2005-2012 WORKS MASTER OF ARCHITECTURE UNIVERSITY OF PENNSYLVANIA
HOSUNG KIM
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CONTACT Hosung Kim 1558 Greene Ave Brooklyn NY11237 New York. Cellphone : +1.215.490.3566 Email :hskim5652@gmail.com All maretials are made by Hosung Kim.
portfolio 2005-2012 WORKS HOSUNG KIM MASTER OF ARCHITECTURE UNIVERSITY OF PENNSYLVANIA
The Movable Surface of Perception From T1, only E can be seen. From T2, F is recognized along with E. However; do not realize that this two are connected. From T3, B is recognized along with E and F. Still; do not realize that these elements are connected. From T4, a is discovered along with E,F, and B. Still, there are no connections. At T5, by discovering C and d, along with a,B, and C. Realizes that has close connection. However, it looks though, d,E,F which are independent from a,B,C seems to be not related at all. From T6, it is assumed that a,B,c has close connection to d. However, there is lack of confidence. At T7, finally the connection between a,B,c, and d is discovered. Based on the experience, assumption that the E and F are also related is made. Deep thoughts are made to lower T even more. For the future time that the building will exist, nobody knows at what rate T will go down, not even the architect. Modernism Architects has built functionally optimized buildings with the immovable(assumptive) T. They designed architectures that do not correspond to movements of T. When the architects predicts the movement of t and gets involved, it is exceeding their own authority, I believe. However, architects must recognize and accept such variability of T and provide spaces- not only physical but also programmatic- to accommodate such variability. ‘What I have within 1’,2009.9 acryl paint & pen on paper
The M.S.P(movable surface of perception)and The History The progress of historical events that we perceive as being processed by the minority historical figures are actually events that surfaced up by the capacity of the general population underneath the M.S.P(movable surface of perception) surface. If we were to look at the French Revolution from the historical point of view, what matter was not distinctive achievements by heroic figures on the M.S.P but ordinary people’s desire for freedom under the M.S.P.
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‘The history on the M.S.P’,2009.10 oil pastel, charcoal & pen on paper. ‘ based La Liberte Guidant le Peuple’ Eugene Delacroix
‘History under the M.S.P’,2009.10 oil pastel, acryl painting & pen on paper based La Liberte Guidant le Peuple’ Eugene Delacroix
U.penn Master of Architecture Hosung Kim.
Architecture existing on Time continuum.
The Kaleidoscopical Rhizome.
1928
2006
2009
2011
Buildings exist in the continuum of time which is four dimensional beings. An architect must design within the four-dimensional space. If it is designed only with the context of a present time, architectures that are continuum through history will contradict and be inconsistent. What should the architect do in this situation?
Kaleidoscopical Rhizome ’,2010.11 balsa wood, nylon string, 9pin, O ring
TION shows, every elements in our world is deeply related enough to nullify any kind of pridictions. KALEIDOSCOPICAL RHIZOME that is intricately related in deep, changes its shape that is unpredictable once a particular displacement takes its place. This effect is also known as the butterfly effect is caused by this mechanism.
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‘the exterior’, oil pastel, charcoal & pen on paper
‘With the addition of time axis when perceiving an object.’ 2009,9 charcoal & pen on paper
Spatial Perception oN Time continuum
Spatial Perception oN Temporal continuum
We define the true nature of space as we composit several images we perceive two-dimensionally in our brains. From the eyes that we have, we gather 2 dimensional images and instantly make 3-dimensional images in our head. In addition, these three-dimensional images pile up in our heads and create four-dimensional images. Through this process, we become closer to true nature. ‘With the addition of time axis when perceiving an object.’ 2009,9 charcoal & pen on paper
When there is variety in points that we can locate in the space, what we feel in the space become more prosperous. More abundant space means that it is closer to its original nature. ‘fying stair case’ 2006.4 pen & water with mixed media on paper
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RESUME Education/Scholarship
2004-2010 National merit scholarship (http://scholarship.kosaf.go.kr/) all-expenses-paid 2001 Admission to hongik university computer science department 2004 Admission to hongik university architecture department 2008 Completed level 8/10 class in Columbia university English program 2008 Completed advanced level in Kaplan english institute, Newyork 2010 Graduate hongik University, Seoul, S-Korea – Bachelor of architecture 2011 Admission to University of pennsylvania, philadelphia,USA - Master of Architecture 2012 Graduate University of Pennsylvania - Master of Architecture
Award
The first prize of 2005 hongik university architecture alumni competition.
CONTACT 1558 Greene Ave Brooklyn NY11237 New York. Cellphone : +1.215.490.3566 Email :hskim5652@gmail.com
Working Experience
2011.01~2011.08 Designer at ‘Team153 Architects’ Korea. 2012.06~2012.80 Part-time designer at SAMOO,Korea.
Skills
Very SKillful at Autodesk Revit architecture, Rhinoceros, Grasshopper, Autodesk Maya, Autodesk AutoCAD, Pepakura, Autodesk Revit. Skillfull at Google Sketchup,Bentley Generative Components, Adobe Photoshop, Adobe Illustrator.
Extra Curricular Activities
2002 First architecture trip to Europe for 2 months 2005 Architecture trip to Japan for 1 months 2006 Second architecture trip to Europe for 2 months 2006 The head of basketball club (redo) in hongik university. 2005 Completed the head of snowboard club (team401) in hongik university.
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contents
p06
EMBRACING
p12
permeable membrane
p22 p30 p36
the bubble system the collider secluded chuech
p44
broadcasting station
p54
fold house
p60 p62
Gradual Shifting from urban to the nature 2011.New Orleans U.S.A. Creating new type of plaza with ambiguity. 2012.Sao paulo. brasil Self-generative system allowing users to manipulate space. 2007.seoul. korea Inducing collision bewteen various event factors 2006.seoul.korea the first prize of 2005 hongik university architecture alumni competition 2005.seoul.korea Inducing collision bewteen various event factors hongik university graduation work 2010.seoul.korea
formative study 2005.seoul.korea
paramatric design
omtimization process using grasshopper,ecotech,radiance 2011.New Orleans U.S.A.
working experiences
2011 team 135 architects.co desinger 2011.01-2011.08 seoul korea
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2011 fall U.PENN DESIGN STUDIO
EMBRACING
Gradual Shifting from urban to the nature. New Orleans U.S.A.
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site contition KATRINA FLOOD AREAS
DEMONSTRATION SITE PREVENT FLOODING BY SURROUNDING PROBLEM AREAS WITH HYBRID LEVEE WALL ACTIVATE LEVEE WALL BY INCORPORATING LEISURE PATH AND WATERFRONT ACCESS
The economic and political dynamics had driven the poor population in New Orleans to un-reside-able locations. such impellent development made New Orleans to pay very expensive cost -disruption of ecosystem, massive fatalities by Katrina. It has become apparent that the flooding problem in new orleans has been exasperated by sea level rise, climate change, and human interventions. The extensive damage caused by hurricane katrina and rita has highlighted the desperate need for radical intervention. In recent years, this intervention has taken the form of levees, dikes, channels, and dams. Natural flood barriers in the form of wetlands have not only been successful solutions for flooding, but are also biologically diverse and productive ecosystems. Human attempts to restrict natural flood cycle s have destroyed natural flood barriers, hindered their development, as well as destroyed the relationship between the city and water.
master plan Development, as well as destroyed the relationship between the city and water. Despite the limitations of levees, the U.S Army corp. has responded to hurricane Katrina by simply building larger levees. The consequences of these interventions threaten the long term sustainability of the fragile wetlands and increase the risk of flooding. My goal is to radically shift from a water management approach that is fundamentally restrictive to one that encourages the prosperity of ecological systems. Increased storm surges have made wetlands alone insufficient, so it is essential to reinvent the levee to form a hybrid system that works in conjunction with natural flood barriers to encourage an urban development that incorporates a life with water and nature. By merging infrastructure with wetlands, the relationship between city and the water and nature becomes intertwined.
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Transformation of urban area.
2011 fall U.Penn design studio work EMBRACE
HYBRIDE DAM
I propose to surround the lower ninth ward with a hybrid wall that will act as a levee as well as a dam. Waterfront and bicycle tracks would run along the wall to activate it. The dams will constantly release small amounts of water inside its boundaries to form an artificial delta within the lower ninth ward. This delta would grow over time, transforming itself into a living wetland within the hybrid walls. As this happens, the urban fabric transforms itself to make way for this new ecosystem to develop a city in which infrastructure and nature are indistinguishable.
HYBRIDE DAM sectioins
Water conduit Section
Dam gate control center section
Dam & Pedestrian path section
During floods, the dams would release larger amounts of water into the wetlands to relieve increased water pressure from storm surges. The wetlands would act as a sponge, soaking up flood waters until storm surges dissipate. The disaster protocol deals not only with the short term effects of flooding, but attempts to enrich day to day life by reintroducing the concept of living with nature.
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community center
Amenities binding community together such as day care centers, retail malls, bicycle repair centers supporting riders along the levee track will be placed underneath the levee. These programs would not only serve the community, but also enhance the local economy by attracting visitors from the outside.
Community center.
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Typical Levee part section
Circulation aroud community center and water space.
2011 fall U.Penn design studio work EMBRACE
REndering images
Dam Circulation perspective.
Dam Circulation perspective.
Dam Circulation perspective.
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2011 fall U.PENN DESIGN STUDIO graduation work
permeable membrane Creating new type of plaza with ambiguity. Sao paulo. brasil
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architectural elements Ground Level Zoning. Park with Green / Mist
Tube Vertical Circulation
Piled up tubes.
Outer Fuzz
Connecting Fuzz
Inner Fuzz
Tube hierarchy
Tube Program Zoning
I proposed an unprecedented type of plaza with a blurry boundary that divide inside and outside ambiguously. This ambiguous wall working like a permeable membrane will define the plaza and make the plaza melt into urban context. People get into the plaza without the awareness of distinctive boundary, but they would find themselves in totally different atmosphere. This ambiguity will be applied to the building inside of the plaza containing various kind of programs. Buildings inside of the plaza exist not like neat a sculpture radiating beauty in a clean museum exhibition space, but in the form of occupiable lamps which can naturally attract people’s circulation to inside of the buildings. This projects consists of 3 parts porous and fuzzy membrane define inside and outside of the plaza, inner plaza located inside on ground level, and occupiable lamps occupied by various programs. Fuzzy membrane consists of inner fuzz ,outer fuzz and link-fuzz connecting inner and outer fuzz. Water floor and green space form the plaza on the ground floor. occupiable lamps consist of auditorium zone, museum zone ,retail zone and connecting lamps providing linkage between them.
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2012 spring U.Penn design studio work Permeable Membrane
T h e o ry - a r t e p o v e r a The starting point of this project was inspiration from igloo series done by Mario Marez, one of the Arte Povera artist. This dome shape work composed of irregular shaped stones piled up each others with certain logic and it’s random patterns visualizes the ambiguity of permeable membrane. This porous boundary divides the inside and outside, and connects in and out through the medium of light and the passage of time. The inside and outside of igloo are same and different space at the same time.
g e o m e t ry g e n e r a t i o n . In order to make geometry with ambiguous feature, I used Rhino and Grasshopper. I made boundary first with solid objects in Rhino and wrote codes in Grasshopper using Kangaroo(physics simulator) and made particles move and bounce in boundary and traced the of the particles. I generated membranes by connecting bouncing points extracted from the trajectories in certain range.
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2012 spring U.Penn design studio work Permeable Membrane
p r o g r a m s t r a t e gy
Each occupiable lamps are stratified into 3 hierarchies according to each connection states- program tubes containing various activities, circulation tubes providing circulation in buildings and buffer tubes connecting them. Proper programs and activities will be places according to the each hierarchies as diagram shows below. Every tubes have ‘wall-less’ spaces feature so that the interactions of people inside of tubes can be encouraged. With 3D modeling, I suggested certain ways to use sloped space inside of tubes.
Restaurant in program tube 1
Restaurant in program tube 2
Circulation connection between tubes
Restroom in circulation tubes.
a t m o s p h e r s t r a t e gy The fuzzy membrane consists of relatively thin elements(I-beams 100X50). this ephemeral architectural element not only defines the boundary of plaza, but also brings outside atmosphere such as the flow of air and the passage of time into plaza. In order to make the inside atmosphere distinctive, mist generating devices are installed between I-beams like diagram, and thereby it is possible to provide special experience to plaza’s visitors
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s i t e a n a ly s i s & d r a w i n g s
São Paulo, the biggest of city in Brazil, is one of the most populated city in the world. Areas under the average in terms of residential condition with high population density are scattered in this city. Surrounding area of Copan, historical building designed by Oscar Niemeyer in 1946 and also listed in the Guineas Record as ‘most voluminous building in the world.’, is a typical example of bad living condition with high density in the city. I choose this site since there are potential. Green dots represent beautiful parks such as Republica park neighboring this area and blue dash lines represent R.barao de Iteapetininga pedestrian path famous among tourists. This project will play a pivotal role in this area as a node point of cultural axis- R.barao de Iteapetininga street.
2nd Floor Plan
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Ground Floor Plan
3rd Floor Plan
2012 spring U.Penn design studio work Permeable Membrane
plaza rendering images
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program tube rendering images
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2007 spring hongik UNIv. DESIGN STUDIO
the bubble system self generative system allowing users to manipulate space
Seoul korea
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theoretical basis time-continuum In the fixed time coordinates, what we see and what we perceive as the truth, is only a partial face of the true nature sliced with time. Architecture is a bowl holding the true essence. The true nature also holds the characteristic that changes made according to time is continuous. In order for architecture to hold the truth, architecture must envolve as the true nature envolve.
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2007 spring Hongik univ. design studio work The bubble system.
site condition This project was done my senior year, first semester. The site was a block located in front of Hong Ik University. Even though this block is not quite big, there are academies for Art, cafés, small galleries, bars, and etc. To me, this site looked like mixture that derived from capitalism; how much is the rent? I do not have any hostile feelings for this perplexed block. Perhaps it is a natural look of capitalism. However, there seem no connections among various programs. I wished that these elements of mixture would move organically. The purpose of this work was focused on the new possibilities that might occur when these various programs collide with one another. I needed a physical space that could have organic connections. I found out that inner block, in other words, buildings backspace was just abandoned. In a quite spacious room, only the equipments and devices for air conditioning and ventilation were positioned. I decided to use this space to connect various programs.
‘Inside of site block’ 2010.11 charcoal on paper.
c o n c e p t u a l m o d e l s t u dy -
Site condition
the collection of linear elements
The most important point of this project was that once ths system starts to operate, users can plan, build, destruct and rebuild by them selves without architets. In order to achieve this goal, I started to study the method and language of generating space. I found that The collection of linear elements suits the what this project’s goal and made physical model to demonstrate spacial feature of this project.
‘True nature 3d’ 2010.10 Straw,color spray
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T h e e x p a n s i b l e & c o n s t r i c t- a b l e B u b b l e sy s t e m
I wanted to induce collision, but I also think that is impossible for an architect to predict the aftermath of induced collision. Furthermore, these predictions may come as a block to user’s freedom. Based on these thoughts, I conducted studies in regards to characteristics that the connection devices must have. This connection system had to be installed to assist users to deal with after the induced collision. And once it is operated, the system must have a characteristic that minimizes the help of the architect and the user must be able to transform on their own. To do this, the system had to be stabilized and found out that the shape of drop was most suitable for this. However, since the drops we often come across are very irregular, it was impossible to make the structures of backspace as the drop shape. It would be impossible for the user to transform the structure at all. Therefore, assembly became useful for this structure. I placed same size structures in three dimensional honeycombs to create droplets by using uniformed unit. This became a very constructive system and the users can transform this system in the back space by purchasing a few unit components.
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2007 spring Hongik univ. design studio work The bubble system.
B u b b l e sy s t e m m e t h o d o l o gy geometry
Picture 1
picture 4
picture 2
picture 3
Place the bubble shaped systems basic units randomly in order for it to generate. (Pic 1) Create circles shared by spheres (pic 2) Make lines from sharing circles (pic3) However, units formed this way are unfixed and cannot be modified without architectural planning. In order to fix this problem, an attempt was made to create fixed units. Most effective placement of circles motived with honeycomb system on a two-dimensional floor plan(pic4). Placed three-dimensional spheres in 3dimentional honeycomb(pic 5). Then created basic units with the same process as before(pic 6&7). This unit can be used by users with no complicated architectural plan and by just using basic parts to manipulate space.
picture 5
picture 6
picture 7
unit parts
Basic unit Frame
Circularion Stair
circulation floor
Floor type 1
Floor type 2
basic unit assembly example
The word users in this project mostly refers retail shop owners. in case of users want to replan and reuild their space, all they have to do is ordering unit parts shown left side and put them together. They won’t need and architectural services
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u n i t a s s e m ly t y p e
Assembly type 1
Assembly type 2
Assembly type 3
The mixtures of these parts are divided into 3types. Type one is to connect different levels and type two is to connect levels and type three is located at the intersection of the circulation. The application of this system allows several programs within one block to functions organically and for it to run smoothly, it leans on the center of block for support and the tallest building(red one) functions as the main core
Cultural programs Retail programs virtical circulation
Basic parts+type 1
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basic parts+type 1+type 2
basic parts+type 1+type 2 +type 3
2007 spring Hongik univ. design studio work The bubble system.
REndering images
Rendering of interior view
Rendering of interior view
Rendering of exterior view
Rendering of Activities
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2006 spring hongik UNIv. DESIGN STUDIO
the collider Inducing collision bewteen various event factors hongik university. Seoul. korea.
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inducing collision
Floor plans
Interior view.
First semester, my junior year, I was given a project to remodel “wow-building� which was the architecture building at my university. Originally, this building was packed with studios for the students to use. Each grader was assigned studios on designated floors. Because each graders used different floors, it was weird for me to go to 7th floor which the seniors used (I was a junior using 8th floor). Due to this structure, there were no interactions between each grade. At the time, I rented a house in front of the school with close friends to work and sleep. I think it was easier for me to work on the projects in my own place rather than a building that was awkward for many students. I also learned much more from my colleagues who rented the place with me.
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2006 spring Hongik university design studio work The Collider
visual interations between levels
Furthermore, because there was no void space in the building, it only allowed the users to have horizontal visuals. This kind of horizontal visual attention once again is locked in a building which only is horizontal hallways. Because the center core was designed to control the movements in the building, wherever the users may be in the building, they had to go through the center core if they wanted to move up or down. I believe that as an architecture student, one must have plethora sense of 3 dimensional space and imagination. This kind of spatial sense is more stimulated when they come across objects frequently. However, I felt that the building that limited physical movements was not appropriate for architecture majors who need to frequently have three dimensional imaginations. An Example of Applying material to design studios.
studios, vertical cores.
STUDIO FOR 1st YEAR STUDIO FOR 2nd YEAR STUDIO FOR 3rd YEAR STUDIO FOR 4th YEAR STUDIO FOR 5th YEAR COLLISION SPACE
Dispersed design studios plan
Main vertical core and Sub-cores.
To solve these problems, I assigned studios to students irrelevant to their years. I also made a space for students to come across each other freely despite their years. Also, by maximizing void space, I made sure the visual attention of students could be three dimensional. Not only did students’ visual attentions be freed, but their movements were also more flexible because I put subcores aside from center core. I remodeled the Wow-Building by maximizing the efficiency and maximizing the use of the area. This liberated limited visual attention and physical movements that was under the framework of modernism and raised new possibilities from the collisions of different grades
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bim modeling -auto desk revit Basic wall brick 190
Basic wall CW102-85-100 Floor standard-wood finish M structure column 400X600
Curtain wall
REVIT 3D MODELING IMAGE
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2006 spring Hongik university design studio work The Collider
drawings from revit
PRODUCED BY AN AUTODESK STUDENT PRODUCT
5F plan
6F plan
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4500
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4500
4'
5300
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8F plan
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10F plan
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4500 rooftop
3300
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11f
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10f
9f
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16500
8f
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7f
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PRODUCED BY AN AUTODESK STUDENT PRODUCT
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19800
6f
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5f
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LOWER AUDITORIUM SECTION
4f 0
MAIN BUILDING SECTION
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2005 spring hongik UNIv. DESIGN STUDIO
secluded church the first prize of 2005 hongik university architecture alumni conpetition Seoul korea
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the secluded church Users who seek church want to be cleansed their heart which was broken and hardened living in the world for a week. To satisfy its users, how and what should church be like?
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2005 spring Hongik university design studio work SECLUDED CHURCH
INTERIOR VIEWS
Main chapel view
Main chapel view
An architectural hardware is an object formed by software within user minds. The purpose of the users’ visits and their actions are the main element in composing the chapel. The separation with the outside world must be taken under consideration. The chapels main hall and its attached function’s physical separation and the chapels approach circulation has been separated by placing the main gate and water space. Since the priority of architectural forming process in ordinary condition is the efficiency, clear division among walls, ceiling and floor is inevitable. In the end, the most composing angle in space is the right angle. However, the priority of chapel building is something above and beyond it’s efficiency. I excluded artificial division such as ceiling, walls and floor in forming process as well as the right angle which derived from efficiency.
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saperation
Location - on the mountain.
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Location Diagram
Main gate separating mundanity and the church.
2005 spring Hongik university design studio work SECLUDED CHURCH
t h e o ry The lines composing the chapel transforms dynamically according to the users movements. In order to allow the user to experience abundant space, I propose a form which allows the space to be felt with maximum a three-dimensional effect. As it is on top of the small mountain, the motive was inspired by stretching toward the sky.
Water means special in Christianity since they believe that the baptism from water cleanse the Original sin. By placing the water around the main Chapel and also between the main gate and the chapel, I tried to express they symbolic meaning of the baptism and water. ‘Linear movement’, 2005,4. Pastel on paper
Exterior view.
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drawings
1st Floor plan
2nd Floor plan
Section
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2005 spring Hongik university design studio work SECLUDED CHURCH
p h y s i c a l m o d e l (1:200)
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2010 spring&fall hongik UNIv. DESIGN STUDIO
broadcasting station Inducing collision bewteen various event factors hongik university graduation work hongik university. Seoul. korea.
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t h e o ry Humanity has perceived observed form and split the concept into a paradigm from back in those day to an understandable level. As a result, observed different forms are included in different categories and put no interest in their organic relations. However, coming in to the modern world, we now take interest in relations between several observed forms and following it, the objects ontology has also taken a dynamic turn. Substance with mass exist as a connecting knot for fields forming surrounding space. Mass substance convert into an energy form as the knot loosens. A process in constructed on the generating forms based on the existence mechanism. Also, an attempt was made on understanding and applying the programs functional principles within the building based on the mechanism. These new types of ontology are not only existent in the physical world. They can be applied on people activity in society. The result of two different elements composition is not the result of simple addition but is the result of the addition on the amplification and offset existing in the composition of waves. Also, endities existing in different systems have links and exchange
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2009 Hongik university design studio graduatation work Broadcasting system
a p p ly i n g t h e o ry The multi-dimensional link mentioned above tells us that two different societies with different dimensions and one location operates organically. The state borders straight lines in the United States and the complicated lines between countries in Europe show us the difference in their dimensions, history and physical lines operating organically with each other. The selected site is in the heart of Seoul where modern Seoul’s history is reflected untouched.
A broadcasting system should play the role of observing society, manufacturing information itself, and distributing it to society. The distributed information expands to more influential information and feeds back as society I saw a large amount of broadcasting systems manufactured materials as public. However, the preexisting broadcasting system operated under isolation from public. I propose a space where the public and broadcasting systems influence each other intimately and where the results from the collaboration can spread out.
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t h e o ry - f o r m g e n e r a t i v e l a n g u a g e
Matrix Distortion Logic
The element located within the matrix distorts the surrounding areas.
The curved matrix forms a substance as a mass working as a function. The structure is aligned according to the curved matrix and is used as a tool for visualizing the substance with the surrounding nonexistent substances.
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In Newton’s perspective, all three axis, x,y,z, composing space is inflexible and there are no interactions between them. They were considered as the absolute being. However, the relative theory describes space axis as rubber bands which are flexible and is capable of influencing each other endlessly. I made study models in order to visualize the mechanism of emergence of substance that has mass from the non-substance matrix. In this study model, rubber strings mean grid that visualize the space. In this rubber string matrix, the substances that have mass are emerged as rubber strings are distorted. This model also shows how the surrounding space is influenced by this process. The movement of substance is not separated from the rubber strings but changing the punctual coordinate point makes another distortion in the matrix.
2009 Hongik university design studio graduatation work Broadcasting system
s i t e a n a l a sy s a n d f o r m g e n e a r t i o n
After selecting a site adjacent to the Yeoueuido park located in the center of Yeoueuido, I divided the main functions of the dispersed Yeoueuido in the surrounding area in to five factors. The five factors were established according to their importance and simulated to find out what kind of distortion would appear within the matrix.
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program collision
vertical core
I induced amplified effects from the collaboration of two different waves from two different systems, the broadcasting system (-studio. Etc) and convenient facilities for visitors. Spatial areas capable of holding new activities aroused by the amplified effect are essential. The structure formed from the relations between the substantiated function rooms and surrounding areas are planned to be installed as the background for activities which will be temporary installation.
Rendering of interior view
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Inside of broad casting unit
The vertical circulation and the entrance used inside and outside’s working as the core are generated into a combination of triangle modules. The triangular glass is used with both transparent and non-transparent glass. Transparent glass is used in areas where pedestrians are accessible. The roof is designed in double layers to install maintenance facilities including ventilation systems on each floor.
2009 Hongik university design studio graduatation work Broadcasting system
drawrings
Park Visitors can access to the ammenities inside of broadcasting station without crossing car circulation. They can access directly to the building through circulation under the car road. Section drawings
Detail drawings elevation drawings
Site plan
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physical model
Physical model(1:200) 1800x900, 2010.12, M.D.F board,LASER cutted chip board,trepal paper.
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2009 Hongik university design studio graduatation work Broadcasting system
interior and Program Units images
Interior and Vertical Cores images
interior and Program Units images
interior and Vertical Cores images
Exterior and Vertical Cores images
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2005 spring hongik UNIv. DESIGN STUDIO
fold house hongik university. Seoul. korea.
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folding
Rendering of exterior
A house is meant to be private and public at the same time. It also holds the most un-artificial program, family. I excluded the cutting and pasting of two-dimensional plates, the form was developed using just the folding method.
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Foldong conbination
2005 Hongik university design studio work Folding house
Rendering of exterior
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interior
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Rendering of interior (2nd floor)
View from Kitchen
Rendering of interior (living room)
View of Between two Fold
2005 Hongik university design studio work Folding house
hand works
Model,form board scale 1:100
Drawing.2005.4, tracing paper.
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2012 spring u.penn paramatric design class
optimization process flow
paramatric design omtimization process using grasshopper,ecotech,radiance 2012 U.penn paramatric design class
design method The design approach mainly consists of two part. First phase is finding an optimized form in terms of energy consumption by using Energy Plus. As Grasshopper rotates roof surface, Energy Plus calculates Energy Plus the amount of energy consumption for each forms, and Generic Algorithm finds the best shape. Second phase is optimization of shading with Radiance. Like first phase, as grasshopper changes shading devices arrangement, Radiance calculates illuminance for each arrangement and Generic Algorithm decides the most optimized arrangement.
a n a ly s i s a n d f e e d b a c k
Ecotech simulation and Grasshopper feed back poress
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2012 U.PENN paramatric design class work
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2011 .01-2011.08 team 153 architects.co
working experience 2011 team 153 architects.co entry designer
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House for retired couple. Location: Yang Pyoung Kyung Ki Do Korea. Contribution: schematic design, CAD drawing, 3D Modeling.
Seocho residential building Location: Seochogu Seocho dong 1622-9 Seoul Korea Contribution: schematic design, CAD drawing, physical model study
Residential building on parking tower. Location: Goanggyo Kyung Ki Do Korea. Contribution: schematic design, CAD drawing, 3D Modeling.
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