50 Debates

Page 17

icy were getting too angry and

ist without cigarette smoke,” a

emotional,” the chairman of the

panelist for the motion, Roger

Rosenkranz Foundation, Robert

Kimball, said. “But Hollywood

Rosenkranz, said. ■ The debate

tends to make the malignancy

series should “expose people

worse.” ■ Mr. Kimball, an editor

America was part of a new live

to both sides of an argument

and publisher of the New Crite-

debate series called Intelligence

and foster greater respect for

rion, said Hollywood films foster

Squared, which is funded by the

the opposing view,” Mr. Rosen-

a view of America as “a decadent

Rosenkranz

The

kranz said. ■ Debaters have in-

society in love with nihilism.”

debate series is seeking to trade

cluded columnist Christopher

■ Speaking against the motion,

In a packed auditorium at the

punditry for dialogue, accord-

Hitchens, the editor of the Par-

a screen writer, Richard Wal-

Asia Society and Museum ear-

ing to the executive producer,

is Review, Philip Gourevitch,

ter, said Hollywood films “show

lier this month, a panel of distin-

Dana Wolfe. The series caters

and the Israeli ambassador

that we’re an open society.” The

guished scholars, editors, and

to an intellectual audience ea-

to the United Nations, Daniel

violence and sex in such films

filmmakers debated the motion:

ger for more than sound bites

Ayalon.■ ■ At the Hollywood de-

“was not invented by 11 Jews

“Hollywood fuels anti-American-

on political and social issues of

bate, witty and convincing ar-

at Paramount Studios a couple

ism abroad.” The hour-and-a-half

international concern. ■ “Media

guments were greeted with

of weeks ago.” ■ Before the de-

conversation about whether the

was getting too partisan, Con-

laughter and applause from the

bate, a majority of the audience

film industry or the war in Iraq

gress was getting too bitter and

audience. “Anti-Americanism

said they favored the motion

was more to blame for grow-

rancorous — even ordinary social

abroad would exist without Hol-

or were undecided; afterward,

ing international ill-will toward

conversations about public pol-

lywood, just as cancer would ex-

59% voted against the motion.

New Debate Series Addresses Pressing Questions of the Day

by a n n i e ka r n i , ja n ua ry 2 , 2007

Foundation.

“Media was getting too partisan, Congress was getting too bitter and rancorous — even ordinary social conversations about public policy were getting too angry and emotional.” – Robert Rosenkranz ■ Debate topics in the series range from whether America should tolerate a nuclear Iran to whether freedom of expression includes the right to offend. The debates have not been advertised, Mr. Rosenkranz said. Instead, he is sending out invitations to leading journalists, investment bankers, public policy scholars, and political donors. ■ “The idea is that the quality of the questions would be higher, and the evenings would have not only an intellectual dimension,

but also a social dimension,”

Ms. Spiers only criticism was of

prise Institute, Joshua Murav-

Mr. Rosenkranz said. ■ “I think

the format. “I think they let the

chik, said after participating in

the format causes the audience

panelists talk too long,” she said.

the Hollywood debate. ■ Intelli-

to focus much more intensely

■ The form is traditional, Oxford-

gence Square members who pay

than it would if it was just a lec-

debate style: one side of three

a minimum of $10,000 for the se-

ture on the same subject,” the

speakers proposes a motion and

ries are invited to dine with the

chief investment strategist for

another side of three speakers

panelists after the debates. Indi-

the hedge fund Pequot Capital,

opposes the motion. An impar-

vidual tickets are also available

Byron Wien, said. “There was

tial moderator presides over the

for $40 a debate.

an element of competition and

debate, and the audience, which

excitement about it.” ■ “The au-

votes before and after the de-

dience was very engaged, physi-

bate, decides the winner by its

cally responding to the debate,”

final vote. ■ “I came away with a

the publisher of Dead Horse

good feeling about the exercise,”

Media, Elizabeth Spiers, said.

a scholar at the American EnterFALL 2006 15


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