Brazil America Council News

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BRAZIL AMERICA COUNCIL

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From My Desk The year is almost over and for us another time More to come o 2019, our Jingle Mingle filled with realizations and new goals is right Celebration which this year reunites a few more around the corner. organizations, and a lot more fun. In 2019 we worked hard to enhance our involvement in the cultural level, our participation on the Board of FusionFest throughout the year was a great experience, where we could witness all the work done behind the scenes and somehow cooperate with the project.

For 2020, the sky is the limit, many plans and one certainty. We are confident about the future and the realization of our dreams. See you next month. Cordially

IMMERSE was a great experience as well, taking a look at the event for two days as part of the Laoz Rodrigues media was amazing, we look forward to 2030. President-Founder Brazil America Council We have experienced the Book signing by Brazilian Author Alberto Sena about his journey in Spain at Santiago de Compostela-Spain. Next Week on November 11, we will host the booksigning for Sabor e Saudade, authored by Bia W Meyer.


AGENDA NOVEMBER 11 - BOOK SIGNING NETWORK @6:00 PM SABOR DE SAUDADE AUTHOR: BIA W MEYER BOIBRAZIL STEAKHOUSE 5668 INTERNATIONAL DRIVE ORLANDO FL 32819 FREE PARKING- FREE EVENT - APPETIZERS WILL BE SERVED CASH BAR DECEMBER 10 7:00 PM JINGLE MINGLE CELEBRATION BOIBRAZIL STEAKHOUSE 5668 INTERNATIONAL DRIVE ORLANDO FL 32819 COCKTAIL HOUR FOLLOWED BY DINNER $30 PER PERSON FREE PARKING-CASH BAR "DVWC D1"


What is in our Luggage?

The biggest challenge when you leave your country, wherever that may be is the way you will adapt. The many changes in climate, language, strange surroundings, learning your way around town, or depending a lot more on others than you ever expected, are just the initial obstacles. The main objective is to learn the language well, to become self sufficient in business and in daily life. Have the common sense to obey the rules, laws and learn costumes of the land.. Do not make the mistake to limit yourself to the Brazilian Market only. You are in America, and you should explore all possibilities. Get off the Bubble, cross the Bridge. We are here to help. info@brazilamerica.org


If you consider purpose, we think success, if you think aboutmotivation, our driven force, is what comes to mind, but if you think our nature we can say Brazilian endurance. We have talent, intelligence and beauty, what else do we need? Tools! The idea we come all the way to America to learn, o be part of something great! Success is hard to reach, it depends on hard work, money and strength, but dedication is the main ingredient. Without dedication no effort will ever be enough to lead you to success. With that in mind, I go back to why the BAC was created, and it was for purpose and to be somehow loyal to our main principle, which is to be Brazilian, to be faithful to our roots, and to never forget where we come from. Forget the Brazilian Way, keep the Brazilian heart, the force, the will, and the reason which will determine where you will get. Be proud! We see so many young Brazilians that loose their fire, getting lost in so many scenarios, why? Because they loose touch with their roots, they forget where they come from, sometimes even ashamed, and that is the first step to fail. We can’t allow our children to make that mistake. Always remember where you come from, be thankful for America but remember Brazil with pride, because regardless, there is where we were born. It is our Mother land. So our nature, our organization the Brazil America Council was created to remind you how important it is to respect our true self and to help you through the transition from Brazil to America. We want you to succeed, but also to be happy.


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October was another great month, We had the opportunity to house the Alberto Sena’s new book, Nos Piraeus da Alma, about his journey in Santiago de Compostela in Spain. Thali Sugisawa, his daughter in law and a big fan was responsible for the event’s success and we are happy we had such a successful event. Our culture, talents and Art is our greatest asset and we should always celebrate them. We have a huge debt with our roots, we must encourage the preservation of our memory and legacy for our future generations.

On the pictures, Thali Sugisawa, Alberto Sena, Oscar Ortiz, Luis Martinez, Laiz Rodrigues, Alberto Sena, Alberto Sena his wife Silvia, his son Matt Duarte, and grand daughter Mel

NOS PIRINEUS DA ALMA


Alberto Sena and Laiz A Rodrigues Alberto Sena, Tali Sugisawa and friend

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Art & Culture are tied to one another, they bring meaning to dreams, ideas, manifestations of the soul. An artist deeps his thoughts into color, clay, wood, and constructs a picture of his imagination. Same thing with dance, interpretation and music. Artists are creative masters and IMMERSE gave a place so people can look, feel and watch art being made.

Only a city like Orlando could offer such magic. Such an opportunity to all the wonderful people in Downtown. For two days we were delighted with the combination of arts and performances. Our hearts and minds filled with emotion. We hope you enjoy our vision.


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Aretuza’s choreography at IMMERSE. Brazilian Talent!




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mador Perez was born in 1952 in Rio de Janeiro, where he resides and maintains a studio. In the 1960s and 70s he studied at the Museu de Arte Moderna do Rio de Janeiro and he graduated in 1976 in Graphic Design at Escola de Belas Artes da Universidade Federal do Rio de Janeiro. Perez began his artistic career in 1973 participating in the group show Contemporary Youth Art at Museu de Arte Contemporânea da Universidade de São Paulo, and in 1977, he held his first solo show at the Museu de Arte Moderna do Rio de Janeiro. In 1981 he started to show his work in art galleries of Rio de Janeiro and São Paulo, just as began to participate in group shows in Brazil, Argentina, Colombia, Mexico, France, England and China, also participating in international art fairs in Brazil, Germany and Japan. His carrer path includes his participation at the 21st São Paulo Biennial and solo shows in important Art institutions and cultural centers in Brazil and abroad, such as Museu Nacional de Belas Artes e Centro Cultural Banco do Brasil, in Rio de Janeiro, Instituto Moreira Salles, in São Paulo, and Scuola Internazionale di Grafica, in Venice. In 2012 he took part in the exhibition From the Margin to the Edge: Brazilian Art and Design in the 21st Century, at Somerset House, in London. In 2014 he held Memorabilia, an extensive exhibition, at Centro Cultural Correios Rio de Janeiro. His most

recently event in 2019, celebrating 45 years of his career, Amador Perez held DVWC Fotos e Variações, in Paço Imperial, Rio de Janeiro, exhibition that included, in addition to his recent work, a retrospective summarized from the 1970s to the present day. His works are part of the collection of renowned cultural institutions in Brazil and abroad,including those of the Museu Nacional de Belas Artes, Museu de Arte Moderna (Rio de Janeiro), Pinacoteca do Estado de São Paulo, Museu de Arte Contemporânea da Universidade de São Paulo, and the Collection of Latin American Art of the University ofEssex (England). His works are also part of important Brazilian and foreign private collections, such as those of Gilberto Chateaubriand, in Rio de Janeiro, Guita and José Mindlin, in São Paulo, Richard Hedreen, in Seattle, and Harlan Blake, in New York. The awards he has won most notably include 1st Prize in Drawing at the 8th Salão Carioca, 1984 (Rio de Janeiro), and the 1st State Governor Prize, at the 4th Salão Paulista de Arte Contemporânea, in 1985 (São Paulo). Perez' work is cited in specialized bibliographies, art articles and reviews; he published artist's books in 1983 (Nijinski: Imagens), 1999 (Coleção do Artista), and 2014 (Vaslav Nijinski: SOU); and was taught as a university professor since 1981, mainly at ESDI /


AMADOR PEREZ Brazilian Artist All the photos (64 = 4 x 16) together in the exhibition make up the DVWC series Photos and Variations - each group of 16 photos refers to each of 4 artists who were focused on DĂźrer, Vermeer, Watteau and Courbet and this Cover is the 1st photo in the full series and the title is "DVWC D1"



AMADOR PEREZ DVWC


Amador Perez nasceu em 1952 no Rio de Janeiro onde reside e mantém ateliê. Iniciou sua carreira como artista visual em 1974 participando da exposição Jovem Arte Contemporâno Museu de Arte Contemporânea da Universidade de São Paulo. Graduou-se em 1976 em

Projeto Gráfico na Escola de Belas Artes da Universidade Federal do Rio de Janeiro. Em 1977 realizou sua primeira exposição individual, Vaslav Nijinski a convite do Museu de Arte Moderna do Rio de Janeiro.

A partir de 1981 começou a expor no circuito de galerias de arte do eixo Rio/São Paulo e a participar, como artista representado, em feiras internacionais de arte contemporânea no Brasil, Alemanha e Japão. O desenvolvimento de sua trajet ória inclui participação na XXI Bienal Internacional de São Paulo (1991), assim como a realização de diversas exposições individuais convidado por importantes instituições, tais como, Centro Cultural Banco do Brasil (Rio de Janeiro, 1992), Instituto Moreira Salles (Poços de Caldas, 1993 e 1997, e São Paulo, 1998), Scuola Internazionale di Grafica (Veneza, 1996), Museu Nacional de Belas Artes (Rio de Janeiro, 1998), e Paço Imperial (Rio de Janeiro, 2005). Ao longo de sua carreira tem participado de exposições coletivas no Brasil, Argentina, Colômbia, México, França, Inglaterra e China, e em 2012 integrou “Da Margem ao Limiar: Arte e Design Brasileiros no Século XXI”, na Somerset House, em Londres. Amador Perez Studio


Sua trajetória é citada em bibliografias especializadas, tais como, História da Arte Geral no Brasil (Walter Zanini, São Paulo, Instituto Moreira Salles, 1984) e Cronologia das Artes Plásticas no Rio de Janeiro – 1816/1994 (Frederico Morais, Rio de Janeiro, Top Books Editora, 1994).

AMADOR PEREZ-DVWC

Em 2014 comemorou 40 anos de atividades realizando as exposições “Quantos Quadros”, no Centro Cultural Cândido Mendes-Ipanema, e Memorabilia – Amador Perez – 40 Anos, no Centro Cultural Correios Rio de Janeiro. Acervos de renomadas instituições culturais brasileiras e estrangeiras possuem suas obras, tais como, Museu Nacional de Belas Artes, Museu de Arte Moderna do Rio de Janeiro, Museu de Arte do Rio, Pinacoteca do Estado de São Paulo, Museu de Arte Moderna de São Paulo, Museu de Arte Contemporânea da Universidade de São Paulo, e Coleção de Arte Latino-Americana da Universidade de Essex (Inglaterra); e também importantes coleções particulares, tais como, Gilberto Chateaubriand e Luis Antonio de Almeida Braga (Rio de Janeiro), Bruno Musatti, Guita e José Mindlin, e Kim Esteves (São Paulo), Harlan Blake (Nova Iorque), e Richard Hedreen (Seattle).

Em 1983 publicou o livro de desenhos Nijinski: imagens (Amador Perez, Rio de Janeiro, edição do autor), em 1999, o livro Coleção do Artista – Amador Perez (Editora Fraiha, Rio de Janeiro), um resumo de sua obra, e em 2014, os “livros de artista”, Vaslav Nijinski: SOU e Nijinski: Imagens (Amador Perez, Edição Holos Arte, Rio de Janeiro). Atuou como professor universitário desde 1981, principalmente na ESDI-UERJ – Escola Superior de Desenho Industrial da Universidade do Estado do Rio de Janeiro, desde 1984, e desde 1991 no Departamento de Artes e Design da PUC-Rio – Pontifícia Universidade Católica do Rio de Janeiro


Going down these steps was scary. Modern stairs in a very old building. Priceless. Downtown Rio is a large of Rio that was redisigned to house not only businesses but also Art and Culture. We must recognize, that it was a job well executed. Downtown today houses not a few but many Museums and Culturaal areas. In these pictures, you can see the beautiful contrast between modern and old, where Universities, Museums, Court and several businesses, share their magnificent space. Rio is magic, and all because espite all the political turmoil, dreamers also found a way to create this contrast which attracts so many investors and tourists, It is a work in progress but for sure worth seeing. I visited de Imperial Path, that was transformed in a huge cultural space with many artists showing their wor, including Amador Perez. The BAC was honored to be there at Amadeu Perez Art Exhibition and it is our main interest to bring Brazilian Art everywhere we can. We hope you liked it. Visit Rio, talk to us.


DOWNTOWN RIO-AN ART AND BUSINESS LOVE AFFAIR,


7362 Futures Dr Ste 24, Orlando, FL 32819 Phone: (407) 452-9197 http://believecreditsolutions.com/


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A LITTLE ABOUT OUR HISTORY

The property stretches from Rua do Catete (Catete Street) to Praia do Flamengo. Construction began in 1858 and ended in 1867. From 1897 to 1960, it was Brazil's presidential palace and the site of President Getúlio Vargas' suicide. It now houses the Museu da República (Republic Museum) and a theatre. The Catete underground rail station is adjacent.

ceed in turning the palace into a luxury hotel. Due to the economic crisis in the late 1880s and early 1890s (The Encilhamento), the venture went bankrupt, and its titles acquired by counselor Francisco de Paula Mayrink. Five years later, Mayrink paid off debts to the Bank of Brazil. The seat of the executive branch of Brazil was the Itamaraty Palace in Rio de Janeiro. In 1897, President Prudente de Morais became ill and Vice President Manuel Vitorino took office as interim. He acquired the Catete Palace and over there installed the seat of government. Officially, the palace was the seat of the Federal Government from 1897 until 1960, when the capital and the Federal District were transferred to Brasília.

The building was built as the residence of family of the Portuguese-born Brazilian coffee producer António Clemente Pinto, Baron of Nova Friburgo, in the then capital of the Empire of Brazil. It was called the Palace of Largo Valdetaro and Palace of Nova Friburgo. With the design of German architect Carl Friedrich Gustav Waehneldt, dated 1858, the work began with the demolition of the old house. The construction officially Various historical events happened in the ended in 1866, but the finishing works still palace halls, such as the death of Presicontinued for over a decade. dent Afonso Pena in 1909; the signing of the declaration of war against the GerAfter the death of the Baron and the Bar- man Empire and its allies in 1917, during oness, their son Antônio Clemente Pinto World War I; the visit and hosting of CardiFilho, the Count of São Clemente, sold nal Eugenio Pacelli, the future Pope Pius the property in 1889, shortly before the XII, in 1934; the declaration of war against Proclamation of the Republic of Brazil, the Axis in World War II in 1942; the suicide to an investors group, who founded the of President Getúlio Vargas in 1954, with Companhia Grande Hotel Internacional a shot in the heart, in his bedroom (Grande Hotel Internacional Company). This development, however, did not suc-










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Sabor de Saudades Author: Bia W. Meye



Book: Sabor de Saudades Author: Bia W. Meyer Event Organized By: Brazil America Council Sponsored By: BoiBrazil Steakhouse Gostoso Bakery Support: Rustic Bread Bakery


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Sabor de Saudades Author: Bia W. Meye

To support Brazilian Heritage and Culture, as part of our objectives at the Brazil America Council, we thrive on gathering and enjoy our Cultural Talk Networkings. The book, Sabor de Saudades reunites Recipes of our childhood cakes and other foods which are familiar to many, all Family Recipes. Food and the way we cook them, is a great part of our cultural Heritage. We are proud to be able to share this with our members and followers. The book written by Bia W. Meyer is a gem. and it is in its Second edition, getting to its third shortly We are sure of its success and more things to come. Bia is an incredible woman with a loving heart and devoted to her family. Her friends were all there to support her and made the event a huge success.



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Sabor de Saudades Author: Bia W. Meye


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Sabor de Saudades Author: Bia W. Meye



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Top US EB-5 Visa Attorney Carlos Colombo to Provide Seminars for Foreign Investors in Wake of Increase in EB-5 Visa Minimum Threshold to $900,000 and $1.8M to take effect November 21, 2019

ORLANDO, Fla.--(BUSINESS WIRE)--Carlos M. Colombo, one of America’s top Immigration Attorneys specializing in the filing of EB-5 Visas and other employment and investment based visas, will be providing a series of seminars to inform potential investors, developers, realtors, attorneys and those affected by this change about US Immigration options in the wake of the recent announcement increasing the minimum investment threshold for an EB-5 Visa from $500,000 to $900,000 for targeted employment areas (TEAs) and up to $1.8 million for all other investments effective November 21, 2019.

“opportunity for potential investors and those involved in the EB-5 program to understand the impact of the changes to the EB-5 program and get a sense of their options for a green card before the November deadline.” The EB-5 Visa allows foreign investors and their immediate family members to obtain a green card in the US through an investment among other requirements. On July 24th, DHS announced the upcoming increase along with many other changes to the EB-5 program. Attorney Colombo explained that he has received dozens of calls from clients following the announcement and that the seminars will provide an “opportunity for potential investors and those involved in the EB-5 program to understand the impact of the changes to the EB-5 program and get a sense of their options for a green card before the November deadline.” Mr. Colombo, who has successfully filed hundreds of EB-5 Visas for clients in over two decades of legal experience, expressed that it was important for potential EB-5 investors to understand the changes as quickly as possible in order have the best opportunity to file a successful application.


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2503 W Swann Ave #108 Tampa, FL 33609 (813) 444-1114


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