 1965
He Mana Tawhito Mixed media sculpture 400 x 300 Estimate $800 - 1,200
Provenance: Bartley & Company Art, Wellington
Kylie Tiuka won the 2013 Rotorua Museum Supreme Award with her work titled Te Korihi (Birdsong)
83
86
Lingikoni Vaka’uta
We Don’t Need to Speak the Same Language to Communicate Ink on Paper 670 x 425 Signed, inscribed & dated 2003 Estimate $500 - 800
Provenance: Oedipus Rex Gallery, Auckland
87
Liam Barr b. 1966 The Mighty Moa Oil on canvas 910 x 710 Signed, inscribed & dated 2007 Estimate $3,000 - 5,000
Provenance: Warwick Henderson Gallery, Auckland
85
88
Mark Olsen b. 1962 A Man and His Lady Oil on canvas 1680 x 1120 Signed Estimate $3,000 - 5,000 Provenance: Fishers Fine Arts Exhibited: 12th Annual Wallace Art Awards Finalist, 12 September 5 October, 2003
88
89 Rozi Demant b. 1984 The Cages Acrylic on board 1800 x 530 Signed Estimate $4,000 - 6,000 Provenance: Warwick Henderson Gallery, Auckland
86
90
90
89
Andrew Barnes-Graham b. 1962 The Rollercoaster Riders Acrylic on canvas 900 x 910 Signed, inscribed & dated 2006 verso Estimate $2,000 - 3,000
Provenance: Sanderson Contemporary Art, Auckland 87
92 Pauline Thompson 1942 - 2012 Light Oil on canvas 400 x 500 Signed & dated 2001 Estimate $500 - 800 Provenance: Ardor Gallery, Parnell, Auckland.
91
Andy Leleisi’uao b. 1969 Legagemasala Village Oil on canvas 330 x 240 Signed, inscribed & dated 2003 verso
Painting is based on a poem by Kirin Cerise 1969 - 2000 Could you Beat and flail your wings against these walls? You know I’ll hold them tight Against that other noise... I know your light has touched me Just the feeling of your thoughts towards me Lights me
Estimate $500 - 1,000
Provenance: Whitespace, Auckland
88
93
Michel Tuffery b. 1966
Tamaitiiti Tui Lua Acrylic on tapa 480 x 520 Inscribed & dated 2003 verso Estimate $1,500 - 2,500
94
Michel Tuffery b. 1966
Tania Le Sa Acrylic on tapa 610 x 400 Signed, inscribed & dated 1994 Estimate $1,500 - 2,500
Provenance Lots 93 + 94 Williams Gallery, Petone
89
95
Pete Wheeler b. 1978 Untitled Watercolour on canvas 300 x 400 Signed & dated 2006 verso Estimate $500 - 1,000 Provenance: Whitespace, Auckland
96 95
Pete Wheeler b. 1978
Deliver Me Oil & oilstick, graphite, charcoal on paper 620 x 620 Signed & dated 2005 Estimate $800 -1,200
Provenance: Whitespace, Auckland Exhibited: VITAMIN P Pete Wheeler 30 July -18 August 2005, Whitespace, Auckland
97
96 90
Robert McLeod b. 1948
Goodbye Clem 2010 Wood sculpture on plastic wheels 510 x 400 Signed & inscribed Estimate $1,000 - 2,000
Provenance: Bowen Galleries, Wellington
97
98
98
Di Ffrench 1946 - 1999 Hunter Warrior Series Cibachrome, edition of 4, 780 x 600 Signed, inscribed & dated 1990/91 verso Estimate $500 - 1,000
Provenance: Artis Gallery, Auckland
Exhibited: Di Ffrench: Activating Ideas Dunedin Public Art Gallery, 2007 Di Ffrench, Sculptural Photographs: A Survey, Artis Gallery, Auckland 29 June - 16 July 2011
91
99
Jinx in the Sky
I Love You in Your Tragic Beauty - A Pair Acrylic on plywood panels 600 x 400 Signed & dated 2011 Estimate $800 - 1,200
Exhibited: Beauty Meets the Bazaar, Depot Artspace 2011 Thistle Hall, Wellington 2011
92
Whilst on exhibition at Thistle Hall, Wellington in 2011, the two works were stolen from the gallery and became part of a nationwide news story relating to the theft. The works were subsequently returned to the artist. http://www.stuff.co.nz/dominion-post/news/wellington/8533811/Reward-for-stolen-Thistle-Hall-artwork The works were purchased directly from the artist
100
Wayne Youle b. 1974
Estimate $250 - 350
Often Licked, Never Beaten 3 Synthetic resin each 90 x 40
Provenance: Bartley Nees Gallery, Wellington
101
Liyen Chong b. 1979 Malaysia
Shall I put you off with my Unknot: Becomes Doctrine 2005 Artist’s hair on cotton 90 x 30 Estimate $800 - 1,200
Provenance: 64zero3, Christchurch An artist of Malaysian-Chinese descent, Liyen Chong boldly negotiates Eastern and Western art forms, motifs and languages to create works that are conceptually rich and visually immaculate. In 2011 she was artist in residence at McCahon House (Titirangi) and Tylee Cottage (Whanganui) and in 2012 she participated in the Asia New Zealand Foundation residency at the Goyang Art Studio in South Korea. Chong’s work is held in major public and private collections including: the Chartwell Collection (Auckland), The University of Canterbury Art Collection (Christchurch) and the National Gallery of Australia Collection (Canberra).
100
101
102
Jochen Schmidt b. 1947
Atoll Bay Oil & sand on canvas 920 x 1370 Signed, inscribed & dated 2002 verso
Provenance: Warwick Henderson Gallery, Auckland Estimate $1,000 - 2,000
103
Richard Orjis b. 1979 ‘Sugar Rush’ No.5 Type C print, edition of 6, 690 x 990 Signed, inscribed & dated 2001 - 2008
Estimate $1,000 - 1,500
Provenance: McNamara Gallery, Wanganui Illustrated: NZ Home & Garden, Noelle McCarthy, My Favourite Room
94
104 Ben Webb 1976 - 2014 Study Mixed media on etching paper 920 x 700 Signed & dated 2007 Estimate $1,000 - 1,500 Provenance: Jonathan Smart Gallery, Christchurch
105
Erena Baker
Toku Iwi - Raukawa from the Pepeha Series Digital photograph with custom mount 260 x 200 Estimate $400 - 600
Provenance: Thermostat Gallery, Palmerston North
95
106
Kereama Taepa
#4 Woman feat. Whakarua Kopito Acrylic paint on canvas on board 500 x 800 Dated 2004 verso Estimate $800 - 1,200
Provenance: Te Manawa, Palmerston North Exhibited: Te Tataitanga Matatu An Exhibition of Year One Toioho Ki Apiti Postgraduate Candidates Te Manawa, Palmerston North 2004
96
107
Mike Weston b. 1963 & Otis Frizzell b. 1971 Celebrity War Porn Archival Ink jet pigment print, edition of 180, 330 x 630 Signed, inscribed & dated 2004 Estimate $500 - 800 Provenance: Williams Gallery, Petone
108
Michel Tuffery b. 1966
Manhattan to Kaiwharawhara Oil on metal 90 x 490 Signed & dated 2004 Inscribed verso Estimate $800 - 1,200
Provenance: Williams Gallery, Petone
109
Andrea Du Chatenier b. 1958 Autopsy series: Body 2005 Mixed media sculpture 1200 x 400 variable Estimate $800 - 1,200
Provenance: Seed Gallery 2007 Exhibited: Chain of Being Hastings City Art Gallery 2 December - 6 February 2012 Andrea Du Chatenier received a runner-up award in the 2007 Wallace Art Awards. That same year James Robinson was the winner. 109 97
110
Cliff Whiting b. 1936 Hatupatu and the Death of Kurangaituku Lino print, edition 4/40 400 x 300 Signed, inscribed & dated 2007 Estimate $300 - 500
Provenance: Homeprint, Fielding
111
Aleksandra Petrovik b. 1985 112
Untitled Watercolour 500 x 400 Signed Estimate $400 - 600
Aleksandra Petrovik b. 1985 Siamese Mannequin, 2007 Watercolour 250 x 200 Signed Estimate $200 - 300
Provenance: Provenance: Sanderson Contemporary Art, Sanderson Contemporary Art, Auckland Auckland
113 John Pule b. 1962 Sun Etching and woodblock on Velin Arches paper, edition 18/30, 145 x 85 Signed, inscribed & dated 2007 Estimate $300 - 500
114 John Pule b. 1962 Days Etching and woodblock on Velin Arches paper, edition 18/30, 145 x 85 Signed, inscribed & dated 2007 Estimate $300 - 500
115 John Pule b. 1962 Ascend Etching and woodblock on Velin Arches paper, edition 18/30, 145 x 85 Signed, inscribed & dated 2007 Estimate $300 - 500
Provenance: Provenance: Provenance: Papergraphica, Christchurch Papergraphica, Christchurch Papergraphica, Christchurch
99
116
Gareth Watkins b. 1958 Torso 2010, The Death of Abel 2010, Angel Wings (Plastic) Three photographs 455 x 300 Inscribed & dated 2010 verso Estimate $300 - 500
116
117
James Robinson b. 1972 120 Gregor Kregor b. 1972 Black and White on paper, Sheep Mixed media, ink, oil & Glazed ceramic 230 x 390 thread 180 x 120 Signed Signed, inscribed & dated 2003 Estimate $300 - 500 Estimate $300 - 500 Provenance: 118 James Robinson b. 1972 Bowen Galleries, Untitled Wellington Mixed media on canvas 150 x 150 121 John Roy Signed & dated 2007 Fallen 2003 Estimate $200 - 400 Unique bronze 120 x 150 119 Kat Weir Estimate $200 - 300 Double the Fun Watercolour 120 x 200 Provenance: Inscribed Mary Newton Gallery, Estimate $300 - 400 Wellington
Provenance: Bartley Nees Gallery Exhibited: Freshfaced Bartley Nees Gallery 28 February-25 March 2006
100
122 Cliff Whiting b. 1936 Tawhirimatua Lithograph, edition 4/100 110 x 100 Signed & inscribed Estimate $150 - 250 123
Rachael Garland
A Time, to Every Purpose. Lithograph, edition 7/15 130 x 320 Signed, inscribed & dated 2003 Estimate $80 - 120
124
James Robinson b. 1972 Input Integrating Mixed media, ink, thread & collage 180 x 120 Signed, inscribed & dated 2007 verso
Estimate $300 - 500
119
122
123
117 120
118
121
124
101
125
Michel Tuffery b. 1966
126
Owen Leong b. 1966 Second Skin, Milk Ring Digital video on CD
Tangaroa Harakeke up the Whanganui River Woodblock on embossed Pescia paper, edition 3/22 75 x 28 Signed, inscribed & dated 2008 Estimate $300 - 500
Estimate $800 - 1,200
127 James K Low b. 1988 Broom of Doom, Don’t Cry Death Defy series, 2008 Photographic print 920 x 770 Dated 2008 -2011
Estimate $800 - 1,200
Provenance: McNamara Gallery, Wanganui Illustrated: Cover, Artzone #34 April - July 2010
128
125
Pauline Thompson 1942 - 2012 The Welcome Swallow & Maiariki 2003 A Pair Oil on card 550 x 550 Signed & dated 2003 Estimate $150 - 250
128
129 126
128
Rick Rudd
Teapots (3) Estimate $400 - 600
Exhibited: Rick Rudd’s Orange Crush 2012 Rayner Brothers, Wanganui 129
130
Matthew Couper b. 1976
Estimate $400 - 600
127
Répondez S’il Vous Plaît Oil on metal 200 x 230 Signed & dated 2007
Provenance: Janne Land Gallery, Wellington 130
103
131
131
132
Jermaine Reihana
He Manu Triptych Oil on canvas 1000 x 1500 Signed & dated 2011 verso Estimate $800 - 1,200
Provenance: Thermostat Gallery, Palmerston North Exhibited: DISAMBIGUATION new paintings by David Pearce and Jermaine Reihana, Thermostat Gallery. Palmerston North 8 - 28 April, 2011
104
132
Rangi Kipa
Hei Tiki 2005 Corian, plastic 70 x 40 Estimate $250 - 350
133
Rudyard Yap
Estimate $250 - 350 (Not illustrated)
Anne of Cleves, Catherine Howard, Jane Seymour, Catherine of Aragon, Anne Boleyn, Catherine Part The Tudors Seus Six photographs 195 x 290
134
Glenn Skipper
Manaia Bronze sculpture 470 x 300 Signed & dated 2002 Estimate $600 - 1,000 Provenance: Thermostat Gallery, Palmerston North
135
Vanessa Wairata Edwards
Karanga mai ra.... Print & ink on woven paper edition 8/20 200 x 200 Signed & dated 2003 Estimate $150 - 250
Provenance: Purchased directly from the artist
134
Exhibited: Our Place, Central Print Council Exhibition, Te Manawa, Palmerston North, 5 June - 12 September 2004
136
Geoffrey Heath
Blue Monday 2005 C-Type colour photograph, edition of 3, 300 x 370 Signed verso Estimate $400 - 600 (Not illustrated) 135
105
Lot 16 Israel Birch 106
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Barry Pilcher Collection 6:30pm 27 May 2015
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Index ANDREW J..............................................19
HURLEY G................................................41
REIHANA J............................................131
BAKER E.................................................105
IN THE SKY J ...........................................99
ROBINSON J................... 74, 117, 118, 124
BARNS-GRAHAM A................................90
KAAN S....................................................64
ROY J....................................................121
BARR L.....................................................87
KAHUKIWA R.....................................71, 72
RUDD R.................................................129
BIRCH I T............................................16, 52
KIPA R....................................................132
SCHMIDT J............................................102
BROWN N...............................................56
KREGAR G............................................120
SIDDELL S................................................54
BUSH K.......................................................1
LEE HYE R..........................................78, 79
SKIPPER G.............................................134
CAUCHI B...............................................21
LEEK S......................................................40
STRAKA H....................................18, 20, 22
CHONG L.............................................101
LELEISI’UAO A...................................44, 91
STRATTON T.............................................73
COTTON S.........................................43, 53
LEONG O..............................................126
TAEPA K.................................................106
COUPER M............................................130
LOWE JAMES K.....................................127
TARATOA K................................................4
CURTIS M.................................................58
MASEYK P.................................................9
THOMPSON P.....................29, 30, 92, 128
DE LAUTOUR T...................................33, 76
MAUGHAN K............................................7
TIUKA K....................................................85
DEMANT R..............................................89
MAW L.....................................................63
TUFFERY M ........................93, 94, 108, 125
DIBBLE P......................................45, 46, 47
MCLEAN J...............................................66
VAKA’UTA L.............................................86
DU CHATENIER A............................36, 109
MCLEOD A.......................................34, 35
WALSH J..................................................51
DUCKOR-JONES S..................................57
MCLEOD R..............................................97
WATKINS G............................................116
EDWARDS VANESSA W........................135
MILLAR J.......................................8, 10, 28
WATSON H................................................5
FERGUSON I............................................83
MITCHELL S................................................2
WEALLEANS R.........................................48
FEU’U F....................................................55
NISHIDA R................................................84
WEBB B..................................................104
FFRENCH DI............................................98
OLSEN M.................................................88
WEIR K...................................................119
FRIZZELL O & WESTON M.....................107
ORJIS R............................................39, 103
WELCH S M.............................................59
GARLAND R..........................................123
OXBOROUGH J................................38, 68
WESTRA A.........................................69, 70
GOSSAGE S............................................61
PANKHURST A.........................................49
WHEELER P........................................95, 96
HAMMOND B.........................................50
PARDINGTON F.......................................17
WHITING C....................................110, 122
HAN YOUNG S......................80, 81, 82, 65
PATERSON R......................................13, 60
WILKINSON B..........................................37
HANDLEY W............................................27
PETROVIC A..................................111, 112
WOODS K...............................................31
HARRISON ML...........................................3
PICK S................................................14, 15
YAP R.....................................................133
HEATH G...............................................136
PULE J....................................113, 114, 115
YOULE W..............................67, 75, 77, 100
HEMER A...........................................11, 12
PUSATERI J..............................................32
YUL OH S...........................................23, 42
HUGHES S ...............................6, 24, 25, 26
RAYNER M...............................................62
Lot 72 Robyn Kahukiwa
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