Tailoring Project LIU Yiheng
1
Inspiration
1. Shepherds from the north wear their traditional heavy woolen mantles as they stand ready to shear sheep with sycthe-like shears. Photo by Three Lions/ Getty Images Circa 1952 2. Myrtle Crawford is wearing Dior's designe called "Fourmi" Vogue 1957
3. Regional Costumes in Netherlands Duyvetter, Jan 1953 4. A man in sheep's clothes Socks on an Octopus 5. Inge Morath, Iran, Steidl Kurdish sheperd
6. Balenciaga Ready to Wear FW 16-17 7. Iranian family portrait 8. Large-scale color photographs from 2005 to 2006 reflect the ritual adornment and spirituality of masquerades in Nigeria, Benin and Burkina Faco in West Africa.
2
Volume Research
Pattern
Final Model
Centre Back
Standing Collar
Collar put down
Lapel on the back
Side Panel Pleat on the back side
A square form on top A curvy line on the side
Sleeve
A box shape
Centre Front
A round sleeve
Pointy sleeve head
A rectangle back 3
Processus 1. Changing Dart 2. Spread shoulder part 3. Lengthen the garment
Speard the fabric to add more material on the shoulder 1. Changing sleeve head
First Trial
Make the sleeve head more round as the traditional one
Make the dart more curve and elevate the end of the dart 1. Changing the front seam 2. Changing the side seam
1. Changing the back panel
Sleeve head is still pointy
Make this two seams visuelly more straight on the side
Add a dart on the side panel
To do a rectangle shape back
4
Seconde Trial
5
Stand Collar
Reduce embu
Remove the dart
1st Trail
2nd Trail
6
7
Draping Project LIU Yiheng
8
Inspiration
1. Comme des garcons, Dress, 1997. 2. Antique Victorian silk coset (Lady Annette de Trafford), 1854. 3. Iranian family portrait 4.Crinoline, 1875 - 1880
9
Volume Research Final Model
Pattern
10
Processus
Final Mockup
11
12
Toile en Tissu
13