November 2012 Northern California Edition by India Currents

The Story of Brown Girl Surf

Finding Youth in a Retirement Home

Oh Brother

IndiaCurrents Celebrating 26 Years of Excellence

november 2012 â&#x20AC;˘ vol. 26, no .8 â&#x20AC;˘ www.indiacurrents.com

South Asian fashion designers are making their mark on the global scene. A few of them, like Prabal Gurung and Bibhu Mohapatra, are emerging wildly successful. Is the East transforming fashion and style in the West?

“Sweet are the Uses of Adversity” IC Celebrates 25 years facebook.com/IndiaCurrents twitter.com/IndiaCurrents 1885 Lundy Ave, Suite 220, San Jose, CA 95131 Phone: (408) 324-0488 (714) 523-8788 Fax: (408) 324-0477 Email: info@indiacurrents.com www.indiacurrents.com Publisher & Editor: Vandana Kumar publisher@indiacurrents.com (408) 324-0488 x 225 Advertising Manager: Derek Nunes ads@indiacurrents.com Northern California: (408) 324-0488 x 222 Southern California: (714) 523-8788 x 222 Marketing Associate: Raj Singh marketing@indiacurrents.com (408) 324-0488 x221 Graphic Designer: Nghia Vuong EDITORIAL BOARD Managing Editor: Jaya Padmanabhan editor@indiacurrents.com (408) 324-0488 x 226 Events Editor: Mona Shah events@indiacurrents.com (408) 324-0488 x 224 COLUMNISTS Dear Doctor: Alzak Amlani Films: Aniruddh Chawda Forum: Rameysh Ramdas On Inglish: Kalpana Mohan The Last Word: Sarita Sarvate Uncubed: Krishna Sadasivam Zeitgeist: Ragini Tharoor Srinivasan Contributors: Jasbina Ahluwalia, Teresa Bergen, Indu Liladhar-Hathi, Farhana Huq, Praba Iyer, Geetika Pathania Jain, Kanniks Kannikeswaran, Shivam Khullar, Melanie Kumar, Lakshmi Mani, Ritu Marwah, Riz Mathani, Ranjani Mohanty, Rajesh Oza, Sujatha Ramprasad, Mani Subramani, Shashank Shekhar Cover Design: Nghia Vuong. Cover Image: Masaba Collections INDIA CURRENTS® (ISSN 0896-095X) is published monthly (except Dec/Jan, which is a combined issue) for $19.95 per year by India Currents, 1885 Lundy Ave., Ste 220, San Jose, CA 95131. Periodicals postage paid at San Jose, CA, and at additional mailing offices. POSTMASTER: Send address changes to INDIA CURRENTS, 1885 LUNDY AVE, STE. 220, SAN JOSE, CA 95131 Information provided is accurate as of the date of going to press; India Currents is not responsible for errors or omissions. Opinions expressed are those of individual authors. Advertising copy, logos, and artwork are the sole responsibility of individual advertisers, not of India Currents.

In Julie Otsuka’s historical novel, When the Emperor was Divine, a Japanese American Berkeley resident, in the process of returning a library book, sees a sign in a post office window, takes a few notes on the back of a bank receipt, goes home and begins to pack. In a few swiftly moving pages, she and her family are aboard a train to an internment camp. Otsuka’s novel is fictional, insofar as it contains fictional characters that she has textured into the arc of her plot; but the plot was constructed of America’s factual history. This is a story of immigrants rounded up and sent to barbed wire enclaves. It is a story of becoming the “other” within the narratives of our assimilation. The fortitude of the immigrant spirit is limitless. At every instance of estrangement, we often become stronger in our ability to withstand and endure. We come closer to others similarly marginalized. Every one of these damaged links in our society has the potential to become a stronger tie that knots silkily around our shared experiences. This was an acknowledged shameful episode in America’s history. Sadly, little is known or told about immigrant internment experiences in India. Chinese-Indian-American Berkeley resident Yin Marsh in her memoir, Doing Time with Nehru, relates how she and her family were “carted off like common criminals”

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in India during the India-China war, when ethnic Chinese were herded and dispatched to an internment camp in Rajasthan, while her neighbors looked on through their windows. In the camp, young Marsh and her brother forged friendships, learned strategies for survival and adjusted to their incarceration with youthful inventiveness. Each one of us has personal experiences of being excluded or alienated. It is that feeling of becoming a mere observer in the events that shape our own lives. It gives wings to the sense of inferiority that lies latent in us. It could be as simple as being excluded from a work meeting; benched at a basketball game; dropped from an invite list; or unchosen during a picka-partner session. But these very instances make us sit up, take stock, and reinvent ourselves. These are the ways that we begin to reorder our self-worth as individuals and as a community. I admire the tenacity we have to overcome our various mistreatments. It was Ernest Hemingway who once said, that “the world breaks everyone, and afterward, some are strong at the broken places.” We are the “some.”

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india currents • november 2012 • 1

2 â&#x20AC;˘ india currents â&#x20AC;˘ november 2012

Northern California Edition

Haute Stuff

Indian and South Asian designers and designs are making inroads into the western couture marketplace. By Ritu Soni Marwah

PERSPECTIVES FILMS A Review of Barfi!, English Vinglish and Raaz 3-D By Aniruddh Chawda

EDITORIAL: “Sweet Are the Uses of Adversity.” By Jaya Padmanabhan

FORUM: Should Obama Be Given a Second Term? By Rameysh Ramdas and Mani Subramani

ZEITGEIST: Oh Brother. By Ragini Tharoor Srinivasan

ANALYSIS: Obsessed with Numbers. By Riz Mathani

BOOKS: Reviews of Behind the Beautiful Forevers and Tulip Season: A Mitra Basu Mystery. By Raj Oza and Geetika Jain

BUSINESS: Lessons From the Trenches. By Shashank Shekhar

PERSPECTIVE: Intersections. By Ranjani Iyer Mohanty

ON INGLISH: A Maharani in the Next Avatar, Perhaps? By Kalpana Mohan

COMMENTARY Finding Youth in a Retirement Home By Lakshmi Mani

137 DESI VOICE: What’s in a Name? By Sujatha Ramprasad 144 THE LAST WORD BY SARITA SARVATE: Bye, Bye Politics.

IN FOCUS

LIFESTYLE 28

Q&A: Like Mother, Like Daughter. By Geetika Pathania Jain

The Story of Brown Girl Surf

RECIPES: The Miracle Tree. By Praba Iyer

By Farhana Huq

TRAVEL: Utah—A Tryst with Nature. By Shivam Khullar

RELATIONSHIP DIVA: A Compatible Travel Partner. By Jasbina Ahluwalia

MUSIC: The Western Music of Muthuswami Dikshitar. By Kanniks Kannikeswaran

FEATURE Building Bridges—A Panel Discussion

102 REFLECTIONS: The Corporatization of Gurudom. By Melanie P. Kumar

Photos from the India Currents event held on Oct 10, 2012

112 HEALTHY LIFE: The Yoga and Dance Connection. By Teresa Bergen

125 DEAR DOCTOR: Caretaker Dilemma. By Alzak Amlani

DEPARTMENTS 6 Voices 7 Popular Articles

WHAT’S CURRENT 32 Ask a Lawyer 33 Visa Dates

126 Classifieds 140 Uncubed

88 Cultural Calendar 103 Spiritual Calendar india currents • november 2012 • 3

4 â&#x20AC;˘ india currents â&#x20AC;˘ november 2012

Building Bridges On Oct 10, 2012, India Currents in collaboration with the Indian Diaspora Project spearheaded a panel discussion in response to the incidences of violence directed against our community members, the most recent being the killings at the Sikh gurdwara in Wisconsin. The primary objective of this discussion was to create, promote and render a thought-provoking civil discourse among members of our communities. These are some pictures from the event. Photos: Nghia Vuong

Panelists—Simran Kaur (Sikh Coalition), Ash Kalra (San Jose City Councilmember), Harmeet Dhillon (Chairwoman, San Francisco Republican Party), Dennis Akizuki (Mercury News), Raj Jayadev (SV De-Bug)

Ajit Singh, Baldev Krishan, Local Sikh leader, Vandana Kumar, Madan Ahluwalia, Nathan Ganeshan

Ash Kalra, SJ City Councilmember

Jaya Padmanabhan, Editor, India Currents

Vandana Kumar, Publisher, India Currents

Ajit Singh, Moderator, Partner, Artiman Ventures

Reverend Terry Gleeson, All Saints Episcopal Church, Palo Alto

Sharvari Dixit, Indian Diaspora Project

Vijay Rajvaidya, Vandana Kumar, Anand Kumar Jha (Consul, Community Affairs), Sharvari Dixit, Jaya Gautam

Vandana Kumar, Anand Kumar Jha (Consul, Community Affairs), Mike Coniff (Professor, SJSU)

Meenakshi Srinivasan, Teacher

Mike Murray, Community Leader

Panelists Harmeet Dhillon and Dennis Akizuki; Dinesh Ramde (AP Reporter) india currents • november 2012 • 5

voices

The Hidden Truth

The feature article on breast cancer by Ophira Ginsburg and Raywat Deonandan (India Currents, October 2012, Breast Cancer—The Hidden Epidemic) uses a host of statistics, but these statistics hide more than they reveal. For example, the article suggests that the survival rate—presumably referring to the commonly cited five-year survival rate (FSR)—for screened women is much higher than that for unscreened women. However, FSR is a flawed and misleading statistic. Imagine a group of 100 women who are diagnosed with cancer because they feel a breast lump at age 60. With treatment, all of them live until 64. The FSR for this unscreened group is 0%. Now imagine that these women are screened and diagnosed with breast cancer at age 55. With early treatment, they live nine more years. The FSR for this group is 100% even though the women don’t live any longer. Moreover, the screened women end up spending five extra years suffering from the side effects of chemotherapy, radiation and surgery. No controlled study has shown that mammography screening increases the life expectancy of women significantly. A meta-analysis by the Cochrane group (that combines data from several studies) has estimated that such screening extends their life expectancy by about one day. However, the screening process itself takes longer than one day. Screening also leads to a 30% overdiagnosis because of false positive results. This may largely explain the higher rates of breast cancer observed among the heavily screened white women compared to those in the lightly screened Asian-American women. Such overdiagnosis also inflates the overall survival statistics. Finally, cancer treatments offered by modern medicine indiscriminately kill both the cancerous and the healthy cells thereby causing serious side effects while failing to address the root causes of cancer. Therefore, early detection and treatment offer no insurance against recurrence of cancer. Alternative medical systems, such as Ayurveda and Naturopathy, focus instead on preventing cancer through a healthy diet and lifestyle. Because when it comes to cancer, prevention is clearly the best cure. Vijay Gupta, Cupertino, CA

Rules of Discouragement

Dilnavaz Bamboat’s article against intermarriage related restrictions for women, (India Currents, October 2012, Embracing Freedom), points out the different criteria applied to Parsi men and women regarding entry to consecrated temples in India, but it would 6 • india currents • november 2012

help us to understand some of the reasons behind this. Parsis (followers of Prophet Zarathustra of Iran) are a very tiny community and intermarriages in general pose a grave danger to preserving their ethnic and religious identity, so community leaders with advice from their scholar-priests try to frame rules to discourage such marriages. Although orthodox Parsis would like to apply the restrictions equally to men and women, some of the mainstream leaders have accepted a compromise that considers the mostly male oriented society in India in which wives and children usually adopt the last name and religion of the husband/ father. Entry to some Hindu temples in India is also prohibited to Hindus who have married non-Hindus. For example, Indira Gandhi, the late Prime Minister of India, who married a Parsi freedom fighter, Feroze Gandhi, who adopted her husband’s last name (she was Pandit Jawaharlal Nehru’s daughter and not related to Mahatma Gandhi as some may think), was not allowed entry to a Hindu temple in South India because of her intermarriage. Non-Muslims are not allowed in Mecca, Saudi Arabia and non-Mormons are not allowed in the inner sanctum of the Mormon (LDS) church. In western countries, Zarathustrian (Zoroastrian) temples are not consecrated with ritual prayers and ceremonies like they are in India, and are more like simple prayer halls with a fire burning in the inner room, and western societies have different customs that allow more freedom not only to women but also to children (who sometimes even sue their parents). Maneck Bhujwala, Huntington Beach, CA

Curious about Boson?

In the the article on Nobel history (India Currents, August 2012, Nobel Trivia) Mahadevan describes how the Indian scientist Satyendra Nath Bose was instrumental in working out the theoretical model for the existence of the Higgs Boson particles, and was ignored by the Nobel selection committee. This is not the only time Satyendra Nath Bose was ignored or forgotten by the West. Let me explain. Since last July 2012 many news releases and articles have appeared in the media all around the world on the existence of the subatomic particle, also known as the “God particle” since it is fundamental to the origin of the universe and explains the mystery of mass in the cosmos. The motion and movement (dance?) of these particles are believed to have led to the creation of the universe and hence its name. Most of these science writers outside India did not bother to include an explanation for the term “boson” in the Higgs Boson discovery which helps to unravel the origin

of universe. For all the story-reporting in the west on such a huge discovery, the absence of a definition for Boson has been a glaring and common omission. The Higgs part everyone seems to know about. The first thing that we are told about the Higgs boson is that it’s named after Peter Higgs, a physicist at Edinburgh University who made the theoretical discovery. Should not one be curious enough to ask—what about Boson?—since Boson tends to follow as soon as the name Higgs shows up. Boson is, in fact, along with the Fermion (named after Enrico Fermi), one of the two fundamental classes of subatomic particles. In fact, as the article states, “Boson” is named after Satyendra Nath Bose, who formulated the statistical method to analyze the thermal behavior of gases and sent his paper on quantum statistics to Albert Einstein. Bose’s formulation came to be known as the Bose-Einstein statistics, and became the basis of quantum mechanics. Einstein saw that Bose’s theory had profound implications for physics and believed that it opened the way for the existence of a class of subatomic particle, which he named, “Boson,” after his Indian collaborator. Thus we have the “Higgs boson.” Now, let me give you another interesting angle to the experimental discovery of this “God Particle.” Here I transcribe the article written by S. Gurumurthi in the Tamil magazine, Thuglak. On June 18, 2004, at the CERN Laboratory entrance grounds in Switzerland, the authorities unveiled a six foot statue of the Hindu God Lord Nataraja in recognition of the belief that the tandava of Shiva created the universe with a “big bang,” which is akin to the scientific theory based on the “dance” of the Higgs Boson particle. The commemorative plate at the foot of the statue includes a selected passage from the book, The Tao of Physics, by the well known American physicist and UC Berkeley professor Fritjof Capra. The displayed passage essentially describes how many thousands of years ago Hindu wisdom talked about Lord Shiva’s dance in the creation of the Universe and is essentially the same as the “dance” of the subatomic particle as modeled by science. Thiagas S. Sankar, Montreal, Canada

SPEAK YOUR MIND!

Have a thought or opinion to share? Send us an original letter of up to 300 words, and include your name, address, and phone number. Letters are edited for clarity and brevity. Write India Currents Letters, 1885 Lundy Ave. Suite 220, San Jose 95131 or email letters@indiacurrents.com.

India Currents is now available on the Kindle Go to amazon.com and search for India Currents

Follow us at twitter.com/indiacurrents Like us facebook.com/India Currents Most Popular Articles Online October 2012: 1) Nirvana in my Tequila. Kalpana Mohan 2) On the American Story. Ragini Tharoor Srinivasan 3) The Indian American Contenders. Rishi Kumar 4) Obama Is Our Only Option. Sarita Sarvate 5) Parody or Comedy. Anita Felicelli 6) Embracing Freedom. Dilnavaz Bamboat 7) Happy Birthday, Amitji. Madhumita Gupta 8) Under the Guise of Art. Jaya Padmanabhan 9) A Clear Choice. Vidya Pradhan 10) In Memory of Lakshmi. V.V. Sundaram

Online Extras: • • • • • • • •

Easy access to our current content and decade-old archives of diverse articles Special web-only articles and videos Digital issue of the magazine Interactive event listings Advertising access to a niche high-value segment of the community Comments highlighted on home page A full color experience RSS feeds and newsletter subscriptions

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forum

Should Obama Be Given a Second Term? Rameysh Ramdas

Mani Subramani

No, Obama should not be given a second term

Yes, Obama should be given a second term

resident Obama’s inept and listless performance at the presidennly if the first presidential debate matters to you Mitt Romtial debate in Denver disappointed not just Democratic voters ney should get your vote. If not read on. A proper analysis of but confounded even his most ardent liberal admirers in the meObama’s and Romney’s policies should be a key part of this dia. But it was sadly a revealing and indicative snapshot of his inability process. A careful look at the jobs data is a starting point. According to rise and meet the demands of being President. The better rehearsed to the Bureau of Labor Statistics, more than 650,000 jobs were lost feistiness of the President in the subsequent debates does nothing to every month from late 2008 to early 2009. Over 8 million jobs were lost change that revelation. between July 2007 and September 2010. Since then the economy has Buzz Bissinger, a liberal commentator for The Daily Beast, wrote been adding jobs. The composition of the jobs that are being added is a heartfelt piece declaring his vote for Mitt Romney. Referring to interesting to note. During the period from 2000 to 2010, federal and Obama, Bissinger commented: “He struck me as burnt out, tired of state governments were the largest employers, while the private sector selling his message although he has always been terrible at selling his was shedding them in large numbers. This trend is now completely message when it veers from idealism into the practical.” reversed and since September 2010, a majority of the added jobs have I agree with Bissinger. President, Obama has not shown the skills, been in the private sector. the aptitude, the temperament or the passion for the job. Obama has This means two things. Firstly, the disastrous job loss trends were failed to forge relationships in Congress, failed to shape successfully arrested and pointed in the right direction. Secnational dialog with the power of his ideas, nor engaged ondly, it seems that the Stimulus plan worked as envisioned. Check out past forum the nation to rally behind him. His signature accomplishcolumns at indiacur- This happened in spite of the fact that not a single Republiment—Obamacare—was tirelessly and relentlessly pushed can voted for the Stimulus in the House. The few moderates rents.com/articles/ by Speaker Nancy Pelosi. A Rasmussen poll on Oct 8, that crossed the aisle in the Senate for the good of the councategories/forum 2012 showed that over 54% of likely voters favor repealing try are in a very tenuous position within their party today. Obama’s Health Care Law. This despite a significant portion of the Stimulus being in Bob Woodward’s latest book The Price of Politics c h r o n the form of tax cuts as demanded by Republicans. Without the Stimuicles what he calls “gaps” in leadership due to Obama’s failure to lus the nation could have cultivate congressional relationships that was glaringly evident in his plunged into Depression. failure to strike a deal with The Republican refusal Speaker Boehner that to countenance anything would have raised the Obama put on the table debt limit while also putwas the result of a conting in place a blueprint certed effort by the Refor a long term budget publican party, spearheadbalance. Woodward told ed by Senate Minority Diane Sawyer in a recent Whip Mitch McConnell, interview, “My concluwho stated in 2010 that sion is President Clinton, his party’s top goal was President Reagan—and if to make Barack Obama a you look at them, you can one term President. Recriticize them for lots of publicans were treasonthings—they by and large ous enough to stake the worked their will. On this, President Obama did not.” economy to make a poPresident Obama has not instilled confidence in both corporate litical point. So a vote for America and in consumers, thus impacting hiring. Rick Newmann Obama would be an endorsement of the principle that government wrote recently in The U.S News that the “real” unemployment number can indeed be a force for good and a message against partisan behavior. is close to 14.7%—the percentage of adult Americans who are unemPresident Obama is keen to bring back manufacturing jobs. His ployed, underemployed, or too discouraged to look for work or “marplan involves reducing the deficit in a sensible way without choking ginally attached” to the labor force. The job creators, large and small recovery. He advocates progressive taxation, targeted incentives and a businesses, are in pause mode as they do not see consistency or clarity strong emphasis on education to prepare Americans. coming out of Washington D.C. From what one can glean from Mitt Romney’s shifting, often President Obama has clearly shown us that he revels in the poetry conflicting positions, he would favor an across the board tax cut for of a campaign but is simply not capable of the dull and complex prose individuals and a lowering of the corporate tax rate. This is doubling of governing. We voted for him in 2008 to create history. Regrettably, down on the supply side policy implemented by the prior administraBarack Obama sought and governed the presidency as an ongoing tion which was not effective. U.S. corporations are not hurting for cash, campaign, as if it was all about him, we need to be wise enough today they have 3 trillion in cash reserves. They are lacking demand and good to vote for his opponent, mindful that the Presidency is and should be ideas to invest in. By focusing on people Obama’s policies address the all about us. n demand side of this economy. This is the right approach. n

President Obama has clearly shown us that he revels in the poetry of a campaign but is simply not capable of the dull and complex prose of governing.

Rameysh Ramdas, an SF Bay Area professional, writes as a hobby. 8 • india currents • november 2012

Republicans were treasonous enough to stake the economy to make a political point. So a vote for Obama would be an endorsement of the principle that government can indeed be a force for good ...

Mani Subramani works in the semi-conductor industry in Silicon Valley.

india currents â&#x20AC;˘ november 2012 â&#x20AC;˘ 9

zeitgeist

Ragini Tharoor Srinivasan

Oh Brother

here are always women: aunts, aunties, mothers, sisters, cousin My grandmothers each have many sisters. sisters, grandmothers, neighbors, friends. The women are rowdy, singing, dancing, telling bawdy jokes, laughing open mouthed, My mother, to whom I am particularly close, sharing sweets and snacks. They wear salwar kameez with colored chunhas one, too. And I have an unfortunate nis, festive but casual in comparison to the saris selected for the wedtendency to make friends with women who ding, pressed and hung on doorknobs with matching petticoats and ziplocked jewelry. The bride-to-be sits in the center of it all, arms and legs have sisters, which makes me feel all the extended, salwar bottoms rolled to the knee, submitting with smiles to more bereft. the ministrations of a mehendi artist, or two. A sister waits by her side, patiently offering a mouthful of lunch from her own manicured fingers, and a cousin is nearby, juice in hand, prepping a straw to bring to the bride’s lips. Later, when the juice is drunk too quickly, and the bride favorite sister, daughter, granddaughter, niece. But mine are lonely realizes she has to make a restroom trip without the use of either hand, spoils. an expert, laughing aunt comes to her rescue as attendant and aid. My grandmothers each have many sisters. My mother, to whom I I’d seen enough Hindi movies to know how the mehendi was supam particularly close, has one, too. And I have an unfortunate tendenposed to go. Noise. Laughter. Women. So when Kamala came home to cy to make friends with women who have sisters, which makes me feel apply my mehendi a couple days before my wedding, I knew she’d find all the more bereft. These sisters are sometimes close, sometimes not. the scene unorthodox. Our house was quiet. My mother and a few relaBut I sense they communicate telepathically, commiserating over the tives efficiently assembled favors in the dining room. My grandmother demands of parents, the follies of partners, the stresses of work, the napped. The television played old Billboard hits. Kamala and I set up in labor of raising children. I imagine the clothes swapped and secrets the family room, where I took an olive recliner. Morning sun streamed shared—from first bras and first kisses, to late life diagnoses, crises, in from the backyard as Kamala started on a peacock pair, nuzzling achievements, and decisions borne. I imagine a deep understanding. heads in the palm of my left hand. Then traipsed in my brothers—all I imagine a singular bond. six of them. There is only so close you can get to a woman with a sister. She is The oldest had bought champagne at the corner store and was ready generally not looking for another one. She may have a best friend, or to pop it at just past ten, which he did. His twin searched the kitchen many, but she doesn’t need you the way the sisterless do. A brother for glasses and returned, triumphant, with mugs in hand. Another, litwill love you. A brother will carry your suitcases. A brother will take tler brother stood watchfully by my side, leaning in too closely to see the you for a sprint workout and teach you the latest P90X routine. But a vines developing on my wrist. Yet another found a plate of watermelon woman with a sister has a woman to call her own: a woman who knows on the butcher block and, coming near to be part of the fun, dripped something of what it means to be a woman in this family, to these juice and seeds all over Kamala’s bag and my left calf. My brother, parents, in this country, at this moment, faced with these obligations, sweaty from an early run and singing along to his iPod, stretched and bearing these burdens, in this climate, harboring these disappointheaded for the fridge, oblivious to the proceedings. ments, nurturing these many dreams. I have no sisters, no cousin sisters even, just one brother and half a dozen cousins I owe rakhis. They crowded around while I had my *** mehendi applied, commenting sweetly and inexpertly, trading notes on soccer teams, until they got restless. Then a flash of inspiration and the uxtapose the scene of my mehendi with a clip from Hum Aapke fun began: a watermelon segment placed with glee in sister’s mouth Hain Kaun! or Dilwale Dulhania Le Jayenge and I look like the vic(I protested, laughing first, then choking, face full of rind, both hands tim of a schoolyard prank, not a bride-to-be. There is no Nisha to my outstretched and henna-covered); a sip of champagne jokingly offered Pooja, no Chutki to my Simran. All through the wedding straight from the bottle, then spilled down sister’s front. planning, I grumbled to my mother. A sister would have They hooted and clapped and filmed my sputtering on Check out past been more involved, I said. A sister would have understood their cell-phones, while Kamala completed a drum on the zeitgeist columns at what I was going through. head of a peacock on the back of a hand. Then, as swiftly indiacurrents.com/ Later, seeing the photos and video of my handsome as they’d entered, my brothers blew out of the room, articles/categories/ brothers and brothers-in-law in kurta pyjama and suits, zeitgeist dispersing to read and nap, play video games, shower and shrugging off their coats to dance and lifting our chairs in change. The mehendi continued until sundown. the air during the Jewish horah, I felt a stirring warmth. Watching my brother’s full-throated toast and dedicated song, I felt pride. My *** brothers might not have paid attention to all the wedding details like a sister would; they might never know the crosswise pulls most women love my brother more than anyone, but I have always felt keenly the bear. But they gave me their unaffected love in the form of champagne lack of a sister. (This cuts both ways. Growing up, I’m certain he shower and watermelon face. And now I wait—for that other gift of would have traded me gladly for his friend Andrew’s older brother.) But brothers, for my half a dozen sisters-in-law. n being sisterless is my lot. Not only have I no sisters or female cousins, I’ve recently acquired two (wonderful, but unalterably male) brothersRagini Tharoor Srinivasan is a doctoral candidate in Rhetoric at the in-law. Certainly, I am spoiled. I have acquired an inappropriate amount University of California, Berkeley. of the family jewelry, heirloom saris, attention from relatives. I am the

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Haute Stuff By Ritu Soni Marwah

The fact that Indian fashion has survived and adapted to the vogue onslaught from the west is no surprise. The vibrant colors and homespun fabrics of India have the much coveted exotic feel. Burgundies and brocades are now part of international fashion repertoire. Young talents in the fashion industry are exporting style that was once the purview of the southeast zone.

hen Indian fashion sensation Tarun Tahiliani was picked by global singing sensation Lady Gaga to outfit her in India, she was not the first celebrity to look eastward for sartorial elegance. Supermodel Heidi Klum, actress Mischa Barton, talk show queen Oprah Winfrey, and a whole host of other celebrities including Liz Hurley, Angelina Jolie, Britney Spears, Scarlett Johannsen, Fergie, Rihanna and Madonna have endorsed Indian fashions. “India is definitely more on people’s radar than ever before. From being a country identified for its exotic religion and palaces, it’s being seen differently today. There is an awareness about Indian fashion and its unique contribution which is different to that of the prescribed dress forms relevant in the western world,” said hi-fashion designer Ritu Kumar in an interview with Indo-Asian News Service (IANS).

Fashion designers capitalize on the sex-appeal of the six-yards with models and celebrities displaying dropped pallus, reverse pleats, bandeau blouses and innovative ways to rig the habiliment. Chiffons, nets, crepes, cozy up together to create wispy ensembles that are there and yet not there, while natural colors create a homespun handloom mood. At the Wills Fashion Show in February 2012, models wore saris with belted jackets and fitted coats, creating a stark clean look. Cotton, wool and silk fabrics blended into practical and elegant designs. On the ramps, tradition was redesigned with belts snaking around saris, and trousers substituted for petticoats. Twenty-three year old designer, Masaba Gupta, daughter of cine star Nina Gupta and cricketer Sir Vivian Richards, has reprised this thousand year old garment, the sari, calling her innovations “old songs in newer beats.” She has overhauled style by moving the pleats Pimpin’ the Pallu Every so often Hollywood celebrities pay to the back, traded petticoats for palazzo homage to India’s little black dress, the ubiq- pants and made a statement with bold blocks uitous sari. Boundaries are pushed to redefine of colors. Other designers have their own take on and re-innovate the traditional attire. In adfashion. Textile designer Neeru Kumar weaves dition to being one of the most provocative garments, the sari has the weight of history ethnic handloom traditions into modern silbehind it that Indians in the west look for. houettes. Amit Aggarwal creates three-dimensional shapes using “wire mesh, silk, sleeves in silk and jersey, sumptuously molded into touchable looking bubbles, light as air.” Sabyasachi Mukherjee’s collection showcased by Bollywood stars, Vidya Balan, Rani Mukerjee and Aishwarya Rai, attracts the nouveau riche interest and dollar. Pussycat Dolls on the Red Carpet For the local 12 • india currents • november 2012

Designer: Masaba

diaspora, Pia Ka Ghar houses the largest Sabyasachi collection in the Bay Area. Pia Ganguly, the owner of the retail collection, has come up with a marketing slogan that unerringly hits the target: “for the unforgettable woman ... you.” Based out of her Los Altos Hills home, Pia’s collection embodies an era of Tagore songs and timeless love. For the past seven years, Pia’s has become the go-to place for the well-dressed Bay Area resident planning for a special evening. Global designers have now realized the value of the Indian market. In 2011, luxury brand Hermès launched a line of beautiful saris—an extension of their trademark scarves, costing a whopping $6,100 to $8,200. In his fall 2008 collection, Alexander McQueen, the celebrated British designer showcased a red silk and white tulle sari dress. It is rumored that a Bay Area socialite was seen wearing it at a charity dinner in San Francisco.

Tradition and Trends

When Mrs. Indira Gandhi, the Prime Minister of India, rolled out the “Festival of India,” in the early 80s the glitterati of Delhi embraced the traditional arts as haute couture. Dhakai Jamdanis from Calcutta; Ikats from Orissa; Phulkaris from Punjab; the many-layered, painfully embroidered, one of a kind, Kantha saris from Bengal as well as the “inspired by the Ajanta paintings” Paithanis from Maharashtra found a glad welcome in the Delhi social scene. The work of indigenous weavers and traditional artists was in! Hindu custom demands that new saris be worn on certain festival days like Durga Puja,

Lakshmi Puja, and Onam. “Every year, like clockwork, my clients come and buy a new sari for the occasion. The young buyers like the trendy saris we carry in our Nalli Next collection. The net saris, hard-to-find Pashmina saris with Kashmiri embroidery, modern twotone colored Kanjeevarmas saris with patterns from Amar Chitra Katha stories, crystals and embroidery are very popular. But the more mature buyer buys the traditional temple saris from Kanjeevaram,” says Sonya Wadhva, Executive VP, Nalli Silks U.S.A. When the young Bharatanatyam dancer is ready to perform the Arangetram (debut performance), the teacher and musical accompanists are usually gifted traditional saris. The summer event pages of India Currents proves that the burgeoning dance community keeps the local sari shops in business. During karva chauth, which comes once a year, Punjabi brides fast all day long for the long life of their husbands and then gift a sari to their mothers-in-law. Young Tamilian girls are given a sari or a half sari when they come of age. Religious tradition also dictates the time or “mahurat” when new saris should be bought. “Rahu kalam” must be avoided. At the beginning of the new year I go to the Livermore temple and pick up a calendar which gives me all the days I know no brides are going to come shopping,” says Wadhva. Anarkali churidaar sets named after the beautiful courtesan who ensnared the crown prince of the mighty Mughal Empire, are the flavor of the season, according to Wadhva. Fitted on top, the shirt flares out over tight long bottoms that gather around the ankles to form “churis” or bangles. Shops all over India and overseas stock Anarkalis in a myriad of colors, the brighter colors being preferred in states like Rajasthan and Tamil Nadu, and the more pastel shades making their mark in Delhi and Mumbai. The new trend of crossover fashion from Pakistan has increased the length of tops to skim the ankles. The churidaar bottom is seen only when the wearer twirls the skirt of her top or gently lifts it up as she steps up or down the stairs. Prabal Gurung, the South Asian designer famous for outfitting First Lady, Michelle Obama, admits to being influenced by his roots. He was born in Singapore, raised in Nepal and worked in New Delhi, India. According to The Vogue, one of his designs is a “cornflower blue dancing dress over slim, dark pants.” A throwback to the traditional anarkali churidaar, perhaps? The very successful Bibhu Mohapatra, the Orissa designer who presented his second runway collection during the New York Fashion week this September also played up the “ethereal looking” aspect of his collection.

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Designer: Nalli Silks

Designer: Masaba

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and petticoats. In three easy steps you have a sari ordered and delivered to your doorstep. Unlike tuxedo rental places where the rental clothes need to be returned within two days, online rental companies allow the return of outfits within eight days. “Menswear rental rates are $65 to $80 per outfit, so renting Indian party attire is cheaper than renting a tuxedo. Bridal packages, where eight of the groom’s or bride’s friends can rent matching outfits, make life so much easier for the wedding party,” says Niddhi Khara of Borrow it Bindaas. Website borrowers are not limited to the Indian diaspora. When invited to an Indian wedding, Caucasian friends don’t want to be left behind and yet at the same time they may not want to dish out $1,000 for one evening. This trend is not restricted to clothing alone.

Jewelry Designer: Masaba

home decor from Indian artisans and designers offers convenience to the shopper, who can’t walk into Nordstrom to buy Indian clothes. Flash sales were announced everyday and sent to the email accounts of the Indian diaspora. “We sell fifteen to twenty saris a week from our internet site, says Wadhva. “Nalli saris, with their assurance and reputation of quality are available to people everywhere. We load pictures of saris we stock in our United States store on our Facebook page and often people call us, order their saris over the phone, pay with their credit cards and we mail their selections to them.” Illinois-based Luxemi offers convenience of another kind. They offer Indian fashions for sale or rent to U.S. consumers. Other online sites joined the same bandwagon. “Most people have a small group of friends and repeating the same outfit at another function becomes difficult.” Says Riddhi Khara from Borrow it Bindaas, a Southern California based company that services the same need. Due to the omnipresence of Facebook, when an expensive outfit is worn to a wedding or a party, it is being debuted on the world stage. I recently attended a wedding of a nephew in Kochi, India, and when I returned to California, a number of people complimented me on my wardrobe. These are people who are not in my immediate social circle but are my Facebook friends. Now for the next wedding, even if it is not within the same circle of friends, I need a new wardrobe. The high price tag of designer saris puts me in a quandary. To the rescue comes a rental service like Borrow it Bindaas or Luxemi or Devi’sCloset. Wearing a thousand dollar sari for hundred dollars becomes feasible with Devi’sCloset, who loans out designer couture by Ritu Kumar or Payal Singhal, with matching blouses

From representing the daughter’s share of parental wealth and a hedge against leaner times or “istridhan” (woman’s wealth), jewelry has now become a must-have fashion accessory. Designers have jumped to take advantage of this consumer need, whether in terms of design versatility or price. Brides can now commission jewelry to match the embroidery on their wedding dress. J.J. Vallya, who makes wedding outfits, has been known to encrust jewels onto the wedding dress itself. Girls getting married demand mang tikkas, jhoomars, armbands, rings for every finger, bangles, amulets and anklets. “Brides are still choosing very traditional designs but a new color palette has taken over the age old choice of red,” says Shelly Gupta of Saloni Collection. For the budget-conscious, this jewelry is available in gold plated silver. Parents balk at the price of what they consider costume jewelry but it is a smaller price to pay for the princess look. There is the “one gram gold” jewelry where the gold plating is done using real gold, hence the term “one gram.” It comes with a “guarantee card” and looks like the real deal. Anu, a housewife out of Chennai, has her store on Facebook called Anu’s Collection. “ I lived in Sunnyvale for nine years. We moved back to Chennai two years ago and I found the working environment very different in India.

Photo Credit: voteTulsi.com

Jewelry was my passion. It was also a way to stay connected to my friends in the bay area. I put pictures of some of the jewelry and clothes I can get for them on Facebook. Now they send me a message about what they want from Chennai and I just courier it to them. I am like their personal shopper.” She laughs gaily as she shows me a piece of the latest addition, “terracotta jewelry.” Tribal jewelry is in great demand by the confident and trendy clientele. “Terracotta jewelry designed by an artist who has experimented with color is popular with the stylish, creative Bengali group who team it up with their cotton saris for an ethnic image. It comes from the South of India. I recently brought some folk pieces in Dokra and Terracotta,” says Gupta. As the quality of artificial materials improves, it has become harder and harder to tell the difference between a real stone and a glass bead from China. Buyers of jewelry are tempted by the cheaper price tag. The price of silver has shot through the roof as it is a metal used in batteries, cell phones, computer chips, flat screen televisions, iPods, RFID chips, and even solar panels. It even has medicinal applications. With silver becoming increasingly out of reach and newer amalagams and metals offering tarnish-free qualities, the jewelry market is being liberated from its traditional tether. The market moves at a very fast rate. A designer may take a week to design an exclusive piece but within two hours the design can be copied and reproduced in cheaper materials. It is a world where “imitation” jostles on an equal footing with “genuine.” “As I grow older, I see myself reach more and more for my strings of emeralds, carnelians, rubies, and pearls,” says a Bay Area resident. Expensive jewelry remains the domain of the over-forty woman who can afford the price tag.

Men’s Fashion

As the mother of two boys who love wearing Indian clothes during weddings, dandiya, and Diwali, I am constantly looking out for the latest trend in menswear. To my delight, Indian men’s fashion has come of age. As I sat in a bridal store on my recent visit to Kochi, I found my boys trying out silks, cottons, embroidered, pleated and tucked kurta pajamas, matching Punjabi jootis, or pointed toe shoes, and slicking back their hair as they admired themselves in the mirror. Men and boys can take their pick from india currents • november 2012 • 15

16 â&#x20AC;˘ india currents â&#x20AC;˘ november 2012

Designer: Masaba

achkans, sherwanis, Jodhpuri jackets, tuxedos, and waistcoats. They can team them up with dhotis, Aligari pajamas, churidaars, linen trousers, or Patiala salwars. Wearing long or short jackets, loose or tight bottoms, they build up their attire to complement their bodies. Adorning themselves with thick karas or bangles, rings on their fingers and kalgis on their turbans, the Indian male doesn’t wear a watch alone as his ornament of choice anymore. Brocade shawls and stoles drape around their shoulders. Some match the stoles to what their partner is wearing and others match them to those of their friends as they strut around on the dance floor. Complementary embroidered jootis on their feet and in some extreme cases topped by a feathery turban,

Designer: Masaba

the Indian male can now match the peacock’s flair to attract his mate. As he twirls on the bhangra floor or just walks into the room, the Indian male now enjoys the stage as much as the girl on his arm. While the achkan is structured and straight, the sherwani falls over the trousers with a royal flare. The achkan is unembellished; the sherwani comes with detailing of thread embroidery or gold thread (zardozi) work. The achkan can be made from brocade or monochromatic prints. The “Jodhpuri” looks like an achkan but it is the length of a suit jacket. The Jodhpuri has made its way into the international market and can be rented at tuxedo rental stores in California. It is customarily worn to business meetings in India and is considered formal wear. The equivalent of business casual are the waistcoats with high jodhpuri collars, also known as the “Nehru” jacket. The Nehru jacket is thrown over kurtas or shirts and paired with tailored linen trousers, jeans or pajamas depending on the occasion. Brocade waistcoats have made their way to wedding sangeets while woolen waistcoats make ideal fall wear.

Price

Does the Indian diaspora spend like their counterparts in India? Would you spend $800 to $1,000 on a single designer outfit? “Depends on the circle you move in. If everyone in your social circle wears designer saris then you would spend Rs.30,000 or Rs.50,000 ($600 to a $1,000) on a sari.” says a Los Altos resident. “So I bought an outfit From Pia ka Ghar for Rs. 30,000 for my daughter because I want her to wear nice Indian clothes. But that is me. My daughters don’t want to spend that kind of money on an Indian outfit. They would rather put that money towards buying a BCBG dress” says another Atherton resident. “But as far as prices are concerned, Pia’s prices are the prices listed on the Indian designer’s website. For example a Sabyasachi’s retail price and Pia’s price is the same for the same outfit.” The diaspora market is segmented along the lines of their counterparts in India and tends to shop within the segments. If your social group in India wears new Kanjeevaram silk saris every Navratri and Diwali or invests in new tangail and kantha saris for Durga Puja, then you would too. With the sharing of pictures on Facebook, the fuzzy lines of anonymity have melted and you can show off your new annual collection to friends and family the world over. Active shopping is done near the festival and charity dinners season starting October. Wedding shopping happens in summer and winter. Typically, weddings are planned around school vacations. Temples set up Diwali melas, homes host trunk shows, restaurants like Mehran open their doors to Eid

exhibitions, and Facebook traffic jumps as photographs are uploaded by sellers and perused by buyers. The like button is as much a mark of wardrobe approval as is a verbal compliment. n Ritu Marwah is a resident of the Bay Area where she has pursued theater, writing, nonprofit marketing, high-tech marketing, startup management, raising children, coaching debate, and hiking. She recently completed a trek across the Siachen Glacier, walking on the highest battleground in the world. Ritu graduated from Delhi with masters in business, joined the Tata Administrative Service and worked in London for ten years before moving to the Bay Area.

Q&A with Siddhi Khara, Co-Founder, Borrow it Bindaas) What are the latest fashion trends this year? This fall, Gotta Borders or Gold Pattis are being used in embroidery on hemlines of kurtas and borders of sarees or lehengas. Brocade is being used in completely different ways, styled as a skirt or a printed jacket. What’s nice about brocade is that it is a print that is classic and adds a touch of regality to any outfit. Another trend we see is a bit more emphasis on the embellishments of sleeves, sequin work & gemstone studded sleeves. What’s in and What’s out? Velvet trimmings are out this festive season. Detailed embellishments like chikankari and mirrorwork are in. Bright dual tones combined in a single outfit are popular, for example a hot pink color with bright orange/ vermillion. Big, chunky clutch bags are out, small glitter clutches in single shade are in. On the jewelry front, women are opting for big dangling traditional earrings while heavy neckpieces or bib necklaces are out for this festive season. Broad cuffs and traditional kadhas are up for grabs. What colors are finding traction? Unlike every Autumn/Winter, this year, colors like royal blue, purples, emerald green, hot pinks, orange and yellow are finding a lot of takers. In short, think bright while choosing colors. Black, white and burgundy are out; instead different shades of blue are being used. Do you have to buy every season to update your collection? Our entire inventory is from India and we work exclusively with designers and suppliers based out there. We make sure to have everything available in the U.S. so when customers place their orders they can get it right away and do not have to wait six weeks to get an outfit! Team members travel to India up to two or three times a year and work with our director of merchandising, Manshi Gandhi, 26, who is based in Mumbai to help scour the market for the latest trends and styles. This way we ensure that our styles and inventory are fresh and current for our customers! india currents • november 2012 • 17

analysis

Riz Mathani

Obsessed with Numbers Is Western society more obsessed with numbers than the East?

aving lived half my life in the West and half in the East, I have noticed that in the West, we tend to use a lot of numbers in our conversations, while in the East, the conversations are more descriptive.

combinations, whereas the ancient ayurvedic science of the East tends to work more on the quality of the curative substances (which lack side effects) and not their specific quantities. A hundred years of baseball statistics may

Topic

Typical Western Conversation

Weather

It’s 12 below zero and it’s expected Its freezing cold and we are going to be to snow 4 inches overnight. buried under snow overnight.

Food

Great, but I added 1,600 calories.

Great, and I can feel my waistline growing.

Economy

The DOW has gone up 3,000 points in the last 6 months, but the unemployment rate is hovering around 9%.

The share market is going gangbusters, but there are hardly any jobs out there.

Politics

President Clinton spoke for 48 and Prime Minister Manmohan Singh gave a ½ minutes at the Democratic Na- a very long speech and it was never endtional Convention. ing.

Sports

The hike is 6.1 miles long and gains The hike will take a couple of hours and an elevation of 2,300 feet and at its we should be high enough to get a good highest point you can see the Bay 5 view of the bay in the distance. miles away.

Movies

The Mercury News gave it 3 and half stars but I would give it 2 thumbs down.

The papers raved about the movie, but I hated it.

Children

My son is in the bottom 20 percentile of weight.

My son is underweight and looks like a stick.

As depicted by the examples in the table, the Western style of communication is decidedly low context where everything is spelled out in its ultimate numeric detail, whereas the Eastern style is high context where the facts behind the statements and conclusions are implied. In fact, in the high context Eastern cultures, anthropologists have argued that the tone, expressions and gestures of the speaker add significantly to what is being communicated. Consider the example of a visit to a doctor in the West. They will more than likely collect large amounts of data on the patient starting with their weight, height, blood pressure to blood tests, x-rays and sonograms. On the other hand, in the East the doctor will visually inspect the patient as well as feel the vibrations of their body, a behavior that is not common practice in the west. It is no wonder that modern allopathic science of the West has an intricate system of highly specific numeric dosages of inorganic compounds in various 18 • india currents • november 2012

Typical Eastern Conversation

be an extreme, but there is a definite obsession for keeping sports records so that you are constantly striving to beat them leading to superhuman efforts that are assisted by artificial drugs. In many sports, the difference between a winner and a loser has now come down to milliseconds, and since you are really competing against an already established record, one could argue that the thrill for the spectator to visually observe the competition in action is diminished. Is the day very far when instead of running a race against one another in real time, Olympic contestants will insist that they run it alone and be measured without the distraction in terms of that change in wind direction by another contestant running alongside which slows them down a fraction of a millisecond making it unfair? This would deprive the spectator of that photo finish moment! The obsession with numbers also spills into how decisions get made in the West vs. the East. In the West, there is an emphasis

on collecting and analyzing reams of data, whereas in the East, decision makers tend to look at the big picture from an intuitive or gut feel. Driven by this obsession, Big Data is being collected and analyzed by myriad Western companies in the hopes of precisely predicting buying behavior to be able to capture a larger share of a specific consumer’s wallet. On the flip side in the East, subjective advertising that uses fewer words continues to capitalize on the impulsive nature of the buyers. A paradox to the Western one-to-one targeted marketing could be that you could miss out on that significant white space where a consumer makes such impulsive buys that may seem to be out of character by just looking at a numeric pattern. Blindly relying on data without using one’s own judgment does not appear to be any better or worse than relying on experience and intuition and thinking outside the box. Take the case of the recent financial meltdown which well trained Western economists from Ivy League universities were unable to see coming until it hit them in the face. Some are inclined to put forth the argument that the collapse was driven by greed which could not be anticipated or calculated. Au contraire, a high context Westerner, Warren Buffet, states it brilliantly in his famous quote: “Be fearful when others are greedy, and be greedy when others are fearful.” Malcolm Gladwell, in his bestselling book Blink has developed the concept of “thinslicing” that the human brain goes through which allows one to make snap judgments in the absence of detailed data in any situation. He discusses many experiments which have proved that over-analyzing or performing a detailed mathematical analysis do not make decisions any better, but they could make it worse. To quote Gladwell, “if we could not make sense of complicated situations in a flash, basketball would be chaotic, and birdwatchers would be helpless.” Think about it! But while you are thinking, what will you have for lunch today—a 6 inch sub sandwich or a plate of vegetable biryani? n Riz Mithani is a graduate of IIT Bombay and ekes out a living by peddling simple business and technology solutions to highly complex problems that provide a real return on investment. When he is not dancing or traveling, he blogs occasionally at rizmit.wordpress.com

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commentary

Lakshmi Mani

Finding Youth in a Retirement Home An octagenarian’s take on life in an assisted living facility The Author sitting in the atrium by the fireplace

live at Ingersoll Place, an assisted living facility in Niskayuna, New York. I pay a monthly rent for a one bedroom apartment with three closets and a kitchenette. I am allowed a microwave oven in my kitchen, but I am forbidden to use it for major cooking. The rent covers services like food, laundry, bed making, changing bed linen at least once a week, transportation for doctors' and hospital visits, daily chair exercises for the infirm, social events, recreational events like bingo, card games, and spa day once a month. It has been just over a year since I moved into Ingersoll Place. I have formed new friendships. I am finding out that though I am culturally different from all the other residents—I am the only Indian—we all have the same life experiences. Each one of us has lost loved ones, and we all rejoice that we are blessed with children, grandchildren, and even great-grandchildren. At least two residents have died since I came here. Mortality reinforces the necessity to cherish every moment of our lives. It was a long and winding road that brought me to my current place of residence. After I retired from teaching at the Rochester Institute of Technology in 1989, I could have lived in Rochester with my husband Mani in our modest house, free of mortgage. But he had suffered two heart attacks and I found it difficult to cope alone. My son, Ramani, invited us to live in his house in Niskayuna, NY, or, if we chose, an apartment that was close to his house where he could help us with some of the more onerous chores. My daughter, Uma, was a pediatrician in New Jersey and she was keen to have her father live with her and be close to medical help. The house where she practiced was big enough to accommodate Mani and me and she would be available most of the day. She and her husband Ram had built another house for themselves and their growing daughter and son, nearby. Mani and I decided that it would be better for us to move in with my daughter, Uma. My son and daughter-in-law lived only three hours driving distance away from us. 24 • india currents • november 2012

My husband, Mani, lived only for a year after our move to New Jersey, but it was the happiest year of his life, being close to the family. After his death, I was glad to be available to my family. I was an integral part of my children’s lives. I was happy to witness all the important milestones of their children’s lives, too. This arrangement worked fine for about 18 years when suddenly tragedy struck. My daughter, Uma, was killed in an automobile accident when she was coming home from work. My life, after my beloved Uma’s death, was shattered and a blackness enveloped me. With the passage of time, and what I felt was God’s will to keep me alive to provide emotional support to my precious grandchildren bereft of their mother, I slowly began to deal with my loss. There was no other choice. Before my daughter’s untimely death at 62, when I was 85 years old, I was still fairly in-

dependent, driving around and taking care of most of my needs. With age and grief came physical limitations. I fell down a few times at night when I was alone, and increasingly, I was unable to cope with some of the most basic household chores. That's when I realized that I could not live alone without assistance. And so, here I am, with a new family not connected to me by biology, culture, language, or religion but by age, and diminished physical functions. Even though initially it felt strange to be uprooted from my familiar surroundings, my loved ones, and a life that I had known for 88 years, the warmth of fellow residents and the staff looking after me helped me cope with my new incarnation. Mine is probably not the exception. The old family paradigm of seniors spending their twilight years with their children is increasingly giving way to some form of assisted, independent living as a choice for Indian seniors in

this country. Seniors who do not have any major health problems and need assistance only for chores like cooking, housekeeping, laundry, and driving find assisted living a viable option for life in a community without sacrificing dignity and independence. Many Indian seniors like me came to this country in the late 60s and have worked in various industries, and as a result receive social security, Medicare, and, in some cases, pension benefits, plus their rainy day savings in the form of assets in stocks and mutual funds, and in some cases. a mortgage-free house. These sources of income enable them to live in licensed Assisted Living facilities where they can maintain their independence as well as dignity during old age. The National Census Bureau estimates that by 2050 the number of seniors over 65 years and older will be 88.5 million in this country, more than double the current population of elderly. This calls for timely planning for some kind of retirement living. Once I moved in, I felt younger than I had felt in a long time. There are 8 residents between the ages of 95 and 101, and 24 residents between 90 and 101. About half the Ingersoll population are nonagenarians. Life in Ingersoll Place has routine and is structured. The building is located in a quiet area, not too far from the Mohawk Mall which has a grocery store, several department stores and a few eateries. A well maintained garden with a wooded area in the background leads to a porch where residents enjoy the outdoors and very often socialize. The porch leads to an atrium with a fireplace and a comfortable sitting area. There is an Activities Room where most of the daily activities like exercise, bingo and other games take place. The facility has two stories and elevators. The dining hall where three meals are served is both comfortable and elegant. It is where Ingersoll residents come together, three times a day to eat and relax. Each table seats four people. I like our table which represents a sort of microcosm of the United States. I am from India, Bill Kurley and his wife Eleanor are of Irish heritage, and Jane Bohunicky is of Italian descent. Two of us are Democrats and Bill is an ardent Republican. I am not sure what Eleanor’s political preferences are. Laughter, friendly spats, and all round fun characterize our table. One of the residents makes it a point to wish us at our table, everyday, without fail. Just a simple “enjoy your meal.” But I look forward to the greeting. These are the simple gestures that are the lubricants of society and often make a huge difference. The kitchen and dining hall staff are very courteous and friendly. I am the only vegetarian and the cooks serve me delicious, nutritious vegetarian meals, going out of their way to satisfy me. I do miss the sharp, tongue piercing taste of South Indian food but I can’t complain. There are a few Indian restaurants in the area which I visit occasionally when friends or relatives visit me. Occasional trips

are arranged by Ingersoll Place to theaters, area malls and restaurants. Visits are arranged to churches, and synagogues on weekends. Religious rites like Communion and Shabbat on the premises take care of the spiritual needs of some residents. There is a Hindu temple in the area which I visit sometimes with my son and daughter-in-law. Occasionally my family also take me to Karnatik music concerts held at the community center adjacent to the Hindu temple. Friends, both from the Schenectady Indian community and from Rochester, as well as my grandchildren visit me occasionally. Is life perfect in my current incarnation? No. I miss the joy of making coffee or lunch for my grandchildren, both of whom work in the same house where I lived in New Jersey. I remember how their appreciation for my cooking would gladden my heart. I miss driving my Honda Civic to Patel Cash and Carry, a grocery store on Oaktree Road in New Jersey, or to Macy’s and Target whenever there was a sale. I miss talking in my mother tongue, Tamil, one of the oldest languages with a rich literature going back to the pre-Christian era. I cannot sleep till nine in the morning here because breakfast is served between seven thirty and nine in the dining hall. Early to bed and early to rise has never worked for me in my adult life. These are some of inconveniences that we have to trade for the luxury of not having to cook, clean, or grocery shop. I am frustrated that I tire easily and cannot do as much as I was able to do even last year. But the residents here teach me a lesson. In spite of diminishing faculties, they all seem to have a will to live. Many of them use walkers and are hard of hearing. Some are bent with severe osteoporosis. They are active in their own way. Bingo is a religion for them. Some of them do crossword puzzles. Another tends the garden and feeds the chipmunks and birds. Then there is the daily exercise class and last year I even participated in a Spring concert, singing some American favorites from the forties, another piece of Americana that I enjoyed immersing myself in. It was, of course, a far-cry from Karnatik music. It made me realize that I may leave India, but India never leaves me. My laptop keeps me in touch with just about everything that is going on around me. As Milton’s Satan put it so eloquently in Paradise Lost: “The mind is its own place, and in itself can make a Heaven of Hell and a Hell of Heaven.” Ironically, Satan’s words in defiance of God signify that happiness and misery are a state of the mind. The mind is invincible in the worst of circumstances and therefore can create its own heaven through the prism of the mind. n Lakshmi Mani taught at the Rochester Institute of Technology for 20 years. She writes on American and Indian-American literature, and is a National Endowment for the Humanities fellow. india currents • november 2012 • 25

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Like Mother, Like Daughter A mother-daughter duo discuss the challenges of working together

mother daughter relationship can often be tumultuous. In the space of a few moments, emotions can swing wildly from anger to shared laughter and then to tears, say psychologists Dr. Charles Sophy and Brown Kogen in their book, “Side by Side: The Revolutionary Mother-Daughter Program for Conflict-Free Communication.” After having dealt with colic crying, messy diapers, pre-teen brattiness and teenage insolence, it can be a tough job for mothers to settle down to adult workplace camaraderie. Not so, says Poonam Bajaj. She and her daughter, Kavita Arora, are the mother-daughter team behind Sitaarre TV, on the air since July 2007, a magazine style television show that features Bollywood and Hollywood stars and events. Bajaj is the Executive Producer and Arora is the writer and anchor of the television show. “When you are working with a family member and you both have the same interests, there are few complications. Kavita and I have excellent rapport. We complement each other in our skill sets and get along very well,” claims Bajaj. Her daughter does not disagree. “We have excellent synergy. I have a very productive working relationship with my mother. You could say that we are more like sisters.” In a closely bound partnership, it can be difficult to be “like sisters,” and build distinct identities, especially in the case of the daughter. Used to heeding maternal authority, a daughter might find it difficult to separate her childhood from her adulthood. The relationship must progress beyond the usual mother-daughter parameters of control and assertiveness. Arora believes that it’s a recognition of shared goals that makes the difference in their case. “It’s about passion and the level of commitment,” she emphasizes. As a family enterprise, both Arora and Bajaj share a vision for success. It’s a vested interest in each other and in the ideas that funnel their mutual interests, claim the mother-daughter duo. Bajaj recognized her daughter’s passion for the arts; theater and journalism, useful skills in their media enterprise. Here are a few questions we asked them: How did the joint venture begin? Poonam: Growing up, I remember I wanted to be an air hostess during my college years. Of course, coming from a traditional family, being an air hostess was out of the question. Our family moved to Delhi from Pakistan after the partition, and money was 28 • india currents • november 2012

namics any different when you were growing tight. But my mother always wanted her up, Kavita? daughters to be financially independent. Kavita: Mom and I have always been I’ve always wanted to do something creclose. I was a pretty uncomplicated teenager. ative. Media seemed a very attractive option. That might have helped. (smile) It all finally came together. I retired from my Poonam: Our relationship was, perhaps, job as an administrator at the City of San Jose like most mother and daughter relationships. on a Friday. On the next Monday, I launched I was very focused on my kids’ education, Vista Group Entertainment, producing Siafter-school activities and their careers. When taarre TV. I have always been interested in I see some parents having a difficult time media, entertainment and films. I had no with their kids, I feel blessed. So our working knowledge of editing or television production. together was just a natural progression. But I took editing classes at Ohlone College How do you manage to separate work and and later hired a private tutor to improve on business life? my editing skills. I also took moviemaking Poonam: For both of us, family comes first classes at CreaTV. and then work. Kavita has two boys and they What is the quality you admire most in take prime importance. On a few occasions, each other? we were all ready to go to a shoot and Kavita’s Poonam: Kavita’s work ethic. She is babysitter canceled. I told her to bring them knowledgeable about the Indian film industry along for the shoot. If she were not my daughand film history. She enjoys her work and it ter I would not be this accommodating. shows. Kavita: Sometimes we have work activities Kavita: Poonam is extremely intelligent and other times we have family get-togethers and a good judge of character. that are focused just on family. The two are What frustrates you about working with naturally separate. But family comes first. each other? Poonam: When we’re shooting a segment, Poonam: It frustrates me that she doesn’t Kavita’s the anchor and I’m the producer. pick up her phone! Being different people, When the shooting stops, we become mother we do have different points of view. Someand daughter again. n times, Kavita tells me that my ideas are oldfashioned. But I accept that since I think from my own limited point of view and there’s a Geetika Pathania Jain contributed to this interwhole world of knowledge out there that I’m view. Geetika Pathania Jain is an educator and not familiar with. Take the case of a segment writer living in the SF Bay Area. that Kavita put together. It was on Hindi songs of the 60s. Kavita creatively combined the songs and showed how they were copies of Hollywood hits. This was a unique episode and I’m really proud of her for doing this. I would not have been able to do the same. Kavita: I’d like an unlimited budget for my episodes but, my mother, the Executive Producer is unable to oblige! Kavita Arora, Poonam Bajaj Were the dy-

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Farhana Huq

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y name is Farhana. I am the daughter of immigrant parents from Pakistan and Bangladesh. I am the founder and chief trailblazer of a unique idea—Brown Girl Surf. This is my story. My family came to America nearly 40 years ago. My mother was the first woman in our family to graduate high school. She wore a traditional head covering while growing up and was arranged to marry someone at the age of 15. Her path was very much predetermined for her. She had little opportunity as a woman growing up in an eastern culture at that time. After skirting an arranged marriage and immigrating to the United States, she found a way to re-invent herself. In doing so, she was one of the first women in our family to break the conventional barriers imposed on women. However, she still held on to her traditions and values as a woman raised in the East. She read her namaz each morning, she cooked very good curry, and she wouldn’t let me wear short skirts ... forget about dating boys! She and my father, whom she married of her own choosing, settled on the New Jersey Shore. Though I grew up five minutes from the ocean, there were no places to really learn surfing unless you happened to be born into a surfing family and besides girls really didn’t surf. I was, however, raised in a family that valued supporting girls in pursuit of their passions. One of my fondest childhood memories was fishing on my dad’s boat and playing at the beach. I still remember the day I caught 30 • india currents • november 2012

two flukes on my fishing line. I could barely reel them out of the water but I’ll never forget the feeling of wonder at seeing my catch and the waves of congratulations from all the fellow fishermen. My girlhood shaped who I am today. I was athletic and loved sports. At 15, I was the first South Asian girl member of the U.S. National Karate Team. It was an amazing experience. But I was aware early on of the privleges I enjoyed and I realized that life looked vastly different for most girls around the world. In Bangladesh, the country where my dad was born, I saw a girl who couldn’t be more than 13, with a baby, forced to beg on the streets to make a living. It really left an impression on me. I started volunteering in my teens at a transitional housing site for women and children. I witnessed how girls had to grow up quickly and shoulder responsibilities at a young age. I went to college at Tufts and I also spent half a year studying in post-apartheid South Africa. I stumbled upon a Gender Studies class while I was there. We read about the status of women in the Bosnian War and learned about rape camps and ethnic genocide. It was a real turning point for me and I was somewhat naively in disbelief at this reality. In my own family, I saw a favorite aunt of mine deal with domestic violence and go through a divorce. She had to raise her kids as a single mom on welfare, and that was a completely disempowering experience for her.

By the age of 22 I ended up moving to California to fulfill an Americorps project promoting women’s economic empowerment. I felt a sense of responsibility as a global citizen to make sure I addressed the status of women and girls in the world. By the time I was 24, I had started a non-profit called C.E.O. Women to empower women just like my aunt. The organization was dedicated to helping low-income immigrant and refugee women to become entrepreneurs. I started the organization with just $1,000 and, with an awesome team, grew it to national acclaim. To this day, I am so honored I had the privilege to work with over 2,000 women in the eleven years I ran the organization. The work was amazing. But, I found as the years went by, it took a lot out of me. I had a strong desire to reconnect with my health and my body. I took my first trip to Hawaii and decided on a whim to take a surf lesson there. Nobody in my family had ever done this. I had always wanted to learn. I sucked. I mean, really sucked. I tried a few more times over the years to learn but was frustrated. But, I was determined and decided to go to Costa Rica for three weeks to learn to surf. I was still horrible at surfing. I paddled out into the ocean, on my second day at Costa Rica, when a huge wave came and broke on me and dragged me halfway to shore. My board hit me over the head and left me with a huge bump. I became terrified of the power of the ocean for those weeks but when I came

home, I yearned for the feeling of being in the water. So I started braving the cold Northern Californian waters and was soon catching waves on my own. Before I knew it, I started traveling around the world in search of waves. Something felt so empowering about being able to maneuver through the ocean, catch a wave and ride it. In my tenth year at C.E.O. Women, I took a much needed sabbatical to travel the world on a surf adventure. I came back rejuvenated and with newfound optimism. But three months later I started to get pains in my body. When I went to the doctors, they found a few cysts. I was a little scared, especially since I had lost many friends to cancer. My very first instinct when I got the news was “I have to surf and live in the moment now!” I also felt like I had a message to deliver to the world, and it felt like the time had come to explore what was next in my career journey. Thankfully the cysts were benign. But the process forced me to evaluate my life. I tendered my resignation and began thinking of other opportunities and ideas. I went through several ideas and settled on becoming a professional big wave surfer just like Laird Hamilton! I’d tie a rock to my foot and sprint at the bottom of the ocean, run the sand dunes of Ocean Beach, get sponsors, and be on my merry way. You can only imagine the reaction I got from my parents at hearing this. I started training with a coach down in Santa Cruz and even got a few sponsors. I ended up injuring myself and took it as a sign that this wasn’t my path. Last Fall, my coach sent me an article that made mention of India’s first female surfer. Surf and India? I was curious and fascinated at the same time. Who is this female surfer? How did she do it? How did she get her family’s acceptance? Does she compete? Is she encouraging other women and girls to partake? I then started to notice that women and girls in the most unlikely places were starting to surf or be the first to pursue this ocean loving sport—in Bangladesh, China and even amongst the war zone of the Gaza strip. I was intrigued. I learned the stories of these girls and how they managed to break so many barriers to pursue this sport. My desire to want to meet and connect with them led me to start Brown Girl Surf, named so in honor of Polynesia’s first female surfers. Brown Girl Surf is a stage to share the stories and projects of trailblazing female surfers around the world. It is also a platform for me to speak up about larger environmental issues like plastics pollution and perception issues like self-image and identity. The goal of Brown Girl Surf is to elevate the significance of these women and

girls, to connect and support them through a global network and to use their stories to inspire and empower a culture of trailblazing females to live in possibility of their dreams. So I know what your question is. Aside from the fact that surfing is really cool, why do I care about these stories? Why should you? To me, these stories matter because they represent living in possibility, and I think this is a message we all need to see more of in the world. We need to know about Argentina’s first female big wave surfer who picked up a surfboard at the age of 20 and then surfed every major big wave by the time she was 30. This represents possibility. We need to know how Ishita, a journalism student at a college in India, picked up a surfboard and ended up moving to the coast to teach surfing to her community where women just don’t do that. That’s possibility. We need to know how the 15-year-old girl in Gaza manages to break tradition and surf past the age of 15 into her adulthood. It’s her way of saying, “nobody will have control of what I do with my body.” That is possibility. These stories inspire others to go after their dreams. People see them and say, if they can do it, so can I. It’s like a domino affect to social change. This November, I am proud to announce that I will be journeying to India and Bangladesh to meet the first female surfers. You can be part of our campaign for this unique project at www.indiegogo.com/surfingpossibility. Through Brown Girl Surf, I wish to inspire activism within girls of all cultures to live boldly in tune with their bodies and to inspire the world to embrace alternative images of risk taking in diverse cultures. To me, surfing is just a metaphor for the waves of possibility. Our world, and our girls, need more examples of living in possibility. I invite you all to hop on board and journey along with me. I also challenge you to surf your own wave, whatever it may be. n Farhana first stood on a surfboard at age 26, not realizing she would eventually fall in love with the sport that would lead her to start Brown Girl Surf. www.browngirlsurf.com. Surfing Possibility: Stories of India and Bangladesh’s First Female Surfers: www.indiegogo.com/surfingpossibility

india currents • november 2012 • 31

I C ask a lawyer Indu Liladhar-Hathi

Immigration Sinkhole

My aunt (mother’s sister) sponsored my mom about 12 years ago (in 2000), when I was 14 years old. On June 3, 2012, the date became current. Based on the approved petition, my mother, father, and my younger brother (who was four years old at the time of filing) all immigrated to the United States. However, I was not able to join them because I was advised that I had “aged out.” What should I do?

I have some good news to share with you. In late September, the Ninth Circuit Court of Appeals ruled in favor of young adults, who due to long delays caused by visa backlogs, lost the opportunity to obtain their Green Cards before they turned 21. Before this decision was made, your only option was to have your parent file a separate petition for you under the family-based 2B preference (assuming that you remained un-

32 • india currents • november 2012

married). Under this court decision, there is an automatic conversion and priority date retention to aged-out dependant beneficiaries. This essentially means that you will automatically be categorized under family-based 2B preference category and will be able to retain your 2000 priority date. So, if you are born in India, then according to the October Visa Bulletin, the family-based 2B category has a priority date of September 15, 2004. This means that under this ruling, you would be able to reunite with your family immediately, once the paperwork is completed. At the time of writing this article, I am not sure if the government will ask the U.S. Supreme Court to review the Court’s decision. If that happens, then it may take some time before this issue gets resolved.

carries a priority date of May 2008. If I change my employer, will I be able to use the same priority date? If yes, do I have to be employed in the same position?

Immigration and business attorney Indu Liladhar-Hathi has an office in San Jose. (408) 453-5335.

I started my employment based Green Card process with Employer A four years ago. My I-140 is approved in EB-3 category and

The Green Card process is for prospective employment, and just because you completed your first and second steps with an employer does not mean that you have to remain with the same employer in order to maintain your priority date. You can switch your employer or move to a different position, and you would still be able to retain your priority date. This is possible even if your employer revokes their I-140 petition, as long as there is no finding of fraud or willful misrepresentation. n

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Important Note: U.S. travelers seeking visas to India will now need to obtain them through Travisa Outsourcing. Call (415) 644-0149 or visit http://indiavisa.travisaoutsourcing.com/ for more information.

November 2012

his column carries priority dates and other transitional information as taken from the U.S. State Department’s Visa Bulletin. The information below is from the Visa Bulletin for November 2012. In the tables below, the listing of a date for any class indicates that the class is oversubscribed. “Current” means that numbers are available for all qualified applicants. “Unavailable” means no numbers are available.

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india currents • november 2012 • 33

books

Rajesh C. Oza

Dirty Water, Blistering Ice

BEHIND THE BEAUTIFUL FOREVERS: LIFE, DEATH AND HOPE IN A MUMBAI UNDERCITY by Katherine Boo. Random House, 2012. 256 pages. Hardcover $15.88

“A

nother garbage trader had set up shop at Annawadi, filling the niche created by the demise of the Husains’ business. Abdul now spent his days in a tiny rented storage shed at the edge of the Saki Naka slums. His efforts at trading came to little. The Saki Naka scavengers had preexisting allegiances. But sitting idly in the doorway of the new shed, looking out over an alien maidan, Abdul found that he felt light. Annawadi tragedies did not rank here. No one knew of Fatima, or his family’s trial, or of Kalu’s death, or that Sanjay and Meena had eaten rat poison ... Maybe because of the boiling sun, he thought about water and ice. Water and ice were made of the same thing. He thought most people were made of the same thing, too. He himself was probably little different, constitutionally, from the cynical, corrupt people around him—the police officers and the special executive officer and the morgue doctor who fixed Kalu’s death … But here was the interesting thing. Ice was

34 • india currents • november 2012

distinct from—and in his view, better than— what it was made of. He wanted to be better than what he was made of. In Mumbai’s dirty water, he wanted to be ice. He wanted to have ideals.” Dear Reader, For the first time in a quarter century of reviewing books, I have opened with an extensive quote. I do so because I want you to get inside Abdul’s world-view, and I desperately implore that you buy, beg, or borrow Katherine Boo’s Behind the Beautiful Forevers. If you have a heart, please read this book. If you are lacking this vital organ, I’ll drop the polite niceties: just the read this book you apathetic, heartless brute (or at least read through to the end of this review and send a letter to the editor requesting that book reviewers refrain from insulting you). The surface story of Annawadi will be familiar to anyone with a glancing understanding of Indian slum life. Even if your knowledge is lightly earned from filmi entertainment like Shree 420 or Slumdog Millionaire, you know the basic narrative: in the midst of plenty, there is want; and the want feeds illusory dreams. The undercity that Boo poignantly renders is filled with, if not fueled by, similar

dreams: Mirchi wants a job at a luxury hotel; Raja needs a heart valve; Meena desires a love marriage; Sunil would be happy to eat enough to grow an inch; Asha’s unbridled ambition is to be Annawadi’s first female slumlord; Manju aims to be the slum’s first female college graduate; Sita (a.k.a. Fatima or One Leg) wants to be desired; and Abdul dreams of a wife—an innocent, loving, supportive wife. If grinding poverty was as romantic as Hollywood dream merchants would have us believe, Boo’s nonfiction would end with a rapturous community dance harmoniously celebrating rising incomes, improved health, good governance, educational equity, and, of course, love-sweet-love. But Annawadi is real, grindingly real. The backstory involves death by self-immolation, rat-poison ingestion, malarial mosquito infestation, and economic destruction. What Boo does convincingly is to put faces under the mask of death. And rather than linger on the sadness of it all, she probes below the mask to unearth both hope and corruption, helping the reader find a lotus blossoming in a stinking lake of sewage. Abdul Husain is the lotus, and his “death” is that of innocence lost. No time for this teenager to contemplate a present full of games and girls or a future replete with anything but the drudgery of sorting garbage into recyclable material. Abdul’s story is the engine that drives Boo’s narrative. Between 2007-2011, she methodically observed this boy’s work life, family life, social life, and inner life. His entrepreneurship in waste management enabled his Muslim family to thrive in Annawadi, a predominantly Hindu slum. But as the Husain family grew, its prosperous business and pukka brick house attracted the envy of Fatima, a handicapped neighbor cruelly called “One Leg.” Fatima’s mental and familial instability were matched by her physical deformity: “One Leg’s crutches seemed to be too short, because when she walked, her butt stuck out—did some switchy thing that made people laugh.” Instability is the law of slum life. Cruel hilarity mixed with growing ambition yield envy. Envy turns to quarrel. Quarrelsome neighbors invite police intervention. And the police take advantage of a small matchstick which ignites

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india currents • november 2012 • 35

ordinary kitchen kerosene into an act of self-immolation that is extraordinary in its cunning and craziness: cunning because it wrongfully accuses the Husain family of murder; and crazy because it results in Fatima’s death and the demise of the Husain family’s modest fortune. In reading about Abdul’s trial and that of his father and sister who together have been caught in a “great web of corruption,” I came to recognize that not only was a teenage boy’s innocence lost, but also that of this middleaged book reviewer. The India that I hold dear—a civilization that valorizes the monsoon in Sanskrit love poetry and mythologizes chaos into creative destruction—is nowhere to be seen in Behind the Beautiful Forevers. Even the book’s title mocks my romanticized outlook: “The airport people had erected tall, gleaming fences on the side of the slum that most drivers passed before turning into the international terminal. Drivers approaching the terminal from the other direction would see only a concrete wall covered with sunshine-yellow advertisements. The ads were for Italianate floor tiles, and the corporate slogan ran the wall’s length: BEAUTIFUL FOREVER BEAUTIFUL FOREVER BEAUTIFUL FOREVER.” I am the airport person Boo indicts when she writes that while “rich people spoke of the romance of the monsoon …, at Annawadi, the sewage lake crept forward like a living thing.” I am the airport person Boo shames when she observes that “every country has its myths, and one that successful Indians liked to indulge was a romance of instability and adaptation—the idea that their country’s rapid rise derived in part from the chaotic unpredictability of daily life.” Boo has not only given us a window to Mumbai’s miserable slum life but also a mirror to our attitudes that either perpetuate that misery or ignore it in a haze of selfcongratulation. For a moment (a reader’s privileged moment), trade places with the residents of Annawadi. Ask yourself if you would become a Fatima or an Asha: “powerless individuals [who] blamed other powerless individuals for what they lacked. Sometimes they tried to destroy one another. Sometimes, like Fatima, they destroyed themselves in the process. When they were fortunate, like Asha, they improved their lots by beggaring the life chances of other poor people.” Or would you, like Abdul, hold on to hopeful ideals. “It is easy from a safe distance, to overlook the fact that in undercities, governed by corruption, where exhausted people vie on scant terrain for very, it is blisteringly hard to be good. The astonishment is that some people are good, and that many people try to be.” n RCO occasionally wonders what his life would have been like had he remained in his city of birth—Bombay—and traded places with the Abduls of the world. 36 • india currents • november 2012

Geetika Pathania Jain

The Bloom of Romystery TULIP SEASON: A MITRA BASU MYSTERY by Bharti Kirchner. Booktrope $14.95 246 pages. booktrope.com. bhartikirchner.com. Available for digital readers.

his fast-paced mystery-romance novel will surely find favor with older teenage girls. The protagonist, Mitra, is a free-spirited young woman who is part sleuth and part landscape designer. An émigré of Indian origin, think grown-up desi Nancy Drew meets Harlequin heroine. The narrative centers around the disappearance of Mitra’s friend, Kareena, a domestic violence counselor. Mitra’s strenuous efforts to find her friend are set against the beautiful backdrop of Seattle. Surely anyone who has visited the Pacific Northwest can attest to the beauty of the tulips in the Skagit valley, and these beautiful flowers become a motif for the state of Mitra’s investigation. Could Kareena’s husband, Adi, have had a hand in this diabolical deed? Why else does he narrow his eyes menacingly whenever he sees Mitra? Articulating in business-speak and buzzwords, Adi provides proof that evil corporate executives can serve as convenient and acceptable scapegoats in mystery novels. Even as recent real-life newspaper headlines tell of insider traders with last names such as Gupta and Kumar heading to jail, there is suspicion that the fictional Adi could be a well-dressed scoundrel. Stories of Ponzi schemes and industry’s wayward flagbearers have recently captured the popular imagination, and surely fictional novels in general and Adi’s character in particular can be inflected by this collective angst. No less sinister, however, is the mysterious jhola man who revs his motorcycle threateningly at Mitra. This is the shady Jay Bahadur (ok, even a Bollywood outsider can see that that is a clever omission of vowels for the name of the Bollywood legend Jaya Bahaduri.) But let me not give too much of the story away. At many levels, the novel is a commentary on the angst of immigrants. Kirchner writes of the self-doubt that Mitra is filled with when she meets her college friend Preet, who has chosen to remain at “home,” which term serves as a metaphor for the home left behind as an immigrant. Upon meeting Preet’s son, Kirchner writes: “He reminded her, this treasured child, of the distinctness of her two lives, Indian and American, and how difficult it was to draw the halves closer. As

with a broken mirror, the parts simply didn’t fit; the view were distorted, dizzying.” Mitra seems similarly conflicted in matters of the heart. It doesn’t help that Mitra appears besotted to a Jekyll and Hyde character, Ulrich. If only Mitra would listen to the good advice of Glow, a.k.a. Grandmother. Glow is a sprightly septuagenarian who has formed a deep bond with Mitra. We learn later that she is estranged from her own daughter, and that Mitra fills a very real void. A reminder that kinship transcends blood ties. The warm fuzzies generated by Mitra and Glow help Glow come to terms with the disappointments of thwarted expectations between kin. To its credit, the blurring of the mystery and romance genre spares us the happily ever ending. Yet several tropes of the Mills and Boon genre are in evidence, the detailed attention to clothes being one of them. The colorful word pictures bring to mind the turning of the pages of a glossy fashion magazine. An example: “It took Mitra no time to choose a pale green number with a blue-gold crystalline border.” Yet despite the gloss and detail of Mitra’s attire, the characters she interacts with seem strangely flat and uni-dimensional. There is an uneven quality to the book, with some parts written as though in a rush. Non-sequiturs abound. At times, Kirchner’s style appears over-wrought, with excessive adjectives: “Adi’s red-ringed eyes sparked with anger, confusion, despair, and possibly even hatred.” Still, Kirchner has delivered another tidy installment in this mystery series. After all loose ends of the mystery have been neatly tied, we are left asking a few questions at the end of the book. Will Mitra’s gardens bloom? Will she ever find true love? And will Nobuo Yoshihama continue to cause Mitra’s heart to beat faster? And as mystery romances go, those are fine questions to leave us with. n Geetika Pathania Jain lives in the SF Bay Area. She wonders if Seattle has changed since the last time she lived there.

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india currents • november 2012 • 37

business

Shashank Shekhar

Lessons From the Trenches Top three lessons of entrepreneurship

s an entrepreneur and an author, I get the privilege to speak to a lot of professionals, business owners and media producers. During my conversations I am frequently asked, “What are some of the most important lessons, you have learnt as an entrepreneur that you would like to share with other aspiring businesses?” Mine is not an uncommon story. Like many others, I came to this country as an immigrant from India in the fall of 2005. I did not have a lot of things going for me when I decided to start my own business. Most businesses need two Cs to take off the ground— Capital and Contacts. I had neither. All I had was a vision, a dream of doing something on my own and making it big. With nothing but a couple of thousand dollars, my laptop and a desk in my two bedroom apartment in San Jose, I founded Arcus Lending in 2008; the same year when the biggest financial crisis hit the U.S. economy. Most people thought I was crazy and, well, I could not blame them. It is very easy to get disappointed and dejected from the initial failures and give up easily. And believe me, I did fail frequently, especially in the beginning. In fact if you are not failing, you are not trying. Almost everything that made me successful started as a failure—when I started writing blogs, I didn’t get a single lead. When I started speaking only a handful would turn up to hear me. When I went to other related business seeking business, I wouldn’t get any. This lasted for months. But I persisted. I made sure to stay on track and kept plugging analyzing, monitoring and finding ways to improve continuously. So, succeeding during one of the worst recessions didn’t come easy. But with a clear vision and a solid game plan I was able to create a thriving lending business in a span of four years. There were several lessons learned along the way. Here are the three, I consider most important.

Build a Self-Brand

If you don’t blow your own trumpet, who else will? Many of you readers may have heard this. But most of us who grew up in India, find this really hard to do. It was hard for me as well, so I started the easy way. I realized that writing about my knowledge and sharing it in smaller groups was something I could

38 • india currents • november 2012

do. I started my own Lending Blog and began writing frequently. I started contributing to other blog sites in my industry and speaking at small industry events. Soon, the blog writing evolved into writing books and speaking at small events and led to my getting speaking invitations from national industry events. Media interviews followed and soon I was the goto person when it came to mortgage lending. So in other words, own your own successes. Everyday there are significant events that happen in your business life. If you are not able to convey the message of your success, no one else will. Consider it an art form. It’s not boasting and bragging but branding your own message. Pick the medium that works best for you —text, video or audio. If text is your thing— write blogs and/or ebooks. If video works for you, record and distribute videos on YouTube, Facebook and other video sharing sites. You can start a Vlog (Video Blog) as well. And if you are good at talking, starting a radio show or podcast is the way to go. Whatever medium you pick, current technologies make it extremely inexpensive to share your message and engage with your audience. And if you are not a born public speaker like me, try Toastmasters. It’s one of the best investments you would make when it comes to personal development.

Learn and Evolve

The biggest lesson I perhaps learnt as an entrepreneur is to never stay stagnant; always engage in the process of evolving. Since I began my journey as an entrepreneur, I have spent hundreds of hours in learning new ideas, tools and technologies. The return on investment has been huge. In today’s age there is no dearth of information. You need to take action after getting the information. Usually it’s not the lack of money or time that prevents people from executing. I was asked on a radio show what I thought was the number one reason why business owners do not implement ideas. I said it was inertia; lot of us are just stuck where we are. Even at this stage of my business, I spend several hours every week to learn new ideas. It’s an investment in your own advancement.

Out-Hustle the Competition

There are a lot of things in your business that you probably don’t control or may not

Most businesses need two Cs to take off the ground— Capital and Contacts. I had neither. All I had was a vision, a dream of doing something on my own and making it big. have access to. When I started, I didn’t have any capital or contacts, both of which are critical to succeed in any kind of business. The one thing that you can and must do is out-hustle your competition. Very early in my entrepreneurship days I was listening to the 2007 Toastmasters World Champion of Public Speaking, Vikas Jhingran speak about his victory. He wasn’t pegged as one of the favorites to win the competition. After winning he was asked his secret and he said that he knew he wasn’t the best but he out-prepared all other competitors. He worked on and practiced his speech two times more than other competitors. I took his message to heart. I knew I had my limitations but I decided I would never let my competitor out prepare or out-hustle me. Remember what novelist Greg Evans said. “I do not have superior intelligence or faultless looks. I do not captivate a room or run a mile under six minutes. I only succeeded because I was still working after everyone else went to sleep.” Entrepreneurship is a roller-coaster ride and not all days are sunny but with some imagination, a solid work ethic and a great attitude anyone can win this game. n Shashank Shekhar is the CEO, of Arcus Lending, a Silicon Valley based mortgage lending company. He is a national speaker, a blogger and an Amazon.com best-selling author. He can be reached at Shashank@ArcusLending. com.

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india currents • november 2012 • 39

perspective

Intersections Ranjani Iyer Mohanty

Reflections while waiting for the light to turn green at intersections

’ve stopped at the intersection of Highway 183 and Loop 360 in Austin. I see a man standing on the meridian, next to a folding chair, holding up a sign. It reads: “My 4 year old son is dying of cancer. Please help me pay for his medical treatment.” Austin is the lovely and sedate capital city of the state of Texas. Its population is about 800,000. It has rolling hills covered in trees, clear blue skies, and clean crisp air. It has roads without potholes. It does not have trash lying on the streets. It’s the home of cyclist Lance Armstrong and his Livestrong Foundation to support cancer survivors. It’s the home of large IT companies and the organic retail success story, Whole Foods. Mornings see an exercise-conscious populace walking, running, and biking along the riverside walkways. Evenings see the affluent fill the upscale restaurants. In this land of plenty, even the down and out who need to beg for aid at intersections can afford a sign to state their case and a chair to adjourn to. The man looks tall, able-bodied, and hefty, weighing in at not less than 200 pounds. And yet I’m disturbed. My own son died of cancer when he was almost four. My heart goes out to the man. It’s a terrible ordeal to go through even when you have no money issues, but I can imagine the added burden when you must worry about how to pay for the care—life-saving or palliative. I wonder if there is something I can do or at least anyone I can contact to assist this man. But then I wonder if this is just a scheme to separate people from their money. Does he really expect a stranger in a car to stop and give him $50,000? Friends tell me that American hospitals cannot refuse anyone who comes into Emergency. I wonder if this man knows that and why he doesn’t take his child to one of Austin’s many good hospitals—like the Children’s Hospital of Austin or the Dell Children’s Medical Center. Surely there must be social workers to handle such situations. I wonder also about Obama’s recently approved healthcare reforms and if they could help this man and his child. It sounds promising. In general, 50 million Americans who are currently without insurance will be assured coverage. In particular, two points may be particularly helpful: insurance companies cannot refuse coverage to children under the age of 19 with pre-existing conditions; and perhaps more 40 • india currents • november 2012

relevant, an expanded government Medicaid program will strive to provide more healthcare for those living below the poverty line—but this will also depend on the individual states.

At An Indian Intersection

I’ve stopped at the intersection of Africa Avenue and Ring Road in New Delhi. A distraught woman holding a small baby taps on my car window. She points to the baby and says it’s terribly ill and she must get it to the hospital immediately. She’s pleading for money. New Delhi is a frenetic teeming mega-city and capital of India. Its population is roughly 14 million. It has hazy skies and discernible air pollution. It has potholes with roads. It has wealthy industrialists, private schools, large parks, and monuments from the Mughal Empire. It sees thousands of opulent weddings each year that cost hundreds of thousands of dollars. It’s the home of the rich and famous of Indian politics. Pranab Mukherjee, the ex-finance minister has just recently moved from his plush government-supplied home in central Delhi to occupy the 355-room presidential palace, the Rashtrapati Bhavan. But Delhi is also the home of the poor. In this land of contrasts, more than half of Delhi’s populace lives in slums without basics like electricity and water. And yet I’m disturbed. A woman with a sick child is asking for help; what mother would not empathize? Pressed to my car window, her face is harsh, dusty, and tearstreaked. Her hair is unkempt. Her sari is torn and dirty. Her bony arms hold out the child for me to better see. The baby’s head is lolling back and it looks only semi-conscious. My first thought is to put both mother and child into my car and drive them to the nearest clinic. My family doctor is not far away in Vasant Vihar and the All India Institute of Medical Sciences (AIIMS)—one of India’s biggest medical facilities—is less than two kilometers away. But then warning bells ring. Friends tell me these can be con artists working to separate you from your money. I also remember reading a news item about a nanny drugging her charge and then hiring out the baby during the day to beggars so they could get more alms. So instead, I give her Rs.50 and tell her to immediately take the autorickshaw standing just at the curb to the hospital. She takes my money silently and

moves on to the next car to ask for more. While India does a thriving business in healthcare tourism for those who can afford it, the government’s healthcare programs for its poor have largely failed. Even so, there must be several charitable government-run and NGO-run clinics in Delhi who help the poor when they are sick—but I wonder whether this woman would know of such resources. Last year the Supreme Court ordered Delhi’s plush private hospitals to treat the poor free of charge but since then there have been reports that only some institutes have complied and others are making it difficult for the poor to access treatment.

The Global Intersection

Both the United States and India are experiencing economic slowdowns, although the U.S. would be happy with the Indian growth rate of 5.3% and India with the American GDP per capita of more than $48,000. The United States unemployment rate is over 8%. The government of India claims its nation’s unemployment rate is 6.6%, but the figure is rendered meaningless by the vast and murky unorganized sector. The United States has a social security system that one political party thinks provides too much and the other, not enough. India’s mishmash of social security schemes (often corruptly administered) is unilaterally thought to be insufficient. In both countries, there are people who walk the tightrope without a net, and fall.

The Light Turns Green

Stopped at the intersections, I look out from the comfort and cocoon of my car. I don’t fully understand their situation. Several thoughts run through my head. One is “There but for the grace of God—or more likely, sheer dumb luck—go I.” Another is to question if their story is true. A third and most important thought is what I should be doing to help. The light turns green for me. Feeling uneasy, I drive slowly through the intersection and away. n Ranjani Iyer Mohanty is a writer and academic editor, based in New Delhi. Her articles have appeared in several publications including The New York Times, The Wall Street Journal, and The Altantic.

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on Inglish

Kalpana Mohan

A Maharani in the Next Avatar, Perhaps? avatar |avvatär| noun chiefly Hinduism • a manifestation of a deity or released soul in bodily form on earth; an incarnate divine teacher. • an incarnation, embodiment, or manifestation of a person or idea

ne afternoon last July, I was sitting with the Queen of Baroda in her salon and she asked me if I would like to have some tea. I said “No, thank you” somewhat instinctively but I reversed my stance a few minutes later. I could not refuse an offer to drink tea with a maharani. It would serve as a great opener if I ran into a Silicon Valley Indian mogul in the San Francisco Bay Area. To pass up on the opportunity to let my silver spoon clink against the bone china at the Laxmi Vilas Palace that afternoon would have been a tragedy. I had considered riding in an autorickshaw to the palace just as the maharani had suggested in her email but I rode into the grounds, instead, on four wheels, in a beat-up purple Tata Indica with worn beige covers that my cousin had rented that morning for me and fitted with a young driver called Mansingh. A tall and lanky dude, Mansingh looked like a Bollywood hero but was really a bit of a zero. The words on his red T-shirt should have been a warning to me: “Hard work pays off later. Laziness pays off now.” But Mansingh did do one thing right. He took memorable pictures of me outside the stunning Baroda palace built in the Indo-Saracenic style; in the pictures I stand—in front of those domes, balconies, stained glass panels and mosaics—looking almost regal, like a minor maharani about to glide into her Daimler. Before I landed in Baroda I spent time reading about the life of royalty in India’s princely states. Native princes governed over two-fifths of the Indian subcontinent by the time Crown rule was established in 1858. India had 567 principalities and the British empire demanded that these big and small kingdoms owe allegiance to the Empire and to Queen Victoria who was proclaimed to be the Empress of India in 1876. The indigenous states ruled by the Indian princes retained their internal autonomy but their external relations and defense became the responsibility of the Crown. The Indian Princes were assured of protection from internal and external aggression through deployment of company troops. The Raj found many of these royals to be faithful military allies and used them as conduits to the people of India. The Empire had a lot to gain by keeping these blue-blooded natives happy. Much of the charm of India and its exotic appeal lay in the courts of these Maharajahs. Furthermore, these royal vassals of the British really knew how to throw a party. The top officers of the Empire went hunting with the royals and took advantage of the lavish hospitality in these palaces. If India were viewed as the British Empire’s crown jewel, the pomp and glory of the princely states was a substantial part of its attraction. India’s royalty added color and heft to formal proceedings. At the Delhi darbar of 1911, all the princes were expected to be in attendance in their finery to commemorate the coronation in Britain a few months earlier of King George V and the announcement of India's new capital as New Delhi. However, not all princes swayed to the expectations of the emperor. At that darbar, Prince Sayajirao Gaekwad III of Baroda, showed his displeasure at imperial rule by refusing to dress in full regalia. Sayajirao is supposed to have bowed only once (instead of the three bows) and he also turned his back on the emperor (princes were not supposed to show their backs to the king).

48 • india currents • november 2012

Lakshmi Vilas, Baroda

The stories I read about the maharanis of princely families made me wish I could be born a royal in my next avatar. The story of how Indira Devi, a scion of the Baroda royal family with its 21-gun salute, became the Maharani of Cooch Behar, which was only a 11-gun salute state, is one of the fairy-tale romances of India. In comparison, my life feels vapid—one without ferocity, passion, conquests, color and suitors, although I did have nine suitors followed by a tenth one who became my husband. I suppose, unlike the late Gayathri Devi, I will not die worrying about the proceeds of a large estate. Mine is all of about 3000 square feet minus a retinue of servants and plus a husband, who is an asset sometimes and a bit of a liability at other times. Unlike my living room in Saratoga which is not larger than the smallest powder room in a palace, the darbar hall of the palace at Baroda is splashed with marble, mosaic and Venetian tiles. The classics of painter Raja Ravi Varma adorn the walls of this hall, one of the most magnificent in all of India. Today, many of these palaces are art galleries to the glories of old India and some have evolved into heritage hotels that are playgrounds for the nouveaux riches from places like the Silicon Valley. The kings of India were purveyors of tradition and custom and patronized art and craft. Today the royal families of India are stripped of their titles and their privy purses, yet their life of privilege continues and likewise a life of responsibility. Many continue to be active in politics and public service. One of the reasons I was at Baroda that afternoon to meet Maharani Shubhangini Devi Gaekwad was to talk about her patronage of sari weavers from the town of Chanderi in Madhya Pradesh. By the time I left Gujarat, I had experienced how life could be a royal pain with an ineffective underling. Mansingh did not only not know Baroda. Mansingh did not know Ahmedabad. And he didn’t know English. Still, Mansingh was a man with a ready smile and over the next three days, I would speak to my subject in the language of food, passing him burfi, laddoo and ribbon pakoda while we zipped around town, spinning our wheels going nowhere sometimes, thanks, of course, to Mansingh. Despite everything I do feel privileged to have not been born into privilege. I’m happy I’m not the Maharani of Cooch Behar although, as I told my husband recently, it’s hard not to feel like the Maharani of Kuch Bhi-Nahin on some days. n Kalpana Mohan writes from Saratoga. To read more about her, go to http://kalpanamohan.org and http://saritorial.com.

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The Miracle Tree

still remember the backyard of my childhood home in Chennai. It was a place of abundance. Along with the flowers and papaya trees were two huge mango trees, a henna tree, and the one and only moringa oleifera. I remember its botanical name because it was the topic of my biology showand-tell at school. “Murungai” as we call it in Tamil was my grandmother’s go-to tree. According to her, aside from the coconut tree, this was the other “Giving Tree.” It is also called the Tree of Life, The Miracle Tree, and the Gift from God. During the flowering months of February and March, my grandmother would spread out an old sari around the tree to collect the falling flowers. She would then make rasam (a flavorful tamarind soup) with these flowers, and it was always delicious. The long pods on the tree, with fleshy pulp-filled sections, are called drumsticks. April and May were drumstick months in our home. We got our daily dose in many different sauces and curries—sambar, mulaghutal, avial, morkuttan and much more. For the rest of the months, the murungai leaves ruled. If we ran out of side dishes, we knew what

would be on the menu for the next meal—murungai ela thoran or sautéed moringa leaves. Once a week the evening snack would include murungai ela adai (thick rice pancakes made with moringa leaves). The crushed leaves also came in useful as remedies for stomach ailments. My sister-in-law’s postpartum diet was moringa with every meal. Grandmom nurtured the tree carefully. She made sure that it was watered, the surrounding area cleaned, all the drumsticks on the tree were well inside our backyard and not jutting over onto the neighbors property where they could pick it off the tree. The dried pods or seeds were thrown into our fresh water well, as she said it purified the water. She had a long pole with cloth dipped in kerosene that she lit. She would hold the lit pole next to the stump of the Moringa tree, to burn off all the caterpillars that were clinging to the huge stump. “These kambali poochis (wooly caterpillars) love the gum,” she would

Dal with Moringa Leaves

mustard seeds splutter add the green chilies. Then add the chopped garlic, ginger and onions and sauté for a few minutes till the onions are translucent. Add the turmeric, garam masala, cayenne and the tomatoes and sauté for a few more minutes. Now add the soaked chana dal and mix well. Lastly add the fresh moringa leaves and 1 ½ cups of water. Place the lid and weight on the pressure pan and let it cook. Shut the stove after

Ingredients 1 cup chana dal soaked in water for 4-5 hours 1 tablespoon oil 1 tsp of panch phoran* whole spices 2 cloves of garlic chopped fine 1 medium red onion chopped fine 1 inch ginger chopped fine 2 Thai chilies sliced 1 tsp turmeric 1 tsp garam masala ½ tsp cayenne 2 medium vine ripe tomatoes chopped 1 cup fresh moringa leaves (destemmed) Salt to taste Squeeze of lime (optional) ¼ cup cilantro leaves chopped for gar nish *Panch Phoran spices – a mix of 5 spices, mustard seeds, cumin seeds, fenugreek seeds, nigella seeds and fennel seeds. Method Heat the oil in a pressure pan and add the panch phoran spices. Once the 54 • india currents • november 2012

exclaim. The picture of my grandmom sitting on the front porch, de-stemming a large bunch of moringa leaves remains evergreen in my mind.

Small Leaves with Big Values

Little did I know that there was a world out there that loved the moringa as much as my grandmother. There are activists, researchers, environmentalists, biologists and chefs dedicated to this one tree. Ayurveda calls it the 3rd whistle and let it cool. Remove the lid and mix in the salt and check the seasoning. Add the cilantro and squeeze a lime and serve a healthy nutritious cup of Moringa Dal.

Red Curry Moringa Drumsticks

Ingredients 1 cup firm tofu (drained and cubed) 1 tbsp fresh lemon grass sliced 2 cloves of garlic 1 tbsp of Thai red curry paste 2 fresh drumsticks cut into 1inch pieces 1tsp of palm sugar 1 can (13 fl oz) of coconut milk Salt to taste Add the garlic, lemon grass, red curry and drumsticks to a saucepan along with 1/2 cup of water and let it cook. Once the drumsticks are soft and change color from the bright green to a graying green add the tofu, palm sugar and coconut milk and lower the heat. Let it simmer and season with salt. Serve with a bowl of brown rice.

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the tree that can cure 300 diseases. The Trees for Life International says that moringa leaves can save millions of lives and can practically wipe out malnutrition from our planet. The moringa tree dates back to 2000 B.C. and is native to the foothills of the Himalayas. There are 13 species of Moringacae family and the most famous is the Moringa Oleifera. It is also called the Horseradish tree and Drumstick tree, or the Benzolive or Mulangay tree. The leaves of the moringa contain a wealth of essential nutrients and minerals necessary to sustain life. According to the Moringa Supreme the leaves contain 9 times the protein of yogurt, 10 times the Vitamin A of carrots, 25 times the iron of spinach, 17 times the calcium of milk, 15 times the potassium of bananas. Fresh Moringa leaves also contain 7 times the vitamin C found in oranges. Wow! Every country uses moringa in different ways for its therapeutic value. It is widely used in African countries to treat malnutrition and disease control in women and children and for purification of water. The oil from the seeds has been used by ancient Greeks to heal skin ailments. In India it is used in the treatment of a huge list of diseases from anemia, anxiety, asthma, blackheads, blood impurities, bronchitis, catarrh, chest congestion, cholera ... Guatemalans treat skin infections and sores with moringa. In the Philippines, moringa is used to treat anemia, glandular swelling and for nursing mothers to increase lactation. Now living here in California, we are fortunate that we can find Murungai leaves and fresh drumsticks in Indian and Asian grocery stores. Nutrition stores sell moringa powder, and some nurseries in Florida will mail you a moringa plant. The Moringa Chef uses the powder in pretty much everything from muffins to quiche. n

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india currents • november 2012 • 55

travel

Shivam Khullar

A Tryst with Nature Exploring the national parks of Utah

tah, home to some of the world’s most famous and awe inspiring national parks, is a hidden gem of the mid-west. It is a pleasurable retreat for those who seek comfort in wilderness. To witness this spectacle of nature, we decided to spend a long weekend in Utah exploring two of its most famous national parks—Zion National Park and Bryce Canyon National Park. In order to avoid the long weekend rush, we picked the week right after Memorial Day for our adventure. The airports nearby are Las Vegas, Salt Lake City and St. George. We chose St. George because of its proximity to the parks. If you do not want to spend a lot of time driving, pick St. George. Just make sure you book in advance, since there aren’t many airlines that fly there. I would recommend staying inside the park, since it saves a lot of time and the experience is so much better. You can camp inside the park or stay at the lodge. The lodges usually sell out very soon, so book at least three to six months in advance.

Bryce Canyon

From St. George to Bryce Canyon is a three hour drive (including some rest breaks). I was awed by the landscape around me as we started driving from the airport towards I-5 North. Vast open spaces reveal themselves as you drive up the highway. As you approach Bryce Canyon, you will come across the bright red hoodoos of Red Rock Canyon which will give you a sense of what you will see and experience in Bryce later on.

56 • india currents • november 2012

If you stay at Bryce Lodge, the famous “amphitheater” is just two hundred steps from your room. The vastness and beauty of this amphitheater can leave you spellbound. I saw miles and miles of strange and beautiful formations unfolding before me. The fact that these natural formations have been there for several years give it a sense of timelessness. How amazing is nature! These formations have been standing, maintaining their balance, unshaken by rains and storms over several million years. You can walk the rim of this amphitheater or take the shuttle that goes around the park, making stops at major tourist attractions like Sunrise Point, Sunset Point, Inspiration Point and more. If you are up for a short but steep hike going deep into the canyon, Navajo Loop trail is a good one. There is also a short hike that starts from Sunrise Point goes around The Queen’s Garden and Thor’s Hammer and brings you to the originating point of Navajo Loop. You must hike Inspiration Point. It is a very short hike, but steep climbs take you to one of the highest lookouts overlooking the amphitheater. You can feel the air getting thinner as you climb up. The name is

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The Hoodoos of Bryce Canyon

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where bottled mineral water is not sold in stores or restaurants. The gift shops sells reusable water bottles made with recyclable plastic that can be refilled at each shuttle stop. The Temple of Sinawawa is the last stop of the park shuttle, and also the originating point of the famous river water hike, “The Narrows.” It is a 16-mile hike through the narrow rock formations on the Virgin River. The water is not cold, and you can always do a part of this hike, instead of going all the way. It is quite an awesome feeling to paddle your way through water, as you balance yourself on the bed of rocks. Make sure you pick up walking sticks from the gift shop to help you on your way.

The Court of the Patriarchs at Zion National Park

apt—you will leave inspired by the variety and scale of the formations. The Rainbow Tour is offered free to park visitors. You need to book it in advance at the Visitors Center, usually a day prior to your trip. It is a short three-hour trip that takes you to the highest elevation points in the park—Rainbow Point and Yovimpa Point. The bus also makes several stops along the way and gives you ample time to explore some notable hoodoos. The tour guide also shares some interesting trivia about the local fauna, history and origins of the park. Some interesting points of interest on this tour are Natural Bridge, Aqua Canyon and Ponderosa Point. If you are short on time then the attractions covered above are pretty much what you can cover in a day and a half at Bryce. If you are staying at the park, the lodge offers a very comfortable stay and is walking distance to the shuttle bus. Dining options are limited in the area, but the lodge dining hall has an impressive menu and an even more impressive wine list. The dining hall takes reservations for all meals, but walk-ins are also welcome.

The Narrows at Zion National Park

Shivam Khullar is an astute business consultant, an opinionated writer, an avid reader, a creative cook, a hopeless coffee lover, a light traveler and a loving wife.

Zion National Park

Zion National Park is a ninety-minute drive from Bryce, and an hour’s drive from St. George. There are several entrances to the park but the one from the east side is the most scenic and gives you an opportunity to drive through the Zion-Mt. Carmel tunnel. Look out for Checkerboard Mesa and Zion Arch as you drive. Zion receives thousands of visitors every day, and to avoid the traffic on what is mostly a single lane road, the park provides a shuttle that covers all the major points of interest. The quickest and simplest way to see the park is to ride the shuttle and get off at stops that interest you. Simply leave your car in the parking lot and enjoy the recorded narration in the shuttle that tells you about the significance and history of each of the major attractions. Zion is an eco-friendly park,

58 • india currents • november 2012

hike can be completed in less than two hours. Some other major attractions of the park are—Weeping Rock, The Great White Throne, (which can be best viewed from Angel’s Landing) and The Organ. You can also enjoy quick photo opportunities at the Court of Patriarchs and Canyon Junction. There is a short scenic trail that runs from Canyon junction to the Human History Museum, called the Pa’rus trail. Don’t miss a short break at a small waterfall, halfway through this trail. The museum is a great place to catch the sunset and also offers great views of the West Temple, the Sundial and the Altar of Sacrifice. There is also a movie that is screened every hour about the origin and development of Zion National Park and the people who inhabited this region once upon a time. If you have additional time on hand, Kolob Canyon is a great area to explore and hike. Unlike Bryce, Zion has plenty of food options in the vicinity and you don’t have to depend on the food available in the lodge and the cafe. The town of Springdale is eight miles from Zion lodge and offers plenty of options to satisfy your appetite. Our three day tryst with nature in Utah left us wanting more of it. The silence and grandeur of these parks is imprinted in my memory and there is no doubt in my mind that I will be back to explore more of Utah in the coming months and years. One of the pleasures of living in the United States and especially on the west coast is the proximity to natural wilderness that is well maintained and regulated by the National Park Services (NPS). We take the best things in life for granted and NPS is one such organization that is undervalued and is currently operating under severe budget cuts. Let’s do our bit, and helps NPS maintain these splendors for us, so we can keep coming back. n

Like Yosemite, Zion is a favorite for hikers. Some of the noteworthy hikes are Angel’s Landing and Observation Point, which are both quite strenuous. There are several small to medium hikes in the area and some of them are also wheelchair accessible. Make sure you get a daily park newsletter (or check with a ranger) to know which hikes are currently open. The Emerald Pools trail is small but interesting and starts right opposite Zion Lodge. This

Inspiration Point, Bryce Canyon

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india currents • november 2012 • 67

I C relationship diva

Jasbina Ahluwalia

A Compatible Travel Partner Q

: My boyfriend and I recently took our first trip together and now I find myself wondering whether we have a future, or are just too different to make it for the long-term. While I’ve known for a while that I’m more adventurous than he is, I really never thought it might be an issue given that we both share similar life goals (we both want to have kids). The differences during our trip seemed even more pronounced than when we’re together in the city where we both live. To give you just one example, while I was okay with checking out a couple of sights, I found my boyfriend’s idea of mapping out which sights to see and when (not to mention which meals we would eat and where) completely boring. I wanted our days to be unscheduled, so that we could head to different areas of the city depending on our mood that day, check out whatever sights we came across, and stop in at local restaurants along the way which looked promising. Any hope for us?

: Your question reveals one of my dating guidelines: since people reveal themselves

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through time and interaction, be open to exploring compatibility by allowing a relationship to unfold over time and interaction. Your example reminded me of a presentation I attended at a matchmakers conference a few years ago. The presenter, a research professor of anthropology and the scientific advisor to a division of Match.com, Dr Helen Fisher, had developed a theory that while each of us is a combination of all four personality types, each person primarily expresses one of four broad personality types. In her book, Why Him? Why Her?, Fisher explains how understanding your partner’s personality type can help you navigate the ups and downs in a relationship. From your example, it appears that you are primarily an “Explorer,” while your boyfriend is primarily a “Builder.” “Explorers” are typically described as novelty-seeking, energetic, risk-taking, and adventurous; whereas “Builders” are characteristically cautious, conventional, stable and respectful of rules and traditions. While your differing temperaments can pose challenges, such as that experienced dur-

ing your travel, they can also result in powerful complementary teamwork. An example of this complementary teamwork: as you had mentioned the two of you share the life goal of wanting kids, your future family life can be enriched by the sense of adventure (provided by you) and security and stability (provided by your boyfriend). Both of your mindsets will likely determine the prospects of your relationship. Do you positively focus on teamwork by viewing each other’s differences as contributing complementary strengths to the union; or alternatively, negatively focus on the challenges by viewing each other’s differences as weaknesses warranting modification? n Jasbina is the founder and president of Intersections Match, the only personalized matchmaking and dating coaching firm serving singles of South Asian descent in the United States. She is also the host of Intersections Talk Radio, a monthly lifestyle show. www.IntersectionsMatch.com. Jasbina@intersectionsmatch.com.

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india currents â&#x20AC;˘ november 2012 â&#x20AC;˘ 69

music

Kanniks Kannikeswaran

The Western Music of Muthuswami Dikshitar A composer sets Sanskrit lyrics to western melodies

hose familiar with Indian classical music are aware of the raga-centered nature of the art. Those with even a peripheral awareness of Karnatik music are bound to know that much of what is heard in a kutcheri or concert is centered around the raga-based kritis (compositions) written by a trio of composers Swami Tyagaraja, Muthuswami Dikshitar and Syama Sastri, popularly referred to as the trinity. Over 400 kritis are attributed to Dikshitar, over 700 to Tyagaraja and about a 100 to Syama Sastri. While the latter two wrote largely in Telugu, the former wrote mostly in Sanskrit. Would anyone believe it if they were told that one of the “trinity” created a large body of compositions based on western music? And that too, back in the early 1800s way before the advent of “fusion music?” Yes, there is indeed a repertoire of “lesserknown” compositions based on western musical ideas attributed to the orthodox composer Dikshitar. A set of 39 compositions—all based on colonial tunes that came to India with the British East India Company written by Dikshitar. These compositions known as nottusvara sahityas (lyrics) came into being when Dikshitar wrote Sanskrit lyrics to the western tunes that he heard during his family’s sojourn at Manali near modern day Chennai. The beauty of these nottuswara sahityas lies in the fact that the introduction of Sanskrit lyrics into Western melodic themes has not resulted in something jarring or incongruous; on the other hand, these compositions are uniquely Indian, although devoid of the characteristic gamakas that decorate Indian melodic passages. Who is Dikshitar? What is his contribution to music? Why is it relevant today? Muthusvami Dikshitar (1775-1835) was born in Tiruvarur and a part of his early life was spent in Manali, near Chennai, where his family lived a musically immersed life under the patronage of Dubash Muthukrishna Mudaliyar. It was during this phase that Dikshitar came into contact with tunes played by British bands, during a political period marked by the rise of the East India Company in India. Dikshitar traveled widely and is often referred to as the eternal pilgrim. His sojourns covered his birthplace Tiruvarur, Manali near Chennai, Benares in North India, Kanchi, Thanjavur, Madurai and Ettaiyapuram in deep southern Tamil Nadu. He traveled 70 • india currents • november 2012

and composed kritis in praise of several temples en-route, as he covered all of these places on foot and on bullock cart. Dikshitar delivers the essence of hundreds of ragas through his weighty kritis. Several of his compositions bear elements of structural similarity with North Indian compositional form of dhrupad. Dikshitar was a luminary with a pan Indian expression that at once integrated several ideas and traditions together and wove a wholesome tapestry that was uniquely Indian. Approximately every twelfth composition of Dikshitar is based on western tunes such as jigs reels from the Irish repertoire, country dances, waltzes, marches and more. All of these tunes are in major scale conforming largely to the scale of the raga sankarabharana. Dikshitar’s genius can be observed from the fact that he integrated his lyrical context and his medium of expression with western tunes and created a new genre of Indo-colonial music that is neither completely Indian nor Western but both. The nottuswara sahityas are a microcosmic introduction to the world of Dikshitar. His well known kritis (vatap ganapatim, kamalambambhajare, rangapura vihara, arunachala natham, surya murte, manasa guruguha) represent his pluralistic approach to religion and his grounding in non-dualistic monoism. The lyrical content seen in the nottusvara sahityas is nothing but a condensed presentation of the themes seen in some of his compositions in heavy duty ragas—while the tunes are colonially influenced such as the “British National Anthem,” “Lord McDonald’s Reel,” the “Gallopede” and many more. The diversity in tunes that Dikshitar wrote lyrics to is staggering. The manner in which he integrated stotra lyrics with western tunes truly reflects his genius. The nottusvaras do not find a logical space for performance in the kutcheri tradition. They however are not to be dismissed as flippant creations in the face of the other magnificent edifices created by Dikshitar in various ragas. On the contrary, they constitute a precious and largely unknown legacy left behind by the composer. • They reveal a glimpse into the rich world of Dikshitar’s sahityas that are full of esoteric and aesthetic significance. Their text

Muthuswami Dikshitar

reflects the universalistic outlook of the composer, who was open to using alien melodies in his creative expression, in addition to the large body of highly sophisticated melodies of his own creation. • The Indo-colonial music of Dikshitar reveals the pluralistic approach of Indian culture and the unique ability of India to be open to new ideas and to transform an alien concept into something that is uniquely Indian. • From a practical standpoint, the nottuswara sahityas constitute a series of exercises that introduce the beginner to the fascinating world of Dikshitar’s classical music. n Kanniks Kannikeswaran is an internationally renowned musician, composer and music educator, whose award winning research on the Indo-colonial music of Dikshitar is beginning to influence Indian music pedagogy. With several path breaking works to his credit, Kanniks is considered to be a pioneer of the Indian American choral movement. He has been teaching Indian classical music at the University of Cincinnati since 1994. www.kanniks.com

(Next to Staples)

india currents â&#x20AC;˘ november 2012 â&#x20AC;˘ 71

72 â&#x20AC;˘ india currents â&#x20AC;˘ november 2012

A HABIB KHAN SARASWATI TEMPLE & GURUKUL Event

Guru Habib Khan

Sanjana Anand

PANDIT HABIB KHAN

Vinita P. Kumar

bestows

Gandabandhan Blessings on Sanjana Anand & Vinita P. Kumar PANDIT (Classical Sitar) (Classical Vocal)

Sunday November 25 2012 , 2:30pm Sharp 2759 Gold Meadow Ct, San Jose, CA 95135 All are cordially invited

Vocal, Sitar and Tabla Lessons offered by Habib Khan For Information call 650.255.9752 or 408.528.0786 india currents • november 2012 • 73

Kum. Alarmel Valli -

Bharathanatyam with Live Orchestra Nandini Anand Sharma - Vocal C.K.Vasudevan - Nattuvanar Sakthivel Murugananthan S - Mridangam Sigamani Natarajan - Violin Murugan Krishnan - Lights

Friday, November 9, 2012 8:00 pm

Venue: School of Arts & Culture at Mexican Heritage Plaza

1700 Alum Rock Ave., San Jose, CA 95116

SIFA DIWALI CONCERT

Sri. Mohan Rangan Govindraj - Flute & Sri Ravi Kiran Govindaraj - Flute Smt. Anurdha Sridhar - Violin Sri. Shriram Brahmanandam - Mridangam Saturday, November 17, 2012 - 7:00 pm Venue: Center for Performing Arts

Menlo-Atherton High School , 555 Middlefield Rd., Atherton, CA 94027

Admission is Free for All

For all concert timings and venue please visit http://www.southindiafinearts.org/

For details & updated information please log on to www.southindiafinearts.org

74 â&#x20AC;˘ india currents â&#x20AC;˘ november 2012

music

Vocal Music Classes By DR

MOUSOOMI BANERJI

(disciple of late Pandit Gyan Prakash Ghosh and Ustad Munawar Ali Khan)

Habib Khan Sitar, Vocal

* Teacher of repute and artiste having numerous stage and TV shows. * Elementary lessons for beginners in Indian Classical Music (Hindusthani style) and Light Classical Music - including bhajan, ghazal, etc.

Tabla Lessons

in San Jose, Fremont, Mountain View, South San Francisco, Danville, & Cupertino & Miliptas (ICC)

* Special lessons in Bangla Gaan - (Bengali) ClassesseIn, San Jo Puraatani, Tappa, Nazrulgeeti, Sunnyvale ra Atulprosad, Raagprodhan, etc. & Santa Cla mousumi_999@yahoo.com Contact: (408) 799-1102 • (408) 823-3918 mousumi.banerji@gmail.com

C L A S S E S

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Sangeetaanjali Inst. of Music (A Non Profit Public Benefit Corporation) Rigorous Classical Indian Music Lessons

New Vocal Teacher, Sri Saugata Banerjee declared a ‘Pandit’ by his Guru, Pdt. Jasraj-ji

• • • • •

All Levels: Hindusthani Vocal/Tabla/Sitar/Flute/Guitar Totally Dedicated Distinguished Music Faculty Tel: 510-651-9149 Visiting Eminent musicians of India Email: contact@Sangeetaanjali.org Performances of Students www.sangeetaanjali.org Concerts of Distinguished Artists (Local/Visiting)

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Bansuri Bamboo Flute

Jeff Whittier

• Flutes of the Highest Quality • Lessons in North Indian Music in Palo Alto & Fremont • Video Instructions Available • Light Classical Music for Indian Weddings

(650) 493-2187

E-mail: Bansijeff@aol.com india currents • november 2012 • 75

films

Aniruddh Chawda

Hardest Road Forward Politics effectively became the unwitting second character. Even Black was tricky in that instead of “just” a blind student, there was also her gifted teacher who comes down with Alzheimer's. A limitation in just one character in a movie can elicit empathy. More than one character that falls into this peculiar niche forces the viewer to transcend into an uneasy domain of sympathy. For this reason, Barfi! creates a small void. That may matter little. On the steady upwardly mobile trajectory that Basu’s work has traced from Murder (2004) to Life in a Metro (2007) to Kites (2010), Barfi! is Basu’s hardest road forward and his best work to date. Barfi! has garnered accolades far and wide. So much so that it is India’s official entry for the Best Foreign Film Oscar consideration for 2013. It is indeed a noteworthy entry and deserves to be so, perhaps not for the reasons so readily apparent. n

BARFI! Director: Anurag Basu. Players: Ranbir Kapoor, Priyanka Chopra, Ileana D’Cruz. Music: Pritam. Theatrical release (Disney UTV).

n the very short list of movies that have convincingly attempted several nonlinear chapters of a storyline simultaneously were Kahaani (2012) and Ghajini (2008). To figure in a nonlinear pulse that keeps tracks of three unique experiences into one gelling modus is even trickier. Despite flaws—and to be fair, it is flawed—the movie succeeds in a huge part due to director Basu finessing many different speeds of the same script while keeping intact the central premise with both narrative and staging. Basu has written a first rate story here. Time-shifting from the present to the 70s when it is mostly set, Shruti (newcomer D’Cruz), a college-age beauty visits Darjeeling where her father is posted for work. The already-engaged Shruti’s chance meeting with Barfi (Kapoor), a local ruffian who is also deaf and mute, ends up unresolved and Shruti returns to Kolkata. Picking up the disappointing pieces in her absence, Barfi sets out for the city, not knowing that Jhilmil (Chopra), Barfi’s autistic neighbor and childhood pal, has gone missing and may be looking for Barfi. For sheer entertainment, Barfi! scores very high. There are brilliant comic touches as the character Barfi tries staying one step ahead of a pudgy local constable (Saurabh Shukla) convinced that Barfi is behind an ill-conceived plot to kidnap Jhilmil. The language barrier that is a fact of life for Barfi also provides rich fodder for the comedy of lost translations. Then there are the indoor chases that bring to mind Kapoor’s grandfather Raj Kapoor channeling Charlie Chaplin. The acting is first rate. D’Cruz’s young married woman during the 70s superbly harks back to an era when mainstream leading decorum could be summed by Jaya Bhadhuri or Moushumi Chatterji in simple saris graced by a sizable bindi on the forehead. Chopra is simply amazing in bringing into the fold stark realism of the everyday life of an otherwise privileged girl-woman having to cope with autism. As Barfi, Kapoor is carefree and, not 76 • india currents • november 2012

having spoken lines, strangely liberated from conventional male lead role-playing. If there is just one reason to catch Barfi!, and there are certainly many reasons for not missing it, it is the soundtrack. The great music here is highly originally and refreshingly breaks the routine from Pritam’s sometimes over-orchestrated and heavily electric-sounding scores. From “Ala Barfi” to “Main Kya Karoon” there is ample evidence that if Pritam puts his mind to it, he can be highly creative while retaining an essentially Indian core to his work. Bravo for the fine score! So here’s the nag on Barfi! It is cumbersome enough to have “only” one character with a limiting characteristic or handicap to follow, empathize with and ultimately, to root for. The central characters in Koi Mil Gaya, Guzaarish, My Brother Nikhil, Paa and Taare Zameen Par in Mumbai and My Left Foot and Rain Man in Hollywood worked because each had only one individual who symbolized a social prism through which they wrung out their spin on the human condition. On the other hand, My Name is Khan felt watered down because on top of one character with a compelling story, the script sidetracked into making pseudo-political jabs.

EQ: B+

LATA’S S FLICK PICK ail Cockt fi! ur B  Tha Tiger Ek  i ari Ki Sawar Ferr ur yp se of Was  Gangs r Joke imum Max Oh My God  Rathore adi Rowdy i Toh Nikal P irin Farhad K Sh    haani Teri Meri Ka 

Upcoming Events

music

Sunday, November 4, 2012 Time: 10:00 am

Vijayadasami Celebrations Venue: Shruthi Swara Laya, 3273 Seldon Ct., Fremont, CA 94539

Carnatic Vocal Classes in Fremont / Dublin For more info regarding Carnatic Vocal Classes contact: Anu Suresh

510-552-5824 • ggavimal@sbcglobal.net www.shruthiswaralaya.com

The Original

GEETANJALI BAND Entertaining the Bay area for over 30 years • Live “Bollywood” Music • Songs from the 60’s to the present • Available for private and public events CONTACT: Rama Shukla (408) 921-7324 Minnie Shukla (408) 406-5525 Shuklar@aol.com

Benefit Program for the new Shiva Murugan Temple

(Proceeds go towards temple construction)

Sangithalaya School of Music (Artistic Director: Hema Sista) Presents

Sangeetha Ramayana (Recounted to Goddess Parvati by Lord Shiva)

A Benefit Program for Shiva Murugan Temple

Saturday, November 17, 2012 at 4:00 pm Cubberley Theater

4000 Middlefield Road, Palo Alto, CA Admission: By Donation for Shiva Murugan Temple $25, $15 Phone: Kausalya Hart (510) 525-1793 Email: webadmin@sangithalaya.com india currents • november 2012 • 77

Sari, Manhattan

ENGLISH VINGLISH. Director: Gauri Shinde. Players: Sridevi, Adil Hussain, Mehdi Nebbou, Priya Anand. Music: Amit Trivedi. Theatrical release (EROS).

hat a study titled “Hindi Filmdom— Bastion of Sexism” would preoccupy a doctoral dissertation or two will come as no surprise. Female actors hardly ever last more than a few years at the top and “Comebacks” —consider Madhuri Dixit with Aaja Nachle (2008)—are doomed because of expectations that the artist will take up exactly where they left off. Defying the odds even after a 15 year hiatus, English Vinglish captures the still-vivacious Sridevi in a fantastic turn as a woman of a certain age caught in a turbulent, humorous and touching cross-cultural coming-of-age parable. In a marvelously structured original screenplay by director Shinde, Shashi Godbole (Sridevi), a dutiful, sari-first housewife from Pune versed in only Hindi, rather suddenly arrives in New York to help with her niece’s big fat Indian wedding. Taking a sizable risk with her station in life and also taking advantage of the lag before her family joins her in New York, Shashi decides that the only avenue to break the culturally-imposed linguistic barbwire holding her back is to enroll in an English language course in Manhattan. Unbeknownst to her husband Satish (Hussain) in India and finding an accomplice in her niece Radha (Anand), Shashi sneaks out by day to take language lessons. In a brilliantly age-commensurate role, the gifted, chameleon-like astute Sridevi as Shashi is alternatively coy—within her “Indian housewife” image—and also adventurous— within her “me-Shashi-from-the-India” (sic) outburst in a tightly knit language class. Always-clad in suburban-wear saris, Shashi’s tour is made even more memorable because she makes no apologies for her Indian identity. Sridevi’s Shashi nails not only TOEFL—that ubiquitous exam many 78 • india currents • november 2012

foreigners must pass to demonstrate English proficiency state side—but along the way, and without losing an iota of her Indian woman identity, also conquers New York as a Second Language. Any immigrant who has arrived from far shores to the bemused other-worldly maze that Manhattan poses, will readily fall for this hook, line and cappuccino. That brings us to what English Vinglish is lacking. A woman-director, a rare breed in Hindi cinema, teamed up with a huge female star, should be able to tear into the guts of film artistry, yet it is disappointing that the filmmaker makes Shashi’s journey merely rudimentary and resorts to formulaic filmmaking. Shashi seems truly happy in New York. Compared to her half-full life in Pune, New York offers Shashi a breath of fresh air, as if she is born again in Central Park. The midtown classroom with a gay teacher and a possible admirer in Laurent, the hunky French chef and fellow student (Nebbou), become Shashi’s surrogate family. To offer all this and then force Shashi into choosing is a small letdown. At the height of her reign during the 1980s, Sridevi rocked the Hindi screen with huge hits like Nagina, Mr. India and Chandni. She had immense popularity and astounding appeal both in Bombay and the regional cinemas of her native southern India. Referring to Sridevi as “Lady Bachchan”—a testament to both her astronomical paychecks as well as popularity—was considered a boon. The legacy also made Sridevi the second richest female entertainer in India, behind only Lata Mangeshkar. Of all the female stars that have graced Hindi cinema over the last years 100 years, perhaps only Nargis was a bigger star than Sridevi. Released simultaneously in Hindi and Tamil versions, English Vinglish got a huge boost and advanced accolades when it was not only released at the Toronto Film Festival in September but that rarest of events in India— a press screening exclusively for Indian media. There is also the YouTube-friendly and highly clever trailer that for most of its two minutes features a sari-clad woman (Sridevi) reading a lifesize censor certificate with her back to the camera. Finally, who can deny the online buzz of a two minute scene-stealing appearance by Bachchan himself as a draw? Here, however, even Bachchan takes a backseat to Sridevi. n EQ: A-

To keep our Indian musical culture alive & to spread it to next generation...

Akhil Bharatiya Gandharva Mahavidyalaya Mandal (ABGMV Mandal) California Center

MUSIC EXAMINATION NOTIFICATION

The Indian Classical Music Examination are held twice a year in the hopes of keeping Indian Music traditions alive in the Bay Area November 2012 Examinations will be held on Nov. 10th, 11th, 17th, 18th & 25th at Cupertino Center For detailed time table please visit http://www.tablaniketan.com/notifications.php Applications are now being taken for April / May 2013 Examinations

INDIA CURRENTS GRAPHICS (408) 324-0488

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Examinations will be conducted for : Prarambhik (First year), Praveshika Pratham (Second year), Praveshika Poorna (Third year). Madhyma Pratham (Fourth Year) Madhyma Poorna (Fifth Year)

For application forms and registration details, please contact Satish Tare

408-792-7014

For more information please visit http://tablaniketan.com/affiliations.php

Gharkul DAY CARE

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* We cater to children of all ages. * We are a 12-month program. * We offer a pleasant, quiet, and an enjoyable environment where kids can have fun.

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Music with Piano

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Gardening

As parents, we believe that it is very important for the young Creative Play kids to have a safe and healthy surrounding. india currents â&#x20AC;˘ november 2012 â&#x20AC;˘ 79

The Rage of Bollywood Zombies RAAZ 3-D. Director: Vikram Bhatt. Players: Emraan Hashmi, Bipasha Basu, Esha Gupta. Music: Jeet Ganguly. Theatrical release (Fox Star). MPAA Rating: R. Parental discretion strongly recommended.

e know that flat screen TVs—ginormous monoliths alarmingly expanding their all-precious diagonal measurements by the week—have transformed home entertainment around the world and India is no different. To lure audiences back to multiplexes, movie makers around the globe have had to resort to new gimmicks. The Mahesh Bhatt camp has been at the forefront of a recent wave of 3-D releases from Mumbai. First with Haunted last year and now with R-rated Raaz 3, Vishesh Films, the Bhatt label continues its notable success in delivering lower-budget entries that make no great artistic proclamations and yet provide a sizable bang for a gimmicky buck. Writer Shagufta Rafique’s story has only slightly dressed over a popular tale of professional jealousy embedded in insecurities over fading youth. Shanaya (Basu), a prime-plus aged Hindi movie star with a string of successful movies in her past, is bypassed for a popular movie award in favor of younger newcomer Sanjana (Gupta). In a jealous rage to avenge the perceived loss of professional stature, Shanaya resorts to what any out-of-her mind diva would do—she turns to black magic and convinces her gullible film director-boyfriend Aditya (Hashmi) to lure Sanjana towards a dreaded curse. Shanaya’s plan, simply put, goes awry. What the Bhatt brothers do very well is extract maximum suspense from scenes that would be, and sometimes are, laughably hokey—if only they weren’t so scary at the same time. A grown woman is hoodwinked into reliving her childhood terrors in an other-worldly abode with very long corridors, longer light-weight curtains that seem perennially blowing in an inexplicable indoor breeze, heavy footsteps from a just-aroundthe-corner-unseen-until-too-late presence,

80 • india currents • november 2012

and decaying body parts that pop out of the aforementioned giant flat TV screen (see, we told you!). The foundations for B-movie posturing for a higher grade could not have been packaged—or in this case, bandaged—with any more precision. There is a recurring clown-bogeyman, a macabre figure deeply rooted in bedtime anxieties and thus uneasily exploiting a wider tongue-in-cheek collective neurosis. The bandaged, inter-dimensional ghouls and zombies (more the latter since you-know-what have of late been, um, revived in Hollywood) suspiciously resemble Egyptian mummies on ‘roids—as in steroids. The cheesiest element—and one executed with good affect—are the nasties who cannot be seen with the naked eye and, in reversing the vampire theme, can only be seen with a mirror and never with a naked eye. Since sensibilities were checked in at the door when we plopped down $12 to grab the 3-D glasses, we don’t mind. Pay heed to the well-deserved R-rating! The very first 3-D movie from India was Jijo Pussoose’s My Dear Kuttichatan, the 1984 Malayalam language entry re-related in Hindi as Chhota Chetan. It was an all-time Malayalam language blockbuster child-friendly

story of an evil magician who can control the minds of children—very telling of plot lines that can grab box office mass, if not critical mass, in 3-D. Following the Hollywood lead, recent Hindi releases Don 2, Ra. One, Dangerous Ishq were among big budget releases that were released in simultaneous traditional 2-D and techie 3-D versions. Raising the gimmick meter one notch, Yashraj’s heavily-anticipated 2013 release Dhoom 3 will be released in 2-D, 3-D and, for a first of its kind in India, will also debut on IMAX screens across the subcontinent. In perspective, Haunted and Raaz 3, cost roughly half to one-third of what it costs to make a Salman Khan or Aamir Khan movie and yet the Bhatts deliver very solid box office. The Bhatt model is extremely profitable as a return on investment, proving that even extra layers of cheesiness, while not quite haute cuisine, can offer up their own scary morsels now and then. n EQ: BGlobe trekker, aesthete, photographer, ski bum, film buff, and commentator, Aniruddh Chawda writes from Milwaukee.

dance & music

KALANJALI Dances of India Establshed in 1975

Jayendra Kalakendra

CLASSES IN BHARATANATYAM

Suganda Sreenath

Artistic Director:

India's most ancient classical dance

Bharatanatyam classes (Kalakshetra style, incl. Extensive Theory)

Following traditional Kalakshetra syllabus - all levels

• San Jose • Fremont • Santa Clara www.sugandasreenath.com

(408) 270-9295

Email: sugandaiyer@comcast.net

SACRAMENTO, LAFAYETTE, BERKELEY

VIDYA SUNDARAM

Enrollment for New Students at Santa Clara, San Jose & Fremont For details contact Suganda Iyer

Registration and Information:

510-526-2183

Kalanjaliusa@aol.com

BharathaKala Kutiram Artistic Director:

Jayanthi Sridharan offers Bharathanatyam Classes in North San Jose

Call: (408) 251-3438 e-mail: bkkdanceschool@gmail.com

Bharatanatyam Dance Classes

Director:

Srividya Eashwar 10th Year of Artistic Excellence Classes offered in a combination of styles including Folk, Semi-Classical, and Fusion at various locations in Cupertino and San Jose.

offered by Danseuse

Jyotsna Vaidee (Disciple of Padma Bhushan Prof. C.V. Chandrasekhar)

CONTACT INFORMATION

408-246-3005 / 408-838-3079

Email: vidyasdance@gmail.com Web: www.xpressionsdancemusic.com

Bharatanatyam Classes Offered by

Sangita Vasudevan In the traditional Vazhvoor style In Cupertino

For more information call: (408) 333-9377 Or email: svdevan@hotmail.com

Classes are conducted in West San Jose & Cupertino

www.jyotsnavaidee.com

For details contact jyotsna.dance@hotmail.com

(510) 316-5122

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SHIVA MURUGAN TEMPLE P U J A S

F E S T I V A L S

www.shivamurugantemple.org

NEW SHIVA MURUGAN TEMPLE Happy Diwali & Thanksgiving

Sun., Nov. 4 - Murugan Puja Bharthanatyam Sun., Nov. 11 - Deepavali Celebration Bharathanatyam Indumathy Ganesh & Students. Sun., Nov. 18 - Mahaskanda Sashti Puja & Celebration. Thirupugal Songs Latha Sriram. Sun., Nov. 25 and Sat., Dec. 1 Karthigai Deepam Bharathanatyam Vishal Ramani & Students. Sun., Dec. 2 - Murugan Puja Devotional Music Priya Devnath & Students

Nov. 17 - Hema Sista - Sangeetha Ramayana Nov. 24 Suganda Srinath Dec. 1 - Meena Logan 2013 Jan. 20 - Preetha Shesadri Jan. 26 - Malavika Sriram Feb. 2 - Vishal Ramani Feb. 9 - Nirupama Vaidyanathan Mar. 16 - Latha Sriram Apr. 14 - Sindhu Natarajan May 1st week - Guru Vishal Ramani & Students Indumathi Ganesh, Jeyanthi Sridharan, Anu Suresh, Harini Krishna, Shreelata Suresh, Hema Sista, Srikanth Chari, Aruna Krishna

Other Artists have also accepted to do a program for the New temple.

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SHIVA MURUGAN TEMPLE / SAIVA SIDDHANTA ASHRAM 1803 Second Street, Concord, CA 94519 • Weekdays: 10am - Noon & 6pm - 9pm • Weekends: 10am - 9pm Voice Mail (925) 827-0127 • • Fax (925) 827-0209 • www.temple.org

Temple Benefits at Cubberley Theater

PHOTO: VIGGY MOKKARALA

PUJAS & FESTIVALS

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Www.sambodh.com

Swami Bodhananda Saraswati is highly respected in India and America as an

accomplished teacher of Vedanta and Meditation. Swamiji has been characterized as a 'cutting edge' Swami, deeply imbued with the perennial philosophy of Vedanta and a living expression of its ideals. Come, experience his Vedic Wisdom!

Meditation and Satsang

Swami Bodhananda Saraswati

Meditation I Dates: Oct 29 - Nov 2, 2012 - Mon-Fri Time: 7.00am -8.15am Venue: Sri Maha Kaleshwar Mandir 2344-A Santa Clara Commerce Park Santa Clara, CA Donation: $75 (Discount if you sign up for both meditation Sessions)

Meditation II Dates: Nov 5 - Nov 9, 2012 - Mon-Fri Time: 7.00am -8.15am Venue: Sri Maha Kaleshwar Mandir 2344-A Santa Clara Commerce Park Santa Clara, CA Donation: $75 (Discount if you sign up for both meditation Sessions)

Brahma Sutras Bhashya of Sankaracharya Dates: Oct 27th (Sat), Nov 3 (Sat), Nov 4 (Sun), Nov 10 (Sat), Nov 11 (Sun) Time: 9.00am -4pm Venue: Balaji Temple 5004 N. First Street, San Jose, CA 95002 Donation: $250 for 5 days ($65 for one day)

Free Satsang on all nights on Katho Upanishad Dates: Oct. 25 - Nov. 12, 2012 Time: 7:15 pm - 8:30 pm Venue: South & East Bay Donation: Free

Four Meditations: Basic: These meditations will cover body, mind, spirit and practices for their integration and realization of enlightenment. The meditations will help the practitioner to attain total health, peace of mind, better social skills and creative fulfillment. Advanced: For those who have been attending meditation sessions and have attained certain level of progress in posture, breathing and concentration or for those who completed Basic course above, this advanced session will focus on various levels of samadhi leading to nirbija and sahaja samadhis. Brahma Sutras: Introduction to Bhashya: The Brahma Sutras explain the philosophy and spirituality of Vedanta, the science of God and Unity of Existence. It is this introduction known as Adhyasa Bhasya that we will explore in these lectures. A rare opportunity for students of Advaita Vedanta. Satsang Series on Katho Upanishad (Free) (Conducted at various people's houses in the evenings) Description: By understanding the meaning of renunciation one comes to enjoy the experience of Self in the phenomenal world. In studying this Upanishad, under the guidance of Swami Bodhananda, find the meaning of renunciation and the essence of joy.

For Details Contact:

Geetha Swamy (650) 704-1720 gswamy@gmail.com

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INDIA CURRENTS GRAPHICS (408) 324-0488

About Swamiji: Presently, Swami Bodhananda is the Spiritual Founder and Director of 11 organizations and ashrams under the umbrella of the Sambodh Foundation, New Delhi, India; the Bodhananda Research Foundation for Management and Leadership Studies, Trivandrum, Kerala, India; and The Sambodh Society, Inc., his American organization. Details at www.sambodh.com.

Edited by: Mona

Shah

List your event for FREE!

DEC.-JAN. issue deadline: Tuesday, November 20 To list your event in the Calendar, go to www.indiacurrents.com/submit-event and fill out the Web form

Check us out on Facebook and Twitter!

special dates Karva Chauth

Nov. 2

Dhan Teras

Nov. 11

Divali

Nov. 13

Govardhana puja

Nov. 14

Bhai Duj

Nov. 15

Muharram

Nov. 15

Thanksgiving Day

Nov. 22

Guru Teg Bahadur Day

Nov. 24

Guru Nanak’s B’day

Nov. 28

IC November

cultural calendar

2 Friday

“Mowgli and I,”A Play. Rudyard Kipling’s The Jungle Book gets a makeover in this stage adaptation by Harish Sunderam Agastya. The play, set in modern day India, uses multiple narrators, as well as spectacular costumes, sets and music, to explore the personalities and back stories behind the characters and weave a colorful tale of friendship, aspiration, betrayal, and self-discovery. Ends Nov. 9. Organized by Naatak. 8 p.m. Cubberley The88 • india currents • november 2012

Joyita Ghose’s collection at The Women’s Building Celebration of Craftswomen, November 24

atre, 4000 Middlefield Road, Palo Alto. VIP $25, general $15, youth $10. (408) 905-6831. tickets@naatak.com. www.naatak.org, www. brownpapertickets.com/event/274098.

Tattva: The Elements. A series of paint-

ings by Bay Area artist, Samantha Chundur that explores the five tattvas in colors inspired by India. Ends Nov. 29. Spice Monkey

recommends

Michelle Baird

Making of the Mahatma

“V

iolence and religious intolerance is continually in the news. It is important to reiterate Gandhi’s message, particularly among the next generation for whom this non-violent approach may seem completely untenable,” explains Mythili Kumar, Artistic Director of Abhinaya Dance Company. Sixty-four years after Gandhi’s death, the Abhinaya Dance Company of San Jose is presenting “Gandhi: The Mahatma,” a dance-theater production presenting Gandhi’s life events and inspirational encounters that transformed him into a world figure. Although the original performance in 1995 toured both the west and east coasts of the United States, the current program has been expanded and re-choreographed through collaboration between Mythili Kumar and her daughter, Rasika Kumar, Abhinaya’s Associate Artistic Director. With both mother and daughter winners of Isadora Duncan Awards, and backed by a talented corps of dancers and musicians, the performance promises an exemplary and innovative take on an Indian icon. “We are keeping this as a crisp, nointermission 100 minute production so the story line does not get disrupted and the audience leaves with the messages of religious tolerance and equality of all mankind fresh in their minds,” Mythili Kumar says. Mythili Kumar plays the title role of Gandhi, but the performance uses the voice of Gandhi’s grandniece, Manubhen, to approach the legend that is Gandhi through reminiscences. Manubhen is

Mythili Kumar. Photo by Ramani Aravindhan

played by Malavika Kumar. “I did not think it would make sense to have Gandhi dance bharatanatyam. It is more theatre and dancing done by others as required for the scenes,” reflects Kumar. Drawing from a diverse set of source materials, Kumar’s genius is bringing an otherworldly yet traditionally static figure to the stage. “In 1995 I only had tons of books and his autobiography to conceive the show and also include episodes from [other] world leaders’ lives, Mandela, King Jr., Chavez for depicting his legacy.” Kumar has since filled in her creative vision with original footage and documentaries to create an entirely new view of Gandhi’s life. “I wanted it to be different from the film Gandhi,” stresses Kumar. “We begin with verses from the Gita that were his inspiration to form his main Dancers from Abhinaya Dance Co. principles. Control of the impulses, and Photo by Ramani Aravindhan temptations wrought by the five senses was his first goal,” reveals Kumar. In his auto- be complete without visiting the iconic biography, Gandhi reveals that he used to historical episodes burned into our collecstick verses of the Gita on the wall so he tive unconscious, “the Dandi March back could memorize them each morning while in India, the burning of western attire, brushing his teeth. Gandhi discusses the adopting swadeshi, the realization of the importance of the Gita in The Story of scourge of untouchability, his embracing My Experiments With Truth, “It became of all religions and cases, his fasting at the my dictionary of daily reference.” Kumar Hindu-Muslim riots after independence, rounds out her presentation of Gandhi’s and finally his assassination when Manubinspiration to include the centrality of the hen, the narrator, finally joins the scene,” Sermon on the Mount in forming his prin- says Kumar. The performance also includes ciples of ahimsa, non-violence, and satyam, Anjana Dasu, Sindhu Natarajan, and Anu truth. Gandhi writes, “The Sermon on the Ranganathan as part of the dance troupe. Mount… went straight to my heart. I com- The musicians include Asha Ramesh, a pared it with the Gita. The verses, ‘But I vocalist who has also composed the music say unto you, that ye resist not evil: who- for the production, N. Narayanan on mrisoever shall smite thee on thy right cheek, dangam and kanjira, Shanthi Narayanan turn to him the other also. And if any man as violinist, Ravi Gutala on tabla, Peter take away thy coat let him have thy cloke Van Gelder on sitar, and Ashwin Krishnakumar on flute. Three younger students, too,’ delighted me beyond measure.” “Next, to show his story, we present Shruthi, Goonja, and Renuka, will dance through the reminiscences of Manubhen in the childhood scenes. Kumar concludes, “Gandhi lived an a fear episode, a school episode, and his South African humiliations which led him exemplary life as a compassionate and to his first satyagraha resistance,” narrates selfless human being who was devoted Kumar. She tackles the trick of tracing to the cause of the poor, the neglected, Gandhi from the vulnerability of a young and the oppressed. His spirit inspired the boy tormented by nightmares after eating people and enriched the lives of millions goat meat to a young lawyer unconsciously throughout the world.” It is exactly this crafting his core philosophy out of his ex- goal, and this spirit, that will be evoked in periences on the South African soil. As her upcoming performance.n Gandhi writes, “The principle called Satyagraha came into being before that name Saturday, November 17. 8 p.m. Sunday, Nowas invented. Indeed when it was born, I vember 18. 4 p.m. Mexican Heritage Theater, 1700 Alum Rock Ave., San Jose. Tickmyself could not say what it was.” But no survey of Gandhi’s life would ets start at $20. http://abhinaya.org. india currents • november 2012 • 89

Kalpana Mohan

World Music Festival Y ear after year, San Francisco World Music Festival brings musicians from many parts of the world together. One refrain dominates this musical feast every November: what unites us as people is larger and far more significant than what separates us. This year, as part of its thirteenth annual production, the music festival focuses on the opera. Featuring traditional opera masters and musicians from around the world including the Festival’s International Music Youth Orchestra, The Opera Project is produced by Door Dog Music Productions, with artistic direction by Michael Santoro, music direction by Jim Santi Owen, global music direction by Azeri kamancha master Imamyar Hasanov and Chinese erhu master Zhang Xiaofeng, and scenic and lighting design by Matthew Antaky. With this project, San Francisco World Music Festival completes its Trilogy Series (rituals, epics, operas). Stories from diverse living cultures will be presented by masters of Chinese Beijing Opera, Azerbaijani Mugham Opera, Italian Baroque Opera, Korean P’ansori Opera, Tibetan Opera and the South Indian classical Opera. This artistic collaboration between many varied operatic traditions was sparked by two masters of the art form in 1960. While working in Beijing and Baku to gather historical opera footage, the team at Door Dog learned of a meeting in 1960 between China’s greatest Beijing opera icon Mei Lanfang (Mei Lan) and Azerbaijan’s greatest Mugham opera icon Bulbul (Murtuza Mammadov). According to Bulbul’s 90-year-old wife, the Azerbaijani opera star Adelaida Mammadova, Mei Lanfang was fascinated by recordings of Bulbul’s singing. He went to Azerbaijan, attended one of Bulbul’s national concerts, and talked to him backstage. They became friends and decided to do a project the following year in Beijing. However, Mei Lanfang and Bulbul passed away in 1961 within a month of each other, cutting short their plans for an artistic exchange. Fifty-two years later, The Opera Project strives to bring Chinese and Azerbaijani opera artists on a common stage. The festival has worked with musicians from the Indian classical tradition for many years. The vocalists trained in the Carnatic system will sing in Italian, Chinese and several other languages. On Sunday, No-

90 • india currents • november 2012

vember 11th, the Carnatic ensemble of Anuradha Sridhar’s Trinity Center for Music and mridangam artiste Shriram Brahmanandam and his students will present excerpts from Saint Thyagaraja’s musical play, Nauka Charitram. “This is of great significance to me and my students as they too come unTrinity Center for Music Youth Ensemble. Photo by Jim Block. der the lineage of Thyagaraja sishya Thyagaraja’s two-and-a-half hour play into parampara,” Sridtwenty-five minutes. The challenges were har says, referring to the composer saint many, she says. She had to pick the most who was the guru of her great-great-grandsalient lines from the elements of poetry father. Viewed just as a lyrical mythological (padhya), narration (vachana) and songs tale, Nauka Charitram, is just that; it’s the (dharu) to narrate the tale and also do juscharming story (charithramu) of the boat tice to the story and the poet’s vision. Her (nauka). But the waters run deep. The imstudents will narrate and sing in the Telugu port of this tale is titanic. language employed by Nauka Charitram. The story is about maidens (gopis) who “The integration is also much more in this course the Yamuna river with the beautiyear’s performance,” Anuradha Sridhar ful Krishna; they are sodden with love and says. It’s not easy for other systems of music pride because they are surrounded by the to attempt the modulations and frills inherpowerful, blue-bodied Krishna. Soon they ent in Indian ragas but this year’s program begin to show their pettiness. They are prewill attempt a confluence in one segment occupied with the fripperies of life. Their of the performance. “I took one padhya that lust overcomes them. To subdue the egos I felt that everyone across all the music sysof the gopis, Krishna conjures up a severe tems could perform with us and my mother storm, thundering clouds and rain. The has composed the tune for it in raga Kedaboat forms a hole and water seeps into the ram.” boat. Suddenly, it is in danger of capsizA musical collaboration of this magniing. The only way out into safety is if the tude forces us to ask the big questions. If maidens take every last shred of clothing musicians of alien cultures can jam, why on their body and plug the leak in the boat. can’t people? If artistes can set aside their The dialogue between Krishna and the goego and chip away, note by note, at cultural pis when they are overcome by shame and differences, why can’t people? Why must insecurity, and the unerring faith that the we contend with ego and traffic jam in permaidens subsequently place in him so they sonal interaction? And why this endless camay be led toward the safety of the bank, is cophony between nations?n the simple and powerful message of Nauka Charitram. In the telling of this meaningNov. 8-11. Jewish Community Center of San ful tale, Thyagaraja has composed yet anFrancisco. 3200 California Street, San Franother masterpiece. The story offers the path cisco. Festival Pass: $64 standard, $89 premito spiritual fulfillment: while crossing the um. Individual Concerts: $20, standard, $30, stormy river of life, trust in the power of the premium. Free to seniors and children Under supreme and surrender, unconditionally, to 12. Box Office: (415) 292-1233. http://www. attain salvation. sfworldmusicfestival.org. Trinity’s artistic director has condensed

Maha Desikan Fine Arts (S R Fine Arts). 6 p.m. Divine Science Community Center, 1540 Hicks Ave., San Jose. Free. (408) 569-0860. srfinearts2012@gmail.com. www.srfinearts. info.

November

4 Sunday

Diwali Bazaar. Arts and Crafts booth,

apparel exhibitors, live DJ, performances and dances. Organized by Desi 1170AM and Shor Media. 10 a.m.-5 p.m. The Saint Claire Hotel, 302 S Market St, San Jose. Free. (408) 476-6118, (408) 455-3096.

Dhaya Laxminarayanan performs, Nov. 4

Art Gallery, 1628 Webster St., Oakland. (510) 268-0170. www.spicemonkeycafe.com.

November

3 Saturday

SACHI Celebration Day. A full day of festivities starting with a dance film screening, “The World of Alarmel Valli,” followed by a lecture presentation by Robert J. Del Bontà on “An Indian Way of Seeing: The Art of Raja Ravi Varma.” Works of Chinese calligraphies from the private collection of Yahoo founder and collector, Jerry Yang will be on display. Organized by SACHI and the Asian Art Museum. 11 a.m.-3 p.m. Asian Art Museum, 200 Larkin St., San Francisco. Adults $12. (415) 581-3500. info@sachi.org.

Pancham, the Immortal Note. Audio Visual tribute by Gulzar, Asha Bhosle, Javed Akhtar, Shammi Kapoor, Rishi Kapoor, Ameen Sayani, Shivkumar Sharma, Vishal Bharadwaj and many more personalities. Featuring singers Hrishikesh Ranade, Jitendra Abhyankar, Priyanka Barve and Swapnaja Lele Organized by California Arts Association. 5-8 p.m. Woodside High School Performing Arts Center. 199 Churchill Avenue, Woodside. General $15-420. http:// calaaonline.com. Vijayadasami Celebrations. 10 a.m.

Shruthi Swara Laya, 3273 Seldon Court Fremont. (510) 552-5824. www.shruthiswaralaya.com.

Shujaat Hussain Khan in Concert.

Accompanied by Abhiman Kaushal (tabla). Organized by Nargis Dutt Cancer Foundation. 5 p.m. Santa Clara Convention Center, 5001 Great America Parkway, Santa Clara. $75, $50, $25. (510) 910-2823. ndcfsf@gmail. com.

“Democrazy” Comedy Show. Right before the Presidential election, comedians Aundre the WonderWoman, Dan St. Paul, Karinda Dobbins, and Dhaya Lakshminarayanan come together about the sometimes confusing, painful, yet always hilariously entertaining presidential campaign. Organized by Karinda Dobbins and Dhaya Lakshminarayanan. 7 p.m. Stagewerx Theater, 446 Valencia St., San Francisco. $15. KarindaDobbins@ gmail.com, bookings@dhayacomedy.com. democrazynow.ticketleap.com/democrazy-now/.

November

7 Wednesday

Webinar Series: Therapeutic Lifestyle Changes. Exercise as Medicine is the topic

of this four-part webinar series with informative, evidence based discussion on therapeutic lifestyle changes. Organized by South Asian Heart Center. 6:30-7:30 p.m. Registration required. www.southasianheartcenter.org/ newsevents/webinar1.html.

Karnatik Vocal Concert by Nishevitha Ramesh. Organized by Sri Ranga Ramanuja Maha Desikan Fine Arts (S R Fine Arts). 2-4 p.m. Divine Science Community Center, 1540 Hicks Ave., San Jose. Free. (408) 569-0860. srfinearts2012@gmail.com. www.srfinearts. info.

Karnatik Veena Concert by Priyanka Chary. Organized by Sri Ranga Ramanuja

Maha Desikan Fine Arts (S R Fine Arts). 4-6 p.m. Divine Science Community Center, 1540 Hicks Ave., San Jose. Free. (408) 569-0860. srfinearts2012@gmail.com. www.srfinearts. info.

Mandolin Recital by Snehashish Mozumder. Accompanied by Abhijit Baner-

jee on tabla. Organized by Basant Bahar. 5:30-8:30 p.m. Jain Temple, 722 S. Main St., Milpitas. Members, free. Non-members $25. (510) 870-2244. contact@basantbahar.org. www.basantbahar.org.

Karnatik Vocal Concert by H.V. Srivatsan. Organized by Sri Ranga Ramanuja

Alarmel Valli performs, Nov. 9 india currents • november 2012 • 91

(408) 792-7014. satish_tare@yahoo.com. tablaniketan.com/affiliations.php.

Living Trust Seminar. Organized by Robert P. Bergman. 9:30-10:45 a.m. 1777 Saratoga Ave., Ste 210, San Jose. Free. (408) 247-0444. http;//www.lawbob.com.

Rangoli Competition. Sajavat around

Thakorji’s shrine is an important element in Pushti tradition. Rangoli is used to enhance the beauty of the surroundings and spread joy. Organized by Bay Area Youth Vaishnav Parivar (BAYVP). 1-5 p.m. Shreemaya Krishnadham, 25 Corning Ave., Milpilas. (408) 483-7349. Trupti299@hotmail.com.

Deva Mani Raga Sagara. A musical extravaganza celebrating 25 years of Music for Meditation and Healing by Ganapathy Sachchidananda Swami. Combining the power of Indian classical melodies with contemporary synthesizer sounds. Organized by Dashavatara Yoga Center. 6:30-9 p.m. Montgomery Theater, 271 S Market St, San Jose. $100, $50, $25. (510) 673-3929, (408) 830-4990, (408) 786-8357. info@sjconcert.com, info@dashavatarayogacenter.org. dashavatarayogacenter.org, sjconcert.com. Rajiv Nema as Sher Khan in Mowgli And I, Nov. 2-9. Photo by Soumya Agastya

November

8 Thursday

Agen(c)y: Nonprofit Dreams and Disasters. A queer-trans people of color

cabaret on the nonprofit industrial complex. Curated by Maya Chapina and Manish Vaidya. Organized by Peacock Rebellion. 7:30 p.m. La Peña Cultural Center, 3105 Shattuck Ave., Berkeley. $10-$20. www.facebook.com/ events/403008809754935/.

November

Music Examinations. In the hopes of keeping Indian music traditions alive in the Bay Area. Organized by Akhil Bharatiya Gandharva Mahavidyalaya Mandal India. 8:30 a.m.-8:30 p.m. Akhil Bharatiya Gandharva Mahavidyalaya Mandal California Center, 7844 McClellan Road, Cupertino.

9 Friday

Diwali Celebrations with Gujarati Sangeet. Followed by virtual fireworks. Dinner

will be served to all. Organized by DAGLO (Desi Americans of Gujarati Language Origin). 6-10 p.m. India Community Center, 525 Los Coches St., Milpitas. Free. RSVP required. (408) 761-6079, (408) 410-2372. raja.solanki@ gmail.com. gujaratidaglo.wordpress.com.

Bharatanatyam Performance by Alarmel Valli. The foremost exponent of the Panda-

nallur dance form of bharatanatyam and also her own distinctive style. Organized by South India Fine Arts. 8 p.m. Mexican Heritage Plaza, 1700 Alum Rock Ave., San Jose. www. southindiafinearts.org.

November

10 Saturday

92 • india currents • november 2012

Ilora Jha performs, Nov. 11

Sindhi Community Diwali Bash. Cul-

tural programs of dance and music, a magic show for kids, raffles, DJ dancing, and dinner. Organized by Sindhi Community of Northern California. 6:30 p.m. ICC, 546 Concho St., Miliptas. Adults $35, children $15. (510) 7964472. http:www.info@sindhicommunity.org.

Diwali Celebration. The evening will kick off with Baraat Mob (an Indian flash mob) in the streets leading the procession to the venue. Outside, the celebration continues

with sweets and snacks while inside, the night hosts Bhangra dance lessons leading into dance performances. Featuring Bhangra Djs and Dhol drummers. Organized by Non Stop Bhangra. 9 p.m.-3 a.m. Public Works, 161 Erie St., San Francisco. $15. (415) 694-9080. suman@nonstopbhangra.com. www.nonstopbhangra.com.

November

Maya Yajnik

Music For a Cause

11 Sunday

Deepavali Celebration. Sri Lakshmi Homa followed by concert by Ilora Jha and students, lighting of deeyas by children. Followed by aarati and mahaprasad. 2:30-6 p.m. Badarikashrama, 15602 Maubert Ave., San Leandro. Free. (510) 278-2444. badarik@pacbell.net. www.badarikashrama.org. Images of India—Annual Cultural Show. An evening of music and dance show-

casing the richness, depth and diversity of Indian culture. All proceeds benefit grassroots education and development programs in under-served communities in India. Organized by Asha For Education: Berkeley Chapter. 7-9 p.m. International House Cheveron Auditorium, 2299 Piedmont Ave., Berkeley. General, $20, students/seniors, $10. berkeley@ ashanet.org. www.ashanet.org/berkeley/, www. ashanet.org/berkeley/events/2012/ioi/.

Children’s Diwali. Organized by BAPS

Swaminarayan Sanstha. Noon-3 p.m. Shri Swaminarayan mandir. 10548 Armstrong Ave., Mather. (916) 416-3579.

November

16 Friday

Asian American Hero Awards and Luncheon. This award program was conceived

by Santa Clara County Supervisor Liz Kniss in 2001 to recognize outstanding Asian Americans for their remarkable commitment to leadership, health and human services, the arts, education, and community spirit in Santa Clara County. Vandana Kumar,

Publisher of India Currents magazine has been selected as a 2012 Asian American Hero awardee in the category of Organization/Agency. 11:30 a.m.-1:15

p.m. Quinlan Community Center. 10185 N. Stelling Rd., Cupertino. (408) 299-5059. sally. freelen@bos.sccgov.org. www.lizkniss.org.

November

17 Saturday

Venna Sahasrabuddhe. Photo by Shreedhara Murthy

usic is truly the language of the heart and we will have our heartstrings tugged at by Hindustani classical vocalist, Veena Sahasrabuddhe in a benefit concert for the Care for Children project. This is an opportunity to enjoy music, as well as give the gift of education to underprivileged children in India. Care for Children is the oldest project supported by the Art of Living Foundation started by Sri Sri Ravi Shankar more than 30 years ago. It runs 185 free schools serving over 25,000 children all over India. Most of the children are first generation learners and groomed to be mature and confident individuals. Children are taught to care for their fellow beings as well as respect the environment with a well-balanced curriculum that combines languages, arithmetic, moral education, yoga, meditation, and sports. In Veena Sahasrabuddhe addition, the schools are involved in community development work focusing on adult literacy, vocational training, and natural farming programs. The schools build upon a sustainable model of local empowerment where teachers are recruited from the local population. Consider-

ing that many of these schools are in remote and tribal areas of Jharkhand, West Bengal, and Assam, the presence of local teachers is very effective in imparting education since they are able to easily relate to the children and speak their language. Veena Sahasrabuddhe grew up in a musical family and learned to sing from her father and older brother. From a young age she was exposed to some of the best musicians and a vibrant Hindustani classical music community. She is widely acclaimed as a performer of both, the Khayal style as well as devotional music or bhajans. Her student Jayanti Sahasrabuddhe will accompany her. Enjoy an enthralling evening of Hindustani classical music with one of the stalwarts of the style, and support the education of thousands of underprivileged children, enabling them to stand on their feet and participate in modern society.n

McClellan Road, Cupertino. (408) 792-7014. satish_tare@yahoo.com. tablaniketan.com/ affiliations.php.

Karnatik Vocal Concerts. Aravind Rajagopalan and Sahana Vasudevan perform. Organized by Sri Ranga Ramanuja Maha Desikan Fine Arts (S R Fine Arts). 2-6:30 p.m. Divine Science Community Center, 1540 Hicks Ave., San Jose. Free. (408) 569-0860. srfinearts2012@gmail.com. www.srfinearts. info.

Chopda Pujan. Organized by BAPS Swaminarayan Sanstha. 5 p.m. Shri Swaminarayan mandir. 10548 Armstrong Ave., Mather. (916) 416-3579.

December 2, Sunday, 4:30 pm. Smithwick Theatre, Foothill College, 12345 El Monte Road, Los Altos Hills, 94022. $100-$35. (408) 446-9002. www.careforchildren.org.

india currents • november 2012 • 93

Gandhi-A Play. Bharanatayam dancer

November

and chief choreographer, Rasika Kumar will contribute new choreography and staging to the work, based upon Mythili Kumar’s original vision. The title role of Gandhi will be portrayed by Mythili Kumar, Artistic Director of Abhinaya Dance Company of San Jose. Performers include Rasika Kumar, Malavika Kumar, Anjana Dasu, Sindhu Natarajan, Anu Ranganathan, and others. Accompanied by musicians: Asha Ramesh (vocalist and compser), Malavika Kumar (nattuvangam), N. Narayan (mridangam and kanjira percussion); Shanthi Narayan (violin); Ravi Gutala (tabla), Ashwin Krishnakumar (flute) and Peter Van Gelder (sitar). Ends Nov. 18. Organized by Abhinaya Dance Company. 8 p.m. Mexican Heritage Theater, 1700 Alum Rock Ave San Jose. General, $25, seniors/student, $20. (408) 871-5959. abhinaya.org.

November

18 Sunday

Music Examinations. In the hopes of keeping Indian music traditions alive in the Bay Area. Organized by Akhil Bharatiya Gandharva Mahavidyalaya Mandal India. 9 a.m.-6 p.m. Akhil Bharatiya Gandharva Mahavidyalaya Mandal California Center, 7844 McClellan Road, Cupertino. (408) 792-7014. satish_tare@yahoo.com. tablaniketan.com/ affiliations.php. Silicon Valley Awards 2012-Making a Difference. Celebrating Silicon Valley’s

22 Thursday

Thanksgiving Vegetarian Dinner and Concert. Shubhangi Sakhalkar performs on sitar, accompanied by Vivek Datar (harmonium) and Shripad Torvi (tabla). 3-7 p.m. Badarikashrama, 15602 Maubert Ave., San Leandro. Free. (510) 278-2444. badarik@ pacbell.net. www.badarikashrama.org.

November

24 Saturday

Living Trust Seminar. 9:30-10:45 a.m. 1777 Saratoga Ave., Ste 210, San Jose. Free. (408) 247-0444. www.lawbob.com. The Women’s Building 34th Annual Celebration of Craftswomen. The only

Shubhangi Sakhalkar performs, Nov. 22

-November

21 Wednesday

Webinar Series: Therapeutic Lifestyle Changes. The Dinner vs. the Diner is the

topic of this four-part webinar series with informative, evidence based discussion on therapeutic lifestyle changes. Organized by South Asian Heart Center. 6:30-7:30 p.m. Registration required. www.southasianheartcenter.org/newsevents/webinar1.html.

special spirit, collaboration and commitment to community, the awards will honor and recognize people and organizations in the following categories: Business Entrepreneurship, Science and Technology, Non-profits, Media and Films (Short Films) and Writers/ Book Authors. Chief guests include N. Parthasarathi, Consul General of India and Senator Ellen Corbett, State Majority Leader. Keynote speech by Gurbaksh Chahal, entrepreneur, philanthropist and best-selling author. Ro Khanna, ex-Deputy Assistant Secretary at Commerce, will also speak. Emcee Patti Tripathi of TriPath Media. Entertainment by Jazz and Indian classical music santoor player Madan Oak. Organized by Sheetal Ohri. 5:30-11:30 p.m. Marriott Fremont Silicon Valley, 46100 Landing Parkway, Fremont. Platinum $100, Gold $75. events@ sheetalohri.com. www.sheetalohri.com, www. aaaentertainments.com/SVA2012.php.

exclusively female show in the country showcasing the work of more than 300 juried artists. This community-driven celebration offers the latest trends in handcrafts as well as the classics. This year, Joyita Ghose will be presenting her painted silk pieces. Her silk patterns are inspired from flowers, butterflies, nature, and mythological art from various tribes in India, Africa, and South America. Ends Nov. 25. 10 a.m.-5 p.m. Herbst Pavilion at Fort Mason, Marina Blvd. and Laguna St. San Francisco. Adults, $9, students/seniors, $7, Free, children (ages 12 and under). (650) 615-6838. Craftswomen@gmail.com. celebrationofcraftswomen.org.

November

25 Sunday

Bharatanatyam Solo Recital by Pavithra Nagarajan. Student of Deepa Mahadevan ,

Diwali and Annakuti. Annakut Darshan, and kids fair. Organized by BAPS Swaminarayan Sanstha. 11 a.m.-5 p.m. Shri Swaminarayan mandir. 10548 Armstrong Ave., Mather. (916) 416-3579.

Bharatanatyam Solo Recital by Pavithra Nagarajan, Nov. 25 94 • india currents • november 2012

Tattva Art Show, Nov. 2

Sewa International USA Presents

Grand Violin Concert By

Smt. Anuradha Sridhar

Sriram Brahmanandam - Mridangam Cubberley Community Center Theater 4000 Middlefield Road, Palo Alto, Ca 94303

Friday, November 16th, 2012 - 7 pm Tickets: $15 & $50 Buy tickets online at: www.indolink.com/sewa For tickets & information please contact Yagnesh Pathak (510) 364-6095 • ympathak@yahoo.com Geetha Swamy (650) 704-1720 • gswamy@gmail.com

Sewa International USA Presents

Grand Violin Concert By

Smt. Anuradha Sridhar

Sriram Brahmanandam - Mridangam Cubberley Community Center Theater 4000 Middlefield Road, Palo Alto, Ca 94303

india currents • november 2012 • 95

Healing Concert and Deepavali Celebrations

November 10th - 13th, 2012 Join the Deepavali celebrations in the divine presence of

Parama Pujya Sri Ganapathy Sachchidananda Swamiji

Deva Mani Raga Sagara

Music for Meditation and Healing Concert

November 10th • 6:30 PM

Montgomery Theater 271 S Market Street, San Jose, CA 95113 Witness a scintillating musical evening by Sri Swamiji and the celestial message troupe. Sri Swamiji, known the world over for His excellent music, has given over 100 concerts across the globe. Several decades of extensive research has gone in to understanding the effect of sound vibrations on the human body. This concert for healing and meditation is based on classical Indian ragas and the ancient science of Raga Ragini Vidya.

Deepavali 2012 Celebrations

November 11th • 10:00 AM to 12 PM November 11th to 13th • 6:30 pm to 9:30 pm

For inquiries: info@sjconcert.com http://www.dashavatarayogacenter.org Tulasi Tummala: 408-786-8357 • Harish (408) 830-4990 Mehul Patel (510) 673-3929 http://www.facebook.com/DashavataraYogaCenter 96 • india currents • november 2012

ICC, 525 Los Coches Street, Milpitas, CA Sri Swamiji will perform Sri Chakra Archana and give divine discourses each evening in His scholarly, delightful, entertaining and easy to understand style. This is the first time Sri Swamiji will be celebrating Deepavali in the Bay area, so please take advantage of it.

Mahaprasadam will be served after every event

india currents â&#x20AC;˘ november 2012 â&#x20AC;˘ 97

Emma Blanco

A Radical Walk Through History A nirvan Chatterjee and Barnali Ghosh have always enjoyed walking tours that take them beyond the typical tourist sites. They’ve taken an eight-hour walking tour of Rome that was run by a group of artists and architects, and we… able to explo… abandoned metro stations, World War II bombing sites, Roma (Gipsy) encampments, and farms. They’ve also been on walking tour of an “alternative Berlin” whe… they discove…d the local graffiti scene, art spaces, and immigrant markets. In New York, a tour conducted by the New York Tenement Museum explo…d the immigrant history of the Lower East Side. Closer to home, Chatterjee has participated in ART on BART, artist Amber Hasselbring’s day-long unauthorized guided tour of the BART system, which featu…d urban planning histories, performance art, dance, and chance encounters. Chatterjee explained, “From these tours we have learned that even very unconventional places have the potential to be fascinating if you can dig up the right stories and tell them well. As South Asian activists from Berkeley, we wanted to go deeper, exploring the history of our community, and sharing what we learned in a format that’s mo… public than dinner conversation with friends.” And so, the community-based historians organized the Berkeley South Asian Radical Walking Tour, a th…e-hour tour through central Berkeley that helps participants discover the hidden legacies of local anti-racist, anti-imperial, feminist, LGBT, and youth ac-

Anirvan Chatterjee leading a tour 98 • india currents • november 2012

tivism by Indian, Pakistani, and Bangladeshi Americans who have voluntee…d with over a dozen arts, social justice, and environmental justice campaigns in the local South Asian American community. The tour covers a century of activism, from a 1908 student strike to an organized protest against hate after 9/11. The seed was planted when Chatterjee was still an undergraduate at UC Berkeley. He came upon a photo of Rabindranath Tago…, the Bengali philosopher, poet, and 1913 winner of the Nobel Prize for literatu…. What was most intriguing about the photo was that the polymath was captu…d visiting Berkeley, surrounded by a group of desi UC Berkeley students. For Chatterjee, the image …p…sented the unexpected intersection of two very diffe…nt parts of his

life, and he kept a copy of the photo with him as a …minder of other fascinating mysteries yet to be explo…d. Initially, Chatterjee and Ghosh planned the tours to run over the course of two days in late September and early October, with only sixty slots. The first-of-its-kind tour has been well …ceived by the community, with participants calling the tour “fantastic,” “moving,” “provocative,” “insightful,” “engaging,” and “amazing.” In fact, inte… st in the tour continues to grow and organizers have had to open additional slots based on demand. “Early on, we didn’t know how much material we’d find, or how exciting the stories would be, but the mo… we dug, the mo… we found. It was clear that the stories we… too fascinating to stay locked up in archives and history books. We’… delighted that our audiences have been enjoying these histories as much as we we….” All proceeds from the tours benefit BASS (Bay A…a Solidarity Summer), a five-day four-night summer camp whe… desi youth (ages 15 to 21) can learn about prog…ssive issues affecting the South Asian community both locally and globally, gain organizing skills, connect with other South Asian activists, and develop themselves into leaders. “We think it’s fitting that we fund the futu… as we learn about the past,” stated Chatterjee. Youth come from as far away as Texas to attend the BASS program, which consists of workshops, arts programming, history, and the walking tour. “Participants tell us that it’s a life-changing program, which has helped many [of them] find ways to better live their Desi social justice values, no matter what life path they take.”

In August, BASS participants we… the very first group to p…view the walking tour. They found [the tour] to be “engaging” and “interactive,” and they “…ally felt a sense of belonging from this tour” having seen the “roots within our community that connect to our cur…nt activism.” Such positive feedback was all the encouragement the organizers needed to open up the tour to the general public. “They totally saw the connections we we… trying to make,” enthused Chatterjee. The tour will be of inte…st to anyone with roots or an inte…st in South Asia (particularly India, Pakistan, and Bangladesh), including social justice activists, fans of local Bay A…a history, as well as those with an inte…st in immigrant, ethnic, Muslim, and Asian American histories. “While many of the participants have been South Asian, non-South Asian participants have also been very positive about the tour, often being able to connect these stories to their own personal stories,” Chatterjee stated. “You can sometimes get a sense of a much larger narrative by tracing one very specific story through time. An Irish-American attendee app…ciated the connections between Indian- and Irish-American f…edom fighters struggling against colonial rule; another attendee connected a story dealing with racist bullying in school to his own high school experiences.” Each tour accommodates 15 people, to ensu… that the groups a… intimate enough to allow for questions. The tour covers a century of activism, from a 1908 student strike to an organized protest against hate after 9/11. It is a wheelchair accessible two-mile walk that hits original sites and uses placebased performances, …adings, and interactivity to bring complex local and global histories to life. One such site is of the very first South Asian American protest in Berkeley, which took place in 1908. The guides lead the participants to the original location, sha… photos of the building whe… the protest occur…d and …ad from the newspaper article about the event. Other intriguing sites include those that pertain to the story about Laki…ddy Bali …ddy (the infamous Berkeley sex and labor trafficker) and about how desi feminists took on the …ddy family. Chatterjee stated, “We’ve loved seeing our audiences experience that same sense of surprise and wonder upon discovering these histories. We sometimes see audience members’ jaws drop, or eyes well up. For many participants, the tour helps bring into question everything they knew about what it means to be South Asian American, and we’… delighted to be part of that process of discovery. This has been mo… fun than we could have expected.”n November 3, 4, 17, 18. 10 a.m. and 2 p.m. Tickets range from $5 to $12. www.berkeleysouthasian.org.

Jhalak D…ams, a fusion dance, Dec. 8

of Dance. 2-5 p.m. Milpitas Library Auditorium, 160 N Main St., Mlpitas. F…e. (510) 790-1984, (408) 857-8831. rajifly@gmail. com.

Hindustani Music Concert. Sanjana Anand (classical vocal) and Vinita P. kumar (classical sitar) perform at a ghadhaban puja. Organized by Habib Khan Saraswati Temple and Gurukul. 2:30 p.m. 2759 Gold Meadow Ct., San Jose. (650) 255-9752, (408) 528-0786.

December

1 Saturday

The Women’s Building 34th Annual Celebration of Craftswomen. The only

exclusively female show in the country showcasing the work of mo… than 300 juried artists. This community-driven celebration offers the latest t…nds in handcrafts as well as the classics. This year, Joyita Ghose will be p…senting her painted silk pieces. Her silk patterns a… inspi…d from flowers, butterflies, natu…, and mythological art from various tribes in India, Africa, and South America. Ends Dec. 2. 10 a.m.-5 p.m. Herbst Pavilion at Fort Mason, Marina Blvd. and Laguna St. San Francisco. Adults, $9, students/seniors, $7, F…e, child…n (ages 12 and under). (650) 615-6838. Craftswomen@ gmail.com. celebrationofcraftswomen.org.

Disha-Unforgettable Melodies. A tribute to musical legends featuring popular Bay A…a artists. Organized by Shanamo Entertainment. 7 p.m. Shultz Cultural Arts Center Hall, 3921 Fabian Way, Palo Alto. General: $20, VIP: $35. (510) 798 5440. management@shanamo.com. www.shanamo. com, www.sulekha.com/shanamo, www.praveenchaddha.com.

December

5 Wednesday

Webinar Series: Therapeutic Lifestyle Changes. …stful Sleep and …stful Alertness

is the topic of this four-part webinar series with informative, evidence based discussion on therapeutic lifestyle changes. Organized by South Asian Heart Center. 6:30-7:30 p.m. …gistration …qui…d. www.southasianheartcenter.org/newsevents/webina§.html.

December

8 Saturday

Jhalak D…ams. An eclectic mixtu… of

Karnatik music, a bharathanatyam …cital followed by fusion dances by IFDA students. The second half of the program will featu… a theatrical production of Aladdin, Bollywood style. Organized by Indian Fusion Dance Academy (IFDA). 5:30 p.m. Mt.Pleasant High Auditorium, 1750 South White Road, San Jose . Adults, $20, child…n 12 and below, $10, IFDA Students and child…n 3 and below, f…e. (408) 238-4034, (408) 270-3998. admin@indian-fusiondance.com. www.indianfusiondance.com.

Bharath by the Bay. A cultural program, with songs, dance and a special Christmas message. 4 p.m. India Community Center. 525 Los Coches St., Milpitas. www.christindia.org.

100 â&#x20AC;˘ india currents â&#x20AC;˘ november 2012

IndiaCurrents

Om Sri Mathre Namaha Vaidica Vidhya Ganapathi Center SRI LAKSHMI GANAPATHI TEMPLE

(408) 226-3600

32B Rancho Drive, San Jose, CA 95111

(Capitol Expressway Westa nd Montrey Road Junction, Opposite and 1 Block from Capitol Cal Train Station)

www.vvgc.org or siliconvalleyhindutemple.com

Sunday, November 4, 2012 Day Light Savings Time Ends Sunday, November 11, 2012 At 4.00 pm Pradosham Shiva Sri Rudra Abhisheka Aarati and Manthra Pushpa, Sri Lakshmi Ganapathi Abhisheka, Sri Valli Deva Sena Sametha Sri Subramanya Abhisheka Aarati At 5.15 pm Sri Kandha Sashti Kavacham Chanting Aarati And Manthra Pushpa Tuesday, November 13, 2012 Naraka Chathurdasi Snanam/Ganaga Snanam Deepawali Festival Temple Opens Morning At 9.00 am Sri Venkateswara Suprabhatam continued with Sri Shiva Abhisheka Aarati and Manthra Pushpa, Kedara Gowri Vratha At 5.00 pm Sri Samoohika Sri Lakshmi Kubera Pooja Aarati and Manthra Pushpa Sarva Amavasya continuous Archana to Sri Buwaneswari At 10.15 pm Sri Lakshmi Aarati, Sri Jaya Jagadeshare Aarathi, Sri Balaji Ekantha Seva. Temple Closes Wednesday, Novemfber 14, 2012 To Saturday, November 17, 2012 Skandha Sasthi Begins Daily Night From 8.30 pm Sri Valli Deva Sena Sametha Sri Subramanya Sahasra Nama Archana Friday, November 16, 2012 Sri Ayyappa Mandala Pooja Begins At 4.00 pm Sri Bhuwaneswari /Sri

Lalitha Devi Abhisheka continued with Sri Sri Lalitha Sahasra Nama Chanting Aarati and Manthra Pushpa At 6.00 pm Ayyapp-a Mandala Pooja begins. Special Pooja Aarati and Manthra Pushpa. Daily Ayyappa Mandala Pooja From November 16, 2012 To January14, 2013 Ends Sunday, November 18, 2012 At 4.00 pm Sukla Sasthi Kavadi Festival continued with Sri Lakshmi Ganapathi Abhisheka, Sri Shiva Abhisheka, Kandha Sashti Kavacham Chanting Aarati and Manthra Pushpa

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reflections

Melanie P. Kumar

The Corporatization of Gurudom

n the Indian milieu, the Guru or preceptor holds an exalted place. The term, “guru,” would translate as the “dispeller of darkness.” Interestingly, the word has made its way into the English lexicon and is supported by Microsoft’s spell check. In the Hindu context and to some extent in the Buddhist and Sikh religions, the guru is supposed to grant the knowledge that connects an individual to God. It should be no surprise then that given the guru’s spiritual importance that people look up to gurus and view them as God-substitutes even in 21st century India. In ancient times, the gurus were perhaps revered for imparting knowledge and assisting in the path to spirituality. Today, with most Indians being interested in matters more temporal, it may be only natural for gurus to adjust themselves to the changing worldview. So it is that we have a plethora of gurus, ranging from Swami Sukhabodhananda, Jaggi Vasudev, Sri Sri Ravi Shankar to name just a few. Whilst Sri Sri has improved on the Pranayama to evolve his own yogic method called Sudarshan Kriya, Jaggi Vasudev has formed his own technique of meditation and yogic practice called Isha Yoga, Swami Sukhabodhananda has written books like Oh Mind, Relax, please, Oh Life, Relax, please and regularly conducts workshops, often in air-conditioned comfort, for stressed out corporate executives. What is significant is that almost all of today’s guru’s eschew simple living in favour of high-flying lifestyles and have a strong link with the corporate world. All of them have reinvented the Hindu religious scriptures like the Bhagavad Gita, the Ramayana and the Mahabharata to suit modern times. Apart from the gurus, many of these epics are being rewritten by corporate Gurus like Gurucharan Das who writes of The Difficulty of Being Good, linking stories from the Mahabharata with present-day happenings. India-born, Deepak Chopra has reinterpreted Indian metaphysics to suit modern civilizations (particularly Western). His book, Ageless Body, Timeless Mind, has gone into many reprints and he can list amongst his fan following, famous names like Bill Clinton, Demi Moore, George Harrison and Michael Jackson! Needless to say that he has materially 102 • india currents • november 2012

benefited in the process. Can it be concluded that gurus have become corporatized because of modern India’s desire for wealth? But perhaps, there is a misconception here. In a country where the Goddess Lakshmi is alloted a day in the week, perhaps there was always a preoccupation with wealth. Most of India’s big temples are bursting at the coffers. Lord Balaji of Tirupati has recently been displaced as the richest god in India by Lord Padmanabhaswamy of Tiruvanthapuram. The gurus of today have a better feel on the pulse of the people of this country and their preoccupations. Whilst spirituality has a place in the Hindu’s life, it comes at a later stage; in one’s sunset years. So, apparently, there is nothing wrong in the pursuit of wealth and the guru who tells you so is, not surprisingly, the most popular. It is little wonder then that the New Age gurus are more in demand than the old ones, like the Pejawar Mutt Swami. For the poor of India, becoming rich is certainly an aspiration. So, if there is someone to reassure you that your poverty is because of your past karma, which tomorrow can reverse, either with the intervention of the guru or through the performance of religious rituals, why would that guru not have a following? This piece is not meant to critique gurus who have reached great levels of spirituality like Sri Ramana Maharishi and so many before and after him. But there is no doubt that

there are gurus who feed into the fears of the general public and use it to consolidate their own positions of power. For their well-heeled followers, these leaders offer the reassurance that it is possible to be both rich and on the path to spirituality. Baba Ramdev has garnered a world-wide following through his tele-evangelism and also amassed a fortune through a company selling Ayurvedic products. For some it might be difficult to reconcile the link between the wealth that these gurus possess and the spirituality that they profess Still, I would like to end this piece on a positive note. When travelling on the train from Bangalore to Chennai, I met a devout lady who was returning after a ten-day stay at the Ashram of Swami Nityananda in Bidadi. In Tamil, she told me, “Avare paatha Kadavalai paatha madari,” which would translate as “Seeing him is like seeing God.” So, if “Beauty lies in the eyes of the beholder,” why fault the devotee who looks up and reveres the guru? If her devotion is pure, she might still find the salvation that is her due, with or without the intervention of the guru.n Melanie P. Kumar is a Bangalore-based writer and editor who has been freelancing forthe past 15 years. She has an Honors Degree in English and a post-graduate degree in Communications. Her areas of interest are human interest stories, observations on life, travel, development and human rights issues, the environment, gender, literature and culture.

spirituality and health

November

1 Thursday

Meditation with Shri Anandi Ma. An evening of chanting, meditation, and revelations of sacred knowledge. Organized by Dhyanyoga Centers. 6:30-9 p.m. Dhyanyoga Centers, 3306 Contra Loma Blvd., Antioch . Free. (925)779-9660. antioch-programs@dyc. org, info@dyc.org. http;//www.dycantioch.org.

November

2 Friday

Karva Chauth. 4 p.m. Sri Lakshmi Ganapathi Temple. 32B Rancho Drive, San Jose. (408) 226-3600. www.vvgc.org. www. siliconvalleyhindutemple.com. Sankata Hara Chaturthi. 7-7:30 p.m. Balaji Temple, 5004 N. 1st St., San Jose. (408) 203-1036, (408) 956-9050. balajitemple1@ gmail.com. www.balajitemple.net, www.balajimatha.org.

November

3 Saturday

Sri Sundarakanda Ramayana of Sri Tulasidas Gowswami. Group singing

followed by aarati and mahaprasad. 2:305:30 p.m. Badarikashrama, 15602 Maubert Ave., San Leandro. Free. (510) 278-2444. badarik@pacbell.net. www.badarikashrama. org.

November

4 Sunday

A Spiritual Approah to World Peace.

Sunday Service. Organized by Self-Realization Fellowship. SRF Center Sacramento, 4513 North Ave., Sacramento. (916) 4839644. SRF Center Los Gatos, 303 E. Main St., Los Gatos. (408) 252-5299. Richmond Temple, 6401 Bernhard Ave., Richmond. (510) 232-6652. www.yogananda-srf.org. Contact temples for times.

Vijayadasami Celebrations. 10 a.m.

Shruthi Swara Laya, 3273 Seldon Ct., Fremont. (5100 552-5824. ggavimal@sbcglobal. net. www.shruthiswaralaya.com.

Talk by Swami Omkarananda. Followed by aarti and mahaprasad. 11 a.m.-1 p.m. Badarikashrama, 15602 Maubert Ave., San Leandro. Free. (510) 278-2444. badarik@ pacbell.net. www.badarikashrama.org.

Sri Ga Kara Ganesh Pooja. 7-8:30 p.m.

Deepavali Pujas and celebrations around the Bay Area

Balaji Temple, 5004 N, 1st St., San Jose. (408) 203-1036, (408) 956-9050. balajitemple1@ gmail.com. htp://www.balajitemple.net, www. balajjimatha.org.

November

9 Friday

Ekadasi Sri Lalitha Stotram Prayanam.

6:30-8:30 p.m. Balaji Temple, 5004 N, 1st St., San Jose. (408) 203-1036, (408) 956-9050. balajitemple1@gmail.com. www.balajitemple.net, www.balajjimatha.org.

Sri Sri Yoga Course. Yoga explained in a simple manner. Ends Nov. 12. Organized by Art Of Living. 7-9:30 p.m. Fremont Art Of Living Center, 555 Mowry Ave, Suite C, Fremont. (408) 480-4726. manisha.pathak@srisriyoga. org. secure.artofliving.org/course_details. aspx?course_id=13438. Ribhu Gita. Readings, with commentary and dialogue by Nome. 8-9:30 p.m. Society of Abidance in Truth (SAT), 1834 Ocean St., Santa Cruz. Free. (831) 425-7287. sat@cruzio. com. www.satramana.org. Sound, Breath, and Asana. Integration

of yoga and classical music, discovering the philosophy and inherent wisdom of “Raga Sangeet.” Permeate sound through basic yoga postures, breathing techniques and meditation, followed by a concert of Indian classical music. Ends Nov. 11. 4 p.m. Mount Madonna Center, 445 Summit Road, Watsonville. (831) 431-6064. mangala@paradisewaitswellnessretreat.com. www.mountmadonna.org.

November

10 Saturday

2-Day Meditation Training Program For Young Aspirants. Ends Nov. 11. 9:30 a.m.-

6 p.m. Private Residence,, Heathrow Terrace, Fremont. Free. (510) 405-1630. shishir.joshi@ sriramchandra.org. sriramchandra.org/Training/ Training.htm#FreshersRegister.

Sundar Khanda. Sri Hanuman Chalisa followed by pot luck prasadam. 5:30-8 p.m. Balaji Temple, 5004 N. 1st St., San Jose. (408) 203-1036, (408) 956-9050. balajitemple1@ gmail.com. www.balajitemple.net, www.balajimatha.org. Diwali Celebrations. On Nov. 13– Chopda

Poojan for adults, Saraswati Poojan for kids. Nov. 14- Gujarati New Year celebration. Nov. 17-New Year Annakut celebrations with Govardhan Pooja, Annakut Darshan, cultural programs, samagri and mahaprasad. Ends Nov. 17. Organized by Bay Area Area Youth Vaishnav Parivar (BAYVP). 7-10 p.m. Vaishnav Haveli, 25 Corning Ave., Milpitas. Free. (408) 586-0006. info@bayvp.org. www.bayvp.org.

November

11 Sunday

Habit: your Master or Slave? Sunday Service. Organized by Self-Realization Fellowship. SRF Center Sacramento, 4513 North Ave., Sacramento. (916) 483-9644. SRF Center Los Gatos, 303 E. Main St., Los Gatos. (408) 252-5299. Richmond Temple, 6401 Bernhard Ave., Richmond. (510) 232-6652. www.yoga india currents • november 2012 • 103

Swaminarayan Hindu Temple Inauguration, Nov. 26-Dec. 2

nanda-srf.org. Contact temples for times.

Lecture-Demo Musical Program. Deep-

vali special: the bhajan tradition across India. Shyamsundar Kotagal, will sing popular and traditional Indian music. He will present a few representative compositions from different regions in medieval Hindi, Telugu, Marathi, Kannada, and Tamil. 11 a.m.-12:30 p.m. Cultural Integration Fellowship, 2650 Fulton St. at 3rd Ave., San Francisco . Free. (415) 668-1559. culturalfellowship@sbcglobal.net. www.culturalintegrationfellowship.org.

Dhanteras , Pradosham Shiva and Dhanvantri Puja. 6-8 p.m. Balaji Temple,

5004 N. 1st St., San Jose. (408) 203-1036, (408) 956-9050. balajitemple1@gmail.com. www.balajitemple.net, www.balajimatha.org.

Sri Kandha Sashti Kavacham Chanting.

Followed by aarti and manthra pushpa. 5:15 p.m. Sri Lakshmi Ganapathi Temple. 32B Rancho Drive, San Jose. (408) 226-3600. www. vvgc.org. www.siliconvalleyhindutemple.com.

Diwali Celebrations. With Ganapathi

Sachchidananda Swami. Ends Nov. 13. Organized by Dashavatara Yoga Center. 6:30-9 p.m. Indian Community Center (ICC), 525 Los Coches St., Milpitas. Free. (510) 673-

104 â&#x20AC;˘ india currents â&#x20AC;˘ november 2012

3929, (408) 786-8357, (408) 830-4990. info@ sjconcert.com, info@dashavatarayogacenter. org. dashavatarayogacenter.org.

November

12 Monday

Naraka Chaturdasi and Deepavali Puja. 6-7 p.m. Balaji Temple, 5004 N. 1st St., San Jose. (408) 203-1036, (408) 956-9050. balajitemple1@gmail.com. www.balajitemple.net, www.balajimatha.org.

November

13 Tuesday

Mahalakshmi Puja. 6-8:30 p.m. Balaji Tem-

ple, 5004 N. 1st St., San Jose. (408) 203-1036, (408) 956-9050. balajitemple1@gmail.com. www.balajitemple.net, www.balajimatha.org.

Sri Mahalakshmi Puja and Kirtan. Deep-

ciety of Abidance in Truth (SAT), 1834 Ocean St., Santa Cruz. Free. (831) 425-7287. sat@ cruzio.com. satramana.org/html/dipavali.htm.

Sri Samoohika Sri Lakshmi Kubera Puja. Followed by aarti and manthra push-

pa. 5 p.m. Sri Lakshmi aarti at 10:15 p.m.Sri Lakshmi Ganapathi Temple. 32B Rancho Drive, San Jose. (408) 226-3600. www.vvgc. org. www.siliconvalleyhindutemple.com.

November

14 Wednesday

The Truth Revealed Retreat. This retreat

is focused on non-dual self-knowledge as revealed by Sri Ramana Maharshi and consists of in-depth commentary, with dialogue. There is time for the participants to silently meditate. Ends Nov. 18. 9 a.m.-2 p.m. Society of Abidance in Truth (SAT), 1834 Ocean St., Santa Cruz . Registration Required. (831) 425-7287. sat@cruzio.com. satramana.org/ html/the_truth_revealed_retreat.htm.

avali celebration conducted by Swami Omkarananada. Lighting of deeyas by children. 7-9 p.m. Badarikashrama, 15602 Maubert Ave., San Leandro. Free. (510) 278-2444. badarik@ pacbell.net. badarikashrama.org.

November

Dipavali. Meditation, readings, and puja to

Ayyappa Mandala Puja. 6 p.m. Sri Lak-

Siva and Sri Ramana Maharshi with devotional chanting of bhajans. 7:30-8:30 p.m. So-

16 Friday

shmi Ganapathi Temple. 32B Rancho Drive, San Jose. (408) 226-3600. www.vvgc.org. www.

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November

18 Sunday

Giving Thanks for Life’s Blessings. Sunday Service. Organized by Self-Realization Fellowship. SRF Center Sacramento, 4513 North Ave., Sacramento. (916) 483-9644. SRF Center Los Gatos, 303 E. Main St., Los Gatos. (408) 252-5299. Richmond Temple, 6401 Bernhard Ave., Richmond. (510) 232-6652. www.yogananda-srf.org. Contact temples for times.

Sri Satyanarayana Swami Puja and Katha. Group worship conducted by Swami

Omkarananda. Kirtan, aarti and mahaprasad. 11 a.m.-1 p.m. Badarikashrama, 15602 Maubert Ave., San Leandro. Free. (510) 278-2444. badarik@pacbell.net. www.badarikashrama. org.

Sukla Sasthi Kavadi Festival. Followed by aarti and manthra pushpa. 4 p.m. Sri Lakshmi aarti at 10:15 p.m.Sri Lakshmi Ganapathi Temple. 32B Rancho Drive, San Jose. (408) 226-3600. www.vvgc.org. www.siliconvalleyhindutemple.com. Skanda Shasthi Subramanya Swami Pooja. 8 p.m. Balaji Temple, 5004 N. 1st St.,

San Jose. (408) 203-1036, (408) 956-9050. balajitemple1@gmail.com. www.balajitemple. net, www.balajimatha.org.

November

22 Thursday

Guru Vandana Puja. Mantra Pooja and Kalasha Aradhana Pooja. Ends Nov. 25. 6:30-8 p.m. Balaji Temple, 5004 N. 1st St., San Jose. (408) 203-1036, (408) 956-9050. balajitemple1@gmail.com. www.balajitemple.net, www. balajimatha.org.

November

23 Friday

Guru Vandana. Navagraha Pooja and Ekadasi Sri Mahalakshmi Abhishekam.

6-8:30 p.m. Balaji Temple, 5004 N. 1st St., San Jose. (408) 203-1036, (408) 956-9050. balajitemple1@gmail.com. www.balajitemple. net, www.balajimatha.org.

November

24 Saturday

Kalasha Sri Satyanarayana Swami Pooja. Followed by Balaji Kalasha Abhishekam. 10 a.m.-12:30 p.m. Balaji Temple, 5004 N. 1st St., San Jose. (408) 203-1036, (408) 956-9050. balajitemple1@gmail.com. www.balajitemple. net, www.balajimatha.org.

106 • india currents • november 2012

November

25 Sunday

The Purpose of Life. Sunday Service.

Organized by Self-Realization Fellowship. SRF Center Sacramento, 4513 North Ave., Sacramento. (916) 483-9644. SRF Center Los Gatos, 303 E. Main St., Los Gatos. (408) 2525299. Richmond Temple, 6401 Bernhard Ave., Richmond. (510) 232-6652. www.yoganandasrf.org. Contact temples for times.

Sri Ramanama Meditation and Kirtan.

November

30 Friday

Ramana Darshanam. Passages are read

aloud, and their meanings are explained in detail. 8-9:30 p.m. Society of Abidance in Truth (SAT), 1834 Ocean St., Santa Cruz. Free. (831) 425-7287. sat@cruzio.com. www. satramana.org.

December

1 Saturday

Group singing followed by aarti and mahaprasad. 11 a.m.-1 p.m. Badarikashrama, 15602 Maubert Ave., San Leandro. Free. (510) 2782444. badarik@pacbell.net. www.badarikashrama.org.

Sri Sundarakhanda Ramayana of Tulisidas Gowswami. Group singing. 2:30-5:30

Vasavi Devi Abhisheka Puja. Bhajans and potluck prasadam followed by Pradosham Sri Rudrabhishekam. 6:30 p.m. 4-7:30 p.m. Balaji Temple, 5004 N. 1st St., San Jose. (408) 2031036, (408) 956-9050. balajitemple1@gmail. com. www.balajitemple.net, www.balajimatha. org.

Sankata Hara Chaturthi. 7-8:30 p.m. Balaji Temple, 5004 N. 1st St., San Jose. (408) 203-1036, (408) 956-9050. balajitemple1@ gmail.com. www.balajitemple.net, www.balajimatha.org.

November

26 Monday

Swaminarayan Hindu Temple Inauguration. Grand opening of the Temple with

week long celebrations. Shrimad Bhagvat katha starts on Nov 26 at 6 p.m. preceded by Pothi yatra at 5 p.m. Katha M-F from 6-8 p.m. followed by prasad. Saturday (Dec 1) katha from 10-noon and 5-8 p.m followed by mahaprasad, procession (shobha yatra) from 2-4 p.m. Sunday (Dec 2) Abhishekh and pran pratistha (by Maharajshri Koshelendraprasadji of Ahmedabad Swaminarayan diocese) from 8-9 a.m., annkoot at noon followed by mahaprasad. Ends Dec. 2. 5 p.m. International Swaminarayan Satsang Organization, 35471 Dumbarton Court, Newark . Free. (408) 621-5339, (510) 468-5659, (408) 821-1058. pdholakia@yahoo.com, dilip_trivedi@hotmail. com, raju27bhai@yahoo.com. www.swaminarayan.info.

November

27 Tuesday

Poornima Satyanarayana Pooja. 6-8 p.m.

Balaji Temple, 5004 N. 1st St., San Jose. (408) 203-1036, (408) 956-9050. balajitemple1@ gmail.com. www.balajitemple.net, www.balajimatha.org.

Karthikai Deepam. Meditation, readings,

and puja to Siva and Sri Ramana Maharshi with devotional chanting of bhajans. 7:309:30 p.m. Society of Abidance in Truth (SAT), 1834 Ocean St., Santa Cruz. Free. (831) 4257287. sat@cruzio.com. satramana.org/html/ karthigai_deepam.htm.

p.m. Badarikashrama, 15602 Maubert Ave., San Leandro. Free. (510) 278-2444. badarik@ pacbell.net. www.badarikashrama.org.

Swaminarayan Hindu Temple Inauguration. Grand opening of the Temple with

week long celebrations. Saturday (Dec 1) katha from 10-noon and 5-8 p.m followed by mahaprasad, procession (shobha yatra) from 2-4 p.m. Sunday (Dec 2) Abhishekh and pran pratistha (by Maharajshri Koshelendraprasadji of Ahmedabad Swaminarayan diocese) from 8-9 a.m., annkoot at noon followed by mahaprasad. Ends Dec. 2. 5 p.m. International Swaminarayan Satsang Organization, 35471 Dumbarton Court, Newark . Free. (408) 621-5339, (510) 468-5659, (408) 821-1058. pdholakia@yahoo.com, dilip_trivedi@hotmail.com, raju27bhai@yahoo. com. www.swaminarayan.info.

December

2 Sunday

Lecture by Shashidhar Karnad. Speaks on “Meanings of Symbols and Numbers in Sanatana Dharma,” followed by arati and mahaprasad. 11 a.m.-1 p.m. Badarikashrama, 15602 Maubert Ave., San Leandro. Free. (510) 278-2444. badarik@pacbell.net. www. badarikashrama.org.

December

9 Sunday

Sri Satyanarayana Swami Puja and Katha. Bhajans by Rita Sahai and students.

Puja conducted by Swami Omkarananda. 10:30 a.m.-2 p.m. Badarikashrama, 15602 Maubert Ave., San Leandro. Sponsorship for puja starts at $25. (510) 278-2444. badarik@ pacbell.net. www.badarikasharama.org. © Copyright 2012 India Currents. All rights reserved. Reproduction for commercial use strictly prohibited.

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Deepavali Celebration

Sunday, November 11, 2012 - 2:30 pm Sri Lakshmi Homa Music by lora Jha & students Lighting of deepas by children, Aarati & Mahaprasad

Tuesday, November 13, 2012 - 7:00 pm

Sri Mahalakshmi Puja & Kirtan Thursday, November 22, 2012 - 3:00 pm

Thanksgiving Dinner & Concert

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110 â&#x20AC;˘ india currents â&#x20AC;˘ november 2012

india currents â&#x20AC;˘ november 2012 â&#x20AC;˘ 111

the healthy life

Teresa Bergen

The Yoga and Dance Connection On a Monday morning at Club Sport in Fremont, about 40 people nearly all of them women, dance together to American top 40/Bollywood mash-ups in a Bombay Jam class. Volunteers take turns coming up onstage to be the instructor’s back-up dancers. They pause to sing “Happy Birthday” to two regulars. Though a few moan and groan during the ab routine, it almost seems like they’re having too much fun to call it exercise. The fun is what brings them back to the gym again and again. Fun is often the key to exercise adherence, which can protect against heart troubles, strokes, obesity and diabetes, all of which are more common among the South Asian population in the United States. According to the South Asian Public Health Association, premature heart disease is three to four times as likely to strike South Asians than whites. South Asians typically also carry more belly-fat, which puts them at higher risk for metabolic syndrome, a condition that may lead to all the afflictions listed above. The solution? Get at least 30 minutes of exercise per day, five or more days per week, and eat a diet low in fat and high in whole foods, vegetables and fruits. Finding Something You Like For a lot of people, the thought of exercise immediately conjures guilt. We know we should be doing it all: cardiovascular exercise, resistance training and stretching. Sometimes people doggedly pursue an exercise they don’t even like because they’re sure it’s good for them. At the

Zumba Class 112 • india currents • november 2012

gym where I teach yoga and group exercise, a student recently told me how she ran for years, hating every step. When a physical therapist finally told her that running was terrible for her particular condition, she was thrilled to stop. Pursuing an exercise you hate is not sustainable! Zumba has become phenomenally popular in the last few years. The dance-fitness program reports 12 million participants in 125 countries. Their motto sums up the reason why: “Ditch the workout. Join the party.” While a few students may overlap, Zumba generally serves a different crowd than other leading group fitness trends, such as CrossFit or boot camp. Zumba is a haven for people who want to shimmy, smile and feel a bit sexy while sweating, rather than be yelled at by an inZumba Class structor to keep doing push-ups when their arms feel like noodles. People who would tell ence research team from the University of you they don’t have an athletic bone in their Wisconsin measured energy expenditure and body can enjoy Zumba. exercise intensity among Zumba enthusiasts. Some of these same people also like yoga They studied 19 healthy young women who classes. In both these activities, the focus had prior Zumba experience. The women is more on feelings than accomplishment. participated in a Zumba class while wearing While someone might be excited to master heart rate monitors. During the peak activity a dance move or a yoga pose that had previof the class, the women’s heart rates reached ously eluded them, the main idea is to show 80 percent of their maximum capacity, up, move for the allotted time, and have a which is solidly in the recommended range pleasurable experience in the body. for cardiovascular exercise. They burned Yoga teacher Jenny Gallagher, author of Mind about 9.5 calories per minute. These results Over Mat: Having Fun While Focusing on surprised both the researchers and the parWhat Matters, has pondered the question ticipants, who didn’t perceive the workout as “Is yoga exercise?” Yes, she says, it can be. that challenging. But it is also much more. “I believe the corAccording to a National Institutes of Health nerstone to wellness is wellbeing, which is a study, yoga didn’t improve participants’ fitfeeling,” said Gallagher, who teaches in Saraness level. However, it was equal or superior sota, Florida. “Yes, some people enjoy the to other forms of exercise in all their other feeling of traditional exercise, but in many indicators, such as improving emotional cases people exercise because they ‘should.’ and mental health, which in turn improves Therefore the feelings may range from true physical health. dislike or a sense of having to push through As Gallagher pointed out, feelings of wellbeit. Yoga means to yoke or unite and if you ing improve your health. “I wish we could focus on aligning your feelings with what you remove the words ‘diet’ and ‘exercise’ from want, you will experience wellbeing.” Yoga our vocabulary and instead focus on nutriallows for introspection and stress reduction, tion and playful movement,” she said. “If she said. you want to feel good then supply your body and mind with nutrients and activities that Effectiveness of Dance Exercise give you energy.”n While there’s no doubt people are having fun in classes like Zumba and Bombay Jam, are they really getting the exercise benefits of more serious-looking pursuits like running and cycling? The American Council on Exercise recently commissioned an independent study to find out. An exercise sci-

Teresa Bergen lives in Portland, Oregon, where she writes about health, fitness, travel and the arts. She’s the author of the Vegetarian Asia Travel Guide. Find out more at www.teresabergen.com.

health

india currents â&#x20AC;˘ november 2012 â&#x20AC;˘ 113

ONGOING SPIRITUAL EVENTS Daily Laughter Yoga Club. Simple effective yogic exercises with laughter therapy for perfect health and happiness and to reduce stress. Serra Park, Hollenbeck Roadd, Sunnyvale. Daily. 7 a.m.-8 a.m. Free. (408) 490-1260. mkm. blr@gmail.com. Vishnusahasranama. Daily, 12 p.m. Balaji Temple, 678 Cypress Ave., Suunyvale. (408) 203-1036. Balajitemple1@gmail.com. www. balajitemple.net. Aarti. Daily, 8:30 p.m. Balaji Temple, 678 Cypress Ave., Suunyvale. (408) 203-1036. Balajitemple1@gmail.com. www.balajitemple.net. Patanjali Yoga Sutras: Satsang. Paramahamsa Nithyananda says, “Don’t add movements to your life, add life to your movements.” That is yoga. Patanjali is a great sage and inner world scientist from ancient India. He was the first person to systematize the oral yogic tradition and encode it in a concise form called Yoga Sutras, roughly over 2,000 years ago. Through these talks, he enables the flowering of yoga in you, so you can see a visible change in your very postures, ethical discipline and sensory perceptions. Program broadcast live from India, conducted by Paramahamsa Nithyananda. Organized by Life Bliss Foundation. Daily, 8-9:30 p.m. Nithyananda Vedic Temple, 513 Los Coches St., Milpitas. Free. (408) 263-6375. info.vedictemple@gmail.com. www.vedictemplebayarea.org.

Sunday Simplified Kundalini Yoga (SKY), plus

physical exercises. We guide and initiate SKY meditation. We also provide Kayakalpam and Introspection courses. Sundays, 8-10 a.m. Sunnyvale-Sanadan Dharma Kendra,897 Kifer Road, Suite #1, Sunnyvale. Free. (510) 456-8953. sky.bayarea@yahoo.com. www.skybayarea.org.

Guru Gita Chant Siddha Yoga Meditation Ctr, 4115 Jacksol Dr., San Jose. Sundays, 8 a.m. (408) 559-1716. Purification and Meditation Ananda

Sangha, 2171 El Camino Real, Palo Alto. Sundays, 9 a.m.-9:45 a.m. (650) 323-3363. www. anandapaloalto.org.

faith backgrounds are welcome. The service offers a nonsectarian message of hope, faith, and the essential harmony of the world’s religions, emphasising on self-realization, awakening to the inherent goodness of our spiritual nature and living in harmony with divine will. An inspirational message, silent meditation, sacred music and scripture from many traditions help us to remember what is true—life is good. Center for Spiritual Enlightenment, 1146 University Ave., San Jose. Sundays, 9 a.m. and 11 a.m. (408) 283-0221, x30. www.CSEcenter.org.

Lecture on different religious traditions. The meditation hall is also open for those who wish to deepen their meditation practice. Organized by Cultural Integration Fellowship. 2650 Fulton St. San Francisco. Sundays, 9-11 a.m. (415) 626-2442.

Yoga and Meditation. Sundays, 9:30-11

a.m. Premarpan Yoga and Wellness Center, Los Gatos. Free. (408) 406-8197. premarpan@ gmail.com. www.premarpan.com.

Abhishekam and Alankaram and Special Pujas to magnificent deities, accompanied by the divine and auspicious chants of Rudram and Chamakam we perform abhishekam (holy bath) to Lord Anandeshwara, Anandeshwari (Shiva and Parvathi), Shiva linga, Devi, Karthikeya and the Nava grahas using divine powder, sandalwood powder and turmeric. It is later followed by grand alankaram (dressing up) of the deities, naivedhyam, and Maha Aaarthi. 10 a.m.-1 p.m. Nithyananda Vedic Temple, 513 Los Coches St., Milpitas. Free. (408) 263-6375. info.vedictemple@gmail. com. www.vedictemplebayarea.org.

Sunday Service Sikh Temple, 2301 Evergreen Ave, West Sacramento. Sundays, 10 a.m. (916) 371-9787. Sri Akhand Path Sahib Sikh Temple, 1930 S Grant St, Stockton. Sundays, 10 a.m. (209) 946-9039. Jainism Classes for children 4 years and older. Organized by Jain Center of Northern Califorina. Jain Bhavan, 722 South Main St., Milpitas. First and third Sunday of every month. 10-11:30 a.m. $35 annually for members, $50 anually for non-members. (408) 5170975, (408) 262-6042. www.jcnc.org. Satsang, silent meditation, discourse by

Meditation and chanting. Yogalayam, 1717 Alcatraz Ave., Berkeley. Sundays, 9-10:30 a.m. (510) 655-3664. www.yogalayam.org. info@ yogalayam.org.

Nome on self-dnowledge and self-inquiry, recitation and readings from the Upanishads, recitation of Tamil Ribhu Gita. Organized by Society of Abidance in Truth. First and fourth Sundays of the momth, 10-11:30 a.m. 1834 Ocean St., Santa Cruz. Free. (831) 425-7287. www.satramana.org.

Sunday Worship Services. Seekers from all

Advaita Vedanta and the teachings of Sri

114 • india currents • november 2012

Ramana Maharshi. Society of Abidance in Truth, 1834 Ocean Street, Santa Cruz. Sundays, 10 a.m.-12 noon. (831) 425-7287. www. SATRamana.org.

Monthly Satsangs of Vaswani Mission of

Bay Area. Includes video discourse tapes of Dada Jashan, reading of the Noori Granth, Gita path, bhajans, and shloka recitation. Fremont Hindu Temple, 3676 Delaware Dr., Fremont. Third Sundays, 10:30–11:45 a.m. (510) 796-4472, (408) 218-6364. prmlani3@ yahoo.co.in.

Sunday Services Self Realization Fellowship, Sacramento Center, 4513 North Ave, Sacramento. Sundays, 11 a.m. (916) 483-9614.

Community Gatherings include a short

talk with discussion, kirtan, puja, meditation, and treats. San Francisco Integral Yoga Institute, 770 Dolores St., San Francisco. Sundays, 11 a.m.-1 p.m. (415) 821-1117. www. integralyogasf.org.

Ramanama meditation and kirtan. Orga-

nized by Badarikashrama. Badarikashrama, 15602 Maubert Ave, San Leandro. Sundays, 11 a.m. (510) 278-2444. www.badarikashrama. org.

Sunday Service Organized by Self Realization Fellowship. SRF, 303 E. Main St, Los Gatos. Sundays, 11 a.m. (408) 252-5299. Sunday School for children 6-14 years of

age to give them a general knowledge of the universal truths of Vedanta, to acquaint them with the basic teachings of the major living religions, and to inspire reverence for the great religious teachers of the world. Organized by Vedanta Society of Northern California. Vedanta Society of Northern California, Old Temple, 2963 Webster St., San Francisco. Sundays, 11 a.m.-Noon. (415) 9222323. www.sfvedanta.org.

Zoroastrian Temple Arbab Zoroastrian Temple, 10468 Crothers Rd, San Jose. First Sundays, 12 p.m. (408) 365-0119. Nithya Dhyaan Meditation Satsang, a powerful meditation technique to achieve physical and mental well-being. Organized by Life Bliss Foundation. Sundays, 3:30 p.m. 451 (Kung-Fu School), Los Coches St., Milpitas. Sunday Festival, an evening of bhajans, arati, discourses and Krishna prasadam. Organized by ISKCON. ISKCON, 951 S. Bascom Ave., San Jose. Sundays, 4:30-6 p.m. Free. (408) 559-3197. Traditional Vedanta and meditation classes. Presented by Swami Dayananda’s Arsha Vidya Center. Jain Bhavan, 722 S. Main, Milpitas. Sundays, 5-6:30 p.m. for beginning students; 8-9:30 a.m. for intermediate students.

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(650) 208-9565. vijaykapoor@gmail.com. Festival and Feast an evening of bhajans, Bhagavad Gita classes, aarti, kirtan, and prasad. Radha Krishna Temple, 2990 Union Ave, San Jose. Sundays, 5:30 p.m. (408) 5593197.

Satsang. Kirtan, lecture, prasad distribution, and vegetarian feast. Sri Chaitanya Saraswat Ashram, 2900 N Rodeo Gulch Rd, Soquel. Sundays, 6 p.m. Free. (408) 462-4712.

Meditation with devotional chanting and talk on yoga philosophy. Sivananda Yoga Center, 1200 Arguello Blvd., San Francisco, Sundays, 6 p.m. (415) 681 2731.

Satsang. Prayer, chanting meditation, lecture

series on devotional topic (Geeta, Bhagwatam, Brahma Sutra, Upnishads etc.), followed by arti and prasad. Jagadguru Kripalu Parishat (JKP) Center-San Jose. Sundays, 6-7:15 p.m. 4940 Avenida de Carmen, Santa Clara. (408) 980-9953. www.JKPSanJose.org.

Women’s Sufi Gathering Discussion of Sufi principles, poetry, literature and meditation. Organized by International Association of Sufism. Berkeley venue to be announced. Sundays, 7 p.m. Free. (510) 849-5309. Devotional Meetings Programs including prayer, chanting meditations, video discourse (Bhagvad Gita series), arti and homage. J.K.P. Sunnyvale Center, 955 Ponderosa Avenue #27, Sunyvale. Sundays, 7:30-8:45 p.m. (408) 7381201. dk.taylor@sbcglobal.net

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Sri Ram Amrith Vani and bhajans. Sundays, 11:30 a.m.-1:30 p.m. followed by Preeti Bhoj. Sunnyvale Hindu temple, 420-450 Persian Dr., Sunnyvale. (408) 734-4554, (408) 734-0775. www.sunnyvaletemple.org. Sri Aurobindo Meditation and StudyGroup. 11 a.m –noon, Danville. Free. Samesh (650) 218-4223.braroo@gmail. com. Bhajan, Kirtan, Sathsanga or Puja. Sun-

days, Balaji Temple, 678 Cypress Ave., Suunyvale. (408) 203-1036. Balajitemple1@gmail. com. www.balajitemple.net.

Satsang. Organized by International Swaminarayan Satsang Organization (ISSO).35471 Dumbarton Court, Newark. 4-6 p.m.

Monday Bhagavad Gita—The Song of God with Kamala Lee, teaching the scriptures of the Bhagavad Gita. Organized by Integral Yoga Institute. Integral Yoga Institute, 770 Dolores St, San Francisco. Mondays, 6 p.m.-7:30 p.m. $48. (415) 821-1117. www.integralyogasf.org.

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Sri Rudrabhishekam Mondays, 6:30-8 p.m.

Sunnyvale Hindu temple, 420-450 Persian Dr., Sunnyvale. (408) 734-4554, (408) 734-0775. www.sunnyvaletemple.org.

Shree Maa and Swami Satyananda Saraswati lead Sanskrit chanting, commen-

tary and discussion of scriptures including Lalitha Trishati, Bhagavad Gita, Sundarakand, Chandi Path. Devi Mandir, 6:30 p.m. Live web broadcasts at www.shreemaa.org/ broadcasts (707) 966-2802.

Rudrabhi Sheka. Mondays, 7-8:30 p.m. Balaji Temple, 678 Cypress Ave., Suunyvale. (408) 203-1036. Balajitemple1@gmail.com. www.balajitemple.net.

Tuesday Shri Appaji Meditation. Participate in unique psychosomatic spiritual meditation techniques Group meditation, discourse sessions. Shri Appaji Meditation Center, Sunnyvale. 9:30 a.m. (women only), 7:30 p.m. (men and women). $10/session, first Tuesday free. Registration required. (408) 735-9025. shri_appaji@hotmail.com. Ramayana Program. Program includes recital from Ramayana with music. Vegetar-

tary and discussion of scriptures including Lalitha Trishati, Bhagavad Gita, Sundarakand, Chandi Path. Devi Mandir, 6:30 p.m. Live web broadcasts at www.shreemaa.org/ broadcasts. (707) 966-2802.

Sri Hanuman Puja. 6:30-8 p.m. Sunnyvale Hindu temple, 420-450 Persian Dr., Sunnyvale. (408) 734-4554, (408) 734-0775. www. sunnyvaletemple.org.

Osho Meditations. Tuesdays, 6:30 p.m. at

Amrithika, 248 Hamilton Ave., Palo Alto. Free. (650) 462-1980. www.amrithika.com.

Hanuman Chalisa and Durga Pooja and Subramanya Strotam. Tuesdays,

7-8:30 p.m. Balaji Temple, 678 Cypress Ave., Suunyvale. (408) 203-1036. Balajitemple1@ gmail.com. www.balajitemple.net.

Wednesday Yoga for Wellness. This class will offer tools to help manage stress, enhance the immune system, promote healthy digestion and sleep, and optimize the body’s own healing mechanisms, by using movement, breath, meditation, and sound in a supportive group setting. Wednesdays, 9-10:15 a.m. Yoga Shala, 330 Melville Ave, Palo Alto. $15. (650) 8570226. dhurgareddy.nd@gmail.com. www.dhurgareddy.com. Worship Services include a burning bowl

ritual that supports each one in consciously letting go of that which no longer serves our highest good and inviting in that which does. Center for Spiritual Enlightenment, 1146 University Avenue, San Jose. Wednesdays, 12-1

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Chanting Hanuman Chalisa. Chanting of the powerful Hanuman Chalisa in a group grants the devotee protection from all harm and blesses him/her with health, wealth and prosperity. It is followed by special aarthi to Ram parivar (Ram, Lakshman, Sita, and Hanuman). Transcripts of the Chalisa provided (in English, Hindi, and Tamil). Tuesdays, 8-9:30 p.m. Nithyananda Vedic Temple, 513 Los Coches St., Milpitas. Free. (408) 2636375. info.vedictemple@gmail.com. www. vedictemplebayarea.org.

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Bhagavad Gita Class An in-depth explora-

tion of the Bhagavad Gita, led by Vaisesika Dasa Adhikari. ISKCON, 951 S. Bascom Ave., San Jose. Wednesdays, 6 p.m. Free. (408) 5593197.

Shree Maa and Swami Satyananda Saraswati lead Sanskrit chanting, commen-

tary and discussion of scriptures including Lalitha Trishati, Bhagavad Gita, Sundarakand, Chandi Path. Devi Mandir, Wednesdays, 6:30 p.m. Live web broadcasts at www. shreemaa.org/broadcasts (707) 966-2802.

Bhagavath Seva - Voluntary Service to God. Wednesdays, 6:30-8 p.m. Sunnyvale Hindu temple, 420-450 Persian Dr., Sunnyvale. (408) 734-4554, (408) 734-0775. www.sunnyvaletemple.org.

Ramayana Katha Aranya Kand with pravachan by Shastriji. Vedic Dharma Samaj, Fremont Hindu Temple, 3676 Delaware Dr., Fremont. Wednesdays, 7:30 p.m. (510) 6590655. Brihadaranyaka Upanishad, a discourse by Swami Prapannananda. Vedanta Society of Sacramento, 1337 Mission Ave., Carmichael. Wednesdays, 7:30 p.m. (916) 489-5137. www. vedantasacto.org. Mandukya Upanishad is a class by Prapannananda on Vedanta scriptures. Vedanta Society of Sacramento, 1337 Mission Ave., Carmichael. Wednesdays, 7:30 p.m. (916) 4895137. www.vedantasacto.org. Devotional Meetings including prayer, chanting meditations, video discourse (Bhagvad Gita series), arti and homage. J.K.P. Sunnyvale Center, 955 Ponderosa Avenue #27, Sunyvale. Wednesdays, 7:30-8:45 p.m. (408) 738-1201. dk.taylor@sbcglobal.net. Satsang. Prayer, chanting meditation, lec-

ture series on devotional topic (Geeta, Bhagwatam, Brahma Sutra, Upnishads etc.), followed by arti and prasad. Jagadguru Kripalu Parishat (JKP) Center-San Jose. Wednesdays 7:30-8:45 p.m. 4940 Avenida de Carmen, Santa Clara. (408) 980-9953. www.JKPSanJose.org.

Sri Aurobindo Meditation and Study Group. Wednesdays, 7:30-8:30 p.m. Danville. Free. Open to all.(650) 218-4223. braroo@ gmail.com.

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Atmotsava (Ramana Nama San-kirtanam), meditation, readings, devotional

chanting and learning of kirtans. Organized by Society of Abidance in Truth (SAT). First, third, and fourth Wednesdays of the month, 7:30-9:30 p.m. 1834 Ocean St., Santa Cruz. Free. (831) 425-7287. www.satramana.org.

Thursday Yoga for Anxiety, an on-going, drop-in

yoga class for people with mild to moderate anxiety as well as for those seeking to reduce anxiety in their lives. Organized by Healing Yoga Foundation of San Francisco. Thursdays, 4-5:15 p.m. 3620 Buchanan St, San Francisco. Donations. (415) 931-9642. admin@healingyoga.org. www.healingyoga.org/ schedule.html.

The Secret of the Self, introduction to meditation and philosophy in the tradition of Kashmir Shaivism. Organized by Sri Sambha Sathashiva Vidya Peetham. Thursdays, 7-8:30 p.m. Nine Star University of Health Sciences, 441 DeGuigne Drive, Suite 201, Sunnyvale. info@vidyapeetham.org. www.vidyapeetham. org. Shri Shirdi Sai Baba haarathulu dhoop

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aarti. Sri Lakshmi Ganapathi Temple, 32B Rancho Dr., San Jose. Thursdays, 7:30 p.m. (408) 226-3600. www.vvgv.org. www.siliconvalleyhindutemple.com.

Satsang Siddha Yoga Meditation Ctr, 4115 Jacksol Dr, San Jose. Thursdays, 7:30 p.m. (408) 559-1716.

Inspirational Service SRF, 303 E. Main St, Los Gatos. Thursdays, 7:30 p.m. (408) 2525299. Zen Fitness Designed to reduce stress,

pain, and weight. Thursdays, 10:15-11:15 a.m. Sunnyvale studio. Contact for location, (415) 203-9231, taoak@yahoo.com.

Ancient Wisdom, Modern Mind, guided Kriya meditation led by Pratibha Gramann, longtime student of Sri Baba Hari Dass. Thursdays, 7-9 p.m. Shubhamayurveda Center, 3606 Thornton Ave., Fremont. rmg.pratibha@ att.net. Dada Bhagwan’s Satsang. Thursdays, 8-10 p.m. For location, call (408) 910-6052, (408) 578-5685. Jain Swadhyay with an illuminating study

of Jain scriptures Series continues on Samyag Tap, Samyag Gyan, Samyag Darshan and Samyag Charitra, with samanijies from Jain

118 • india currents • november 2012

Vishwa Bharati, Ladnun, Rajasthan. Jain Bhawan, 722 S. Main Street, Milpitas. Thursdays, 8-9:30 p.m. Free. (408) 262-6242, (650) 2078196. www.jcnc.org.

Shree Maa and Swami Satyananda Saraswati lead Sanskrit chanting, commen-

tary and discussion of scriptures including Lalitha Trishati, Bhagavad Gita, Sundarakand, Chandi Path. Devi Mandir, Thursdays, 6:30 p.m. Live web broadcasts at www.shreemaa.org/broadcasts (707) 966-2802.

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Friday Kirtan and chanting. Organized by Ananda Sangha. Ananda Sangha, 2171 El Camino (at College), Palo Alto. Fridays, 7:30-9:15 p.m. Free. Note: Only on the first Friday of the month, these sessions will be held at 240 Monroe Dr., Mountain View. (650) 323-3363. www.anandapaloalto.org. Shree Maa and Swami Satyananda Saraswati lead Sanskrit chanting, commen-

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Sri Lalitha Sahasranama Parayanam and

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Sri Santhoshi Mata, Durga Devi Pooja and Lord Lakshmi Pooja. Fridays, 6:30-

8:30 p.m. Balaji Temple, 678 Cypress Ave., Suunyvale. (408) 203-1036. Balajitemple1@ gmail.com. www.balajitemple.net.

Kirtan, an evening of chanting. Words pro-

vided. English as well as some Indian chants accompanied by harmonium and guitar. Every second and third Friday, 7:30 pm, Ananda, 2171 El Camino Real, Palo Alto, free (650) 323-3363, free www.anandapaloalto.org

Meditation, self-inquiry meditation in-

struction by Nome, silent meditation, and dialogues. Organized by Society of Abidance in Truth (SAT). Every first and third Friday of the month, 8 p.m. 1834 Ocean St., Santa Cruz. Free. (831) 425-7287. www.satramana.

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Group Meditation with mantra chant-

ing and lecture with Swami Pranavananda, a senior meditation teacher. His kirtan and music is lively and his talks are practical. Sivananda Yoga Vedanta Center, 1200 Arguello Blvd, San Francisco. Fridays, 8 p.m. (415) 681 2731, SanFrancisco@sivananda.org.

Bhajan Class for Children, ages 4-18. Fri-

days, 8-9:30 p.m. Nithyananda Vedic Temple, 513 Los Coches St., Milpitas. Free. (408) 2636375. info.vedictemple@gmail.com. www. vedictemplebayarea.org.

Saturday Srivenkateshwara Suprabhata and Vishnu Sahasranama Strotam. Saturdays, 8-9 a.m. Balaji Temple, 678 Cypress Ave., Suunyvale. (408) 203-1036. Balajitemple1@gmail. com. www.balajitemple.net.

Simplified Kundalini Yoga (SKY), plus

physical exercises. We guide and initiate SKY meditation. We also provide Kayakalpam and Introspection courses. Saturdays, 9 a.m. Fremont Temple. Free. (510) 456-8953. sky.bayarea@yahoo.com. www.skybayarea.org.

Sri Venkateswara Suprabhata Seva and

Sri Vishnu Sahasranama Parayanam. Saturdays, 10-11:30 a.m. Sunnyvale Hindu temple,

420-450 Persian Dr., Sunnyvale. (408) 7344554, (408) 734-0775. www.sunnyvaletemple. org.

Video Satsang, bhajan, kirtan, Pranayam

(breathing technique), Mantra jaap and Dhyan program. Organized by Shri Yoga Vedanta Ashram. Saturdays, 11 a.m.-1 p.m. First and Third Saturdays, 2-5 p.m. Second Saturdays, Sunnyvale Hindu Temple, 420-450 Persian Dr. Sunnyvale. 11 a.m.-1 p.m. First and Third Saturdays, Fremont Hindu temple, 3676 Delaware Dr., Fremont. Free. (831) 2124680, (408) 667-8884. www.ashram.org.

Eucharistic Celebration in Tamil. Or-

ganized by Bay Area Tamil Catholic Community. Second Saturday of every month, 6:45 p.m. St. Joseph Parish Church, Mountain View. www.tamilcatholic.org.

Osho Evening Meditation Meeting

based on Osho’s vision and techniques. Meditation class followed by vegetarian potluck dinner. Organized by Ritesh Arora (Amaresh). 989 Lakeshire Ct, San Jose. Saturdays, 7 p.m. (408) 294-6737, (650) 842-9140. www. osho.com, arora_ritesh@yahoo.com.

Balajyothi Classes The classes focus on slokas, bhajans, story telling and activities. HCCC Library and Learning Center, Livermore Temple, Livermore. Every 2nd and 4th Saturday, 1-2 p.m. ranganathanarchana@ yahoo.com, pmadhusu@yahoo.com.

Devotional Meetings Programs including

Video Gita from Tulsi Ramayana, by

Ramakrishna-Vivekananda Literature, a discourse by Swami Prapannananda. Vedanta Society of Sacramento, 1337 Mission Ave., Carmichael. Saturdays, 7:30 p.m. (916) 4895137. www.veantasacto.org.

Acharya Prabodh Chaitanya. Organized by Chinmaya Mission San Jose. Saturdays, 4:306 p.m. Los Cerros Middle School, 968 Blemer Road, Danville. (408) 998-2793.

Bala Vikas Classes Organized by San Jose

Sathya Sai Center Study Circle. Sri Lakshmi Ganapathi Temple, 32B Rancho Dr., San Jose. Saturdays, 6 p.m. (408) 226-3600. www.vvgv. org, www.siliconvalleyhindutemple.com.

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I C dear doctor

Alzak Amlani

Caretaker Dilemma Q

My sister and I take care of our aging mother, who might only have a few months to live. I am the only family in town, so I do most of the work of talking with doctors, hiring help and spending quality time with her. This is my choice. However, I also notice that I end up exhausted. My mother likes to be more independent than she is capable of—driving alone, cooking, doing chores and not resting enough. She doesn’t respond to my concerns and I get frustrated, so we end up in unresolvable arguments. I don’t know what to do anymore.

You are naming some core issues about aging: death, difficult conversations and managing serious responsibilities. As people age, unless they have done a lot of inner work on their personalities and relationships, they become more rigid and entrenched in their ways. Very few people soften in old age. Fear of illness, dependency and death become paramount and often families don’t talk about them. Older people tend to act out their fear through stubbornness and denial of

dependency. The person who reminds your mother of these inevitable realities is you. Thus, you get the wrath and are blamed for feelings and experiences she doesn’t want to encounter in herself and her changing life. Having these difficult conversations is necessary. Ask your sister and other relatives to help and offer ideas and support. Elicit the support of an older person that your mother respects, such as an aunt or uncle. Ask your mother questions that will draw out her concerns. Simply listening and empathizing will also engender safety and get you out of the power struggle. Let her know that you care about her well being and want to do what you can to support her at this time in her life. Then inform her of your responsibilities in the situation and why you need to make certain decisions and how you need her to cooperate with you. She might grieve her losses, which would help her let go and accept the right support. She may even be angry at you for exposing these things to the rest of the family and taking her control away. You’ll have to simply

accept this is as normal and allow her to have her feelings and be willing to not be liked for a few weeks. You need as much support and help as you can get. This includes more relatives, friends, cleaning, driving and medical support. If you have the money it will be well spent. Knowing that you need the help and learning to ask for it is often a big step. Why do you feel like you have to do it all by yourself? This is a lot to hold psychologically. Therefore, getting help on the material level, allows you to be more present to the emotional and familial realities. Take care of your own emotional needs. Some people avoid dealing with the depth of the changes as a parent ages, by being busy with the physical demands of caretaking. Fnd the strength to encounter and deal with your mother's changed circumstances. If you do, you will feel more inwardly supported. n Alzak Amlani, Ph.D. is a counseling psychologist in the Bay Area. (650)325-8393. Visit www.wholenesstherapy.com.

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BHARATANATYAM CLASSES in San Jose, Fremont and Santa Clara by Artistic Director Suganda Sreenath. Kalakshetra style including extensive theory. Call (408) 270-9295 or email sugandaiyer@comcast.net. ODISSI DANCE CLASSES with Guru Jyoti Rout. Jyoti Kala Mandir College of Indian Classical Arts. www.JyotiKalaMandir.org.

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128 • india currents • november 2012

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desi voice

Sujatha Ramprasad

What’s in a Name?

very South Asian immigrant has two stories. One is a green card saga and the other is a story about how his or her name was maimed, mauled or mutilated. I too have my very own green-card novelette; but that is for another day. This one is all about naming the rose. Would the rose still smell sweet if it was called “gross?” I don’t know about you, but I gave very little thought to my name when I was a kid, except that I hated that it started with “s.” In a class of 50, my roll number used to be an unsightly 46. Our school library was a tad bigger than a closet and for the library period that occurred once every two weeks we were let in according to our roll number. What can I say, except that I got to read the same “Hardy Boys” fifty seven times! Tamil Selvi, if you are out there, yes, I shall not forget to mention your century with the Nancy Drew book “Mystery Of the Fire Dragon.” My name and I chugged along through college. When I got married, all five foot-four of me was brimming with feminism. “There is absolutely no reason to change my name,” I told my newly minted husband categorically. “Absolutely,” he smiled and nodded. Somewhere along the line he said, “You know what, if you win the Nobel Prize, it would be so cool if my name too was part of that history.” How I fell for that, I can never recall but I started carrying his name and became “Sujatha Ramprasad.” For the record, neither of us have won any prize, let alone the Swedish kind. Acquaintances fail to understand why steam gushes through my ears whenever my husband politely smiles at me, nods, and says “absolutely.” Marriage brought me to America and there were so many things to learn about the new country. Some things, I learnt by rote. Whenever I wanted to turn on the light I stood before the switch and repeated the mantra “Indian switch-off-position is U.S. switch-on.” Other things, I learnt the hard way; in a doctor’s office, over 103 degrees of body heat. I pulled myself one afternoon into Camino Medical Center, with high fever, sore throat and bronchial infection of some sort. I approached the reception, wrote my name on the waiting-list sheet and then fell into a chair, half dazed. After about an hour and a half of waiting, I dragged myself to the reception to ask when the doctor was going

to see me. “Which one of this is you,” asked the friendly, slightly overweight receptionist handing me the waiting-list sheet. I pointed to the fourth name on the list. I noticed that every other name on that page had been crossed out. “I called out several times an hour ago,” she said, pointing to my last name, “Since no one responded, I marked you as a no-show.” “But, that is my husband’s name,” I wailed. “So, Ramprasad is not your name?” “Well, it is my husband’s first name, but my last name.” Now, she was totally confused. “In Tamil Nadu; the part of India that I come from, people used to have their caste names as their last names. My grandfather, for instance was Srinivasan Iyengar. Iyengar refers to the caste. When the British left India, a secular society emerged and it was no longer cool to have the caste be included in any part of the name. So, it was dropped. But then we had to do something for our last names, didn’t we? So, the children took their fathers’ first names as their last names and wives took their husbands first names as their surnames.” My history lesson alarmed the poor woman. She was sure I was delirious. She called out to a medical assistant and pleaded with her to squeeze me in before the next appointment. After I recovered, I wrote a note to myself 1. You can be addressed by your last name. 2. Ramprasad is a guy’s name, but it is also your name. 3. If someone is talking about Ramprasad, it could be about you. Life in America particularly in California was otherwise charming. The majestic mountains, the roaring oceans and everything in between make a lasting impression on all its denizens. California has a rich Hispanic heritage. I took quite a liking to Mexican food and tried my hand at salsa dancing. I have many, many pleasant memories of life in California. Unfortunately, how my name evolved is not one of them. In Spanish “J” is pronounced as “H;” Hence San Jose for instance is pronounced San Hose. The “j” in my name got mutilated and I became Suhatha. Confused, I shortened my name to one syllable: “Sue.” Everything was fine and dandy until me

Photo Credit: A Creative Commons Image

and my one syllable name decided to take a trip to San Simeon, a quaint Californian coastal town along with extended family and friends. The entire assemblage settled down in the atrium of a restaurant. A gentleman who was performing live on stage walked up, smiled at me and asked me for a song choice. Very proud, that I was the chosen one, I gleefully gave him a musical number and he started walking back. Voldemort must have waved his wand. The musician stopped and turned back. “And, what is your name ma’am?” “Sue,” I said. “Hmm?” He strained his ears. “Sue.. Sue” I repeated. He got back on stage and sang the first stanza of my favorite song. Then the spotlight shone brightly on me. “This song is for the lovely Susu ...” The public address system blared and the cool evening breeze carried the sound for every human and elephant seal on the coast to hear. I squirmed uneasily in my seat, looking anything but lovely. For those of you who know what “susu” means, please hold that smirk till you turn this page of the magazine over, and start to read some other worthy writer’s column. Others forget what I just said and please don’t discuss this with any one else. I do have one piece of advice, though. If you are going to call out to someone in front of a huge crowd, through a public address system, make sure to double-check the pronunciation, especially, if the person is from a different culture. No, actually triple-check it. Well, I tried to pick up what was left of my self-esteem. “A rose by any other name will smell as sweet,” I said. My dear ones yelled in unison. “Susu by any other name will smell as bad.” n Sujatha Ramprasad loves to read poetry and philosophy. She is an ardent fan of Harry Potter. india currents • november 2012 • 137

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uncubed

Krishna M. Sadasivam is the cartoonist behind UNcubed, a weekly online auto-bio comic, focusing on life as an Indian guy in the United States. When he’s not creating comics or working as a freelance illustrator, Krishna teaches full-time in the Media Arts and Animation department of the Art Institute of Tampa in Florida. See more of his work at http://www.uncubedthecomic.com/.

140 • india currents • november 2012

india currents â&#x20AC;˘ november 2012 â&#x20AC;˘ 141

AD INDEX  ANNOUNCEMENTS 77 Smithsonian APPLIANCES 62 Pacific Range 123 D.S. Neil Enterprises 27 East West - Preethi 49 One Vision Surveillance ASTROLOGY 105 Laura Healer Specialist 105 Pandit Anil Sharma 105 Pandit Krishna Kumar 105 SK Sharma BEAUTY 27 Angel Hair & Beauty Salon 29 iBar - Threading 26 Kashish Threading 27 Rita’s Beauty Salon 29 Robert Lowen, M.D. 27 Shahnaz USA Beauty Salon 26 Shiva Beauty Salon, Inc. 27 Zara Beauty Services CLASSES: COMPUTERS 21 Canvas Infotech 16 SAPION USA 143 SCM Data 20 Silicon Valley University 19 Strategism CLASSES: DANCE 81 Bharathakala Kutiram 81 Jayendra Kalakendra 81 Kalanjali Dances of India 81 Preetha Sheshadri 81 Sangita Vasudevan 81 Savitri Hari 81 Xpressions CLASSES: MUSIC 75 Dev Feldman 75 Habib Khan 75 Jeff Whittier 77 Madhuwanti Mirashi 75 Mousoomi Banerji 75 Peter Block 79 Satish Tare 77 Shruthi Swara Laya EDUCATION 16 AdTime Marketing - JEI 20 Amfasoft Corporation 19 Best In Class 79 Gharkul Day Care 21 Lekha Publishers 19 Tim Charles - IELS/SAT 44 UCSF ENTERTAINMENT 85 Siliver Linings Playbook 136 Gilroy Gardens 55 Kids Castle 7 Most Unique EVENTS 142 • india currents • november 2012

72 Abhinaya Dance Company 84 Asian Art Museum 73 Habib Khan Saraswati 95 Indian-Fusion Dance 95 Sewa International 77 Shiva Murugan Temple 74 South India Fine Arts FABRICS 27 Borrow It Bindaas 29 Elegant Drapery Concepts 14 Pia Ka Ghar 26 Preet Fabrics FINANCE 43 Tushar Kumar 42 Avanti Pakrasi GROCERY 52 India Cash & Carry 52 Madras Groceries 141 New India Bazar HEALTH 115 Alpha Dental Care 118 Anjali Tate, MD 119 Aparna Nayudu, DDS 113 Archana Gulati, DDS 125 Bill Gray, M.D. 116 Deborah Olenev 117 Jyoti Sahdev 133 Lakshmi Sathyanarayana 118 Lanser Chiropractic 115 Mamta Desai, DDS 119 Manjari Aravamuthan 117 Meenakshi Bhargava PhD 118 Pacific Homeopathy 133 Pacific Valley Financial 123 Palo Alto Medical 129 Palo Alto Medical 124 Physicians Medical Group 119 Prakash Advani, DDS 116 Smilesavers Dental 122 South Asian Heart Center 116 Sujatha Rajagopalan, MD 71 Sukla Tara Aushadalay INSURANCE 41 Amar Sehgal 42 Amila Insurance Services 41 Avninder Singh 41 Bindu Bhandari 14 Dinesh Prasad 41 Global Health Ins Center 41 Manjit Singh 42 Mann Insurance Services 43 Rachel Payne 43 Robert Ju 41 Seeta Bhandari 42 UMA Disability Center 41 Vikram Makol 7 Visitors Coverage 42 Visitors Medical Insurance JEWELRY 71 Beads At Beads LEGAL

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india currents • november 2012 • 143

the last word

Sarita Sarvate

Bye, Bye Politics; Bye, Bye America?

n this election cycle, I finally lost it. I cannot stomach American politics any more. There was a time when I used to relish it, when I used to like watching debates and discussing policy. No more. The current election cycle has finally broken my back. What happened? The media happened. Romney happened. Citizens United happened. For a while, it seemed that the Republican Party was going to be exposed for its lack of connection with America; for its tendency to have an autocratic party line requiring every politician to tow; for its hidden agenda of benefitting only the rich. But when the media announced that Romney had “won” the first debate, I was flabbergasted. OK, so his style was aggressive, but what about the dozens of lies he told, I thought. Yes, Romney did tell lies; he said he would keep Obamacare’s provision about pre-existing conditions intact in his healthcare plan, even though that is not his platform and his advisor as usual corrected him the very next day; he also said he had no abortion legislation planned, even though he has until now always avowed to overturn Roe v. Wade, the position reiterated by Veep candidate Ryan asserted during the Vice Presidential debate. Would a debater participating in college championships have won the trophy by asserting that the earth was flat and the sun rose in the West? I think the American public is hungry for truth from their leaders. But the trouble is, Madison Avenue has long controlled the message in Washington, with the result that everything has become an ad campaign. And the public, busy worrying about work and family, does not have the resources to sort out the truth from the lies. That is supposed to be the media’s job, but it has become a part of the advertising industry. If you don’t believe me, read an article titled The Lie Factory, authored by Jill Lepore and published in the September 24 issue of The New Yorker. In it, she explains how Upton Sinclair lost the election for Governor of California in 1934 while running on an extremely popular platform titled End Poverty in California, or EPIC. His plan to create cooperative factories and farms to implement “production for use” rather than profit, to kill the sales tax, and to levy a thirty-per-cent income tax on people earning more than $50,000, was so attractive, it got support from leading writers, economists, academicians, senators, congressmen, and cities. To defeat him, for months, The Los Angeles Times simply ran on its front page quotations from characters in Sinclair’s novels as quotes from Sinclair himself. And who was the brain behind this vicious idea? An advertising agency named Campaign Inc., run by Clem Whitaker and Leone Baxter, who coined the slogan, Every Voter is a Consumer. And who financed the company?

... campaign hacks have begun controlling messaging on Twitter and Facebook and brainwashing people into believing everything from who won the debate to who was more leader-like.

144 • india currents • november 2012

Check out other artiRepublicans of course. cles by Sarita Sarvate For decades, Campaigns Inc. controlled at indiacurrents.com/ the future of America. The company or- articles/categories/ chestrated Earl Warren’s campaign for last-word Governor of California by maligning politicians who had protested the internment of Japanese citizens, using the banner “A Call to Arms in Defense of California.” Their advertising tactics were so nefarious that after Earl Warren won the election, he began to have a change of heart. After undergoing a serious illness, in 1945, Warren, who was a Republican, developed a plan for a comprehensive, compulsory health insurance for the state of California by using one and one half percent of contributions from employers and employees. The measure, in spite of being overwhelmingly popular, was defeated by Campaigns Inc. through the placement of ad campaigns in four hundred newspapers financed by the California Medical Association, using the slogan, “Political medicine is bad medicine.” Harry Truman, in the meanwhile, had proposed a national healthcare plan modeled on the California plan. But Campaigns Inc. successfully defeated the popular plan, using money poured in by rich doctors belonging to the American Medical Association and using the phrase socialized medicine. That phrase is still bandied about today, providing a testimonial to the power of money, advertising, and spin in American politics. Campaigns Inc. laid the framework for the successful use of lies in politics; others perfected the art. In the nineteen eighties, a Republican pundit came up with a brilliant piece of strategy, “Say anything in a debate—be it truth or a lie—because seventy million people will listen to it. The next day, you can disavow or clarify your statements but ninety percent of people will not bother to read the clarifications.” In the Presidential debates, Romney obviously relied on this wisdom. And even though media have mushroomed in the age of the internet, people were unable to call him on his lies. In fact, in the new millennium, the publicity machine has not become more democratic. Instead, campaign hacks have begun controlling messaging on Twitter and Facebook and brainwashing people into believing everything from who won the debate to who was more leader-like. Is it any wonder then that Obama seemed so dispirited during the first debate? With problems like Libya, Syria, and Iran, not to mention the economy, on his mind, perhaps he felt diminished to have to face a habitual liar and to have to call him on his obvious untruths. Perhaps he assumed the media would do it for him. Well after this election is over, I will be thinking about the distortions and lies and spins that have become the mainstay of American politics. And if Romney, in spite of his lies and flip flops and his retro attitudes to everything from women and contraceptives and abortion and energy policy and taxes and healthcare and Medicare and Social Security, wins the Presidency, I will be wondering whether to move to New Zealand. If I were younger, I suppose I would seriously consider such a prospect. But perhaps I could just tune out the madness by seeking refuge in some vacation resort on election night? n Sarita Sarvate writes commentaries for Pacific News Service and KQED. Visit www.saritasarvate.com

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