[Chanting by Step]
-- Tibet Suspension Bridge [Village of Animal-shaped Houses]
-- A series of houses developed from Triple decker
[Weave by Force]
-- Carbon Fiber Weaving Pavilion [Rolling a Section]
-- Form a building from two given sections
[Performing Bay]
-- A form created by Repeated Units [Side to Side]
-- Deforestation Warning Hall
['Fast Food' House]
-- Inflatable Membrane Container Houses [Other Works]
-- Former, Found & Future; Infared world
Contents 3 9 17 22 25 28 34 37
[Chanting by Step]
Suspension Bridge by rope in Tibet
Individual Work (Nov. 2021)
Instructor: Yiqing Wang (email: wangyiqing4214@gmail.com)
The project is to reconsider the form of bridge in Tibet to meet the basic requirements and also their mental pursue. The site was originally an abandoned suspension bridge. During this project, the concept of Prayer Flages is used to construct bridges, it is suitable for the special geographical environment and religious atmosphere of Tibet through consideration of space shaping and ease of operation. Tibetan residents can participate in the construction of the bridge, and the religious memorial bridge through the clear form of force also makes this bridge worthy of construction. When Tibetans walk on this bridge, they could experience the same feeling as turning the prayer wheel and the wind blowing through the prayer flags. While this time their footsteps turned into language, they chanting by step.
Bridge Form/Case/Material Study
3
On the avenues leading to Lhasa in various places, the believers started from their remote hometowns, wearing protective gear, knee pads, and a fur coat hanging on the front. They kowtow every three steps along the road until Lhasa faces the Buddha. However, Tibet is known as the roof of the world. There are many rivers, mountains and mountains are eroded by flowing water, and there are thousands of ravines, which have made Tibet difficult since
ancient times. In the old days, local river crossings mainly relied on zip lines, cowhide boats and horse-head boats. In people's lives, the bridge not only bears the needs of daily life, but also facilitates the believers who travel to Lhasa on a pilgrimage.
Hanging prayer flags is a religious custom that has been circulating in Tibetan areas for thousands of years. It has the merits of self-cultivation and benefiting all living beings.
Every time the wind blows the prayer flags, it is like reciting the above scriptures once. The Buddhas of God protect all the people who make and hang prayer flags. Where there are prayer flags, there are good and auspicious. The five colors symbolize the five phenomena in nature, which are the material basis on which life depends.
Form-Find Diagram of Elevation
Outlook of
Internal structure Internal structure
Pilgrimage Road Chanting = rotate Prayer Wheel Chanting = Wind blow Prayer Flags
Chanting Wheel
Deflection of Prayer flags
4
Force analysis diagram
Form-finding experiments of catenary structure
Integrated section
Selected Base Form
Through the analysis and comparison of the model experiment of the elevation view and the crosssectional view, the most concise and reasonable structure form is obtained, which will be used in the subsequent design generation process.
The two selected in the lower right corner are the basic shapes of the elevation and section. The shape has good symmetry on the facade, and the model is relatively stable when it is built, indicating that the structural force form is more reasonable, and the basic shape of the section model is explained. The subsequent design is based on the shape of the section. Moderate deformation.
Single form Symmetrical double 1/3 left point 1/3 right point Triple & 1/3, 1/2 point Triple & 1/2 point Triple & 1/3 points Triple & 1/3 points Triple & 1/3 points Triple & 1/3 points Triple & 1/3, 1/2 points Triple & 1/2 point
Aligned points Middle point down Right point up
5
Side points rotate Side points up Side points up
One typical section
Form for elevation
r the membrane cloth is inflated and fixed, the inside, outside or at the same time of the inflatable film is sprayed with polyurethane, concrete and other operations to achieve efficient and high-strength house construction.
Site Analysis Plan & Elevation
There are many bridges at the Geelong Port on the border between Tibet and Nepal in China, including many abandoned wooden suspension bridges and damaged steel cable bridges. The site was selected at an abandoned suspension bridge in Geelong, Tibet.
Site Plan 1:1400 4.500 ± 0.000 6.400 8.800 6.800 10.000 Plan Elevation 6
Changes
of section view
A A B B C C AA BB CC A A B B C C
Local Images around the Site
Knot Details
Thatch Weaving Details
Thatch Details
Concept expression
The bridge is made up of braided ropes entwined with each other to form a skeleton, and then woven with thatch to pave the bottom foot pads. The picture on the left shows the realization process of the braided rope overlap node.
7
Construction Process with Tibet Festival
8
Thatch laying process
[Village of Animal-shaped Houses]
A series of houses developed from Triple decker
Group Work (Dec. 2022)
Instructor: Ritchie Yao (ritchie@dashmarshall.com)
By creating a village of residences, artist studios, and retail spaces, stitched together by a series of outdoor “rooms,” this proposal for the bell hooks Creative Residency seeks to densify a wedgeshaped lot in Dorchester, MA. The complex of buildings forms a cast of characters – diverse types that can accommodate a range of uses throughout its lifetime – yet is grounded by a modest material palette that matches the surrounding neighborhood and establishes a sense of domesticity. Exteriorizing the vertical circulation maximizes interior flexibility, allowing the buildings to return to the community after the Creative Residency outgrows the site.
Program Requirements
“Decker 1”
Single Family Residence with two bedrooms, one bathroom, a living room, kitchen, and dining room. Artist Residency with three bedrooms, two bathrooms, communal living space.
Three studio spaces.
“Decker 2” Artists’ mixed used space. Two offices. Two accessible bathrooms, Accessible Artist Family Unit with two bedrooms, one bathroom, living room, kitchen, and dining room.
“Decker 3”
Accessible Residential Unit with two bedrooms, one bathroom, living room, kitchen, and dining room. Family unit with two bedrooms, one bathroom, living room, kitchen, and dining room.
Two artists’ practice rooms. Two accessible bathrooms.
Proposal
“Decker 1,” or Gables
Single Family Residence with two bedrooms, one bathroom, a living room, kitchen, and dining room. Artist Residency with three bedrooms, two bathrooms, communal living space.
Three studio spaces.
Gallery/open studio
“Decker 2,” or Tall Snail, Crocodile, and Turtle Artists’ mixed used space. Two offices.
Two accessible bathrooms. Accessible Artist Family Unit with three bedrooms, two bathrooms, living room, kitchen, and dining room. Open workshop
Two storefronts Shared laundry facility
“Decker 3,” or Bunny, Frog, Half Gable, and Giraffe
Accessible Residential Unit with two bedrooms, one bathroom, living room, kitchen, and dining room. Family unit with two bedrooms, one bathroom, living room, kitchen, and dining room.
Two artists’ practice rooms. Two accessible bathrooms. Three studio apartments
9 9 9 9
Form Development
10
Character Introduction
1 Storefront 2 Shared Laundry 3 Mixed Use Mezzanine 4 Gallery/Open Studio 5 Artist Studios 6 Practice Room 7 Kitchen/Dining 8 Studio Apartment First Floor Plans 5 C C 9 Living/Dining/Kitchen 10 Artist Bedroom 11 Artist Living Space 12 Family Living Space 13 Living Room 14 Studio Apartment Second Floor Plans 13 10 12 11 13 10 11 10 14 A A B B 15 Bedroom 16 Open Workshop 17 Roof Deck 18 Office 19 Studio Apartment Third Floor Plans 15 15 18 17 18 17 16 15 15 15 15 19 C B B C 1 Storefront 2 Artist Residences 3 Mixed Use Section A 1 Storefront 2 Artist Residences 3 Mixed Use 2 Artist Residences 3 Mixed Use 4 Gallery Open Studio 5 Studios & Residences 6 Practice Room 7 Offices 8 Studio Apartments 9 Family Residences 3 Section A Section B 2 6 7 8 1 Storefront 2 Artist Residences 3 Mixed Use 2 Artist Residences 3 Mixed Use 4 Gallery Open Studio 5 Studios & Residences 6 Practice Room 7 Offices 8 Studio Apartments 9 Family Residences 3 5 9 1 2 2 Artist Residences 3 Mixed Use 5 Studios & Residences 6 Practice Room 7 Offices 9 Residence Apartments Section C Section A Section B 3 5 6
11
Plans & Sections
Character Introduction 12
Character Introduction 13
Exterior
Exterior View - Back side
View - Fornt side
Interior View - Inside of crocodile
14
Interior View - Inside of half gable
Massing model Details of physical model Overivew of physical model 15
[Village of Animal-shaped Houses]
The complex of buildings forms a cast of characters – diverse types that can accommodate a range of uses throughout its lifetime – yet is grounded by a modest material palette that matches the surrounding neighborhood and establishes a sense of domesticity.
16
[Weave by Force]
Carbon Fiber weaving Pavilion
Team work by Li Yidi; Li Han; Qiu Shiyu
Instructor: Zhe Liang; Tim Lai
Contribution: Three members cooperate in every part and every participate from design to onfield construction
The project aims to explore more possibilities of carbon fiber materials in construction. In this experiment, three materials of carbon fiber, glass fiber and PVC were used, and two kinds of fibers were used to simulate the weaving of tensile stress and compressive stress, so as to realize the optimization of the force. The concept of bionics is used to evolve the logic of carbon fiber and glass fiber weaving under force, and the physical construction of the pavilion is realized based on this logic. After the construction process is completed, the pavilion can be independently supported without external support such as screws or supports. This also fully demonstrates the effectiveness of this form of force and the rationality of the triangular column design.
17
The generation of the shape structure mainly simulates the weaving behavior of weaver ants. The weaver ant curls and stitches the page. Therefore, in this design, the pvc board that simulates the leaf surface is curled, and the three pvc pages are stitched. After the shape of the three arches is determined, through the limitation of overall simplicity and beauty, as well as the optimization of the overall most effective force, the structural form of Figure 3 is finally
The design starts from the behavior of weaving ants in nature by manipulating leaves to create habitats
Weaving Path Develop
determined. In order to enable the three arches to stand independently under force without the need for foundation support, in Figure 4, the design adopts the mutual weaving form of triangular columns, and the joints of the three arches are connected and reinforced, so that the three arches can be The purpose of independent support.
The carbon fiber and glass fiber generation path of the pvc skin has undergone many revisions. One of carbon fiber and glass fiber expresses the tensile force in the actual force of the structure, and the other expresses the pressure. After pvc size is determined, the path of carbon fiber and glass fiber is analyzed through the grasshopper parametric analysis to simulate a certain amount of load. Through the gradual improvement of the load form and the artificial simplification of the force path, the result is finally obtained with simple structure and beautiful appearance.
Concept-Weaver Ant
Adjust channel size Adjust channel size Adjust channel size Adjust channel size Adjust channel size Adjust channel size Adjust channel size Adjust channel size Adjust channel size
First Edition Second Edition Third Edition Reinforcement
18 Adjust channel size Adjust channel size
Stratification of structure
The pavilion is mainly composed of five parts, from bottom to top in turn are:
1.wooden base fixing layer;
2.PVC mold layer
3.fiber bearing layer of glass fiber
4.fiber bearing of carbon fiber
divided into three layers according to the thickness, medium and thin of the carbon fibers according to the stress distribution
As the bottoming part under the carbon fiber, shows the stress line as the tensile part. In order to show a primer effect, the glass fibers are evenly distributed.
After completing the design, we first built a small schematic model to avoid various problems in the actual model building process. The light and shadow effect of the small model is better. However, a series of problems were encountered during the construction process, such as the difficulty of joining the
seals, and the problem of how the carbon fiber adheres to the surface of the pvc. Through the gradual design optimization, the construction schedule was finally obtained, and then the on-site construction was carried out accordingly.
Reinforce the three legs of the pavilion, the triangular column part is cyclically wound between the three legs, so that the three pieces of pages are connected to each other.
PVC Board
Distributed with T-shaped bayonet set according to the fiber distribution, and the three pieces of pvc are connected by zigzag
Carbon Fiber
Glass Fiber
Triangle Pillars Reinforcement
19
Experimental model Simulation
Construction Process
Construction Details
2021.06.30
Nodes testing & PVC cutting in model factory
PVC Cutting Carbon Fiber Weaving
2021.07.05
Weave glass fiber and carbon fiber in turn according to the design trajectory
Wooden Base Construction
2021.07.08
Wooden base sawing and Construction
Components Assembly
2021.07.12
Connection of three pieces of carbon fiber
Pillar reinforcement
2021.07.15
Reinforced With EP
2021.07.18
Epoxy
Triangle pillars by carbon fiber been constructed on three legs of pavilion
resin is applied on both carbon fiber, glass fiber & PVC surface.
The figure above shows the details of building the model. Including the winding carbon fiber and glass fiber on the interface part of the Ding; the traces left after brushing the glue on the PVC surface, and the determination of the folding angle of the individual pages before the three-piece PVC pages are connected.
20
Weaving Details
Glass fiber Glue Application Node detail Connecting joints
In this experiment, three materials of carbon fiber, glass fiber and PVC were used, and two kinds of fibers were used to simulate the weaving of tensile stress and compressive stress, so as to realize the optimization of the force. The concept of bionics is used to evolve the logic of carbon fiber and glass fiber weaving under force, and the physical construction of the pavilion is realized based on this logic. After the construction process is completed, the pavilion can be independently supported without external support such as screws or supports. This also fully demonstrates the effectiveness of this form of force and the rationality of the triangular column design.
Completion of construction
21
[Rolling a Section]
Form a building from two given sections
Individual Work (Oct. 2022)
Instructor: Ritchie Yao (ritchie@dashmarshall.com)
This project begins with two sections cut from several possible buildings. In film, in order to unfold an account with clarity, these seeming discontinuities cohere somewhere in the story into a disparate elements in order to clearly express an idea and to meet necessary functional requirements.The composition of the given sections may not be altered. No walls or other elements may be added to or subtracted from the given drawings. Drawn lines may be altered in their line weight and line type, and no lines may be deleted or added in the given drawings, with exceptions as noted below. All changes, subtractions or additions, must take place in front of or behind the two particular section cuts.
Form development 22
As a library with cafe, this building has four floors within it. First floor acts as lobby and snack shop. For second floor, there are individual reading rooms and book shelves. Third floor is the main floor of cafe and there are also more reading areas. For both second and third floor, two half sphere region are connected by large steps where people can get seats and talk. In forth floor, there are individual offices and dinning hall.
For the section part, I cut two rolled section and also one section directly in the middle.
Plans & Sections
Plan 1
Plan 2
Plan 3
Plan 4
Raumplan - Section Free plan - Section
23
Middle cut - Section
Renderings Front View Interior view of third
24
floor
[Performing Bay]
A form created by Repeated Units
Individual Work (Feb. 2023)
Instructor: Michelle Chang (mchang@gsd.harvard.edu)
Design and define the properties of a family of five architectural bays that can aggregate to form a range of enclosure, from fully enclosed to semi-porous, and that can provide 3-dimensional form to the established functional organizations. Suggest potential sites and climate situations for the aggregations. Speculate on changes to the bay and/or the aggregation that may make the aggregation more or less suited for a particular site or climate. Establish a pair of typical functional organizations that each provide three areas for performance. The aggregation must be formed ONLY through the aggregation of the Architectural Bays without additional partitions or structural supports.
Plan
25
development
26
Model Images
27
Model Details Model Details
[Side to Side]
Deforestation Warning Hall
Individual Work (Oct. 2021)
Instructor: Yiqing Wang (email: wangyiqing4214@gmail.com)
The project is to tell people about the serious consequences of forest degradation caused by mining in the forest. The site was originally an forest cover region in Peru, while nowdays espacially 2 years, deforestation in this region becomes quite serious. Whether it is the large-scale destruction of ancient rivers, excavation pits caused by heavy machinery and the destruction of surrounding forests, they have caused painful and even irreversible losses to the forest. The building is located at the edge of the forest degradation line. It faces the dilapidated land in the mining area and is backed by the lush tropical rain forest. The obvious difference in the landscape between the two ends of the building and the damaged land within reach are used to warn people of the natural cost of mining.
28
Roof form, force and material analysis
Material & Embodied Carbon Analysis
0.72kg CO2e/kg
50% wastage allowed
42% wasted recycled
540 kgCO2/ 750kg
0.24kg CO2e/kg
3% wastage allowed
3% wasted recycled 180kgCO2/ 750kg
Assume the original single arch cave to be 750 kg, the volume of it in different material is shown above, and some other values concerning sustainability are listed on the left. The material design is carried out through the carbon content of different building materials. Under the same weight material limit, the different carbon content of 750kg building materials is calculated, and the material selection is carried out based on the recovery rate and other data, and finally the clay brick material is selected.
0.079kg CO2e/kg no wastage no wastage
59.75kgCO2/ 750kg
0.107kg CO2e/kg
5% wastage allowed
4% wasted recycled 80.25 kgCO2/ 750kg
This reigion is at the side of Pariamanu River, it has good natural conditions with mountains and water, but after mining, not only the forest cover disappears, but the land and mountains also leave many large pits of different depths.
Site Analysis in Peru
Timber Concrete Stone Clay brick
Site Plan
Section Elevation
29
In terms of morphological generation, this design first starts from the catenary force morphology, and studies the force morphology of catenary structures with different spans and different heights. Then, in combination with site conditions, the approximate thickness of the catenary arch structure at different positions is calculated through plane design and force analysis.
Structure generation & Opening analysis
Parallel equidistant axis
Parallel
Rotate equidistant axis
Rotate
Catenary form analysis
Ascending profile
non-equidistant axis
Unequal profile
non-equidistant axis Ascending profile Unequal profile
A B C D E F G H A B C D E F G H J K A B C D E F G H AB C DEF G HI AB C DEF G HI AB C DEF G HI o a d e g a d e g b h a b c d e g h a b c d e g h b h o o o o 5745mm 29823mm 18594mm 11064mm 13754mm 7935mm Top openign analysis Top openign analysis Top openign analysis Top openign analysis Side opening analysis Side opening analysis Side opening analysis Side opening analysis Illumination analysis Illumination analysis Illumination analysis Illumination analysis 30 A B C D E F G H A B C D E F G H J K A B C D E F G H AB C DEF G HI AB C DEF G HI AB C DEF G HI o b h b h a b c d e g h a b c d e g h a b c d e g h a b c d e g h k o o o o 5745mm 29823mm 18594mm 11064mm 13754mm 7935mm A B C D E F G H A B C D E F G H K A B C D F G H AB C DEF HI AB C DEF G HI AB C DEF G HI a b c d e g h a b c d e g h a b c d e g h a d e g a d e g a b c d e g h k o o 5745mm 29823mm 18594mm 11064mm 13754mm 7935mm Force polygon Force polygon Force polygon
The plane composition of the model is shown in the left figure. The infinitely extending structure is cut by two horizontal lines to obtain a rectangular plane frame. The lower two pictures respectively show the arched section form facing the front and back directions. Due to the difference of the environment, the section atmosphere has a more obvious difference.
Section a-a located in pit area
Section b-b at forest boundary
Basic structure analysis Section b-b Section a-a 31 33m
8m 6m
14m
With the change of the intercepting position of the section, a series of changes have appeared in the spatial form. The most notable is the cut surface, where the four arches jump back and forth like musical notes.
Circulation Analysis Section Sequence
32 Circulation Path Section 1 Section 2 Section 3 Section 4 Section 5 Section 6 Section 7 Section 8
9
10 1 2 3 4 5 6 7 8 9 10 Northeast
Southwest
Southwest Elevation Northeast Elevation
Section
Section
Elevation
Elevation
Circulation Analysis
Forest corridor
Dark to Bright
Rest under leaves
33
Overlapping
Intersecting view
['Fast Food' House]
Membrane structure house by mechanical arm
Team work in workshop
Instructor: Yunsheng Su
Contribution: Member of Construction group and participate in the whole construction process
The project is designed to find a building form that can be quickly constructed and easily transported, so as to meet people's needs for the comfort of short-term residences. After the membrane cloth is inflated and fixed, the inside, outside or at the same time of the inflatable film is sprayed with polyurethane, concrete and other operations to achieve efficient and high-strength house construction. Due to its own convenience, the inflatable membrane building can meet the needs of users to achieve interactive design, and meet the requirements by preparing materials for the layout of different areas of the container through user needs.
I want an appartment
Human-computer assisted customer decision-making
Customer
Customer
I need A Mini-library
We need 2Beds
34
Robotic arm spraying trajectory generation process
Construction Process
Enter Factory Set up the venue
Hydrapower Comssioning
Inflate the membrane
Handling components
Install compon ents
Taking into account the structural characteristics of spraying technology and the consideration of landscaping, this design also satisfies the requirements of the bottom of the sprayed building with a film-filled structure and the lightness of the upper part, as well as how much it expresses.
The aesthetic characteristics of degeneration and digitization. This design can meet the requirements of the robot arm in a circular fashion, and when spraying from bottom to top, there is an appropriate time and temperature to initiate a chemical reaction.
Adjust cabin pressure
Bottom reinforcement
Confirm monitoring point
Record monitoring data
Material & Equipment arrive Sparing preparation
Adjust robotic arm Spraying process
35
After the membrane cloth is inflated and fixed, the inside, outside or at the same time of the inflatable film is sprayed with polyurethane, concrete and other operations to achieve efficient and high-strength house construction. Due to its own convenience, the inflatable membrane building can meet the needs of users to achieve interactive design, and meet the requirements by preparing materials for the layout of different areas of the container through user needs.
Completion of construction
36
[Former, Found & Future]
Three drawings of an Urban Situation in its former, found, and future state.
Individual Work
Instructor: Michelle Chang (mchang@gsd.harvard.edu)
Other Work
37
[Infared World]
Workshop for color & Unreal Engine
Individual Work
Instructor: Elena Manferdini; Andrea Cadioli
Other Work
38