108 melodies on harmonium by I.S.K.C.O.N.

SRI SRI HARINAM SANKIRTAN

- l08 MELODIES INDEX

CONTENTS Preface Indian Classical Music Theory Harinam Phylosphy & Development

PAGE 1-2 3-13 14-15

FIRST PRAHAR RAGAS (6 A.M. to 9 A.M.) Vairav Bengal Valrav Ramkal~ B~bhas Jog~a Tori Jaidev Morning Keertan Prabhat Bhairav Gunkali Kalmgara

16 17 18 19 20 21 22 23 24 25 26

SECOND PRAHAR RAGAS (9 A.M. to 12 P.M.) Deva Gandhar Bha~ravi M~shraBhairav~ Asavar~ JonPurl Durga (Bilawal That) Gandhari M w a Bilawal Bilawal Brindawani Sarang

27 28 29 30 31 32 33 34 35 36

CONTENTS Samant Sarang Kurubh Devagiri

PAGE 37 38 39

THIRD PRAHAR RAGAS (12 P.M. to 3 P.M.) Gor Sarang Bhimpalasi Piloo Multani Dhani Triveni Palasi Hanskinkini

40 41 42 43 44 45 46 47

FOURTH PKAHAR RAGAS (3 P.M. to 6 P.M.) Traditional Keertan of Bengal Dhanasari Manohar Ragasri Puravi Malsri Malvi Sr~tank Hans Narayani

48-49 50 51 52 53 54 55 56 57

FIFTH PRAHAR RAGAS (6 P.M. to 9 P.M.) Yaman Yaman Kalyan Hem Kalyan

58 59 60

Purw Kalyan Bhupah Pur~a Kedar Jaldhar Kedar Marwa Chhaya Khamaj Narayani Durga (Khamaj Thhat) T~lakKarnod H~ndol M~sraKhamaj Nata Ham~r

61 62 63 64 65 66 67 68 69 70 71 72 73 74 75

Hindol Bahar Arana Bahar

SEVENTH PRAHAR RAGAS (12 A.M. to 3 A.M.) Malgunj~ 96 Darbar~Kanra 97 Basant Bahar 98 Deepak 99 Basant 100 Gaur~ 101 Ch~traGaur~ 102 Shivaranjini 103 Ja~tsr~ 104 Dhawalsr~ 105 Paraj 106 Mall Gaura 107 Maad 108 Sohan~ 109 Hans Rath 110 Hans Dhwan~ 111 EIGHTH PKAHAR KAGAS ( 3 A.M. to 6 A.M.) Chandrakos 112 Malkos 113 Gop~kaBasant 114 Pancham 115 Megh Ranjinr 116 Bhankar 117 Lal~taGauri 118 Lalita 119 Khat 120 Gurjan Tor1 121 Barat~Tor1 122 Bhopal Tor1 123 Prabhati Klrtan 124

SIXTH PRAHAR RAGAS ( 9 Y.M.to 12 A M . ) Deshkar (Nlght) Desh Desh M~sra Sorat B~hag Ddishl Champak M~sraGara Tdang Jar Jawanti Bahar Kaf I Arana Megha Bagishari Rageshwar~ Malhar (Sur) Mlya Malhar

94 95

76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 I

- PREEACE The origin of Music is from VEDAS. In VEDAS music has been considered a way of Salvation as a result of its investigation, The objective of music is not the entertainment but the devotion1 worship. The combination of melodies (SUR), Rhythm (TAL), movement (LAYA) and Verse (LANGUAGEPOETRY) is music. A song beers a principal ingredient which is called movement. The measurement of the movement of a song is called rhythm (TAL). The special Order and ratio used for tunes are called Melodies (RAGAS). Melodies (RAGAS) add special Colours to the song. Lord Bharat has called the human body as 'GAJ VEENA' in his 'NATYA-SHASTRA'. 'GAJ' means body - Human body is a media of music. Human body has the capacity to express the melodies (SUR). Vocal music is the better way of musical expression than the instrumental music. Goddess Sarwaty the Deity of Music even holds 'veena' in her hands. LORD Shri Krishna, the master of the whole universe plays flute - 'VENU-GEET' which is very very sweet in sound and enchanting. + Music is the best way of Devotion. Lord Brahma, Vishnu and Shiva are the symbol of Melodies (SUR - NAD).

ASHTA PRAHAR :Ashta means Eight - PRAHAR means a period of 3 hours. Day time 12 hours comprises of 4 PRAHARS. Night time of 12 hours also comprises of 4 PRAHARS.

Thus the 24 hours of the day in divided into 8 PRAHARS. In other words the duration of 6 'O'clock of the morning to 6 'O'clock of the next morning i.e. 24 hours, is called ASHTA (8) PRAHARS. Ashta Prahar hare ~ r i s h n aMahamantra nam Sankirtan Recital preached by Lord Krishna Chaitanya Mahapraubhu from Mayapur Nabadwip Dham, W.B. INDIA) in the year 1486 is the only and easiest way of Devotion leading to Total Salvation in this era of Kaliyuga. We have compiled and reproduced "Hari Nam Sankirtan" viz; Hare Krishna Hare Krishna Krishna Krishan Hare Hare Hare Ram Hare Ram Ram Ram Hare Hare -in 108 different Indian classical and aditional Ragas (Melodious Tunes) for ASHTA PRAHARS (Eight Periodic Durations). This book will be very useful for the Krishna Devotees in learning and practising, 'Hare Krishna Nam Sankirtan' Recital musically in different timings. Hare Krishna !Hari Bol ! Jay Jay Shri Radhey ! Complation By

English Presentation By

INDIAN CLASSICAL MUSIC A BRIEF THEORY FOR GUIDANCE

1. TRAINING IN PROPER PRODUCTION OF NOTATION :Terminology of Notation Words SUR Sharaj Rishav Gandhar Madhyam Pancham Dhawat , '8 Nishad

SHORT FROM

CERTAIN SIGNS

Sa Re Ga Ma Pa Dha Ni

Soft Sounds (KOMAL SUR) Mark '-' beneath the sound notation viz; &, Fast Sound (TEEBRA SUR) Mark 'I' over the sound notation viz: ~ l a

SAPTAK

a,Dha, M.

The set of Seven Sound notations (Group of Seven Sur) viz; Sa, Re, Ga, Ma, Pal Dha, Ni. There are three 'SAPTAKS' used in Indian Classical Music viz; Madhya Saptak Mandra Saptak Tar Saotak " , l?

1%.

km-".

- Middle set of Sounds (SUR) - Lower set of Sounds (SUR)

- Upper set of 7 Sound (SUR)

Plain Below Over SUR

(3)

'-' - Any number of Sounds (SUR) in Such bracket will be played in one step of Rhythm (TAL). 'S' means to continue the notation in one or more steps of the Rhythm (TAL). These Seven Notation have different Sounds. One Sound is higher in pitch than the previous one. The Sound useful for music is called 'NAD'. The Seven Sounds (SUR) should be learnt very carefully because every type of song will be sung with the help of these Seven Sounds. Out of these Seven Sounds four Sounds are such which if reduced slightly in pitch, develop new touchy Sounds. These sounds are called Soft Sounds (KOMAL SUR) - Viz, Re, Gal Dha, Ni, Sa and Re are two sukh sounds which are static and do not change. 'Ma' with slight hike becomes 'Fast Ma' (TEEBRA 'Ma' - Mla) different from general 'Ma'. According to Indian Classical Music theory there are nine types of presentation of tastes

viz; 1 . Shringar Ras 2. Veer Ras 3. Karun Ras 4. Adbhut Ras 5. Rawdra Ras 6. Bhayanak Ras 7. Hasya Ras 8. Veevatsa Ras 9. Shant Ras

(Devotion, Love & Beauty) (Enthusiastic) (Sorrowful) (Surprising) (Anger) (Fearfulness) (Amusing) (Hatredful) (Peaceful)

- Arohi

& Abrohi

Arohi : The ascending Order from 'Sa' to 'Ni' is called AROH. Abrohi : The descending Order from 'Ni' to 'Sa' is called ABROH. In other words the upward and downward trends of the song are called 'AROH' and 'ABROH' respectively.

E R I R HAR LESSONS FOR VARIOUS SOUNDS (SUR) (1)

AROH ABROH

: :

AROH ABROH

: :

AROH ABROH

: :

AROH ABROH

: :

AROH ABROH

: :

Sa S'a

Re Ni

Ga Dha

Ma Pa

Pa Dha Ni s'a I Ma Ga Re Sa (2) SaRe, ReGa, GaMa, MaPa, PaDha, DhaNi, ~ i i a . s;N~, NiDha, DhaPa, PaMa, MaGa, GaRe, ReSa. (3) SaReGa, ReGaMa, GaMaPa, MaPaDha, PaDhaNi, ~ h a ~ i h . SaNiDha, NiDhaPa, DhaPaMa, PaMaGa, MaGaRe, GaReSa. (4) SaReGaMa, ReGaMaPa, GaMaPaDha, MaPaDhaNi, ~ a ~ h a N i & . h ~ i ~ h aNiDhaPaMa, ~ a , DhaPaMaGa, PaMaGaRe, MaGaReSa. (5) SaReGaMaPa, ReGaMaPaDha, GaMaPaDhaNi, ~ a ~ a ~ h a ~ i & . G N i ~ h a ~ aNiDhaPaMaGa, ~a, DhnPaMaGaRe, ~ a ~ a ~ a ~ e ~ a . I

AROH AROH AKOH

(6) : SaGa. ReMa. GaPa. MaDha, PaNi. D h a ~ i . ARROq :

: SaMa, RePa, GaDha, MaNi, ~ a & . : SaPa. KeDha, GaNi, M~s;.

(7) (8) (9)

ha, NiPa, DhaPa. PaGa, MaRe. GaSa.

ABROH : S b a , NiMa, DhaGa, PaRe, MaSa. ABROH, : & ~ a NiGa. , DhaRe, PaSa.

AROH : S?ReSa. ReGaRe. GaMaGa. MaPaMa. PaDhaPa. DhaNiDha. ~ i S ' a ~~*aResa. i. AHROH : SaKeSa. N ~ S ~ NDhaNiDha. I. PaDhaPa, MaPaMa, (hM,bGa. KeGaKe, SaReSa. ( 10) Mixed ArotlAbrcfh Sa Sa Re Sa Re Sa Ga Re Sa Re Re Sa Pa Ma Sa Re Ma Ga Re Sa Sa Re Pa Dha D,ha Pa Ma Ga k e Pa Dha Sa Re Sa Ni Dha Pa Ma Pa Dha Sa Ke (1 1) Mixes ArohIAbrdh S; Ni Dha Pa h a Pa Dha Sa Re Dha Pa Ma Ga Re Pa Dha Sa Re Ma Ga Kt: Sa Sa Ke Pa L)ha Sa Re Re Sa Pa Ma Sa Re Ga Re Sa Re Sa Sa Re Sa Sa Sa Sa Sa Sa

Ma Ma Ma Ma Ma

(13) Pa

Sa Sa Sa Sa

Pa Dha Pa Ma Ga Re Ga

Ni Ni Ni Dha

~i Sa

Sa Re Ga

& Sa Sa Sa

hla Sa

Dha Pa Re Pa Sa

S; Dha Ni Dha Pa Ni Pa

Ga Re Ga Mla Ga Re Ga Mla Ga

Ga Dha Ga Sa

Ma Ma Ma Ga

Pa Pa Pa Pa

Ga Ga Sa

Ma Ma Ga

Sa h Pa Dha Dha Pa Ma Q Re Ma

(13)ia

SB Dha Ni Dha Ma

Re Mla Re Re

S; Ni

Uses of Soft Sound (Komal SUR) (IS)Fast- 'Ma' (TEEBRA Ma a')

Sa (16) Soft 'Ni' (KOMAL 'Ni'

- 'h')

Ga Ma Dha Ga Ma Ga Sa Sa Dha Pa Ga &e ?a Sa Ma Ga Ma Pa S; Ga Re (17) Soft 'Re' & 'Dha' (KOMAL 'Re & Dha' - 'h & Dha') Sa $I Q@ yi Sa & Sa Pa Dha Pa Ma Ga Ma Ma Sa ( 1 8) Soft 'Ga' & 'Ni' (KOMAL Ga & Ni - h & Bi) Ma Pa L Sea Re Ma &e Sa Pa Gib Re Sa

(19) Soft 'Ga' 'Dha' 'Ni' (KOMAOL Ga Dha Ni - Q Dha &) Sa Re Ma Pa NI Dha Pa Re Ma Re Sa Ma Pa D&a Pa I<c Sa Re . M a Pa (20) Soli 'RC' 'Ga' 'Ilha' ' N I ' (KOMAI, Re (;a Dha Ni - Ke Q Dha N) Sa Kt: Q Ma Ga Kt: Sa Ilha & Sa Kt: & Sa Rt: Sa ' Mi I'a Dha Ma Pa Q k Sa Sa & l& ~i Ma Pa Dha p& Llkewlse many more comblnat~onsof sounds can be developed and accordingly practised. These exercises will strengthen the knowledae of sounds (SUR) 2 TO REPRODUCEINSTRUMENTAL AID, THE SCALE OF THREE PR!MARY GROUPS OF INDIAN CLASSICAL MUSIC. From sounds Nad (Useful elements for music) is produced. Similarly 'THHAT' is also produced from Sounds. 'THHAT' is also a spelal combination of sounds by which 'RAGA' is made. In a 'THHAT' tha presence of seven sounds (Sa Re Ga Ma Pa Dha NI) IS essential and that too in order of seqence llke Sa Re Ga Ma --------In a 'THHAT' the presence of seven sounds (Sa Re Ga Ma Pa Dha Ni) is essential in respect of 'AROH' only and there is no 'ABROH' THHATNO.1 -BILAWAL Sa Re Ga Ma Pa Dha Ni 1 2 3 4 5 6 7 Here seven sounds are used in order but all the sounds are in their Original \ Pure form. This 'THHAT' is called 'BILAWAL THHAT' THHATN0.2-KALYAN Buy change of 'Ma' - from M1apure to 'Ma' fast (TEEBRA - Mla) the THHAT is changed viz Sa Re Ga Mla Pa Dha Ni Thls 'THHAT' IS Called 'KALYAN THHAT' THHATN0.3-KHAMAJ If we change 'NI' - From pure 'NI' to soft 'NI' (Komal 'NI' - NI) the 'THHAT' IS again changed. viz; Th~s'THHAT' IS called 'KHAMAJ THHAT' Sa Re Ga Ma Pa Dha NI

FUNCTIONING OF HARMONIUM :The harmonioum is basically an organ like keyboard instrument which has from one to three sets of metal reeds. It IS played by pressing the keys of the keyboard with the fingers of one hand while s~multaneously pumping in air through the reeds with the bellows with the other hand. Its range is from three octaves (37 keys) to three and half octaves (42 keys). The sets of reeds may be of three registers - bass, male and female. On the front of the ~nstrumentare vafious knobs. Generally the knobs control the set of reeds. While using the harmonioum please remember :1. Do not pump the bellows while the knobs (stops) are closed or the keys are not pressed, and 2. Do not pump with more force then necessary. Either of these practices may damage the joints, seals and reeds of the ~nstrument.

Fu!mmml

THE LAYOUT OF-THE HARMONIOUM KEYBOARDS

Low octave

M~ddleoctave

(Mandri Saptak)

(Madhya Sdptak)

Octave (Saptak) is defined as under :-* 1. A note seven degrees above or below another. 2. The interval between a note and its octave. 3. A series of not filling this interval. According to the Indian syste

Hlgh octave

Ultra H ~ g hoctave

(Tar Saptdk)

(At1 Tar Saptak)

Black and white are abbreviated as B and W respectively. So B I means Black I or the first black key, and so on. Similarly W I means white I or the first white key or soon. The purpose of this book is to teach Sri Krishna Devotees singing with play of harmoniown and rhythm under traditional Indian Classical Music. This book will be undoubtedly useful to the devotees and Vishnavas to get much needed guidance for entering the world d music and devotion. "Chanting the holy name, dencing, singing and playing musical instruments, the spirtuai master is always pleased by the 'Sankirtan' movement of Lord Sri Chaitanya Mahaprabhu" Krishna Consciousness is deeply related with music. The best means to attain the Spiritual sky is through music

'Sankirtan' When the his Divine Grace A.C. Bhaktivedanta Swami

Prabhupada started the Hare Krishna Movement in America, what attracted the people was the music, therefore it is very important for the devotees to learn how to sing and play music properly. When the holy name of the Lord is sung with a melodious tune, even a brute is transformed into

a saint. Music can even melt a rock.

From 'NAD' Sounds (Sur) come out and from Sounds 'THHATS' are made and from 'THHATS' tunes (RAGAS) are reproduced. There are certain RAGAS In wh~chall the Seven Sounds (Sa, Re, Ga, Ma, Pa, Dha, Ni.) are used Such RAGAS are called 'COMPLETE RAGAS'. There are certain RAGAS in which only Six Sounds are used. The Sounds (SUR) Which is not used is called 'VARJIT SUR' (Prohibited Sound). Such RAGAS with Six Sounds are Called 'SHARAV RAGA' There are certain RAGAS in whlch only five Sounds are used. Such a RAGA is called "AURUV RAGA" (1) There are. Nme castes of RAGAS (Tunes) as explained below :AKOH Sa. Re, G . M A Pa. Dh'i. NI. Sa. ABROH :, S'a. N I , Dha, Pa, Ma, Ga, Re, Sa. Here all the Seven Sound\ have been used In AROH and A B R O H , Sv it i \ a 'Complete R A G A ' . (2) The RAGA in which Seven Sounds are used in AROH and SIX Sounds are used in ABAROH is called 'Complete SHARAV RAGA' e.g. AROH Sa. Re. Ga. Ma. Pa, Dha. Ni, Sa, ABROH . $1, NI. DII,I, Pa. Ma. Q. , Sa. (3) The RAGA In which there are Seven Sounds In AROH 'and five Sounds In ABROH is called a ' Complete AURUVA RAGA' e.g. AKOH Sa, Re, Ga, Ma, Pu, Dha, N I , S;, ABROH S . I . Pu, M c i . Re. Sa The RAGA In Which there are SIX Sounds In AROH and Seven Sounds in ABROH IS called 'SHARAV (4) COMPLETE RAGA' e.g. Sa. G Ma. Pa. Dha, N i , S;. AKOH ABROH &, Dha, Pa, Ma, Ga, Re. SLi : S;. (5) The RAGA In which there are SIX Sounds in AROH and SIX Sounds In ABROH IS called 'SHARAV SHARAV RAGA' e.g. AROH Sa, &, Ga. Mla, Dha, Ni. Sa. ABROH : S:, Ni, Dha, Ma, Git. . Sa.

(6) The RAGA in which there are Six Sounds in AROH and F ~ v eSounds in ABROH is called 'SHARAV AURAV RAGA' e.g. AROH Sa. , Ga, Ma. Pa. Dha, Ni, S;, ARROH : S;, Dha, Pa, Ma, Re, Sa. (7) The RAGA in which there are Five Sounds in AROH and Seven Sounds in ABROH is called 'ARUVA - COMPLETE RAGA' e.g. AROH : Sg, R e , Ma, Pa, Dha, Sa, ABROH : Sa, Ni, Dha, Pa, Ma, Q, Re, Sa. (8) The RAGA in whlch Five Sounds are used In AROH and SIX Sounds are used In ABROH is called 'ARUVA - SHARAV RAGA' AROH Sp, Re. Ma, Pa. Dha, , ABROH : Sa, Ni, Dha, Pa, Ma, Re, Sa. (9) The RAGA In wh~chFive Sounds are used In AROH and Fwe Sounds are used In ABROH too is called 'ARUVA - AURUV RAGA' e.g. S?, Re. Ga. ~ a . ha. S;. AROH ABKOH : Sa, Dha, Pa, Ga. Re, Sa.

VADI

- S A M VADI

VADl S A M VADI : VlVADI . ANWADI :

The Sound which is used more times is called 'VADI SUR'. The Sound which is used less times than 'VADI' IS called 'SAM VADI SUR'. The Sound whlch 1s proh~b~ted in RAGA is called 'VIVADI SUR'. The Sound wh~chIS used compratevely less In AROH and ABROH is called 'ANUVADI SUR'

FORMATION OF SIMPLE TALS (RHY THMS)

In a clock we measure the time in Seconds, Minutes and Hours S~milarlythe timings for Singing. Playmg and Dancmg are measured by Tal (Rhythm). It IS very ~mportantthat the beatmgs or pace of the tlmmgs should be equal. We can use the f~ngersand palms (Clapp~ng)for the beatings of the timmg. Tal (Rhythm) IS very ~mportantfor muslc. TAL (Rhythm) is the grammer of muslc. TAL or BEATINGS is played on TABLNDRUMIMRIDANGA 'SAMA' - the counting of the beats starts from 'SAMA' or In other words the 'TAL' (RHYTHM) starts from the f~rstbeat~ngcalled 'SAMA'. At 'SAMA' we feel a jolt and at t h ~ spomt the singer and the aud~ancefeel a pleasure In muslc.

(1) 'DADRA' TAL (RHYTHM) This TAL contams 6 beats viz; Beats 1 2 3 4 Sounds on Tabla. Dha Dhi N a Ta

5 Ti

6 Na

(2) 'KAHARAVA' T A L (RHYTHM) Th~sTAL contains 8 beats VIZ; Beats : l 2 3 4 5 6 7 8 Sounds on Tabla . Dha Gee N a Ke N a Ke Dhl Na (I) and (li) TALS (Rhythms) are very common and popular in playing with songs.

(3) 'TEEN TAL' This TAL contarns 16 beats viz; 5 6 7 8 Beats : 1 2 3 4 9 10 1 1 Sounds on Tabla : Dha Dhin Dhin Dha Dha Dhin Dhin Dha Dha Tin -Tin

12 Ta

13 14 15 16 Ta Dhin Dhin Dha

(4) 'JHAP TAL. This TAL has 10 beats viz; Beats 1 3 , Sounds on Tabla : Dhi Na

3 4 5 6 7 8 9 1 Dhi Dhi Na Ti Na Ti Ti

0 Na

(5) 'EK TAL' Th~sTAL has 12 beats VIZ; Beats 1 2 Soitnds on Tabla : Dhin Dhin

3 4 Dhagi Tirkit

5 Tu

6 Na

7 Kat

8 Ta

9 10 Dhagi Trikit

11 12 Dhin NaNaDhin

Start : Bowina Prayer for Harinam Naam Chintamani Rupam Namaiv Paramagatih. Naamna Partaram Nasti Tasmanaam Upasmahe Tribhang Bhangima Rupam Benu Randh Karanchtay G o p ~Mandal Madhyastam Sobh~tamNandnandnay Ghan Vidyut Samajukam Neel Pitambar Dharay . Sarvang Sunder Ruching Harinaam Namastute" "

P .

(13)J

"Hare Krishna Hare Krishna Krishna Krishna Hare Hare Hare Raam Hare Raam Raam Raam Hare Hare"

End : Bowina - Prayer for Harinam " Naam Yagya Mahayagya Kalau Kalam Nashno

Shn Krlshna Chaitanya Pr~tartheNaam Yagya Samapanay.

HARINAM MAHAMANTRA PHILOSPHY & DEVELOPMENT IN RECENT PAST :When a genulne devotee of Lord Srr Krlshna Chants Sri Harinam MAHAMANTRA with deep drvme love it becomes most effectrve. MAHAMANTRA KIRTAN should always be heard from the vorce of the genuine devotees of God so that good results are seen then and there. 'HARE' means the strength of God - the 'ALHADINI SHAKTI' of God 'KRISHNA' or 'RAM' means the name of Lord SRI KRISHNA or 'PARAMANAND - MOST PLEASENT' Harmam Sanklrtan by a creature IS an applrcat~onto God for seekrng HIS shelter. The MAHAMANTRA - KIRTAN IS just like the cry of a child for h ~ smother. It helps the devotee to attarn the mercy of God - Lord Sri Kr~shna. In 'Kahyuga' - the present era Sri Nam Sankirtan IS the most effectrve mode of mitigating sins. It IS a great means of devotion and self purrfrcat~on. "Nam rupe Kali Kale Krishna Avtar. Nam Hoite Hoi Sarba Jagat Nistar. Nab Vidha Bhakti Purna Nam Hoite Hoi. Niraparadhe Nam Loile Pai Prem Dhan. Sankeertan Hoite Pap Sansar Nashan. Chitta Suddhi Sarba Bhakti - Sadhan - Udgam. Krrshna Premodgam Premamrita Aswadan. ' Krishna Prapti Seb Mrita Samudre Majan." f l z i &ut52iyu &udwndul

-E

(14)

Sri Chaitanya Mahaprabhu himself preached and delivered Shri Harinam Sankirtan for the welfare of creatures in the fifteenth and Sixteenth Centuries (1486). There have been many Saints and religious leaders In various parts of lnd~awho were great devotees of Lord Shri Krishna. They preached Shri Hari Nam Sankirtan for the welfare of the Society through the verses and music. Some important devotee poetslsingers of them were :1.

2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14.

Saint Nam Deva Samt Guru Nanak Deva Saint Surdas Sarnt Swamr Hari Das Samt Ek Nath Saint Narottam Das Thakur Saint Mira Bai Saint Raskhan Saint Tuka Ram Saint Dana Sahib Saint Baba Nab1 Saint Hussain Khan Saint Jaidev Saint Chandidas

(In U.P. in 1261) (In Punjab in 1470) (In U.P. in 1484) (In Vrmdaban in 1513) (In Gujrat rn 1534) (In Bengal in 16th Century) (In Rajsthan in 16th Century) (In Vrindaban. in 1559) (In Gujrat in 1609) (In Vrindaban in 1694) (In Vrindaban in 1800) (Ir: U.P. in 1794) (In Bihar in 15th Centuary) (In Bengal in 15th Centuary)

By Chanting of Shri Harinam the effect of APARADHAS (Offences) is waved off, the heart is purified and the devotion becomes very smooth. By suscessful devotion the devotee attains the Mercy and Love of Lord Shri Krishna. With the patronage of Shri Harinam not only the love is developed but also the entire devotional process becomes easy and effective. Thus the most important duty of a creature in this era - KALIYUGA which is full of complexit~es, injustice, voilence and miseries, IS chanting of Shri Hari Nam so that it can get rid of all the worldly agonles.

HARE KRISHNA ! HARI BOL !

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Tal (Rhythm) : Teen Tal or Kaharava

Raga : VAIRAV

AROH ABKOH

Sa S;

: :

Dha

Ma Pa Dha Pa Ma Ga VADI = Dha,

S; Sa SAMVADI =

HOLD (PAKAR) Sa Ni Sa Ga Ma Dha Dha Pa Ma Pa Dha Pa Ma Ga Ma Dha Pa G a Ma

. . .

SaNi DhaNi UhaPa DhaNi &Sa GaMa DhaNi ila&i Sa

~ i i DhaPil a MaGa &Ga

KRI

SHNA

S'a

KRI

~haia

MaPa DbaDha P a G a M a k S a Sa

Dha 0

GaMa

SHNA

KRI

SHNA

KRI

DhaNi Dha

Ma DhaPa Ma

'Sa

& &

S: HA

RAS

Dha

KRI

SHNA

<a SHNA

Ni KRI

KRI

SHNA

S'a

Ni DhaNi Dha HA RE RA

M'a KRI SHNA

Ma DhaPa Ma

RAS

Sa HA

NOTATION TUNE

'S' means to continue the notation in one or more steps of the Rhythm (TAL). Tal (Rhythm) : Teen Tal or Kaharava Raga : BENGAL BHAIRAV AROH ABROH

: :

Sa S;

Dha

Ga Pa

Ma Ma

Pa Pa

Dha Ga

HOLD (PAKAR)

Dha Dha Pa Ga Ma Pa G a Ma Pa Ga Ma &F DhaDha

Sa Ga

KRI SHNASS KRI SHNA KRlS SHNA

RAS MASS

RAS

J& <a

r*ia

SHNA

KRI

SHNA

KRI SHNA

KRI

SHNA

Ma PaDhaPaMaGaGa

KRI SHNA

Ma Pa

Dha

KRI

RAS

Ma PaDha

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARA

Raga : RAMKALI

AROH ABROH

: :

Sa S;

Ga Ni

Ma Dha

Pa Dha Ni Pa Ma Pa VADI = Dha,

Dha Ni Dba Pa SAMVADI = Re

& Sa

HOLD (PAKAR) Dha Dha Pa Ma Pa Ga Ma Pa Dha Dha Pa PaDhaMa PaDha HAS RE

GaMa

KRlS SHNA HAS

Sa PaDha Ma DhaNi DhaPa Ga

KRI

SHNA KRlS SHNA KRlS SHNAS HA

PaDhaMa PaDha

GaMa

HAS RE

RAS

HAS

RAS

MAS

PaDha Ma DhaNi DhaPa Ga

Ma PaDha

HAS

Ma PaDha

HAS

Dha

S'a

i a

KRI

SHNA

KRI

SHNA

KRI

SHNA

KRI

SHNA

Dha

~ i k g S'a

Ga MaDha Pa

Ma PaDha

RAS

DhaNi Dha RES

RAS

HAS

- NOTATION - TUNE . . 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : BIBHAS TAL (RHYTHM) : TEEN TAL OR KAHARAVA

AROH ABROH

: :

Sa S;

HOLD (PAKAR) Uha Pa Cia Pa Ga&Sa

Re Dha

Ga Pa

Pa Dha S; & Sa Ga VADI = Dha,

SAMVADI =&F

GaPa Dhn ~ a i aDha Pa

DhaPa d a

KRI

SHNA

KRI

SHNA

KRI

SHNA

KRI

SHNA HAS

Dha

KRI

SHNA

KRI

SHNA

KRI

SHNA

KRI

SHNA

HAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA Raga : JOGlA AROH ABROH

: :

Ma Dha

Pa Dha S; Re Ma Pa VADl = Ma,

Sa 8AMVADI = Sa

H O L D (PAKAR)

Pa DhaMa Pa

Dhn

Dh:]

KRI SHNA

D&I

MI?,

SHNA

KRI

SHNA

KRI SHNA

Dha

Dha PaMa

Dha

SHNA

KRI

SHNA

Dha

Dha PaMa

MAS

KRI SHNA

KRI

KRI SHNA

RES

KRI

Dha

ia HA

MAS

Sa RE

- NOTATION - TUNE Raga : TOR1 AROH ABROH

: :

TAL (RHYTHM) : TEEN TAL OR KAHARAVA Mla Pa Dha Ni Sa Pa Mla Q Sa SAMVADI = VADI = Dha,

Sa S;

& Ni

Dha

Mla

HOLD (PAKAR)

Mla

KRI SHNA

KRI

SHNA

Mla

Dha

Mla

Er;

KRI SHNA

RE , HA

Dha

Ni,

Dha

KRI SHNA

Dha

M l a Q

Mla

Dha

KRI

SHNA

KRI

SHNA

KRI

SHNA

& & &

KRI SHNA

{id

Nil

Dia

R E , HA

:,1

Dha

Mkt

Dha

Mla

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : JAIDEV

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Ga, Ni = Soft (KOMAL -

This RAGA can be sung at any time.

Dha

DhaEDhaPa Pa

~ a ~ DhaRe h a Sa

& NSaDha

KRI

SHNA

KRI SHNASS KRI

SHNA KRlS SHNA

Dha

KRI SHNA

RESS

Dha &Dha

Pa DhaPaMa Re

Ma PaDha C(i

Dha

Pa MaGReSa

RES

RAS

HA RESSS

KRI SHNASS KRI

MASS

SHNA YRlS SHNA

RESS

-1

Dha

Dha U D h a

Pa DhaPaMa Re

Ma Pt4Dha &

Dha

Pa M a h R e S a

HA RESSS

RES

MASS

RAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : KHEMTA Raga : KEERTAN Ma = TEEBRA (FAST) - Mla SaReGaMaGaRe

GaMa GaRe

KRI SHNA

RAS

Pa Dha ~ h a R k & NiDha Dha

Dha

KRI SHNA

HASS

RES

SaReGaMaGaRe

HASSS

RES

KRlS SHNA HAS

MlaGa Ga

Ga Re

KRlS SHNAS KRI

SHNA KRI SHNAS HA

HA RE

GaMa GaRe

Dha

Ga Re

MAS

HA RE

&tie

DhaPa

MAS & i

Dha

MlaGa Ga

KRI SHNA

KRI SHNA HAS

RES

Pa Dha ~ h a i e & NiDha Dha

Dha

&de

DhaPa

HAS

RES

RAS

HAS

Pa Dha

Dha

DhaPaDhaNiSa NiDhaPa

Dha

Pa MlaGaRe Ga

Ga Re

KRI SHNA

RE KRISS$

SHNASS

KRI

SHNA KRI SHNASS HA

HA RE

Pa Dha

Dha

DhaPaDhaNiSa NiDhaPa

Dha

Pa MlaGaRe Ga

Ga Re

HA RE

RASS

MASS

(23)

- NOTATION - TUNE -

(

'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : PRABHAT BHAIRAV TAL (RHYTHM) : TEEN TAL OR KAHARAVA i'

SAMVADI = Sa

VADI = Mla,

HOLD (PAKAR) GaMaGa &Sa DhaNiSa Ga Ma Dha Pa MaGa c

GaMla Ga Re HAS

RE KRI

GaMla Ga Re

GaMa Mla

Dha

Ga MlaDha Pa MaMlaGaMaGaRe

SHNA

KRI

SHNA

Dha

)

KR1 SHNA

S'a

KRlS SHNA

DhaPa Mla RAS

KRI SHNA KRlS SHNA HAS RESS

KRI

Ga MlaDha Pa MaMlaGaMaGak

SHNA

KRI SHNA

Ga MlaDha Pa MaMIaGaMaGaQ

RAS

HAS RESS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : GUNKALI AROH ABROH

: :

Sa S;

HOLD (PAKAR) Ma Pa Dha S: Sa Sa

KRI SHNA

RA,

KRI' SHNA

& Dfia

Ma Pa

Pa Dha S'a Ma Sa VADI = Dha,

SAMVADI =

Ma Pa Ma & Sa Sa Dha Pa Ma Pa Ma & Sa

' ~ a Pa

Dbt

Dha

KRI

SHNA

KRI

SHNA

KRI SHNA

DDL

Dha

Dhe

KRI SHNA

RAS

KRI SHNA

Pa Dha

Dha

Ma PaDha Dha

RAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : KALINGARA

AROH ABROH

: :

Sa S;

TAL (RHYTHM) : TEEN TAL*OR KAHARAVA

Ga Dha

Ma Pa Dba Pa Ma Ga VADI = Dha,

S; Sa

SAMVADI = G a b

Dka Dha

KRI SHNA

KRI

KRI SHNA

KRI

SHNA

Dha

Dha PaDha ~ i g a Ni

DhaPa DhaPa Ga

DhaPa Dha

GaMa

HAS

SHNA KRlS SHNAS KRI SHNA

RASS MAS

KRI

RAS

SHNA

MAS

KRI SHNA

MAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL).

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : DEVA GANDHAR AROH ABROH

: :

Sa S;

Ma Dha

Pa Pa Ma Q VADI = Dha,

Re Sa SAMVADI = G3

HOLD (PAKAR) MaPa DhaPa S'a NiSa ReSa S D h a PaDhaPa QMaPa 0

d e s'a E D h a P a DhaPa h R e S a

KRI

SHNA

MaPa

Dha

KRI SHNA

Dha

KRI

P a h M a P a

RE "A'

RE 0

Dha

KRI

SHNA

KRI

SHNA

KRI

SHNA

& & & &

s'a

&Dha

MaPa

RAS

HAS

SHNA KRlS SHNA

RAS

MP.

HA 0

Dha

KRI SHNA

(27)

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : BHAIRAVI, (MISRA) AROH ABKOH

: :

KRI

SHNA

RAS

KRlS SHNA

RASS

G;! Ma

Pa Dha Dha Pa Ma Q VADI = Dha.

HA RESSSSS

E 6; &

Sa SAMVADI = @i

KRl SHNASSS KRl SHNAS KRI

RES

HAS

HASS

RES

HAS

RESSS KRI

SHNA

KRI SHNASSSSKRI SHNASSSS HA

MASS

MAS RASS

MAS

RES

MASS

RAS

MAS

SHNA

HAS RE

- NOTATION - TUNE

'S' means to continue the notation in one or more steps of the Rhythm (TAL).' 4NOTHER F R O M RAGA BHAlRAVl (MISHRA BHAIRAVI) Ma a R e S a S a R e SaReQReSa

SaRe

KRlS SHNA

KRI SHNAS HA

Pa&Dha

HAS RE

KRI

SHNA

PagDha

Ma QReSaSaRe S a R e a R e S a SaRe

HAS RE

KRI

SHNA

KRlS SHNA

RES

RAS MASS RAS

&ba&

Dha

HAS RE

KRI

SHNA

<abaL

HAS RE

RESS KRlS

SHNASSS

MaQ

HAS RE I

MaQ

MAS

KRI SHNA

HAS

Pa MaDha PaGaReSa

SaRe

Sa && Sa

KRlS SHNA KRI SHNA

HAS RE

Dha

P i MaDha P a a R e S a

SaRe

RAS

HAS RE

RESS RAS

MASSSS

KRI SHNA

KRlS SHNASSS

RAS

MASSS

Pa MA

HAS RE

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : ASAVARI TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH ABROH

: :

Sa S:

Ma Dha

Pa Dha Ni Pa Ma Q VADI = Dha,

HOLD (PAKAR) Re Ma Pa Ni Dha Pa

KRI

SHNA

- RA

NiDha DhaEi Sa ReSaNiDha Ni

R'e

&$a

HAS

MASS

* *

KRlS SHNAS HA RESSS

ReSa

KRI SHNA

RES

Dha

, Pa

ReSa

RES

Re SaReGaRe Sa

Dha

KRI

SHNA KRISSS SHNA

KRI SHNASS KRI

KRI SHNA

SHNA

d a d e SauiDhaPaMa Ma RAS

DDha

U D h a DhaPaDhaMa Pa RES

MDha DhaPaDhaMa Pa RES

s'a Re Sa , SAMVADI = Ga

MASSSS

Paui

Dha

Ga ReSa

MAS

HA RES

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA Raga : JONPURl & i : Sa Re Ma Pa Dha Ni AROH Sa Dha Pa Ma Q Re ABROH : S; i SAMVADI = Ga VADl = Dha, HOLD (PAKAR) Ma Pa !ji Dha Pa Ma Pa Ga Re Ma Pa PaDha Ma Pa HAS

RE KRI SHNA

Dha

Dha PaMa

KRlS SHNA KRI SHNA KRI SHNA

Ma GaRe

HAS

Ma GaRe

HAS

Dha

PaDha Ma Pa

Dha

Dha PaMa

RE RA

RAS

s'a

<a&

de&

KRI SHNA KRI SHNA KRlS SHNA HAS

HAS

Ma Pa HA

Dha

KRI SHNA

& &

i a PaDha 6 a

HAS

PaDha Ma RAS

PaNi DhaPa Re

Ma QaRe

RAS

MAS

HAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). daka : ~ U R G (BILAWAL A THHAT) TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH : Sa Re Ma Pa Dha S; ABROH : S\ Dha Pa Ma Re Sa Dha Sa VADI = Ma, SAMVADI = Sa HOLD (PAKAR) Pa MaPa DhaMa Re Pa Sa Dha

I f i e Pa Dha MaReSa DhaSa

Dha Dha MaPa ~ h a i DhaPa a Ma

KRI

SHNA

Dha Dha MaPa ~ h a i a D h a P a Ma

& i

KRlS SHNAS HAS

RAS

MAS

Ma Ma

Dha

KRI SHNA

HAS

Dha

~haia

KRI SHNA

RES

Dha

Pa ~ h a k a

RES

Dha

KRI SHNA

KRI

SHNA

KRI SHNA. HA

Dha Dha MaPa

ha& DhaPa

D a!

Pa ~ h & a

MAS

RAS

HAS

RES

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : GANDHARI

AROH ABROH

: :

Sa S;

Ma Dha

Pa & Pa Ma Q VADI = Dha,

HOLD (PAKAR) Sa Dha Pa Ma DhaPaMa ReMa Pa

m S:

KRI SHNA KRlS SHNA

RAS

Dha

KRI SHNA

Dha

KRI SHNA

Dha&

& &

KRI SHNA

MB Ma

QjReSa

Dha

DhaPa Ma Pa DhaMaPa

Re Sa SAMVADI = Q

Ma PaDha Pa

KRI SHNA

Ma PaDha

RAS

- NOTATION - TUNE 'S' means to continue the notation in one or more step$ of the Rhythm-(TA&). T A L (RHYTHM) : TEEN TAL O R KAHARAVA

Raga : MlSRA BILAWAL AROH

ABROH

: :

Sa S;

Ga Ni

Ma Dha

Pa Dha Ni Pa Ma Ga VADI = Dha,

Re Sa SAMVADI = Ga

1 0

KRI SHNA

,KRI SHNA KRI SHNA KRI SHNA

S a ' Ga

HA 0

Dha

KRI SHNA

Pa Dha

Dha

KRI SHNA KRI SHNA

NiDha Pa ~ h a i e Sa RAS

RAS

Dha

ReSa RES

Dha

ReSa

RES

DhaPa

KRI SHNA

RES

Dha

ReSa

RES

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH ABROH

Ga Dha

Ma Pa Dha Pa Ma Ga VADI = Pa,

Re Sa SAMVADl = Sa

ReSa

KRI SHNA

RES

Dha

ReSa

RES

DhaPa

KRI

SHNA

KRI

SHNA

RES

s'a

Dha

KRI SHNA

KRI

SHNA

Dha

KRI

SHNA

Dha

KRI SHNA

Dha

. S.a Sa

4 i.

S:d

Re Ni

: :

KRI SHNA

a..

RE RE

Dha

KRI SHNA

DhaPa

RES

Dha

ReSa

RES

ReSa

RES

DhaPa Dha ReSa

KRI SHNAS KRI SHNAS KRI SHNA Ni

DhaPa Dha ReSa- Dha MAS

MAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : BRlNDABANl SARANG TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH ABROH

: :

s'a

Re Pa

Ma Pa Ni Ma Ra Sa VADI = Re,

& SAMVADI = Pa

HOLD (PAKAR)

KRI SHNA

KRI

SHNA

KRI

SHNA

KRI SHNA

KRI

SHNA

KRI

SHNA

KRI SHNA

Pak

RAS

Re RA

'S' means to continue the notation in one or more steps of the Rhythm (TAL).

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : SAMANT SARANG

AROH ABROH

: :

Sa S;

Ma Dha

Pa Ni sa Pa Ma Re VADI = Re,

Sa SAMVADI = Pa

HOLD (PAKAR) Pa MaPa &Pa MaRe Sa ReMaPa NDhaPa Re

Pa& DhaPa ReMa

KRlS SHNAS HAS

KRI

SHNA

KRI

SHNA

Pa& DhaPa ReMa

P a N DhaPa

KRI SHNA

HAS

P a N DhaPa

HAS

RES

r?l

RES

RAS

MAS

HAS

ide

KRI

SHNA

3 Ma

KRI

SHNA

R'e

RAS

KRI SHNA

KRI

SHNA

P a K DhaPa

HAS

RES

(37,

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : KUKUBH AROH : Sa ABROH : S'a

T A L (RHYTHM) : TEEN TAL OR KAHARAVA

Ma Dha

Pa Dha Ni Pa Ma Ga VADI = Ma,

& Re Sa SAMVADI = Pa

HOLD (PAKAR) SaGa Ma NiDhaPa MaPa GaMa Sa GaMa ~ h a ~ i ~ ;

Sa DhaaPa DhaMa GaSa GaMa m

Sa Dha

Dha

,Ma

Pa &Dha

Dha

Pa N D h a

HAS

6 !&

Dha

idc

Dha

KRI SHNA

KRI

Dha

P a NDha

SHNA KRI

SHNA

KRI SHNA

HAS

'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : DEVAGARI : Sa AROH : S; ABROH

Re Ni

TAL (RHYTHM) : TEEN TAL OR KAHARAVA !Sea Ni Ma Pa Sa Dha Pa Ma Re VADI = Dha, SAMVADI = Re

HOLD (PAKAR) Sa Dha Ni Dha Sa Re Ga Ga Ga Ga Re Sa Sa GaPa Dha,Ni Pa Ma Ga Ma Re Sa *

Dha

PaDha Ma

SaNi

Dha

KRI

SHNA HAS

Dha

PaDha Pa HAS

KRI SHNA

MaGa R e

KRI SHNA

KRI SHNA HAS

SaNi

Dha

RAS

HAS

Ga PaDha ~ i S ' a i a

ia!

hia

i a ~ i Dha

KRlS SHNAS HA

KRI SHN,4

S'a

Dha

~ a " ; Ga

KRI SHNA

KRI SHNA HAS

SaNi

Dha

HAS

GuMa Re RAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : GOR SARANG TAL (RHYTHM) : EK TAL 12 BEATS AROH ABROH

: :

Sa !fa

Re Ni

Sa Ga Re hla Ga Pa Mla Dha Pa Ni Dha Sa Dha Pa Dha Mla Pa Ma Ga Re Ma Ga Pa VADI = Ga, SAMVADI = Dha

HOLD (PAKAR)

GaPa Ma

SaNi SaGa

HAS RE

KRI SHNAS HAS

KRI

SHNA

KRI

SHNA

GaPa Ma

SaNi SaGa

NiDha

HAS RE

MAS

RAS

GaMaPa

Ni..

!&i

HAS RE

KRI

SHNA

KRI

~ i < aS'a

HAS RE

HAS

~ > d ad a HAS

SHNA

k& & RAS

KRI

NiDha

PaMa

ReMa

KRI SHNA HAS

HAS

PaMa

ReMa

HAS

NiDha PaMla PaNi

Dha

SHNA KRlS SHNAS HAS

NiDha

ReGa

RAS

HAS

- NOTATION - TUNE 'S' mean$ to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR K A H A R A V A Rags, :BHlMPALASl AROH ABROH

: :

Sa ~a Sa

Dha

Ma ' ~ a Pa

h/la Q Re VADI = Ma,

SAMVADI = Sa

HOLD (PAKAR)

Pa HA Pa HA

Pa RE Pa RE

KRI Q

Ma SHNA, Ma MA

Pa HA Pa HA

& RE

KRI- SHNA S'a S'a RA . MA

RE 0

& HA

KRI

s'a

Dha & S a R e a SHNA HA RESSS Dha & S a R e a MA HA RESSS

Ni <a&& KRI SHNASS Ni &de& RA MASS

d e && ~ i KRI SHNAS HAS de

hie

soak MAS HAS

iea RE s'a RE

N DhaPa HA

RES DhaPa HA RES

ReSa Dha PaMa $& KRlS SHNA KRI SHNA KRlS SHNA ReSa Dha PaMa Q RAS MA RA MA RAS MA

Ma P a D h a k D h a HA RESS HA Ma P a D h a a D h a HA RESS HA (41)

Pa RE Pa RE

- NOTATION - TUNE

'S' means to continue the notation in one or more steps of ,the Rhythm (TAL). Raga : PILOO TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH ABROH

: :

xi Ni

Sa Dha

Re Ma VADI =

HOLD (PAKAR) Ni Sa Ga Ni Sa Pa Dha Ni Sa

.~.

Ma yi

Pa Dha Pa NiDha Pa Sa SAMVADI = Ni

Pa MaDhaPaMa a R e

Re , Sa

KRI SHNA HAS

RES KRlS SHNA

KRI SHNA

HAS

RES

RAS

s'a

KRI SHNA

KRI

SHNA

Dha

KRI SHNA

Pa MaDha Pa

RAS

'S' means to continue the notation in one or more steps of the Rhythm (TAL). Kdga . MULTANl

AROH ABROH

: :

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

xi :a

Sa Ni

Mla Pa Ni Dha Pa Mla Ga 'VADI = Pa,

H s Sa SAMVADI = Sa

HOLD (PAKAR) Ni Sa Mla Pa

Mla

KRI

SHNA

KRI

SHNASSS

KRI

!& !&

s'a&

Dha

PaMlah

Mla PaDha

Mla

RAS

MASS

RAS

HA RE

KRI

SHNA HAS

KRI

SHNA

KRI

SHNA

KRI

SHNA

Dha

Mla PaDha

Mla

& &I !&L !& HA

RAS

Pa PaDhaMlaa

Mla PaDha

SHNA KRlS SHNA

RAS

Mla HA

HA RE

Br; Sa

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : DHANl

AROH ABROH

: :

KRI SHNA HAS

Q Ma

Ma Pa

aSa

Pa Ni {a Ma Q Sa VADI = Q,

KRI

SHNA

KRI

SHNA

&Sa

KRI

SHNA

KRI SHNA

S A ~ V A D =I ~i

KRI SHNA

{a KRI

MaPa

HAS

MaPa

SHNA

SHNA lKRl

Pa HA

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (Tm-)f'! '-A

Raga : TRlVENl AROH ABROH

: :

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

& i

Ga Dha

Pa Dha S; Ga Pa VADI = h,

Sa SAMVADI = Pa ,-,c

HOLD (PAKAR) Sa Ga Pa Ga & Sa &g Pa Dha Pa S'a Ni Dha Pa Ga Pa ~ a ' kSa '?,

& Ga

Dha

KRI

SHNA

KRI

SHNA . H A

& &

, .,

KRI

SHNA HAS

R'E

SHNA

KRI

SHNA

Dha

ES?;

Dha

KRI

SHNA

KRI

SHNA

KRI

SHNA

KRI

Dha PaGa

a,.

GaPa

MAS

.I-

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : PALASI AROM : Sa ABROH : &

TAL (KHk'l'HM) : TEEN TAL OR KAHARAVA

Ma Dha

Pa Ni S; Pi, Ma VADI = Pa,

Re Sa SAMVADI = Sa

HOLD (PAKAR) & ~ f a ~ aaM~a Gaa M a P a MaPafiMa GaReSa I

KDha Pa

NDha

RAS

KRI SHNA

KRI

SHNA

KRI

SHNA

KRlS SHNA

M HA

HAS

GaMa

SHNA KRlS SHNA

GaMa

Pi,

RAS

KRI

SHNA

KRI

SHNA HAS

RES

HAS

LPa

MAS

(46)

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : TRlVENl AROH : Sa ABKOH : Sa

TAL (RHYTHM) : TEEN T A L OR KAHARAVA

Ga (;a

S: Pa Ni Dha ' Pa hla VADl = Pa.

HOLD (PAKAR) SaGa Ma Pa GaReSa Ni Sa Ga MaPa Ma Pa Ga

Re Sa SAMVADI = Sa

KRI

SHNA

KRI

SHNA

G;I

KRI

SHNA

KRI SHNA

Gla

MaPa

KRI SHNAS HA

MaPa

MAS

Dha PaMa

KRI SHNAS HA

HAS

ie$a

Dha PaMa

MAS

HAS

Dha SaRe

Dha PaMa

SHNA KRlS SHNA

Geia

KRI

HAS

- NOTATION - TUNE 'S' means-t,ocownue the notation in one or more steps of the Rhythm (TAL). ::.

HAS

TRADITIONAL KEERTAN TAL (RHYTHM) : EK TAL with 12 Beats G a Dha HOLD (PAKAR) : Re Ma

RE KRIS SHNA HAS

KRlS SHNAS KRI

sBda

<&a

S'a

HAS

RAS

Pa*

KRI

SHNA

H k

& RE'-

KRI SHNA

jVj

Dha

Dha PaMa

HAS

Ni Dha PaMa

KRI

SHNA

KRI

SHNA

RE HA RES

RA MA

Dha

Pa ~ h a ~ ~ h i ~

KRI SHNAS HA

HA RESSSS

SHNA

Dha PaDhaMaPa KRI

SHNASSS

&l1DhaPaDhaPaMa

HAS

Dha

KRI

SHNA

KRI

SHNA

RAS MASSS

KRI SHNA

PAS MASSS

Dha PaDhaPaMs RESSS

. C '

RA MA

Dha PaMa

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TRADITIONAL KEERTAN TAL (RHYTHM) . EK TAL with 12 Beats HOLD (PAKAR) : Re Ma Ni Ga Dha *

Dha HA

Dha PaMa RE

Dha

Dha DhaSa

Dha PaMa

KRI SHNAS HA

KRI SHNA KRlS SHNA

Dha

KRI SHNAS HA

E &Sate ~ a & ~ hDha& a

Dha PaMa

Dha

RAMA

MAS

SHNA

KRI SHNASS KRI SHNA

KRI

SHNA

HA RESSS

Ni HA

KRI

i a

G a Q R e S a Sa

KRI SHNAS HAS

KRI SHNAS KRI SHNA

* * *

MASS

~ a ~ ' h a ~ aG ia a

RASS

MASS

de&

KRI

SHNA

RES

L &

J a

ReSa

HA RE RA MAS HAS RE RA MAS RA MA RA MA HA RE HA RES NOTE : The last two lines will be sung in fast Rhythm and thereafter the KEERTAN will come to an end.

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : DHANASRI AROH ABROH

: :

S? Sa

Pa Pa Ma VADI = Pa,

Ma Dha

sH Re Sa SAMVADI = Sa

HOLD (PAKAR) &I Sa Q Ma Pa Dha Pa Ni Dha Pa Q Pa Gi! Re Sa m

KRI SHNA

DhaPa Ma

~aga

Dha PaMa MaQ KRI SHNAS HAS

& DhaPa Ma

~aia&

Dha PaMa MaQ

RAS

MAS

HAS

KRI

SHNA

KRI SHNA

HAS

KRlS SHNA KRlS SHNA

RAS H

MA H

Dha

KRI SHNA

Dha

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL

Raga . MANOHAR

ABROH

Dha

HOLD (PAKAR) Dha Mla Ga & GB & Sa Mla Dha

MlaDLd

KRI

SHNA

Mla Dha

Mla

Ni Dha Pa Ga Mla Ga

Dha

KRI

SHNA

D b

& &

Mla

Dha

GaMla

KRI SHNA

KRI SHNA HAS

Mla

Dha

Pa GaMla

HAS

M'la

KRI

SHNA

KRI SHNA

KRI

SHNA

RAS

KRI SHNA

NOTATION - TUNE

'S' means to continue.the notation in one or more steps of the Rhythm (TAL). Raga ; RAGSRI TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH ABROH

: :

Sa Ni

Mla Dha

Pa Ni S; Pa Mla Ga VADI = Re,

HOLD (PAKAR) Sa Re Re Sa Pa Mla G a ' k Ga & &l

G a MlaDha Pa

Mla

SHNA

KRI

SHNA KRlS SHNA

~ " i 'DhaNi Dha

Mla

Ga MlaDha Pa

Mla

RES

RAS

RES

KRI

SHNA

KRI

SHNA

KRI

SHNA

Mla

Dha

Mla

NI&

KRlS SHNA

HA'

Sa Mla

RAS

KRI

SHNA

MlaPa

Sa SAMVADI = Pa

DhaNi Dha

RES

KRI

+fa

~ i &

RAS

Ni MA

DhaNi Dha

RES

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : PURVl AROH ABROH

: :

Ni Sa

TAL (RHYTHM) : TEEN TAL OR KAHARAVA Sa Ni

Ga Mla Pa Dha Pa Mla Ga VADI = Ga,

s'a Dha Ni Ma Ga h Sa SAMVADl = Ni

HOLD (PAKAR) Ni Sa h Ga Mla Pa Mla Ga Ma Ga & Sa

RAS MASS HAS

KRI

HA RES

KRI SHNAS HAS RESS KRlS SHNASS KRI SHNA KRlS SHNASS HAS

RAS

KRlS SHNASSS HA

RAS

RESS RAS MASS

KRlS SHNA

RESS RAS MASS

KRI SHNq

SHNA

RAS MASS HAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Kaga : MALSRI

AROH ABROH

: :

Ni &i Sa SAMVADI = Sa

Sa Ni

Ga Pa

Pa Mla Mla Ga

Mla

KRI

SHNA

KRI

SHNA

Ga Pa Pa Ga VADI = Pa,

HOLD (PAKAR)

PaMlaGa SaGa HAS RE

KRlS SHNA

KRI SHNA

Mla

GaPa <a

NiPa

PaMla

GaPa

GaPa MlaGa SaGa

HAS RE

HAS

RAS

HAS

&da

~ i i a

<a&

KRlS SHNA KRlS SHNA KRlS SHNA HAS

PaMla Ga

MIaGaSa GaPa HAS

RE KRlS SHNA

NiPa

HAS

RAS

RES

HAS

~iM'la d a

sHda

HAS

GaPa

GaPa MlaGa SaGa

RAS

HAS

RES

HAS

- NOTATION - TUNE 'S' means to continue the notatioh in one or more steps of the Rhythm (TAL). Raga : MALAVI TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH : Sa GaMla Dha S-a : ~g Ni Pa Mla Ga Sa ABROH VADI = Re, SAMVADI = Pa HOLD (PAKAR) Ni Pa Ga Mla Ga & Sa Sa Ga Mla Dha Ez Sa Ni Pa Mla Ga Mla Ga & Sa. Mla Dhil

PaMa

KRI SHNA

HA RES

KRlS SHNA

GaPa

KRlS SHNA

KRI SHNA KRlS SHNA HAS

KRI

KRI SHNA

SHNA

Ga PaMla Ga

s'a

S;\

Ni PaMh Ga

RAS

KRI SHNA HAS

PaMa Ga RAS

GaPa

HAS

Sa HA

NOTATION - TUNE

'S' means to cotithue the &ation in one or more steps of the Rhythm (TAL). I -Y TAL (RHYTHM) : TEEN TAL OR KAHARAVA Raga : SRITAIWQ;& -

AROH ABROH

: :

Sa Ni

Ga Mla Dha Pa ,'

Pa Dha Mla Ga

S'a Sa

...

HOLD (PAKAR) Re Re Ga Pa Dha Dha Pa Ga Pa Ga -

Pa Ni

Ni Dha Pa Dha Ni Dha Pa Ni

Dha Pa Mla Ga Re Ga Pa Ga Br; & Sa GaPa G a k

Mla

KRI

SHNA

RES KRlS SHNA

Nib

D h

Dha

RAS

KRI

SHNA

RAS

GaPa Dha

Mla

KRI

SHNA KRlS SHNA

kGa

Pa MlaDha Mla

RAS

KRI

SHNA

KRI

SHNA

KRI

SHNA

RAS

(56)

- NOTATION - TUNE -

'S' means to continue the notation in one or more steps of the Rhythmi(TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : HANSNARAYANI,

AROH ABROH

: :

S:d

& Ni

Ga Pa

Mla Mla

Pa Ga

s'a Mla

HOLD (PAKAR) Ga Mla Pa Mla G a Ee Ga Mla PaMla Ga Es; Sa Ni Re Ni Pa Mla Ga Ni Ni *

Ga &g Sa

Mla

KRI SHNA HAS

s'a

!&t

RAS

KRlS SHNA

HA RES KRlS SHNA {a

~ i &

RAS

KRI SHNA

PaMla Ga MA

PaMla Ga RAS

KRI SHNA

KRI SHNA HAS

Mla

PaNi

Pa GaMla Ga

RAS

KRI SHNA

HAS

Mla

PaNi

Pa GaMla Ga

RAS

HAS

-------t(57)

Sa HA

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : YAMAN AROH ABROH

: :

Sa <a

Re Ni

Ga Mla Pa Dha Dha Pa Mla Ga VADI = Ga,

Ni &i Re Sa SAMVADI = Ni

HOLD (PAKAR) Ni Re Ga Re Sa Pa Mla Ga Re Sa W

Dha

KRI SHNA

Dha

M'a

Mia

Mla

KRI

SHNA

KR!

SHNA

Mla

Dha

KRI

SHNA

KRI

SHNA

KRI

RTe

s'a

KRI SHNA

s'a

S'a

!&A

s'a

SHNA KRlS SHNA

a's

Dha

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : YAMAN KALYAN : Sa Re AROH : & Ni ABROH

TAL (RHYTHM) : T E E N TAL OR KAHARAVA

Ga Mla Dha Pa

Pa Mla

Dha Ga

!&i

HOLD (PAKAR) Ni Re Ga Re Sa PaMla GaMla GaRe GaRe NiRe Ga Re Sa * * *

S:d

&i ~O

KRI SHNASS HA

RESS KRlSS SHNA KRI SHNA KRIS SHNA

Dha

KRI

SHNA

KRI

SHNA

KRI

s'a

Ni DhaNiSaNi Dha Pa

a ~ i ~ h a DNiSaReSaNiDRa ha Pa

Mla

PaNi

Dha

MlaPa GaMla GaRe

RES

HAS

RES

~ * a d a de

SHNA KRIS SHNA

NiDha Dha RES

RESSS

~i&i

RES

HA RE

- NOTATION - TUNE Raga : ,HEMKALAN

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

VADI = Sa,

SAMVADI = Pa

HOLD (PAKAR) Pa Dha Pa Sa Sa Ma Ga Pa DhaPa Ga Ma Re Sa *

KRI

SHNA

KRI

SHNA

KRI

SHNA

KRI SHNA

KRI

SHNA

KRI

SHNA

KRI SHNA

i a

Dha

MA'

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM): TEEN TAL O R KAHARAVA Raga : PURVAKALYAN VADI = h,

SAMVADI = Dha

HOLD (PAKAR)

G a Mla Pa Dha Ni Dha Pa

Dha !fa

Bha

KRI SHNA

Ni*

$a HA

KRlS SHNA

Mla Pa Dha Mla Ga Bs; Sa Pa

Mla

Dha

KRI

Mla

KRI SHNA KRI SHNA KRI SHNA

Dha

Mla

&Ga MlaPa Mla

SHNA KRI SHNA KRI SHNA Pa

Mla

Dha

fie.

Rha PaMh Ga

RAS

Mla

RAS MAS

Sa HA

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : BHUPALI AROH ABROH

: :

Sa Re ~ * a Dha

Ga Pa

Pa Dha S; Ga Re Sa VADI = Ga,

SAMVADI = Dha

HOLD (PAKAR) Ga R e Sa Dha Sa R e Ga Pa Ga Dha Pa Ga R e Sa

KRI

SHNA

KRI

SHNA

KRI

SHNA

KRI

SHNA

S:d

Dha

~ h a k&

Dha

KRI

SHNA

KRI

SHNA

KRI

SHNA

HAS

ha& &

Dha

ReGa

RAS

KRlS SHNA

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : PURlA AROH : ABROH :

& Ni

Sa Ga Mla Dha Dha Mla Ga V4D1= Ga,

HOLD (PAKAR) Ga Ni Sa Ni Dha Ni Mla Dha

Mla

KRI SHNA

Mla

Dha

Mla

. . .

KRlS SHNAS HA

~ i &

$ Nik

Ni DhaMla Ga

RAS

HAS

Ni & & Sa SAMVADI = Ni

KRlS SHNA

RAS

KRI SHNA

HAS

Mla

KRI SHNA

Mla

MlaNi Dha

RAS

KRI SHNA MlaNi Dha

RAS

Dha

Mla

Dha N i k a

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : KEDAR TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH ABROH

: :

Sa Ma ~ * a Ni

Ma Dha

Pa Dha Pa Pa Mla Pa VADI = Ma,

Ni Dha & Dha Pa Ma Re SAMVADI = Sa

HOLD (PAKAR) Sa Ma Ma Pa Dha Pa Ma Ma Re Sa Sa

KRI

SHNA

KRI

SHNA

KRI

SHNA

KRI

SHNA

Dha

Mla

Pa DhaPa Mla

RAS

KRI

SHNA

KRI

SHNA

KRI

SHNA

RES

Mla Re DhaPa

RAS

KRI SHNA

Ga i a

Dha

Dha PaMla

Mla

RAS

DhaPa Ma RAS

- NOTATION - TUNE Raga : JALDHAR KEDAR AROH : Sa Ma ABROH : $a Dha

Re Pa

TAL (RHYTHM) : TEEN TAL OR KAHARAVA Ma Pa Dha S: Sa Mla Pa Ma Re VADI = M a , SAMVADl = Sa

HOLD (PAKAR) S: Dha Pa Mla Pa Ma Re Ma Re Sa Sa

Dha

Mla

KRI SHNA

Dha

Mla

Ma Ma

Dha

KRI SHNA

Ma Ma

RA.

Dha

KRI SHNA

KRI

SHNA

KRI

SHNA

Dha

IVia

Dha

KRI

SHNA

KRI

SHNA

KRI

SHNA

Mia

Dha

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : MARWA AROH : Sa Re ABROH : &i Ni

TAL (RHYTHM) : TEEN TAL OR KAHARAVA Ga blla Dha Ni Dha <a Dha Mla Ga Sa VADI = &, SAMVADI = Dha

HOLD (PAKAR) Dha Mla Ga Re Ga Mla

Mla

KRI SHNA

Mla

Dha

Mla

Sa &Mla

KRI SHNA HAS

Ga MlaNi Dha

Mla

Dha

KRI SHNA

RAS

Mla

Dha

S'a

IGa

KRI SHNA

Dha

Mla

Dha

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : CHHAYA : Sa AROH : sea ABROH

Ma Pa S; Pa Ga Ma VADI = Re,

Re Ni

Ga Dha

GaMa

Dha

KRI

SHNA

KRI

SHNA

KRI

Dha

KRI SHNA HAS

Re Sa SAMVADI = Pa

GaMa

SHNA HAS

Sa Dha NiRe

Ga MaDha Pa

Sa NiDha

GaMa

RAS

HAS

Dha

h;a

s'a

KRI

KRlS SHNA

KRI

SHNA

KRI

Dha

NiDha

Ga MaDha Pa

RAS

SHNA

!& &

~ i d e

RAS

& i

RAS

SHNA

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : KHAMAJ AROH : Sa ABKOH : S:d

TAL (RHYTHM) : TEEN TAL O R KAHARAVA Ga

Pa Pa

Dha Ma

Ni Ga

& &

& DhaPa GaMa PaDha GaMa Ga

Ga GaMa

KRI SHNAS HAS

KRI SHNA KRlS SHNA HAS

s'a

M DhaPa GaMa PaDha GaMa Pa

MAS

HAS

RES

RAS

S'a

d a GaMa GaRe ReGa ReSa

KRI

SHNA

KRI SHNA

NiDha GaMa PaDha GaMa

Dha

HOLD (PAKAR) Ga Ma Pa Dha Ni S; Ni {a

MAS

HAS

RES KRlS SHNA

RES

RAS

GaMa PaDha GaMa

RES

HAS

GaMa PaDha GaMa

HAS

RES

HAS

RE Ga

.. .. .. ..

KRI SHNA KRI SHNA HAS

NiDha

RAS

RES

HAS

GaMa PaDha GaMa

HAS

RES

HAS

RES Ga

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL).

: TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : NARAYANI, AROH ABROH

: :

Ma Dha

Pa Dha S; Pa Ma Re VADI = Re,

Sa SAMVADI = Pa

HOLD (PAKAR) Sa Dha Ma Pa & Dha Ma Pa Ma Sa Re Ma Re Dha Sa 0

Ma Pa Dha i a i e d e i a Ma Re

!& Sa

Dha Pa Ma Re Sa Dha Sa

Dha

KRI SHNA

Dha

KRI

SHNA

KRI

SHNA

Dha

Ma Ma

Dha

KRI

SHNA

KRI

SHNA

Dha

! & i

,Pa

Dha

Dha MaRe

D a!

HAS

Dha

h;af;e

Dha

KRI

SHNA

KRI

Dha MaRe

Dha

KR( SHNA

SHNA HAS HAS

(69,

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga :JXJRGA, AROH : Sa ABROH :

Ma Dha Ni S; Dha Ma Ga Sa VADI = Ga,

HOLD (PAKAR) Sa K Dha Sa MaGa Ma Dha G; IVia G; S@a<a

SAMVADI = Ni and

Dha Ma Ga Ma Dha Ni S;

Dha Ma Ga Dha Ma Ga Ma Sa Dha

Dha

HAS

h;a

iada

SHNA

HAS

Dha

&Sa D. h a*N &Sa *

Dha

KRlS SHNAS HAS

KRI

SHNA

KRI

SHNA

KRI

SHNA

&Sa DhaNi NiSa

Dha

RAS

MAS

HAS

Ma Ma

Dha

KRI

SHNA

KRI

SHNA

KRI

SHNA

KRI

S:d

Dha

& i

RAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA Raga : TlLlK KAMOD, AROH : Sa Re Ga Sa ReMa Pa Dha Ma Fa & ABROH

~ * a Pa

Dha

Ma Ga SaReGa Sa Ni VADl= Re, SAMVADI = Pa

HOLD (PAKAR) Pa Ni Sa ReGa Sa RePa Ma Ga Sa Ni Re

ReMa GaRe SaNi

< a ~ a Dha

SaNi

KRI SHNAS HA

RES

KRI SHNA HAS

Dha

HAS

RES

RAS

KRI SHNA HAS

KRI SHNA KRI

SHNA

DhaPa Dha

RES KRlS SHNA KRI SHNA

ReMa GaRe SaNi

& ~ a Dha

SaNi

MAS

RES

RESS SaNi

DhaPa

aka

MAS

RAS

MAS

KRI SHNA HAS

RES

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : HINDOL, TAL (RHYTHM) : TEEN TAL OR KAhARAVA AROH ABROH

: :

Sa $a

Ga Ni

Mla Dha Ni Dha Dha Mla Ga Sa VADl = Dha,

SAMVADl = Ga

HOLD (PAKAR) Sa da Mla Dha Ni Dha Mla Ga Sa

&I !&

Dha

KRI SHNA

S:d &I

Dha

Mla

MlaGa

Mla

Dha

KRI SHNA

KRI SHNA KRI SHNA

Dha

Mla

Dha

!& &

Dha

Mla

KRI SHNA KRI SHNA KRI SHNA

Dha

Mla

& &

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : MlSRA KHAMAJ,

SAMVADI = Ni,

VADI = Ga,

HOLD (PAKAR) Re Ga Dha Ma Ni

, I

GaMaPa

Dha GaMa PaDha GaMa Ga

HASS

GaMaPa

HASS

GaMaPa

HAS RE

KRI SHNA

KRI SHNA HAS

RES KRlS SHNA

Sa GaMa

KRI SHNA KRlS SHNA HAS

HAS

RES

RAS

KRI SHNA KRI SHNA

da &

RES

HAS RE

GaMa Re GaMa PaDha GaMa Ga

Dha GaMa PaDha GaMa Ga RAS

Re GaMa PaDha GaMa Ga

HAS

~i:a

KRI SHNA HAS

RES

HAS RE

Dha HA

~ i i a de UDha MaGa

HAS

RES

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : NATA, AROH ABROH

: :

TAL (RHYTHM) : TEEN TAL OR KAHARAVA Ga Ma Pa ~ i a Sa Dha Pa Ma Ga Ma Re Sa SAMVADI = Sa VADI = Ma,

HOLD (PAKAR) Sa Ga Ga Ma Pa Ma Ga Ga Ma Pa ga Dha

Ma Ga Re Ga Ma Pa Sa Re Sa Sa

KRI

SHNA

KRI

SHNA

KRI

SHNA

G;M~

Dha

GaMa PaSa D h a a Pa

ReGa MaPa GaMa ReSa

SHNA KRlS SHNAS KRlS SHNA HAS

GaMa ~ a i aD h a h Pa RAS

RES

HAS

RES

ReGa MaPa GaMa ReSa

MAS

RAS

HAS

RES

HAS

RES

KRI SHNA

KRI

SHNA

RAS

'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : HAMIR, AROH ABROH

: :

Sa {a

TAL (RHYTHM) : TEEN TAL OR KAHARAVA ReSa GaMa Dha Ni Dha <a Ni Dha Pa Mla Pa Dha Ga Ma ReSa VADP= Dha, SAMVADI = Ga

HOLD (PAKAR) Ga Ma Dha GaMla Ni Dha Ni ~ * a Sa

Dha

s'a

& ~ i Dha

HAS

i a

KRI

SHNA

KRI

SHNA

Mla

Dha

Dha GaMa

Mla

Dha

Dha GaMa

KRI SHNA

KRI

SHNA

KRI

SHNA KRlS SHNA

Dha

h;a

Dha

KRI

SHNA

RES

Sa NiDha

Mla

HA RES

~ i ~ h a ~ h a& Rk KRlS SHNA

RAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). Raga : DESHKAR (NIGHT), TAL (RHYTHM) : TEEN TAL OR KAHARAVA : Sa AROH Re Ga Pa Dha S; ABROH : S; Dha Pa GaPa Dha Pa Ga Re Sa VADI = Dha, SAMVADI = Ga HOLD (PAKAR) DhaPaGaPa Ga Re Sa Dha

Dha

KRI

SHNA

Dha Sa

Dha

KRI

SHNA

Dha

KRI SHNA

KRI

SHNA

KRI

SHNA

Dha

KRI

SHNA

KRI

SHNA

KRI

SHNA

Dha

SaRe

HAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : DESH, TAL (RHYTHM) : TEEN TAL OR KAHARAVA^* AROH ABROH

: :

Ma Dha

Pa Ni S; Pa Ma Ga VADI = Pa,

Re Ga Sa SAMVADI = Re i

KRI SHNA

KRI

SHNA

KRI

SHNA

Dha

~ i & ~ h a Pa ~a

Dha

GaRe

Dha

Ga ' ~ a ~ R;G~ a ~ e ReSa

RA MASSS HA

Re Ga Sa ReGaMaGaReSa Sa b D h a P a

KRI

RESS KRlS SHNA

KRI

SHNA

Dha

Sa Sa&DhaPa Pa

Dha

GaRe

Dha

Ga M a G a R e R e a ReSa

RA MASSS HA

MAS

SHNA

HA RESSSSSSS

* . . m m . Sa ReGaMaGaRe

KRI SHNA HA RESSSSS H A R E

RESS HAS

. . ... .. ..

KRI SHNA HA

RESSSSS

RI%

HA RESS

RESS HAS

RES

- NOTATION - TUNE 'S' means to continue the notation in one or mdre steps of the Rhythm (TAL). Raga : MlSRA DESH, TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH ABROH

: :

Sa S>

Re Ni

Ma Dha

Pa Ni S; Pa Ma Ga VADI = Pa,

Sa SAMVADI = Re

HOLD (PAKAR) Ma Ga Re Ga Sa Re Ma Pa Ni <a

S'a

&Dha

KRI SHNA KRlS SHNA KRlS SHNA

KRI SHNA

Sa KDhaPa PaDhaDha MaGa

Dha

KRI SHNA

de &Dha

RAS

MASS HAS

&iS%e

Dha

Ga ReMaGaRe

HA RESSS

RESS HAS

RAS

KRI SHNA

Dha

Dha MaGa

Dha

RAS

KRI SHNA KRI SHNAS HA

:,L;

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Raga : SORAT, AROH ABROH

: :

Ma Dha

Pa Ni S; Pa Ma Re VADI = Pa,

Ga Ga SAMVADI = Sa

HOLD (PAKAR) Dha Pa Dha Ma Re Ga Ni Sa Re Ma Pa

s'a

KRI SHNA KRI SHNA KRI SHNA

Dha MaPa

Dha

RAS

SaRe

KRI SHNA

KRI SHNA KRI SHNA KRI SHNA HAS

Ma Re

KRI SHNA

UDha

RAS

Dha

NiDha

Dha MaPa

Dha

RAS

- NOTATION - TUNE 'S' meaqs to continue the notation h o n e or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

RAGA : ,BIHAG, AROH ABROH

: :

Pa Ni S; Pa Mla GaMa Ga Re Sa VADI = Ga, SAMVADI = Ni

Sa sea

Ga Ni

MlaPaMlaGaGaMa Ga

Ma Dha

HOLD (PAKAR)

Sa\

~ a i a

NiDha

KRI SHNA

Mla PaMlaGa GaMa

~aia

NiDha

Mla PaMlaGa GaMla GaSa

RAS

KRI SHNA

& MaGaSa

RESS KRlS SHNA KRlS SHNA KRlS SHNA

RESS RAS

RESS

KRI SHNA

Mla PaMlaGaGaMlaGaSa

KRI SHNA KRlS SHNAS HA

RESS HAS

RES

RESS HAS

RES

HAS

NiDha PaMla Mla PaMlaGaGaMa GaSa

RAS

MAS

RESS HAS

RES

- NOTATION - TUNE *

'S' means to continue the notation in one or more steps of the Rhythm (TAL). Ma Dha

Pa Pa

Dha 1Ga

S; Re

sa'

Dha

ss.

KRlS SHNA

KRI SHNA KHI SHNA

KRI SHNA

Ma Ma

ReGa

Dha

DhaPa

RAS

HAS

Ma Fa

Dha

KRI SHNA

KRI SHNA, KRI SHNA

4ROH

Sa :

Ma Ma

ReGa

" I,'

TAL (RHYTHM) : TEEN TAL OR KAHARAVA'

RAGA : DARSHI,

ABROH

i a i d e m N i N i

Dha

KRI SHNA

DhaPa HAS

Dha

~aia

DhaPa

RAS

HAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA RAGA : CHAMPAK, AROH ABROH

Ma Dha

Pa H s Pa Sa Ga VADI = Ma,

: :

Sa S;

Dha

KRI SHNA

Re G a Sa SAMVADI = Sa

KRI SHNAS KRI SHNA

Dha

Ma DhaPa Ma

MAS

Dha

Ma DhaPa Ma

Dha

RA 8

Dha

KRI SHNA

Dha

Ma DhaPa Ma

& &I HA

de RA

Dha MA

MAS

KRI SHNA

Ga MA

% ,

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). '2. RAGA : MlSRA GARA, AROH : Sa Re ABROH : S;

.Ga Dha

TAL (RHYTHM) : TEEN TAL OR KAHARAVA :$:l. Ma Pa Dha Ni & Pa Ma Q Re Sa ;;if/', SAMVADI = Ni, & VADl = Ga, Q, ,

HOLD (PAKAR) Dha Ni Sa Re Ga Ma Ga Sa

Re XDha

Re S D h a

RAS

Dha

KRI SHNA

Re &Dhq

Dha

MA Ma

ReGa

KRI SHNA KRlS SHNA

KRI SHNAS HAS

Dha

ReGa

RAS

MAS

HAS

Dha

SaSa

KRI SHNA

RES

Dha

MaGa

ReGa

MaGa ReQ

SaSa

RAS

RES

KRI SHNA

4 [

MaGa R e h

KRlS SHNA

RAS

MaGa Re@

KRI SHNA

MAS

HAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : TILANG, AROH : Sa ABROH : S;

HOLD (PAKAR) Sa Ga Ma Pa

TAL (R,HYTHM) : TEEN TAL OR KAHARAVA

Ma Pa

Pa Ni H s Ma Ga Sa VADI = Ga,

SAMVADI = Ni

a Pa Ga Ma Ga

MaPa

KRlS SHNA

S'a

KRI

SHNA

MaPa

SHNA

HAS

MaPa

KRI

SHNA

HAS

KRI

SHNA

KRI

SHNA

KRI

SHNA

KRI

SHNA

RE.

S'a

MaPa

HAS

KRI

- NOTATION - TUNE 'S' means to continue the notation in one pr more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

RAGA : JAIJAWANTI, AROH

ABROH

Sa ReRe Re S; Dha

: :

HOLD (PAKAR) Re Re Sa

Q ReSa

Pa Dha a VADI = Re,

Dha P3 Re Ga ie Re Sa SAMVADI = Pa

Dha Pa Re *

SaReS

Dha

DhaRe Re

HAS RE

KRI SHNA HAS

SaReu

Dha

HAS RE

HAS

KRI SHNA

DhaRe Re

KRI SHNA KRI

SHNA KRI

SHNA

GaRe Re!&

RES

HAS

ReSa

RES

HAS

RES

S'a

* *

S@a

GaRe Re@ ReSa

KRI SHNA KRI SHNA

KRI

SHNA

RES

HAS

RES

GaRe Re&

ReSa

s i d e {a

&Dha

PaDha

MaGa

HAS RE

RAS

HAS

RAS

GaRe ~ e & ReSa

RES

HAS

RES

(85,

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : BAHAR, TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH ABROH

: :

Sa S& :

Ma Ma Pa h M a D h a N & Dha N P a MaPaQMa Re Sa VADI = Ma, SAMVADI = Re

HOLD (PAKAR) Dha M R e S a b Pa HA RE KRlSS SHNA Dha U ie$a& Pa HA RE RASS MA

Ma HA Ma HA

s'a HA fa HA

RE $a RE

de de KRI SHNA F& <e RA MA

h;la HA $a HA

Sa HA Sa HA

Sa RE Sa RE

Ma Ma KRI SHNA Ma Ma RA MA

Ma HA Ma HA

Ma MaPaDhaMaPa Q RE KRISSSS SHNA MaMaPaDhaMaPaa RE RASSSS MA

Ma MaPaDhaMaPa RE KRISSSS SHNA Ma MaPaDhaMaPa Gi! RE RASSSS MA RE

de KRI ie RA

s'a SHNA S'a MA

Ni MA Ni HA

ia RE S: RE

Dha SHNA Dha MA

Ni HA Ni HA

{a RE RE

Ni HA Ni HA

Dha SHNA Dha MA

Ni HA Ni HA

SHNA

KRI

U KRI

Dha SHNA Dha MA

KRI

SHNA MA

KRI RA

Q & KRI SHNA Q RA MA

KRI

U RA

S'a

& RE !&I

Ni g a ~ h a HA RES Ni *~aDha HA RES

{a RE S'a

RE Ni HA Ni HA

S'a RE S'a RE

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA RAGA : KAFI, AROH ABROH

: :

Sa S;

Ma Pa Dha Dha Pa Ma Q VA D1 = Re,

Ni Re Sa SAMVADI = P a

H O L D (PAKAR) S a S a Re Re Q Q Ma M a Pa <d

S:d

Dha KRI SHNA

$:II

KRI SHNA

Dha

HAS

Dha

KRI SHNA

KRI

SHNA

Dha

M PaDha {a

HAS

S'a

Dha

KRI SHNA HAS

Dha

S'a

hria

GpRe

KRI SHNA

KRlS SHNA

& $

Dha

~ a i a

RAS

PaDha

KRI SHNA

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : ARANA, AROH : Sa ABROH : S;

TAL (RHYTHM) : TEEN TAL OR KAHARAVA Re &Pa

Ma Ma

Pa Dha Ni Pa Ma VADI = S;,

s'a Re Sa SAMVADI = Pa

HOLD (PAKAR)

KRlS SHNA

KRI

SHNA

KRI

SHNA

KRI

SHNA

RAS

Dha&

& & &

hia

KRI

SHNA

s'a

kie

RAS

KRlS SHNA

KRI

SHNA

KRI

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : MEGHA, : Sa AROH : S; ABROH

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Re Ma Pa M X P a MaPa QiMa ReSa VADI = Sa,

SAMVADI = Ma

HOLD (PAKAR) NiSa RePa &Ma Re Sa Ma Pa Ni S; &Pa MaPa @lvla

ReSa

KRI SHNA

KRI

SHNA

KRI

KRI SHNA

SHNA

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : BAGISWARI, AROH ABROH

: :

TAL (RHYTHM) : TEEN TAL OR KAHARAVA Sa Dha Ni Sa Ma Ma Dha ~a S; X 6 h a M;& Re Sa VADI = Ma, SAMVADI = Re

HOLD (PAKAR)

& &I

KRI SHNA

RES KRlS SHNAS KRI SHNASS KRlSS SHNA

Dha

Ma Ma

Dha

KRI SHNA

S D h a P a N DhaMa Ma PaDhaMa DhaSaNi Dha

Ma P a D h a M a ~ h a i a ~ ~ h Ma a

Dha

Ga&

KRI SHNA

RES

MASS RASS

KRI SHNA

U D h a P?& DhaMa Ma PaDhaMa ~ h a i a b ~ h aMa

RES

MAS

MASS RASS

- NOTATION - TUNE RAGA : RAGESWARI, AROH : Sa Ga ABROH : S; HOLD (PAKAR) NiSa r\JiDha SaGa MaDha .

TAL (RHYTHM) : TEEN TAL OR KAHARAVA Ma Dha Ni <a Dha Pa Ma Ga VADI = Ga,

Re Sa SAMVADI = Ni, &

Dha

Nia

lyi

Dha

KRI SHNA

DFa

Dha

S'a

KRI

SHNA

KRI

SHNA

KRI

SHNA

Dha

KRI SHNA

KRI

SHNA

Dha

KRI

SHNA

Dha

' 0

Ga Ma

Dha

KRI SHNA

Dha

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : MALHAR (SURDASI), TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH ABROH

Sa S;

HOLD (PAKAR) Sa Re Ma R e Re Ma Pa

Ma Dha

Pa Ni S: Pa Ma Re VADI = Ma,

U Pa Re Ma Pa

Ma Re Sa Sa

KRI SHNA KRI SHNA

KRI SHNA KRI SHNA KRI SHNA

Dha

PaU

RAS

KRI SHNA

KRI

E Dha Pa Re

Dha

Pa Ma Re Pa Ma Pa

Sa SAMVADI = Sa

SHNA

Ma Pa Ni Dha Pa Ma R e

Pa Ma Re Sa Ma Pa Ni i a i e h a Re Sa Ni i a Ma

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

RAGA : MlYA MALHAR, AROH : Ni Sa ABROH : S;

Re Pa

Ma Pa Ma Pa Q VADl = Ma.

Dha Ni &I Ma Re Sa SAMVADl = Sa

Dha

Ma Pa

KRI SHNA

Dha

KRI SHNA KRI SHNA KRI SHNA

Dha

KRI SHNA

KRI SHNA KRI SHNA

Dha

- NOTATION - TUNE TAL (RHYTHM) : TEEN TAL OR K A H A R A V A

RAGA : H I N D O L B A H A R ,

AROH ABROH

: :

Mla

Dha

Sa Ga Mla Dha NiDha &Pa QMa Re

KRI SHNA

S; Sa

Dha

Mla

Dha

S@a

KRI SHNA KRI SHNA KRI SHNA

- NOTATION - TUNE RAGA : ARANA BAHAR, AROH : Sa Re ABROH : S;

KRI SHNA

TAL (RHYTHM) : TEEN TAL OR KAHARAVA l

Ma Pa

Pa Ma

KRI SHNA

S!a

Ni Ga

S; Re

KRI SHNA

M a Pa

KRI

SHNA

KRI

SHNA

KRI

SHNA

KRI

d a da

& i. N i

SHNA

s'a

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : MALGUNJI, AROH ABROH

: :

HOLD (PAKAR) Sa Ni Dha K 0

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Pa Dha Ni Pa Ga M R VADI = Ma,

Ma Dha

Sa Ga Ma Pa GaMa

SB Re Re Sa SAMVADI = Sa

Ga Ma Dha Ni Dha Pa

Ma Pa Ga Ma

Ma Dha Ni S\ Sa Ga Ma Pa

Sa Ni Sa Re Sa Ga Ma

K Dha

Ma Ga

Re Sa

. KRI

. Ni. . Sa

Sa Sa Sa SHNA KRI SHNA KRI SHNA Ma Pa Ga Ma ReQ Re RA MA RA MA RAS MA

KRI

SHNA

KRI

SHNA

KRI

SHNA

RES

HAS

RES

Dha

KRI

SHNA

RE'

Ma Ma

Dha

KRI

SHNA

Dha Dha

Dha

Dha Pa Ma Dha

Dha

. . . Ma. Pa. .

GaRe Re!&

* .

ReSa

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN T A L OR KAHARAVA

RAGA : DARBARI KANRA, AROH ABROH

: :

Ni Sa

T;-

HOLD (PAKAR) Re Sa Re Dha

Sa Dha

Q Re Sa Pa Ma Pa VADI = Re.

Pa Dha Ni Ma Re Sa SAMVADI = Pa

Ma &t

Q Ma Re Sa l

MahReSakDha m

HA RESSS KRI

SHNA

KRI

MaaReSaXDha

HARESSS RA

KRI

SHNA

Ma Pa

ILhg

llha

GaGa

SHNA KRlS SHNA

SHNA

KRI

ReSa

RES

ReSa

RES

Dha

KRI SHNA

G RAS

SHNA

KRI

SHNA

ReSa RES

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). \

RAGA : BASANT BAHAR,

KRI

SHNA

Sa Dha

SHNA

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

KRI

SHNA

Ma MA

KRI

SHNA

QMa

k4.i

Dha

MAS

Dha

KRI

SHNA

KRI

SHNA

KRI

SHNA

KRI

SHNA

.MA

RAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : DEEPAK, TAL (RHYTHM) : TEEN TAL O R KAHARAVA AROI-I ABROH

: :

Ga Ni

Mla Dha

Pa Dha S'a Pa Mla Ga VAPI = Sa,

Sa SAMVADI = Pa

HOLD (PAKAR) Sa Pa Ga Pa Ga & Sa Sa Ga Pa Mla Dha Pa Ga Mla Dha Pa Ni S; & s'a S\ d a M I d~a !& & Pa Ga Pa Ga Sa

GaPa

KRI SHNA HAS

KRI SHNA KRI SHNA KRlS SHNA

S'a

GaPa

HAS

Ga M l a U Pa

S.a

&i ~

KRlS SHNA

Ni&

Mla

RAS

Ga MlaDha Pa

RAS

i & s'a

MG da dp, &

KRlS SHNA KRI SHNA RA

KRI SHNA

GaPa

HAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : BASANT, AROH : Sa : & ABROH

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Ga Ni

Ma Dha Re Sa Dha Mla Ga Mla VADI = Sa,

Mla

Dha

URI SHNA

RAS

Ga Mla Dha Mla SAMVADI = Mla

HOLD (PAKAR) Sa Ga Mla Dha S; Ni Dha Pa Mla Ga Mla Ga Re Sa Mla Ga

Ma MlaMa Ga

Mla

KRI

SHNA

KRlS SHNA

KRI

SHNA

RAS

Mla Mla

Dha

Ma MaMla Ma

KRI

SHNA

KRI

SHNA

KRI

SHNA KRlS SHNA

{ a

Ni DhaMla Ma

Ma MaMla Ma

RAS

Dha

MA *

RAS

(100)

NOTATION TUNE

'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : OAURI, TAL (RHYTIJM) : TEEN TAL OR KAHARAVA Pa Dha Ni s'a AROH : Sa ABROH

Dha

Pa Mla Ga VADI = Be,

& Sa SAMVADI = Pa

HOLD (PAMR) Sa Ni Dha Ni BpcGa k M l a Ga & Sa Re Ni Sa Sa Sa Pa Pa Dha Dha Pa Pa *

Mla

Pa DhaPaMlaGaMlaGa

KRI SHNA

HA RESSSSS

Mla

Pa DhaPaMlaGaMlaGa

HA RESSSSS

Ga Mla PaDha Pa

Mla

KRI SHNA KRI SHNA

Mla

KRlS SHNA

Ga Mla PaDha Pa

RAS

KRI SHNA

KRI SHNA KRI SHNA KRI SHNA

S'a

Dha

Mla

PaDhaPaMlaGaMbGa

HA RESSSSS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : CHITRAGAURI, TAL (RHYTHM) : TEEN TAL OR KAHARAVA

AROH ABROH

: :

Sa S;

Ga Dha

Ma Ga

Dha

PaMa PaDha & i ~ i DhaPa Ma

KRI SHNA

KRI SHNA KRlS SHNAS KRlS SHNAS HA

-RE

Ma Ga

Dha

Ma Pa Dha Pa M a G a VADI = Pa,

Sa SAMVADI = S a

PaMa PaDha & ~ iDhaPa Ma RAS

MAS

RAS

MAS

B$ B$

s'a

KRI SHNA KRI SHNA

Dha

KRI SHNA

Dha

Dha PaMa

Dha

Bp,

RE.

Dha

KRI SHNA

N;&

RAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : SHIVARANJINI, TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH ABROH

HOLD (PAKAR) Pa Dha & d e Dha Pa HA

Sa S;

Re Dha

Ga Pa

Dha Re VADI =

S; Sa

& de $ Dha S'a Dha

a Re

Re DhaSa R e h

KRI

SHNA

Dha Pa

Re D h a S a R e h

KRlS SHNAS KRI

RAS

Dha Sa ~ A M V A D= I Dha Sa Dha Sa Q

SHNA

Sa ReDha Sa

KRI SHNA

Sa ReDha Sa

HAS

MAS

Dha

i e DhaSa Re&

Sa ReDha {a

KRI

SHNA

KRlS SHNAS KRI

SHNA

KRI

SHNA

Dha

Sah

Sa ReDha Sa

RAS

* *

HAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHbRAVA RAGA : JATASHRI, AROH ABROH

: :

Sa S;

Ga Ni

Mla Dha

Pa s'a Pa Mla Ga VADI = Ga,

& Sa SAMVADI = Ni

HOLD (PAKAR)

Sa Ga Pa Mla Ga Mla Ga & Sa yi Sa Ga Mla Pa Dha Pa Ni Dha Pa Mla Ga Mla Ga Ni Dha Pa Mla Ga & Sa Pa Dha Pa &die !& Ni S; d a & S;

KRI SHNA KRI SHNAS KRI SHNAS HA

Dha RA

Mla HA

Ni RE

KRI SHNA KRI SHNA KRI SHNA

KRI SHNA HAS

{a MA

KRlS SHNA RA

Pa MA

MA -

Sa RA

G a M l a D h a Pa MA RAS MA

RAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAMARAVA RAGA : DHAWALWRI, AROH S; : Sa & Ma Dha Ni ABROH : S; Ni Dha Ma & Sa VADl= Ma,

SAMVADI = Sa

HOLD (PAKAR)

Dha

Ma & HA

Dha Ma Ma Dha Ni Dha Ma Re {a

KRI SHNA

KRI SHNA KRI SHNA KRI SHNA

Dha KRI SHNA HA

Dha

S'a &

KRI SHNA KRI

M'a

h;a

SHNA KRI SHNA

S'a HA

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : PARAJ, AROH : Ni ABROH :

TAL (RHYTHM) : TEEN TAL OR KAHARAVA Sa Ni

Ga Mla Dha Ni Dha Pa Mla Pa VADi = Sa,

S; Dha

Pa Ga Mla Ga SAMVADI = Pa

Mla

HAS RE

HOLD (PAKAR) ~g Ni Dha Pa Mla Pa Dha Pa Ga Mla Ga Dba&

Dha

Mla

Dha

KRI

SHNA

KRI

SHNA

KRI

SHNA

MASS

KRI SHNA

KRI

SHNA

;a&

DhaPaMlaCa C a

Mla PaDhaPaMlaGa GaMlaCa

RAS

MASS

Dha

KRI SHNA

RAS

MASS

KRI SHNA HA RAS

MASS

HAS RE

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

RAGA : MALIGAURA,

VP D1 = Pa,

SAMVADI = Sa

HOLD (PAKAR)

KRlS SHNA

Sa N i k Ni& 0

HA RES

HAS

RES

KRI SHNA KRI SHNA KRlS SHNA* HAS

Ga MlaGaMlaGa

Pa M a m Pa

RES

PaMla Ga

RAS

RE KRlS SHNA

HAS

RES

KRlS SHNA KRI SHNA

RAS

HAS

KRI SHNA

S'a

Ni&

i a ~ i Dha PaMla Ga

Mla

Dha

~ l a Ga

RAS

HAS

RAS , MA

Sa HA

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (FAL). RAGA : MAAD, TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH ABROH

: :

Sa Ga sea Dha

Re MaGa Pa Ma Dha Pa Ni Dha Ni Pa Dha Ma Pa Ga Ma Sa VADI = Sa, SAMVADI = Pa

HOLD (PAKAR) Sa Re Ga Sa Re Ma Ma Pa Dha Pa Dha

Dha Dha

S:d

Ni Dha Dha Ni Pa Pa Dha Ma Pa Ga Ma

KRI SHNA

KRI SHNA KRI SHNA

Dha Dha

Dha

Ma Ma

Dha

KRI SHNA

Pa Dha

Dha

RE RE

Dha

KRI SHNA

Dha

KRI SHNA KRI SHNA KRI SHNA

Dha

Dha PaMa

RAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL).. TAL (RHYTHM) : TEEN TAL OR KA,HARAVA, RAGA : SOHANI, AROH

ABKOH

: :

Sa S;

Mla D h a Ni S: S; Ni Dha Ga Mla Dha Mla G i & SAMVhDI = Ga VADI = Dha,

l )

H O L D (PAKAR)

S; Ni Dha Ni Dha Ga Mla Dha Ni {a

S:d

KRI

SHNA

RES

Cia

~ ; q Mla

MIa Ga

Mla

Dha

KRI SHNA

Mla

Ni DhaMla Ga

Mla

KRI SHNA

KRI

SHNA KRlS SHNA

Dha

M'la

s'a

d a

KRI

SHNA

KRI

SHNA

Mla

Ni DhaMla Ga

Mla

s'a

DhaNi Mla

RES

KRI SHNA ., RAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). KACA : HANS RATH,

AROH ABROH

: :

Sa ia

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Ga Ni

Ma Dha S:d ~ i Ma a Ga Sa VADI = Ma,

SAMVADI = Sa

HOLD (PAKAR) MaDha ~ i NiDha ~ h MaGa MaSa m

Dha m

Ni m

KRI

SHNA

KRI SHNA

KRI

SHNA

Dha

KRI SHNA

Dha

Dha NiDha Ma

RAS

Ma Dha

Dha

S:d

KRI

SHNA

KRI

SHNA

KRI

SHNA

Dha NiDha Ma

RAS

KRI SHNA

RAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

RAGA : HANS DHWANI, AROH ABROH

: :

Sa <a

Re Ni

Ga Pa

Pa Ga

s*a

Re Sa VADI = Ga,

HOLD (PAKAR) Sa Re Ga Sa Ga Pa Ga Re Ga Pa Ni

SAMVADI = Ni

RC G;

Ni Pa Ni R k i a ~ iG a Re G a Pa Ni

GaPa

SHNA KRlS SHNA KRlS SHNA HAS

GaPa

HAS

Kt:

SHNA

KRI

SHNA

GaPa

!&Ni

GaPa

RAS

HAS

GaPa

NiSa

GaPa

SaNi

KRlS SHNA HAS

KRI

GaPa

~ i i a Ni

GaPa

i a ~ i Pa

RAS

HAS

) d ~ RAS

RAS

GaPa

C;a

KRI

SHNA

KRI

SHNA

KRI

S'a

GaPa

Niia

RAS

HAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : CHANDRAKOS, AROH ABROH

Sa , S

: :

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Ma Dha Dha

Ma Q Sa VADI = Ma,

HOLD (PAKAR) Ma Dha M S> Ma Ga Sa Ma Q Ma&

Dha

CaCi'a

& X& NiDha

SAMVADI = Sa

MaDha

$a Sa

X Dha Ma Q Ma Q Sa Q Ma

Ni MaDha Nidha Ma Ga MaDha NiDha MaQ

MaQ

S'a

5.d

Dha

& m

Dha

SaMaa

Dha

HAS RE

KRI

SHNA

KRI

SHNA

KRI

SHNA

KRI

SHNA

Dha

RE.

12)

- NOTATION

TUNE

'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

RAGA : MALKOS, AROH ABROH

Ma Dha Nj Dha Ma QMaQSa VADI = Ma, Q

HOLD (PAKAR) Ma Q Ma Dha Ni Dha Ma

S\ SAMVADI = Sa

KRI SHNA

KRI

N S a BhaNi

RAS

MAS

KRI

SHNA

KRI

SHNA

J a

& & &I

SHNA KRlS SHNA

Dh.l

KRI

SHNA

KRI

SHNA

JViDha Ma

FiDha Ma RAS

Ma HA

- NOTATION - TUNE 'S' means to continue the notation in one or more steps 9f the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

RAGA : GOPIKABASANT,

AROH ABROH

: :

Ma Dha

Pa Dha Sa Pa Ma Q VADI = Q,

HOLD (PAKAR) Sa Qj Ma Pa Dha Dha Ni Sa ~ b Paa Sa Sa

Gil

KRI SHNA

Sa SAMVADI = Dha

ha M Dha Ma Ga GqMaPa & Dha S;

Gil

Dhil

D h

KRI

SHNA

KRI

SHNA

KRI SHNA

MaPaQ MaQSa D b

Dha

Pa M a D b Pa

QSa

RAS

KRI

SHNA

KRI

SHNA

KRI

SHNA

MAS

RAS

Dha Dha

Dha

KRI

SHNA

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA RAGA : PANCHAM, AROH ABROH

: :

Sa S'a

Ma Ga Mla Dha S; Ni Dha Mla Ma Ga & VADI = Ma & Mla,

HOLD (PAKAR) Mla Dha ~ * aNiDha Mla Dha Ga Mla Mla Dha

KRI

Sa SAMVADI = Sa

Sa Sa Ma Ga MlaDha NiDha NiMla Dha Ga

Mla

Dha

RAS

Dha

Mla

Dha

KRI

SHNA

KRI

SHNA

Dha

Mla

Dha

RAS

Dha

Mia

Dha

Mla

SHNA

KRI

SHNA

KRI

SHNA

Mla

Dha

RAS

Mla Ga

Mla

Dha

KRI

SHNA

KRI

SHNA

& & &

Dha

Mla

KRI SHNA

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : MEGHARANJANI, TAL (RHYTHM) : TEEN TAL OR KAHARAVA AROH & Ga Ma Ni S; : Ni ABROH

Mal

Ma G& Sa VADl = Ma & Mal,

SAMVADI = Sa

HOLD (PAKAR) NiReGaMa Ma Mal MaGa &Ga Ma G a h S a 0

KRlS SHNA

KRI

SHNA

KRI

SHNA

RAS

KRI

SHNA

KRlS SHNA

!& &I

Ni&

RAS

KRI SHNA HAS

RES

HAS

RES

KRI

SHNA

KRI

SHNA

NI& GaMla Ma

HAS

RES

- NOTATION - TUNE 'S' means to continue the notation in m e or more steps of the Rhythm (TAL). RAGA : BHAYANKAR, AROH ABROH

: :

Sa S;

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Re Ni

Ga Dha

Ma Pa Dha Mla Ga Pa VADI = Pa,

S; Sa SAMVADI = Sa

Er;

HOLD (PAKAR) S a k S a Ga Ma Pa Ma Ga Mla Dha Mla Ga Pa Ga &S:\ MlaGa Ga & Sa $I

NiSa &Ga MaGa MlaDha *

Sa GaMaPaMa Pa MaGa Pa Ma Ga ReSa Ni S a k G a MaGa

DhaMlaGa PaGa &Sa Sa

Mla

KRI

SHNA

KRI

Sa MlaDha

Dha

Mla

Dha

RAS

Mla

GaMa Ga MlaDha Mla

SHNA KRlS SHNA KRlS SHNA

Mla Ga MlaDha Sa

KRlS SHNA

KRI

SHNA

KRI

SHNA

KRI

SHNA

da&

RAS

NI& HAS

Ni DhaMla Ga

Ga MlaDha Mla GaMla Ga

RAS

HAS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA

RAGA : LALITGAURI, AROH ABROH

: :

Sa S:

Ma Ni

&Ga

KRI

Dha

l&&

& Pa Dha Ni Pa Mla Ga Ma VADI = Ma & Mla,

MaPa MaGa &Sa

RES

RAS

RES

Dha

~ i &

KRI

SHNA

KRlS SHNA

NI&

RAS

DhaNi Dha

DhaN! Dha F

,'HA'<RES

KRlS SHNAS KRI

SHNA HAS

Ga Dha

Sa Ga Re SAMVADI = Sa

MaPa

Ma PaDha PaMaGa

SHNA

KRI

SHNA

HAS

RESS

MaPa

Ma PaDha PaMaGa

RAS

HAS

RESS

R.e

KRI

SHNA

KRI

SHNA

MaPa

Ma PaDha PaMaGa

RAS

HAS

RESS

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : LALIT, AROH : I\li ABROH : &

TAL (RHYTHM) : TEEN TAL OR KAHARAVA Ni

Ga Ma Mla Ma Ga Mla Dha S:d Dha Mla Dha Mla & Sa SAMVADl = Sa VADI = Ma & Mla,

HOLD (PAKAR) yi& Ga Ma Mla Ma Ga Mla DJla Ni Dha Mla Ma

KRI SHNA

RAS

d a ~ial;(a d a

KRI SHNA

KRI

SHNA

RAS

Mla

Dha

& i

& &

KRI

SHNA

KRI

SHNA

KRI

SHNA

KRI

RAS

SHNA HAS

I&&

(1 1 9 ) j

- NOTATION - TUNE TAL (RHYTHM) : TEEN TAL OR KAHARAVA

RAGA : KHAT,

VADI = Dha,

HOLD (PAKAR) Ga Ma Dha Pa & Dha Pa Ni Ga

Dha

SAMVADI = Ga

Ni DhaPa Ga Ma DbaPa MaGa

S:d

Dha

KRI SHNA

Dha

KRI SHNA

KRI SHNA KRI SHNA KRI SHNA

Dha

S'a

Dha

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAh OR KAHARAVA

KACiA : GURJARI TORI,

AROH ABROH

: :

Br; Ni

Mla Dha Ni Dha Mla Ga VA3I = Dha,

S; Sa

SAMVADI = l&

HOLD (PAKAR) Mla Dha Ni Dha Ni Dha Mla Q Mla Dha Ni Dha ~ i &&

DhaDha

Mla

&c;

KRI SHNA

KRlS SHNA

KRI SHNA

Dha Dha

Mla

RAS

@ RA

KRI SHNA HAS

KRI SHNA

s'a

Dha

Mla

Dpa

@ MA

& Sa

KRt. SHNA HAS

HAS

RE.

KRI SHNA

Mla

Dha

Sal&

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : BARATI TORI, AROH ABROH

: :

Sa S;

& Ni

TAL (RHYTHM) : TEEN TAL OR KAHARAVA Ma Pa Dha Dha Ma Pa Q VADI =

Sa SAMVADI = Dha

HOLD (PAKAR) Ma Pa Q Re Sa Sa Ma Pa Dha S\ Ma

Dha

KRI

MaPa

SHNA HAS

KRI

SHNA

KRI

Dbd

Dha

Ma PaDSla

SHNA KRlS SHNA

PaDha Ma MaPa

S'a

HAS

SHNA

KRI

SHNA

KRI

SHNA

KRI

SHNA

RE RAS

KRI

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). TAL (RHYTHM) : TEEN TAL OR KAHARAVA RAGA : BHOPAL TORI, AROH ABROH

: :

Sa S:

Ga ha

HOLD (PAKAR) ~ h a S ' a&Sa DhaPa <aF&a PaDha

S'a

$ 6aieS'a

Dha G\ R;&

Pa Pa

Dha

~e Sa VADI = Dha,

SAMVADI = Qj

DhaPa @ PaGa ReSa

ha^. F&&

DhaPa &Sa

DhaPa Ga Re Sa

Dha

s'a

KRI SHNA

Dha

l &

Dha

!& 4

KRI

SHNA

KRI

SHNA

KRI

SHNA

& dade &

Dha RA

Pa MA

Dha MA

Pa RA

Pa MA

PaDha HA

Pa Dha HA R E

& i

KRI

RAS

SHNA MA

HAS

Dha Pa KRI SHNA Dha

Pa KRI

Pa RA

SHNA MA

KRI

SHNA

Dha

4 RA

Dha

Bb; HA

- NOTATION - TUNE 'S' means to continue the notation in one or more steps of the Rhythm (TAL). RAGA : PRABHAT I KIRTAN,

Re &

a Dha K Ma = Main Sounds

Pa DhaPa Ma HA

TAL (RHYTHM) : TEEN TAL OR KAHARAVA

Gir DhaDhaDha'Sah~ha Pa

G21

Dha

SHNA

KRI

Dha

Re &Ma

KRI

SHNA

Dha Dha

Dha

'MA

KRI SHNA

KRI

SHNA

KRI

SHNA

Dha

Dha Dha

Dha

SHNA

KRI SHNA

Dha