JUNE 8 — 12, 2022
# C I M I E N TO S
# TO D O VA N G U A R D I A
@ I AT I T H E AT E R
L ATINX LED. GLOBALLY SOURCED THEATER ON E. 4th ST. IATI Theater is a Latinx company that aims to provoke introspection through cutting-edge performing arts, supporting multicultural, diverse, and underserved communities while harnessing and empowering unique voices. We are artistic adventurers. Never shying away from the unknown, but fearlessly venturing into the new. We take risks because we believe you can’t create something new without going somewhere that makes you a little bit uncomfortable. Some may say we’re a little different. We call it Vanguardia. Just take a look at our award-winning repertoire that highlights thought-provoking and universal issues of the human experience. The Latin American culture is one of drama, sensuality, and laughter. We’re passionate about our Latin American roots. We believe cultural exploration is part of what makes our work so rich and relevant, whether it is dance, theater, or music.
STAFF
Vivian Deangelo Executive & Artistic Director
Daniela Stivala Individual Giving Manager
Winston Estevez Associate Artistic Director
Liza Melanie Ostolaza Special Events Manager
Andre Baruffi Associate Artistic Director
Eduardo Reséndiz Gómez Box Office Coordinator
Yani Pérez Public Relations Associate & Education Coordinator
James Figueroa Financial Consultant
Guillermo Severiche Literary Manager
Scott Cargle Fund Development Consultant
Mateo Lamuño Communications Manager
BOARD Raquel A. Gutiérrez Attorney
We’re always asking questions. We’re never satisfied with the status quo. We are Todo Vanguardia.
Manuel Herrera Audiobook Producer at DuArt Film and Video
WHAT IS CIMIENTOS?
Tony Plana Actor, Director
CIMIENTOS presents texts with visionary craftsmanship. At the core of the program, it is also the diversity and inclusion with which Cimientos has been curated. 22 years ago, IATI Theater began a steadfast commitment to the playwright. Since then, hundreds of playwrights have graced the program.
Isolda Peguero Journalist
Cimientos, Spanish for “foundations,” now calls upon the most important member of this developmental step: you, the audience. From June 8th to June 12th, we will display 10 plays that have been years in the making and that are now primed for a public reception. We welcome you to help us make these plays all that they can be.
Andre Baruffi Actor | Director
Vivian Deangelo Actress
Winston Estevez Computer Scientist | Mathematician | Human Resources Specialist
CREDITS IATI THEATER PRESENTS
PRODUCTION Production Director MIGUEL VALDERRAMA Production Manager BRAULIO BASILIO Production Assistants ANTÍGONA GONZÁLEZ, RAMIKE JACKSON Electrician ERICK SOLANO MARKETING & PRESS Press Representative YANI PEREZ Graphic Design COMMIT / Timetocommit.Co IATI Theater’s Liaison MATEO LAMUÑO Photographers YUXI ZHOU, ITA RUIZ, MEG GRAY L A CASA House Manager LIZA MELANIE OSTOLAZA House Team YANI PEREZ, ALEJANDRA DÍAZ-PIZARRO, LAISA GARCÍA Box Office Representative ZULEINETTE RALAT Venue General Management FORM THEATRICALS
ABOUT THE 10 PL AYS
THE SPACE BET WEEN Written by Tommer Peterson Directed by Katrin Hilbe Wednesday, June 8, 2022 @6:00 PM Performed in English
This play is a meditation and inquiry into the imaginary space in time between one moment and the next. It explores “negative space,” the shape and nature of the emptiness between bodies on the human canvas. What is the space between an experience and our memory of the same? To what extent is memory a recording of the past events or a reconstruction informed by our own attachments? What about the space between you and I, the measure of intimacy? How is it shaped by what we hold to be true, and what maps the borders when our beliefs diverge? And how much of our painful human history hinges on our fear of allowing space for two opposing truths in the room at the same time?
Tommer Peterson Playwright (Métis) is an independent theater artist and playwright. He is currently at work on a new movement play, City of Refuge, to premiere at ReAct Theatre in Seattle in the Spring of 2022. He is the author of the plays Just Wait a Yottasecond, Lightning Sash, and No One On Board Took Notice, and co-author with KJ Sanchez of the documentary plays Night at the Opera and Duck
Soup. He has been touring with the 600 Highwaymen production of The Fever since 2018, performing in Sarajevo, Sibiu, Dublin, Abu Dhabi, Hanover, Zurich, Gronigen, New York, Chicago, and Washington DC.
Katrin Hilbe Director A dramaturg/director of opera and theatre of Liechtenstein-Kansas origin, working in the US and in Europe. Katrin is co-president of the League of Professional Theatre women, president of IG Arts and Culture in Liechtenstein, a member of the Playwright Directors Unit of The Actors Studio, TRU, DG, and SDC. Upcoming production: Hänsel und Gretel for the Berlin Opera Academy. Katrinhilbe.com, Manytracksinc.org
CAST Delissa Reynolds* Ensemble IG: @delissar
Sonnie Brown* Ensemble IG: sonbobs_ coffeehouse
Rachel Halper Ensemble rachelhalper.com
Christian Baskous* Ensemble chrisbaskous.com/ house
* Members of the Actors Equity Association
L A ÚLTIMA LUZ Written by Camilo Vergara Directed by Ignacio García Bustelo Thursday, June 9, 2022 @6:00 PM Performed in Spanish
Soledad won the Stimulus for Theatrical Creation from the Colombian Ministry of Culture in 2018, and premiered at La Candelaria theater. In 2019, he was selected by the Ingmar Bergman Foundation to do a writing residency on the island of Farö in Sweden. From this experience, he began to write the play Silencios, winner of the Recognition of Playwriting for the Theater from the Ministry of Culture of Colombia in 2020.
Ignacio García Bustelo Director
Diego decides to write and direct a theatrical play about a topic he has spent time repressing: his parents’ story, both environmental activists assassinated in the 90s in Colombia. Diego understands that the only way to write an honest theater is to discover and portray what happened the night of the crime and the days that preceded it. In the life-size replica of his life that he has created in the theater, he discovers that his parents had lives different from those he’d imagined, that their moral complexity made them more human, and that those who ordered the crime were part of a web of corruption that still persists and is in a position of power. Fiction and reality will become indistinguishable, and Diego will only be free to live his life when he has been able to tell his
AENY’s Artistic Director Ignacio García-Bustelo, co-directed Wearing Lorca’s Bowtie off-Broadway at The Duke on 42nd Street, and directed the American Premiere of Días Estupendos at IATI Theater, along with the staged readings of Días Estupendos and Marburg at Spanish Repertory Theater. As an actor, he has worked for the National Theater and other important venues in Spain, and in the US, he appeared at Theater for the New City, Gala Theater and Spanish Repertory Theater among others. Mr. García-Bustelo is proud to have worked with directors such as Mauricio Scaparro, Arin Arbus or Titus Groenestage and Ria Marks (Orkater). Mr. Garcia-Bustelo is a Fulbright Scholar, and holds a BFA from the Royal Academy of Dramatic Art in Madrid, and an MFA from The New School for Drama in NYC. www.garciabustelo.com
CAST Laura Riveros-Sefair Eva laurariveros.com
Fernando Gazzaniga Diego fergazzaniga.com
Maria Peyramaure Ida mariapeyramaure.com
Germán Jaramillo Marcos
Camilo Vergara Playwright Lives and works in Berlin. His first radio play, The Guilt, was a finalist in the UK’s BBC International Drama Competition. In 2016, with his play Puerto Soledad, he became the winner of the Hispanic American Floral Games in Guatemala. That same year, he was the winner of the Idartes Short Story Prize. His play Puerto
DUMB BITCH JUICE Written by Annalise Cain
Directed by Siouxsie Easter Thursday, June 9, 2022 @8:00 PM Performed in English
Playwriting Candidate at Indiana University for 2023. Her work has been developed with the Tribe Theater Company, Playhouse on Park, Strident Theatre, Brimmer Theatre, Emerging Artists’ Theatre, Violet Surprise, and Queens Theatre. Her work was published in Applause Theatre and Cinema Books’ Best Men’s Monologues from New Plays 2019. Two of her plays were semifinalists for the O’Neill Theatre Center’s National Playwrights Conference.
Siouxsie Easter Director A theatre director, deviser, and educator. She relishes working with playwrights and theatre makers on new works. Easter helped found the Advanced Studies in England Theatre Summer School in Bath, England. After eighteen years as Professor of Theatre at Wells College in Aurora, NY, she recently made the transition to Texas where she is the new Upper School Theatre Director at Fort Worth Country Day. She is pleased to be back at IATI for another fabulous Cimientos production. Dumptruck wants what every girl wants: to be involved in a climate activist organization, meet the love of her life, and ride off into the sunset after they’ve solved the climate crisis. Cirrocumulus just wants to end the climate crisis, and if he has to spend the rest of his life recruiting VERY peppy post grads to do it, so be it. So . . . is this a date or is this a oneon-one? Is it either if time starts to loop and then break apart and they’re trapped in this empty work cafe with any semblance of hope quickly vanishing? Or is it something else entirely? Dumb Bitch Juice invites you to grab a straw (or bring your own) and get into the muck of organizing with us.
Annalise Cain Playwright A playwright, educator and organizer hailing from the woods of Western Massachusetts. She is the 2017 recipient of the National Partners of the American Theater Playwriting Award and the 2021 recipient of the NSAL Hegarty Award. She obtained her BFA in Theatre Arts from Boston University, and is the MFA
CAST Alyssa Kempinski* Dumpstruck alyssakempinski.com
Matthew Menendez Cirrocumulus matthewmenendeztheactor.com
* Members of the Actors Equity Association
Monica Blaze Leavitt* Stage Directions monicablazeleavitt.com
ÑACHI
Written by Nicolás Bascuñán Directed by Braulio Basilio Friday, June 10, 2022 @6:00 PM Performed in Spanish
rueda de la cumbia, about the origins of this rhythm. Since 2010, he has officiated as a Cumbia DJ at different parties in the country and Latin America. Since 2013, he has worked directly with indigenous communities on the continent with the organization “Raíces de la Tierra’’. In 2020, his text A.C.A.B. was selected for “Dramaturgias del Encierro‘’ by Fundación Teatro a Mil, and he also did the sound design for Isabel desterrada en Isabel of Juan Radrigán. In 2021, his text Lxs ZenKapuchadxs was selected for the Juan Radrigán Festival, and he created the sound design for Justicia by María José Pizarro.
Braulio Basilio Director Chilean actor, writer and director based in New York. He graduated from the acting school at the Bolivarian University of Chile. Highlight as writer and actor: Cambio, a monologue for which he won an ATI award. Highlights as a director: La Clase, a teacher’s thesis, and Quien no ha amado, for which he won a LATA award as best director. A sheep is born in Wall Mapu, ancestral territory of the Mapuche (People of the Earth) people, right on the day of Wiñol Tripantu (Return of the Sun), winter solstice in the southern hemisphere. During a year, it lives beside a family that cares for it and feeds it. The year’s seasons advance, the sheep grows and starts observing the reality that surrounds it: nature, ancestral rites, animal sacrifices, and also the police violence that the Chilean state exerts against the Mapuche people. Faced with all of this, the sheep, filled with rage and hatred, decides to rebel from its condition of sheep and from having to be part of a confused, violent, and sick human society. Winter arrives again, and with it a new Wiñol Tripantu. An ancestral tradition of those lands is that of eating coagulated blood from a freshly-sacrificed animal, a dish commonly known as Ñachi.
Nicolás Bascuñán Playwright Studied at the UC School of Theater and Playwriting at the UAHC. In his years of study, he wrote: Dios (2002), El programa más entretenido de la televisión chilena (2003) and El sí mama (2004). In 2006, he created the band Anarkía Tropikal, touring Chile and Latin America. There, he made the documentary La
CAST Dominga Hoffens Oveja/Madre IG: @dominagahoffens
Felipe Vásquez-Encamilla Narrador/Primo felipevasquezencamilla.com coffeehouse
Pablo Concha Glosario/Stage Directions/Músico pablofconcha.com
AKELDAMA Written by Chandler Hubbard Directed by Eric Parness Friday, June 10, 2022 @8:00 PM
future productions include: Man, an episodic live podcast (Firehouse Theatre); House of the Double Axe (Rumput); Children of the Empire (Fulton Theatre); and TELLING OF THE BEES (Barter Theatre). His screenplay Shanidar is currently in post-production by Remember Tommy Productions and Mudroom Films.
Performed in English
Eric Parness Director Proud to be directing his seventh Cimientos reading! He also directed IATI’s productions of Three on a Match and The Treatment. Eric is a Professor of Theatre at Westfield State University, and the Artistic Director of Resonance Ensemble. He has worked extensively Off-Broadway, regionally, and in educational theatre.
CAST Lost, listless and lonely, Poppy suddenly finds herself transported to well, she’s not quite sure where, when, or why she is. All she knows is the sun stopped rising this morning and she’s trapped in a witch-catching cage. Rumor has it the last witch in the world has just died, but that hasn’t stopped the locals from trying to find someone to blame. Poppy must join a ragtag group of dullards, cowards and schemers to find a way to save the world and get back home, assuming home is still where she left it.
Chandler Hubbard Playwright (he/him/his) An actor and playwright in Richmond, VA and a graduate of the University of Virginia (2012). His produced written works include Animal Control (2019 Martha Hill Newell Playwright’s Fund, RTCC Best Original Work nomination, 2019 American Theatre Critics’ Association/Steinberg New Play Award Citation; Firehouse Theater); Molly House (first honoree of the John Knapp and Tim Gillham New Works Program, later retitled So.Queer Playwrights Festival; Richmond Triangle Players). His
Molly Bader Poppy mollybader.com
Alberto Bonilla Paul albertobonilla.com
Sean Phillips Jude IG: Longlegslap7
Mateo Moreno Lionel Moore Mateo-Moreno.com
TRAMONTANA Written by Juanma Romero Gárriz Directed by Pablo Andrade Saturday, June 11, 2022 @3:00 PM Performed in Spanish
Friendly Fire (2019). As a playwright he has taken part in the ETC workshops at Sala Cuarta Pared with the plays Here is a Hand (2013) and Into the Tree (2014). In 2015, his play Nothing to Lose, co-written with QY Bazo and Javier G. Yagüe, premiered with the Cuarta Pared theatre company. As a screenwriter, highlights include his work on the features Evelyn (Isabel de Ocampo), You will Love above all Things (Chema de la Peña) and Mindscape (Jorge Dorado). His most recent film credits include the short films Durandal (2013) and Domingo, the Early-Riser (2015).
Pablo Andrade Director
Two fishermen, a father and a son, live at the base of a lighthouse next to a cold windy beach. One morning, hundreds of thousands of refugees appear on the shore. The son wants to help them, but the father forbids it; still, the son comes into contact with them. The appearance of the foreigners awakens the call of adventure in the son, challenging the authority of the father. Around them, a mysterious character, The Sandwoman, will reopen the wounds of the past... Tramontana evokes the Spanish exile in 1939, from the perspective of the host country, France. The work, however, resonates in the exiles of the present, starting from the most essential conflict: the struggle between selfishness and solidarity, when an entire people needs our help.
A Venezuelan-born actor, director, and teaching artist. He has been working as a professional theater artist for over 15 years. As a director, he has been mentored by Tony Award recipients Jack Hofsiss and Thomas Kail. Andrade is the Artistic Director of Corezon, Executive Director of HOLA, Founder of La Guía Cultural, and faculty member of HB Studio, NYU Tisch, and others. Some of his awards include: ATI Awards for Best Director Monologue (2020) and Breakthrough Director (2018), HOLA Award for Outstanding Achievement in Directing (2017) and Fuerza Award for Best Director (2017). PabloAndrade.net
CAST Josean Ortiz Padre FB: josean.ortiz.5
Juanma Romero Gárriz Playwright A playwright, screenwriter, and director who founded the Vuelta de Tuerca company in 2003. His directing credits for Vuelta de Tuerca include Báthory against the 613 (runner-up at the Fray Luis de León award, 2006), Prisoner in May (best directing award at the 2014 Indiefestival), The Open Venus (2015), and
Yessi Hernández Mujer - Soldado - Juliette yessihernandez.com
Reynaldo Romero Hijo - General IG: @reynaldo_romero
MI VIEJO AHORADESPUÉS Written by Guido Zappacosta
Directed by Stefania Bulbarela Saturday, June 11, 2022 @6:00 PM
been published in various anthologies. He has taken workshops with Mauricio Kartún, Lorenzo Quinteros, Cecilia Meijide, Chamé Buendía, Maruja Bustamente, Gabriel Penner, and Daniel Tubío. In 2010, he founded the magazine Timbó, Cultura del Conurbano Norte. In 2019, he co-authored the book Aguas Ardientes; an anthology of stories.
Performed in Spanish
Diego is 18 years old and it’s the first time he goes to the soccer field with his old man. It’s Father’s Day, and what he still doesn’t know is that on bus 60, to and from La Boca, and during the time the match lasts, he will share the last hours next to his old man. My Nowlater Old Man is a one-person play that travels through the present, past, and future of a teenager who loses his father in the very moment in which he is becoming an adult.
Guido Zappacosta Playwright Playwright, theater director, communicator, and teacher. He has a degree in Advertising (UCES) and a Diploma in Playwriting (UBA). In 2020 he participated in the monologue workshop “Unleash a voice” with Fabián Díaz. In 2018, he was selected by the municipality of Vicente López to participate in “Residence in playwriting” with Agustina Gatto. Among his most outstanding works are Hermanas (2020); El amor, un guiso a fuego lento (2019); Luciérnaga curiosa (2016); y Pequeña porción de un mundo vertical (2011). He has won prizes in Argentina, Spain, Greece, England, USA, Chile, and Brazil, and several of his texts have
Stefania Bulbarela Director (She/Her/Hers) is a Director and Projections Designer from Buenos Aires, Argentina based in Brooklyn, NY. Some of her recent Video Design projects include Off Broadway: Space Dogs (MCC), Turtle on a Fence Post (Theatre 555), Semblance (New York Theatre Workshop), The Watering Hole (Signature Theatre). Other: Eva Luna (Repertorio Español), Will You Come With Me? (PlayCo). As a director Stefania has directed Una niña, una familia, un pueblo as part of Prelude Festival as well as readings produced by IATI Theater, Latea and LaMicro theater, amongst others. Stefania is a nominee for the 2022 Outer Critics Circle Awards and Drama Desk Awards for Outstanding Video/Projection Design. www.stefaniabulbarella.com
CAST Tati Pereira IG: tatipereira__
AMERICAN REFUGEE Written by Arif Silverman Directed by Gama Valle Saturday, June 11, 2022 @8:00 PM Performed in English
Gama Valle Director (él/him) A Puerto Rican children’s author, casting director, playwright, screenwriter and theatre director. He holds an M.F.A in Directing from The New School (New York City) and a B.A. in Drama from University of Puerto Rico (Río Piedras). His debut Spanish language picture book, Pitu le baila al mar, was published in December 2021 (Editorial Destellos, Puerto Rico). Gama is a proud member of New Light Theater Project and the Society of Children’s Book Writers and Illustrators.
CAST Aurea Tomeski* Nero – Micha – Lavender – Stage Directions aureatomeski.com
A cerebral monster has devoured the minds of all of America’s white supremacists. One hundred years later, the monster re-emerges, wreaking havoc on a now-diversified country. American Refugee is a fantastical solo play that contemplates whether the end of Whiteness in America constitutes the end of white supremacy.
NOAX (they/them) Brie – Ren – Sol – Furiom – Stage Directions IG: @noax.1995
Arif Silverman Playwright A mixed-race actor, teacher, and writer of American Fantasy Theater. Previous credits include his radio play Blackblade, his children’s musical The Stray, and his three previous solo shows: Nolie Min Tangible, Constellarium, and Galahad and the Dragons. He is currently at work on a series of fantasy plays called The Titan Cycle, which chronicle sixty years of political and environmental struggle in a world not unlike our own. He currently teaches drama at The Hewitt School in the Upper East Side.
Rishi Mukherjee* Paris – Ravaan – Vian – Stage Directions rishimukherjee.com
* Members of the Actors Equity Association
STARS WITH EXIT WOUNDS Written by Walter Sitati
Directed by Valentina Fratti
Consequently, all his works lean heavily on humor in all its shades, and are equal parts relatable and emotionally engaging. He also believes stories have to say something about what it means to be human in an imperfect world, and how to find a way to contribute meaningfully while in it.
Sunday, June 12, 2022 @3:00 PM Performed in English
In this socio-political tragicomedy, Odhiambo lives in a wheelchair with a bullet in his head. He has kept the faith that the government will compensate him for the pains the post-election violence caused him. When he learns that his would-be-daughter-in-law has terribly lied about the parentage of her daughter, and his son is being released from prison on the same day, he determines to do the only thing he is afraid to do: confront the legacy of a terrible past.
Walter Sitari Playwright His love for stories is deeply rooted in his family tradition. His mother is a gifted storyteller and singer, and she filled his childhood world with amazing characters who employed wit and demonstrated extraordinary strength in the face of seemingly insurmountable odds. He was forever filled with a sense of awe and wonder about the possibilities of stories, the worlds they create, and the characters who inhabit them. This wonder and power of stories is what influences his style and tone in writing. He looks at stories as entertaining, first and foremost.
Valentina Fratti Director Most recently directed VIRTUE, a theatre/film hybrid project by Emily Bohannon, featuring Tony-Nominated Joshua Henry, and Paten Hughes. Other recent credits include the world premiere of Rebecca Gilman’s A Woman of the World starring Kathleen Chalfant, at 59E59; Adam Seidel’s Williston and They Promised Her the Moon by Laurel Ollstein. In addition, she directed: the NYTimes’ Critics Pick, Catch the Butcher by Adam Seidel (Cherry Lane Theatre); Snow Orchid, (Lion Theatre), R.U.R., (Beckett). Charles Duncombe’s Patriot Act (Castillo Theatre); Jeff Daniels’ Apartment 3A; She is very glad to be back at IATI for their inspiring Cimientos Festival. valentinafratti.com
CAST Sean Phillips Kama IG: Longlegslap7
Adesola Osakalumi Landlord adesola.com
Nambi Kelley* Wanja nambikelley.com
Danie Steel Layo IG: @DanieSteel
Franz Jones Odhiamboad FB: franz.jones.7
* Members of the Actors Equity Association
JUANA Y L A MUERTE Written by Adriana Hernández Rascón Directed by Rosie Berrido Sunday, June 12, 2022 @6:00 PM Performed in Spanish
Rosie Berrido Director Multiple award-winning actress, Audiobook narrator for the US Congress and Owner and Founder of Rosie’s Rules, Bilingual Coaching for Actors and Business professionals. An active member of Repertorio Español since 1999, and the voice of dozens of TV and Radio Voice overs in English and Spanish. Writer, director and producer of FRIENDSHIP, the first of a trilogy about Dying with Dignity. www.rosiesrules.com
CAST Rosa Rodríguez Juana IG: @mabimusicny
Death arrives in a Mexican town to take an old woman to the afterlife. On her journey, she meets Juana, a girl who teaches her how to celebrate the Day of the Dead. They both learn about the importance of appreciating life, what love is, and how important it is to preserve traditions.
Adriana Hernández Rascón Playwright Born in the city of Puebla, Mexico. A singer and an actress, she studied Dramatic Art at the Benemérita Universidad Autónoma de Puebla and Music at the Universidad de las Américas Puebla. She has participated in international theater and bel canto festivals and competitions. She is currently studying towards her Master’s Degree in Theater Pedagogy at the National School of Theater Art in Mexico City.
Telba Cavero La Muerte IG: @telba_cavero
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* Actors’ Equity Association (AEA), founded in 1913, represents more than 50,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org
NOW ACCEPTING SUBMISSIONS: CIMIENTOS 2023 Accepting submissions June 1 - June 30, 2022. Details on how to submit a text for consideration can be found at: www.iatitheater.org
COMING UP: JUNE 25, 2022: QUEERTÁSTICO, PRIDE CELEBRATION. | ONLINE
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@ I AT I T H E AT E R