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THE VILL AGE F L O W E R P O T BY V E R N E R PA N T O N T O PA N BY V E R N E R PA N T O N P A L E T T E D E S K B Y J A I M E H AY O N P A S S E P A R T O U T B Y J A I M E H AY O N T H E M O O R B Y A L L T H E W AY T O P A R I S B E L L E V U E L A M P BY A R N E J A C O B S E N
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W E CO N N E C T W I T H T H E O L D M A S T E R S W H I L E G I V I N G S PAC E TO N E W D E S I G N E R S TO D E F I N E F U T U R E C L A S S I C S . WE SEE A KINSHIP BET WEEN THE OLD MASTERS W H O W E R E AVA N T- G A R D E I N T H E I R T I M E A N D D E S I G N E R S O F TO DAY C R E AT I N G T H E G R O U N D - B R E A K I N G I CO N S O F TO M O R R OW.
THE DESIGNERS
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A L L T H E WAY TO PA R I S A R N E J ACO B S E N BENJAMIN HUBERT FLEMMING LASSEN J A I M E H AYO N JØRN UTZON L E X P OT T LU C A N I C H E T TO MIA HAMBORG NORM ARCHITECTS ONTWERPDUO SAMI KALLIO SAMUEL WILKINSON SOFIE REFER S PAC E CO P E N H AG E N STUDIO VIT V E R N E R PA N TO N V I C TO R V E T T E R L E I N
7 I N B E T W E E N S K 6 , I N B E T W E E N S K 1 , B LOW N S W 3
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THE VILLAGE T H E S H OW R O O M B Y & T R A D I T I O N I S C R E AT E D A S A CO N T E M P O R A R Y S M A L L S C A L E V E R S I O N O F A M O N O C H R O M E A N D H A R M O N I O U S V I L L AG E S T R U C T U R E I N S I D E A B I G WA R E H O U S E .
The idea is to make the structure balance between a coherent minimalist spatial art installation - drawing on inspiration from works of artists and architects such as Donald Judd, Richard Serra and Peter Eisenman, combined with classic architectural elements
redecorated and rearranged to inspire our clients to see and choose materials for their
island was off-limits to the public as this was where the Procurement Association of the
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of central Copenhagen’s last industrial areas fell into the hands of developers, turning it into a vibrant district with space for cultural initiatives and creative businesses,
EMBLEMATIC OF AN ERA Two semi-circular spheres in vivid colours formed the basis of a series of lamps that epitomised an entire became an endearing icon of the
design with no discernible legs, it earned him accolades as a daring in one of the most famous futuristic -
avant-garde designers from Denmark’s stable of Modernism masters enfant terrible, Panton took a dramatic departure from his contemporaries to create a riveting design
He explored the impact of design his insights as an architect, Panton developed living spaces fusing
“Flower Power� was the slogan for the peace and love movement
into immersive ambient experien-
tablishment, eager to embrace
Unconventional curvaceous seating
time, there was an intense focus on the race into outer space, where designers where put to the task of
Including the FlowerPots - in an ar-
designer keen on challenging the
on to design similar such interiors saturated with colours, shapes and patterns for the Astoria Hotel in Trondheim, the Spiegel Publishing
from the strict design dictates of
the Circus Building in Copenhagen,
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and straight lines, Panton was a bited at Visiona 2 for the Cologne Sculptural shapes, vibrant colours, mesmerising patterns and immerThe enticing new colours launched -
of the FlowerPot lamps into a con-
tic - a novel, controversial material at the time, Panton experimented work continues to resonate with a This led to the development of his
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F LOW E R P OT V P 1
Verner Panton remains one of the most radical Danish designers of all time, given F LOW E R P OT V P 1
FLOWERPOT & T R A D I T I O N I S P L E A S E D TO A N N O U N C E T H E L AU N C H O F T H E I CO N I C F LOW E R P OT L A M P S I N CO N T E M P O R A R Y N E W CO LO U R S . BY
V E R N E R PA N TO N
The lamp’s simple design consisting of two semi-circle spheres facing
on his belief that choosing colours should be a conscious decision
new shapes, colours and materials in design concepts that looked -
Excellent as singular decorative accents or grouped together in clusters,
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15 F LOW E R P OT V P 3 , F LY TA B L E S C 4 , T R U E CO LO U R S L P 3 , L P 4 , L P 6
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F LY TA B L E S C 5
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M AYO R S O FA A J 5 , F LOW E R P OT V P 1 , PA L E T T E J H 7
F LOW E R P OT V P 1
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F LOW E R P OT V P 1
Verner Panton remains one of the most radical Danish designers of all time, given TO PA N V P 6
TOPAN -
& T R A D I T I O N I S P L E A S E D TO A N N O U N C E T H E L AU N C H O F T H E TO PA N L A M P B Y V E R N E R PA N TO N I N N E W M O D E R N CO LO U R S . BY
V E R N E R PA N TO N
Even before the Pop Art Movement gained momentum, Verner Panton
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elements that comprised Panton’s immersive approach to designing
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23 F LY C H A I R S C 1
TO PA N V P 6
C LO U D T H R E E S E AT E R L N 3
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F O R M A K A M I J H 4 – J H 5 , A N OT H E R R U G A P 1 - A P 3
PA L E T T E D E S K J H 9
PALETTE D ESK as ceramics, shoes and timepieces.
& T R A D I T I O N L AU N C H E S T H E PA L E T T E D E S K . A S E R I E S O F T H R E E , D O U B L E -T I E R E D D E S K S F E AT U R I N G A M I X O F M A R B L E , S TA I N E D A S H V E N E E R O R S AT I N P O L I S H E D B R A S S . BY
J A I M E H AYO N
mation to a new series of desks which partner two different shapes
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An elongated bean shape and a small round shape are the two different elements appearing in various colours and materials which converge -
B E L L E V U E A J 3 , PA L E T T E D E S K J H 9 , C ATC H C H A I R J H 2 , T R U E CO LO U R S L P 6
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F O R M A K A M I J H 3 - J H 5 , S H U F F L E TA B L E M H 1 , THE MOOR AP6
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30 FORMAKAMI JH3-JH5
PA L E T T E J H 7
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M AYO R S O FA A J 5 , PA L E T T E J H 7 , T H E M O O R A P 7 , FORMAKAMI JH3
PASSEPARTOU T as ceramics, shoes and timepieces.
& T R A D I T I O N L AU N C H E S PA S S E PA RTO U T L A M P S I N T H R E E D I F F E R E N T CO LO U R S A N D S H A P E S . BY
J A I M E H AYO N
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Place the Passepartout Lamps on the wall or ceiling, in the living room
designed to provide illumination that’s soft and soothing, emitting a light
Passepartout Lamps, we have combined decorative and technical light-
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PA S S E PA R TO U T J H 1 0 - J H 1 2
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PA S S E PA R TO U T J H 1 0 - J H 1 2 , C ATC H C H A I R J H 2
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B E L L E V U E A J 3 , PA L E T T E D E S K J H 9 , T R U E CO LO U R S L P 2 , C ATC H C H A I R J H 2
39 THE MOOR AP5-AP8
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THE MOOR AP8
an international team of eight designers,
THE MOOR & T R A D I T I O N L AU N C H E S T H E M O O R R U G S , A S E CO N D S E R I E S O F R U G S . BY
A L L T H E WAY TO PA R I S
shape and depth of colour – not patterns,” explain founders and Partners
scale disappears and the effect is a subtle glistening cluster of gem-
-
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ATWTP have brought the past back to the present,” adds founder of
43 C LO U D T WO S E AT E R L N 2 , T H E M O O R A P 6 , M A R B L E L I G H T S V 7 , PA L E T T E J H 6 , T R U E CO LO U R S L P 5
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45 MARBLE LIGHT SV7
MARBLE LIGHT SV6
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A LAMP WITH A LEGACY With its swan neck and slim, curvaceous silhouette, the Bellevue Lamp
A man considered one of the most
The Bellevue Theatre went on to become another cherished icon of
who was instrumental in putting
as a pivotal point in his career and
kind in the world where the roof retracts, so that summer performance can be experienced outside – to become part of the theatre-going
Flemming Lassen’s “House of the experts view as a functionalist house built with a helicopter landing pad on the roof and a garage Mushroom,” Jacobsen designed the top to be elliptical and illuminated or tube for receiving mail and a
guing oval silhouette, designed to
At the time, Jacobsen’s designs for Bellevue were seen as “the dream brought Jacobsen recognition as a name worth knowing, and the chance to design a seaside resort in
come as no surprise that his beautiful Bellevue Lamp is akin to a
Thus began Jacobsen’s numerous the Bellevue Lamp has a future that with the Bellevue Beach, where he blue-striped lifeguard towers to the changing room cabins and
be an all-encompassing endeavour,
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BELLEVUE AJ2
streamlined designs. Highlights from his BELLEVUE AJ3
BELLEVUE LAMP & T R A D I T I O N I S P L E A S E D TO A N N O U N C E T H E I CO N I C B E L L E V U E L A M P B Y A R N E J ACO B S E N P R O D U C E D I N I T S O R I G I N A L S H A P E S , L AU NCHED I N F O U R CO N T E MP O R ARY CO LO U R S . BY
A R N E J ACO B S E N
The Bellevue Lamp is one of the signature pieces from Danish design
concepts, mirroring the tubular steel seen in modernist designs that
As a tribute to Jacobsen, the Bellevue Lamp revisits its roots – with a
captures the essence of elegance, with nothing to add and nothing to
Bellevue Lamp is ideal for brightening up a dark corner of a room, as a
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which marks one of Jacobsen’s earliest architectural accomplishments,
BELLEVUE AJ2
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C LO U D O N E S E AT E R L N 1 , B E L L E V U E A J 4
T R U E CO LO U R S L P 2
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PA L E T T E J H 8
CO P E N H AG E N P E N DA N T S C 6
M AYO R S O FA BY
AJ5
CLOUD T W O S E AT E R BY
LN2
L U CA N I C H E T T O
Materials Materials
Stock items
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Stock items
CLOUD T H R E E S E AT E R BY
L U CA N I C H E T T O
LN3
CLOUD T H R E E S E AT E R BY
L U CA N I C H E T T O
LN3.2
CLOUD O N E S E AT E R BY
CLOUD POUF LN1
BY
LN4
L U CA N I C H E T T O
L U CA N I C H E T T O Materials
Materials
Materials
Materials
Stock items Stock items
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Stock items
BY
SC1
S PA C E C O P E N H A G E N
F LY S O FA BY
SC2
S PA C E C O P E N H A G E N
F LY S O FA BY
SC3
S PA C E C O P E N H A G E N
F LY P O U F BY
Materials
Materials
Materials
Materials
Stock items
Stock items
Stock items
Stock items
SC9
S PA C E C O P E N H A G E N
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F LY C H A I R
F LY TA B L E BY
Materials
SC4
F LY TA B L E
S PA C E C O P E N H A G E N
BY
Materials
SC5
S PA C E C O P E N H A G E N
CAT C H C H A I R BY
Materials
J A I M E H AYO N
JH1
CAT C H C H A I R BY
JH2
J A I M E H AYO N
Materials
Colours Colours
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Stock items
IN BETWEEN BY
SAMI KALLIO
S K1
IN BETWEEN BY
Materials
Materials
Colours
Stock items
SK2
IN BETWEEN
SAMI KALLIO
BY
Materials
SK3 & SK4
IN BETWEEN
SAMI KALLIO
BY
S K 5 & S K6
SAMI KALLIO
Materials
Colours
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Colours
N A TA B L E
NA2
H O O F TA B L E
BY
Materials
BY
SW1
H O O F TA B L E
SAMUEL WILKINSON
BY
Materials
Materials
Colours
Colours
SW2
S H U F F L E TA B L E
MH1
M I A H A M B O RG BL A C K E D I T I O N B Y P E T E R H A G E N
SAMUEL WILKINSON
BY
Materials
Colours
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Colours
BY
Materials
JH6
J A I M E H AYO N
PA L E T T E BY
Materials
JH7
J A I M E H AYO N
PA L E T T E BY
Materials
JH8
J A I M E H AYO N
PA L E T T E D E S K BY
JH9
J A I M E H AYO N
Materials
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PA L E T T E
THE MOOR BY
Materials
AP5 & AP7
THE MOOR
A L L T H E WAY T O PA R I S
BY
AP6
THE MOOR
A L L T H E WAY T O PA R I S
BY
Materials
Materials
Colours
Colours
AP8
A N OT H E R R U G
A L L T H E WAY T O PA R I S
BY
A P 1 – A P4
A L L T H E WAY T O PA R I S
Materials
Colours
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Colours
N A S TO O L & BA R S TO O L
TRUE COLOURS NA3 & NA4 BY
L E X POT T
LP1 – LP7
LIGHT FOREST BY
ONTWERPDUO
OD1
LIGHT FOREST BY
OD2
ONTWERPDUO
BY
Vases Materials
Materials
Materials
Materials Colours Light source
Colours Light source
Colours
80
80
200
200
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Colours
BY
STUDIO VIT
SV1
MARBLE LIGHT BY
STUDIO VIT
Pendant
SV2
MARBLE LIGHT BY
STUDIO VIT
Pendant
SV3
MARBLE LIGHT BY
Pendant
Materials
Materials
Materials
Light source
Light source
Light source
Light source
200
class: D.
200
STUDIO VIT
Pendant
Materials
class: D.
class: D.
200
S V4
class: D.
200
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MARBLE LIGHT
MARBLE LIGHT BY
STUDIO VIT
SV5
MARBLE LIGHT BY
STUDIO VIT
S V6
MARBLE LIGHT BY
SV7
BLOWN
STUDIO VIT
BY
SAMUEL WILKINSON
Pendant Materials
SW3
Pendant Materials
Materials Materials Colours
Light source
Light source
Light source Light source
class: D.
class: D.
80
200
40
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75
200
PA S S E PA R TO U T BY
J H 10
PA S S E PA R TO U T
J A I M E H AYO N
BY
J H 11
PA S S E PA R TO U T
J A I M E H AYO N
BY
Materials
Materials
Materials
Colours
Colours
Colours
Light source
Light source
Light source
J H 12
MILK
J A I M E H AYO N
N A1
BY
Materials
Colours
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Light source
FORMAKAMI BY
J A I M E H AYO N
JH3
FORMAKAMI BY
J A I M E H AYO N
Pendant Materials
JH4
FORMAKAMI BY
Pendant Materials
J A I M E H AYO N
JH5
A R R AY
J K1
S O F I E R E F E R , J A KO B S TA E R A N D J E S P E R KO N G S H A U G
BY
Pendant Materials Materials
Colours Light source
Colours Light source
Colours Light source Light source
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-8
BELLEVUE FLOOR BY
AJ7
B E L L E V U E TA B L E
A R N E J ACO B S E N
BY
A R N E J ACO B S E N
AJ8
B E L L E V U E WA L L BY
A R N E J ACO B S E N
AJ9
TO PA N BY
V E R N E R PA N T O N
Wall lamp Materials
Materials
Materials
VP6
Pendant Materials Colours Light source
Colours
Colours
Light source
Light source
Light source
80
80
80
200
200
200
40
80
81
80
F L O W E R P OT BY
V E R N E R PA N T O N
VP1
F L O W E R P OT BY
V E R N E R PA N T O N
Pendant
VP2
F L O W E R P OT BY
VP3
F L O W E R P OT
V E R N E R PA N T O N
BY
V E R N E R PA N T O N
Pendant
Materials
Materials
Colours
Colours Light source
V P4
Pendant Materials Cord Dimensions Colours
Materials Colours Light source
Light source Light source
80
80
82
83
200
MASS LIGHT BY
NA5
MASS LIGHT
NA6
ICE CHANDELIER
S R 6 – S R 10
UTZON LAMP BY
SOFIE REFER 2006
BY
BY
J Ø R N U TZ O N
Pendant Materials
JU1
Pendant Materials
Materials
Materials Colours
Light source Lamps included
Light Source
Colours
Light source
Light source
40
40
20
20
84
85
80
C O P E N H AG E N P E N DA N T S C 6 BY
S PA C E C O P E N H A G E N
C O P E N H AG E N P E N DA N T S C 7 BY
S PA C E C O P E N H A G E N
Pendant
C O P E N H AG E N P E N DA N T S C 8 BY
Pendant
Materials
Materials
Colours
Colours Light source
Colours Light source
BY
V V1
V I CT O R V E T T E R L E I N
S PA C E C O P E N H A G E N
Pendant
Materials
TRASH ME
Materials
Cord Colours
Light source
40 80
80
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80
SPINNING LIGHT BY
B E N J A M I N H U B E RT
BH1
SPINNING LIGHT BY
BH2
BULB BY
B E N J A M I N H U B E RT
Pendant Materials
Colours Light source
Colours Light source
MEGA BULB
SOFIE REFER
Pendant
Materials
SR1
SOFIE REFER 2006 BY
Pendant Materials
Pendant Materials
porcelain lamp holder. Colours
SR2
porcelain lamp holder. Colours
Light source
Light source
80
200
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200
C O N C E P T A N D C R E AT I V E D I R E CT I O N P H OTO G RA P H Y S TY L I N G A RT I C L E S Julie Ralphs P R I N T E D AT
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#andtradition
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