of opposites attract A case

Film: Pappu Can’t Dance Saala

Starring: Vinay Pathak, Neha Dhupia, Rajat Kapoor

Director: Saurabh Shukla

You might think, with a title like that, that ‘Pappu’ is the proverbial idiot in this film. You would be wrong! Nor is the movie about Pappu’s dancing capabilities. Instead, Pappu Can’t Dance Saala is a simple film that captures the essence of Mumbai and the struggle of outsiders who come here “to make it big in the city”.

Made on a shoe-string budget, the film is about an odd twosome who experience several odd situations that eventually get evened out and they discover they have fallen in love with each other. So sweetly predictable!

In a government residential complex in Mumbai, Vidyadhar Acharya (Vinay Pathak), a simpleton from Benaras with humanitarian and middle class values is working as a medical rep. His neighbour Mehak (Neha Dhupia) is an overtly ambitious, brazen street-smart dancer. He is a conscientious and morally bound citizen. She is fun-loving, bohemian and an opportunist. They can’t see eye-to-eye simply because of their conflicting lifestyles.

Vidyadhar, forever cribbing, has a problem with everything in Mumbai, whereas Mehak is the proverbial Mumbaikar with a chalta hai attitude. She forcefully shifts into his pad when thrown out of her rented apartment. The film is filled with simple sweet messages to be taken in the right spirit.

Neha Dhupia’s portrayal of Mehak is convincing and the highlight of the film. Her taut body and reflexive steps to match is a frontbencher’s delight. Vinay Shukla is typecast and offers nothing extraordinary. She flaunts, he hums.

Rajat Kapoor as the choreographer-cummusic video director with mysterious charm and subtlety keeps the audiences hooked. Naseeruddin Shah in a two-scene role as Vidyadhar’s father mesmerises. He literally steals the thunder from the hero in the river bank scene where he reveals to his son in a powerful dialogue: “It is destined that the banks of the river can never meet but when man decides they should meet, he builds a bridge,” only to make his son realise that if moves with ease. The second half, slow yet lively with a predictable goal, gets a bit boring.

Given the production values, Longinus Fernandes’ choreography is worth a mention. The dialogues are good, witty and above average. The storyline, simple and straight from the heart, is a bit of a setback coming from the brilliant writer director Saurabh Shukla. His third project as a director and his graph seems to stagnate. Overall, the film is of mediocre production value with several cinematic liberties and is made with a sincere effort. It is worth a watch if you are looking to learn life’s lessons, simply.