InTune — The Houston Symphony Magazine — May 2018

Page 20

FEATURED PROGRAM

MOZART PLUS A GERMAN REQUIEM Friday Saturday Sunday

May 4, 2018 May 5, 2018 May 6, 2018

8:00pm 8:00pm 2:30pm

Jones Hall

Andrés Orozco-Estrada, conductor *Mark Nuccio, clarinet Nicole Heaston, soprano **Russell Braun, baritone Houston Symphony Chorus Betsy Cook Weber, director *Houston Symphony solo debut **Houston Symphony debut

Mozart

Clarinet Concerto in A major, K.622 I Allegro II Adagio III Rondo: Allegro

ca. 28

I N T E R M I S S I O N

Brahms

Ein deutsches Requiem, Opus 45 I Selig sind, die da Leid tragen ( Chorus): Ziemlich langsam und mit Ausdruck II Denn alles Fleisch es ist wie Gras (Chorus): Langsam, marschmäßig—Allegro non troppo III Herr, lehre doch mich (Baritone and Chorus): Andante moderato IV Wie lieblich sind deine Wohnungen (Chorus): Maßig bewegt V Ihr habt nun Traurigkeit (Soprano and Chorus): Langsam VI Denn wir haben hie keine bleibende Statt (Baritone and Chorus): Andante—Vivace—Allegro VII Selig sind die Toten (Chorus): Feierlich

18 | Houston Symphony

ca. 1:08

Did you know? • The second movement of Brahms' German Requiem features an unusual funeral march in triple meter (marches are usually in duple meter). This may be an homage to Robert Schumann's Carnaval for piano, which ends with a “March of the League of David against the Philistines” in triple meter.


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