The beginning of a very long journey Nine-year-old shows all the markings of a dance prodigy

testing her technique and stamina. ‘Swami Naan UndhanAdimai’ was also Sagarika’sfavourite. “I liked it because the lyrics were touching but also because it is based on the Lord of Dance, Shiva. I got a chance to portray so many characters and also become the storyteller. I loved the as I feel very energetic

Incorporating four elaborate sancharis, she began with story of Kannappa Naayanaar, who unquestioningly gouges his own eyes as a token of supreme sacrifice. This was followed by a tribute to Ardhanaareeshwara, incorporating Prakriti and . Markandeya and his tryst with destiny came next. Sagarika thereafter explored the tale of Nandanar, Dalit saint

Gopalakrishna Bharathi’s ‘Thaa Thai Endru Aaduvaar’ celebrated the cosmic attributes of Lord Nataraja while illustrating her mastery over postures and body control. The best however, was yet to come.

Showing no signs of fatigue or stage weariness, Sagarika narrated at length some of the finest moments from Ramayana, with the nattuvangam putting her through complex jathis. The standout ‘Pibare Raamarasam’ examined the beautiful sacrifice of Jataayu Moksham. The image of Jatayu flapping his wings valiantly in defence of Seeta till he drew his last breath in the lap of Rama was etched in our memories. Frame after frame unfolded through subtle emoting and complex footwork. “I loved playing Jatayu and Raavana as both characters are so powerful,” Sagarika recounted.

‘Bhaje Mrudang’, the peppy Abhang, added variety to the tableau in a joyous celebration of life. The rich layering of thillaana in ‘Nalinakanthi’, specially composed for the occasion was clearly intended to challenge her, closing with beautiful saahithyam. Sagarika concluded the evening with ‘Mahalakshmi Ashtotram Namastestu Mahaamaayee’.

As the curtains came down on a stellar performance, proud parents Manjula and Venkat Parthasarathy were clearly overwhelmed by emotion. “This is only the beginning of a very long journey. She has set high standards for herself and we will support her in every possible way,” they reiterated.

Dance has given Sagarika early lessons in the fine art of multitasking. “Initially, I found it hard to manage school work and dance classes. But I want to excel in both, so I have learnt how to time manage,” she said. “Since I have my OC exam coming up, I can practice for it with more time and study without sweat dripping on my page.”

International performances will continue as Sagarika heads to China in July, Malaysia in December as well as Bangalore and Chennai in January for the kacheri season.