HotBreath Magazine Issue 4 by HotBreath Magazine

VOLUME 4

SUMMER 2012

EUSHEEN Glass Artist Profile

TRADE SHOW RECAPS Coast to Coast North American Coverage

DFO Cornerstone Glass brings the fire

GROW YOUR BUSINESS Marketing tips from pros who know

EVOLUTION OF VAPORIZATION Back to the Future HOTBREATHMAGAZINE.COM

$8.95 US

CURRENT PHOTO: Glass art by Clinton Roman Photography by Dash Carlisle COVER PHOTO: Glass Art by Eusheen Photography by Wes Elkin

The views and opinions expressed in HotBreath Magazine are solely and respectively those of the individual contributors. HB Publishing and our staff will not be held responsible or liable for any claim, loss, damage or inconvenience arising from the content of any authors' materials featured in HotBreath Magazine, related publications, or communications, nor for any error or inaccuracy contained in any such information.

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ADVERTISING INDEX

420 Science

AGE

4,5

All Fun Gifts

14,15

drinkbeerridebikesgetawesome.com

Armilon

Big D Glasswork

Big Industry Show/Formula 420

Lava Rubber

Lighter Mate

58, 59

Lucky Kratom

Manifest Glassworks

72, 73

Matty White Studios

109

7,67

PAX (Vapor World/Head Change Distributors)

correction from vol. 3

BIG PIPE

Pure DTX

48-51

Blazing Blue Glass

Pure Hemp

DAVE STUCKY

Celebration Pipes

RYOT

42, 43, 99,

CHAMPS Trade Show

2, 3, 116

Shake It Clean

Chesterfield Glass Art

Silika

8,9

SI Pipes

Cornerstone Glass

Skeye Wholesale/Spark420

102, 103

Digger

Sky Glass

108

Dime Bag

Smoke Better

Doob Tubes

Smoker’s Survival Kit

FRANTICUS

Stok

Glassphemy

The Flow

Glassroots Art Show

TPE

GLOW

114, 115

Transformer Tubes

Unbroken Glass

Gourmet Innovations

Vape Tool

Gravitron

Vape World

GSM Distribution

Vapor Brothers

Haze Tobacco

Vapor Outlet

HBI

19, 29

Volo

Head Change Distributors

47, 74, 112, 113

Hello Neighbor

V Syndicate

HotBreath

55, 70

Iolite

I-TAL Hempwick

Jelly Ball Diffuser

Kannastor

In the midst of the hustle and bustle that is getting this magazine ready for print, we regrettably made an error in Volume 3 that we’d like to remedy as best as possible. In our piece about the 26th CHAMPS Glass Games, a valiant competitor by the name of Dave Stucky was left out. He built a working R.C. car out of glass. Congradulations to Dave Stucky for his enginuity.

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THE FUTURE IS CLEAR

N E W C L E A R B O DY G R I N D E R O N LY F R O M K A N N A S T Ö R PAT E N T P E N D I N G

PUBLISHER

MARCO VOLO ADVERTISING

Happy Birthday to HotBreath Magazine! Being a quarterly publication, that means we’ve completed our first full year. Producing a magazine is no easy feat, and the HB Team has at times been tested of their meddle. We hope you’ve enjoyed their work! But taking a moment to reflect on the implications, I believe our industry is a much better place with HotBreath Magazine in it. Only one year ago, there was no real industry event coverage, which was a major disservice to store owners, many of whom cannot afford to send employees to the growing number of industry events. A critical part of our mission is to disseminate relevant knowledge to these employees, as less knowledgeable employees at the counter equals less sales at the register. And then there’s the glass. Functional art glass remains the leading draw in the industry. These artists continue to amaze us through their contributions to the glass blowing community. We are stoked to share extensive glass coverage over the last year, alongside featuring some of the industry’s top artists. You keep blowing and we’ll keep showing! Most importantly, we owe a HUGE thank you to our growing list of advertisers, contributors, and supporters. We couldn’t do it without you - and we look forward to many more years of collaboration!

PUBLISHER MARCO VOLO

MARCO VOLO KELLEY FRANZMANN GLASS OTAKU CREATIVE DIRECTOR

TY LOOKWELL PHOTOGRAPHY

SARAH BOBOWICK MAXWELL TUBMAN DASH CARLISLE WES ELKIN EUSHEEN AARON ROGOSIN JEFF BELLESILES MICHAEL GUERRINI GLASS OTAKU MORGAN RICHARDSON CORNERSTONE GLASS KEVIN DANKMAN EDITORS

DASH CARLISLE OLIVE POLLY JAMIE COULTER DESIGNERS

TY LOOKWELL THRASH TONIC CONTRIBUTORS

MARK STAIANO DASH CARLISLE GLASS OTAKU MATT LAPRAIRIE JOSHUA KESSLEMAN VAPE WORLD eSBe KINICH BARCELO ANDY SOLANAS KEVIN DANK MAN MISTY MISS DEMEANOR OLIVE POLLY SELBOT THRASH TONIC

Questions? Comments? Story Ideas? Contact Us! HOTBREATHMAGAZINE.COM advertising@hotbreathmagazine.com art@hotbreathmagazine.com editor@hotbreathmagazine.com publisher@hotbreathmagazine.com 800.375.2005 fax: 706.613.9089 P.O. Box 8043 Athens, GA 30603

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EVOLUTION OF VAPORIZATION By: Vape World In the epic battle of smoke versus vapor, everyone is a winner. Let’s be honest, smoking is one of humanity’s oldest pastimes, connecting cultures and uniting individuals around the globe. After all, smoking transcends the boundaries of language. Similarly, vaporization has been around for much of recorded history. Centuries ago, ancient cultures would gather around red-hot stones, throw seeds on top and proceed to bathe themselves in the aromatic vapor released into the air. How is it, then, that so many people still are unacquainted with what vaporization actually is? Awareness of the benefits of using a vaporizer is rapidly increasing, thanks to strong networks in the smoking subculture, but there are many questions left to answer. Let’s start from the top. What is a vaporizer? Vaporizers are devices used to heat various herbs, oils, and extracts to a temperature high enough to release desired active therapeutic components, but below the point at which such substances burn. Modern day vaporizers are quickly gaining popularity as a cleaner alternative to smoking, eliminating toxic carcinogens and providing the true aroma of your blends. One can enjoy the pleasantness of different substances without the lingering smell of smoke on one’s tongue, hands, and clothes. Better yet, no smoke means

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no second-hand smoke! Since no combustion occurs, the vapor produced is cooler in temperature than smoke and is less likely to irritate a sensitive throat. While knowledge of vaporizers and the clear advantages of vaporization is quickly growing, the history and origins of the device remains hazy. Vaporizing traces its roots back to Ancient Egypt as evidenced in “The History of Herodotus” (1928, Dial Press, Inc., p.226, Book IV). During 5th century B.C., Herodotus, who is often called the “Father of History”, recorded his account of the ancient practice enjoyed by Scythians. “The Scythians take some of this hempseed and… throw it upon the red-hot stones; immediately it smokes and gives out such a vapor as no Grecian vapor-bath can exceed; the Scyths, delighted, shout for joy.” The steady heat from the baking stones would produce a pleasant smelling vapor uncontaminated by smoke. The same principle of heating without burning is the basis of many aromatherapy products today. The concept of using a stone as a heating element to create a vapor was later refined in the form of

a hookah. Heated by a charcoal, a hookah does not actually burn tobacco. Instead, it is designed to vaporize all the honeys and sugars in which the shisha tobacco is marinated. That explains why the tobacco remains in the hookah bowl, as opposed to turning to ash like a cigarette would. The origins of the hookah date back over 1,000 years, invented in the northwestern provinces of India. Early hookahs were simple and primitive, often made from a coconut shell base. About 500 years ago, when the hookah made its way into Turkey and became popular among intellectuals and the upper class, hookah designs became more ornate. The hookah grew in size and complexity and became similar to models that we are more familiar with today. After the popularization of the hookah, several centuries passed with virtually no notable technological advancements in vaporization. Finally, in the late 20th century the modern day vaporizers began to take form. In the 1970s, a vaporizer known as the Tilt was created. According to the manufacturer, laboratory tests demonstrated that it released 79% less tar than a regular pipe. The Tilt would not be on the market for long, as it was withdrawn in the early 1990s due to the passage of anti-paraphernalia laws. This absence was soon filled thanks to the efforts of a Cherokee medicine man. Eagle Bill Amato, born in 1942 as Frank William Wood, has been

“When it comes to efficiency, vaporizers offer consumers a much higher value than combustion ever will.”

labeled the “Father of Vapor” and is often credited with single handedly sparking a vaporizer revolution that lead to the invention of hundreds of different vapor delivery techniques. Eagle Bill was introduced to vaporizing in 1993 by a Californian grower who used a heat gun to vaporize medical herbs. In an effort to design a more affordable means of vaporizing while simultaneously raising public awareness, Eagle Bill invented the “Shake and Vape” based on the very same Ancient Egyptian methods of using indirect heat to vaporize and release active therapeutic compounds in various herbs. The Shake and Vape was a simple but innovative design – a glass pipe that relied on heating the bottom of a glass bowl with a flame rather than lighting the substance itself. Pioneered by a Native American, the Shake and Vape was nicknamed the “Peace Pipe of the Future”.

Eagle Bill’s invention would be the catalyst for rapid technological and product developments in the vaporizer industry. The BC Vaporizer, developed in 1994 by a Canadian company, was one of the first electric vaporizers. Whereas many vaporizers operate via convection-style hot air flow, the BC Vaporizer utilized a conductionstyle heating process, which means the plant materials come in direct contact with a hot surface. Reflective of the diversity comprising the smoking demographic, there are a multitude of vaporizers available today that can be matched to an individual’s unique needs. Stationary models are very popular, providing a convenient way to vaporize in the comfort of one’s own home. These units usually require connection to a power outlet, so many consumers keep their home-based unit on a bed-side nightstand or coffee table. Currently, the biggest trend in vaporizers is a shift toward total portability. Vaporization enthusiasts are jumping at the opportunity to carry a pocketsized device that offers flexibility of use. Manufacturers such as Ploom and Magic Flight have mastered the art of discretion without compromising quality and efficiency. By offering units that fit in

a shirt pocket as well as they fit in the palm of one’s hand, these companies are providing consumers with a new outlook on the options vaporizers provide. Now, users can bring their favorite portable vape on a hike, to the beach; the possibilities are endless! When it comes to efficiency, vaporizers offer consumers a much higher value than combustion ever will. As any smoker knows, after combustion, the remaining materials have turned into ash. Vaporizers provide quite the opposite experience. After the desired compounds have been released, the structure of the “already been vaped” (ABV) blends remains intact, although, the materials will be much drier and darker in color. Although most of the active ingredients have been vaporized, users can save their ABV blends to further extract active compounds through revaping, cooking with, or even making a tincture. This allows users to truly get the most value out of any blend. Like telecommunications, there have been more technological advances in herbal vaporization in the last two decades than the previous two millennia. What will the future bring? Who knows, but as you ponder what’s to come, remember to appreciate the past, because it led you to the present, which will guide you in the future. “The History of Vaporization” is the first article in a four part series highlighting various aspects of the herbal vaporization industry brought to you by Vape World…. Be sure to follow us next time as we discuss “The Staples of the Industry”.

Eagle Bill “Shake and Vape” 1993

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TUBE STYLE

Cool Air

Blends

Active Ingredient Only

BALLOON STYLE

WHAT IF I WANTED BOTH A TUBE AND BAG SYSTEM? DIRECT INHALE STYLE

FUNCTIONAL ART GLASS FROM THE UNDERGROUND Write up by Cornerstone Glass Staff Photography by Eric Weeks and Artistic Outlet Media

The environment of the DFO strengthens our glass community through partnerships, friendships, and shared business. It’s our mission to attract the best artists in our nation to compete and showcase their talents at this national hub for glass. This onthe-map event ensures that the industry’s finest glass innovations, equipment, and supplies are utilized in the most spectacular forms through the design of functional glass art.

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ROBIN HOOD

RAS ATTITUDE MATTY WHITE

HAMM NATE DIZZLE BALLER BUCK BRAUN

JAKE C HOTBREATHMAGAZINE.COM

Competing Artists: Baller (NY) Carsten Carlile (OR) Chris Carlson (OR) Nate Dizzle (WA) Gemini Andy (OR) HAMM (OR) Hoobs (CA) JAG (PA) Jake C (WA) Joe Blow (TX) Joe Peters (VT) Marcel Braun (OR) Matty White (OR) Robin Hood (IL) Snic (TX) Steve Bates (CO) Tristan (CA)

"Hey Sheriff, I found these guys just rollin' around... I'm here for that reward".

PLAIN WHITE ROLLING PAPERS by Joshua Kesselman

Imagine a country where you can only sell plain white rolling papers. If the biggest rolling paper factory in the world has their way, America will be that country! Many of you will remember back in 2009 when the FDA incorrectly said that all flavored rolling papers were illegal. When this happened I decided to challenge the FDA and fight them in Federal court. When I made that decision I first contacted my competitors and colleagues to ask them to join me in the battle. Everyone said no. They said it either wasn’t worth it for them, or that the market was “too small” to be worth it. In the end, HBI went at it alone and we were able to secure a place for flavored rolling papers in the market. Now, years later we are under attack again. This time it’s not a direct attack by a government agency but rather a contrived attack by Republic. Who is Republic? According to Wikipedia they are the largest rolling

paper factory in the world. They make JOB, ZIG-ZAG, TOP, OCB, ABADIE and GAMBLER. Republic is pushing for legislation to get flavored cigar wraps and flavored rolling papers banned. They have also filed briefs at the US TTAB stating that cigar wraps are “drug paraphernalia” and given presentations to other agencies. A ban or restriction would greatly benefit their bottom line as people would be forced to go back to plain rolling papers. It’s my understanding that this all comes down to a fight between Republic and National Tobacco. National Tobacco is the owner of Zig-Zag cigar wraps and owns the Zig-Zag trademark for cigar wraps. Republic’s group earns income whenever Zig-Zag papers are sold, but not when Zig-Zag cigar wraps are sold. So, Republic has a significant interest in getting cigar wraps banned. Further, Republic no longer markets any flavored papers in the USA. They probably feel that Juicy Jays has an unfair advantage over their papers – so

they seek to have Juicy Jay’s banned. This is the way of big business. By getting flavored cigar wraps and flavored papers banned, it hurts every store owner that used to sell these. It hurts consumers who have had their choices taken away. It hurts the freeenterprise foundation that is America. It is another loss of freedom. You might have doubts about what I’m saying so do your own research. We have copies of Republic’s filings and presentations at JuicyJays.com. If you want to fight back and protect your store the best thing you can do is to ask Republic to stop this banning tactic. You can call them directly at 800 288 8800 and let them know how you feel. It’s important to be nice and polite. The more of us that call them the better chance we have to stop them. If we can get Republic to fight with us rather than against us, imagine the power they could bring to help us all! Joshua Kessleman is founder and CEO of HBI Internatational. Call HBI at 800 420 4372 www.hbiinternational.com

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YIKES! YOU NEED MORE LIKES!

Everyone wants to be liked. Getting more people to like you on Facebook is just like getting people to like you in real life – it’s not that hard, but it requires some effort and attention to etiquette. You already know that Facebook fans are valuable, but perhaps you’re wondering why some brands in our industry are able to amass tens of thousands of fans while others languish and become virtual ghost towns. The following seven strategies will help you avoid the most common mistakes and increase the number of people who like you on Facebook. 1. Your content is bad. What are you posting? Are you just promoting your company and your products? Boring! People don’t care about you; they care about what’s relevant to their lives. Sometimes that’ll be your product or service, but most of the

time it’s not. You’ve got to sprinkle your shameless self-promotion in with the content that’s interesting to your audience. Posting photos of events that you attend is a great way to share original, interesting content. Trade shows and festivals offer plenty of good photo opportunities and allow you to demonstrate that your company is a relevant member of this culture. Another source of content is the news. Every day there’s a story connected to our industry in some way. You can find these stories by searching Google News. You’ll notice that many news websites have the same story – this is good because it gives you some options when choosing which one to link to from Facebook. Pick a news site that doesn’t have any pop-up ads that would annoy your fans. Also choose one that has a good photo. Links from Facebook will often contain a photo and links with good photos get more clicks, likes, comments and shares. Beyond that, use status updates to engage your fans. Ask them questions. Tell them funny things that happened at your shop. Let your personality shine through in your posts. Use the opportunity to humanize your brand. This allows people to feel a personal connection and that’s how you cultivate loyal fans.

2. What’s the frequency, Kenneth? How often you post is a big factor in the growth of your fanbase. Too many posts and you risk being unliked or hidden. But having too few posts will limit your growth potential.

A study by Ignite Social Media of the top 50 brands on Facebook found that they averaged 38 posts per month. You can bet companies like Red Bull and Nike take social media seriously, so it’s probably a good idea to emulate their behavior. Posting once or twice per day seems to be the sweet spot.

“it’s not that hard, but it requires some effort and attention to etiquette.”

3. Pay attention! I see many brands that don’t respond to questions on their Facebook page. What a lost opportunity! Someone from your company needs to login to Facebook every day to answer questions and field customer service inquiries. Ignoring a post on Facebook is the same as ignoring an email in the customer’s eyes.

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4. Stop asking “Help us get to X number of Likes!” That’s stupid. It’s selfish and focuses on what you want rather than what your fans want. Why should your fans care how many likes you have? Even if they do want to help, you haven’t provided any action they should take to help. So just stop doing it.

“What’s beautiful about this approach is that the target demographics align perfectly.”

5. Don’t ignore your stats. Facebook provides a plethora of information when it comes to how popular your posts are. Use this info to gauge what your fans respond to the most and give them more of what they love.

There are three pieces of relevant data for each post: the number of likes, comments and shares. When someone interacts with your post in one of these three ways, their friends can see that and your brand gets increased exposure. Obviously, the more likes, comments and shares your posts generate, the bigger the audience you reach. 6. Winner Winner Chicken Dinner! A popular way to garner interest on your Facebook page is to have a contest. Give away some of your products or even t-shirts and other promotional items. Ask people to leave a comment about why they love your product or why they deserve to win. Encourage them to share the contest post with their friends.

You gain exposure on Facebook during the contest and there’s also the possibility of some excellent word-of-mouth marketing from the winners. I wouldn’t recommend having a contest every day, but a few times per month seems reasonable.

7. Promote your page. This one seems so obvious (just like content), but it can also have a HUGE impact (just like content). If you have a retail store, post some signage promoting your Facebook page and why people should care (discounts, contests, funny pictures, newest gear, etc.).

approach is that the target demographics align perfectly. Fans of 420 Science will probably also be interested in other brands in our industry. We’ve been helping our friends at Dime Bags grow their Facebook fanbase and it’s now 12 times bigger than when we started at the beginning of the year. So there you have it. By focusing on these seven strategies (and some good old fashioned customer service), 420 Science is now approaching 60,000 fans on Facebook.

If you have a website, you can install a widget that shows your most recent Facebook posts – check out our website at www.420Science.com to see an example. Put your Facebook address on your print ads and catalogs. Get it out there! One of the most effective ways to promote your Facebook page is the tag team approach. Partner up with some of your friends in the industry! Send your fans to their page and vice versa. Give away a prize pack with one of their products and one of yours. Talk about how you met or share photos of your people partying together at a trade show. What’s beautiful about this

Now it’s your turn. Share this article with your team and start cultivating a large following of your own. Matt LaPrairie is the co-founder & CEO of 420 Science. You can read his previous articles on his blog at www.420CEO.com. www.facebook.com/420science Email your thoughts and ideas to CEO@420Science.com.

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Q & A with the legendary glass blowing artist

"Flow On Upline" April 2011. Marble made by John Kobuki

EUSHEEN Interview by eSBe Photography by Eusheen and Wes Elkin

What got you into glass blowing initially? I started working at the Toad Stool in Grants Pass, Oregon in 1997 selling pipes, skateboards, clothes, jewelry, etc. I started selling Carsten, and Darby’s pieces and Ezra’s work too. Some of my friends in high school had their pieces and that’s what got me interested. The Toad Stool introduced me to the glass scene and in 1999 I started watching people blow glass. This guy in cave junction, Dorian, let me blow glass in his studio for the first time and on my third try I made my first pipe. In 2000 I moved into the upstairs of the Studio G where I began blowing glass more frequently and never stopped. My high school friend Mike Luna was the first person who taught me to blow glass. This is important to me because this is where it all began, with Mike Luna I worked in studio G for about six years. I was able to fill orders for myself and the owner. In 2007 I moved to Onion Mountain and took classes with Banjo and Chaz Pyle. Natey moved from Flagstaff to Onion Mountain with me to start a glass shop and we worked there with Shen Dog (my brother), Jameson, Banjo, Cowboy, J Red, Carsten Carlisle, Marble Slinger, Hops, Mike Svenson, Josh B, Adam G, and Ben Bernie, etc. The list of people that came and went is immense. I would definitely say that some of my best work came from late night sessions at Onion Mountain. About 3 am is when the creativity really started flowing.

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"Green and Black "14' H, 6' W, Bubbler July 2011 (bottom View)

"Flow On Upline" Back of large disc is 8 inches.

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What do you miss most about Onion Mountain? The community is one of the things I miss but it got hard having so many artists in one small space. Also having the shop and your home in the same space can get hard. But despite all the pits I wouldn’t change a thing about it. Everyone that lived there grew as an artist and changed for the better. I moved away from Onion Mountain in January 2010 but the shop would have never been possible without Natey and Jennifer Biskind. To this day, glassblowers still occupy the house. Jennifer Biskind, Natey’s mom from San Jose, was like a second mom to me. She would show up with boxes of food and make crock pots for everyone in the house. When I moved away to Tucson, Arizona, I started working at Fat Head Glass Shop. I lived there with Mike Svenson and worked with Web, Calvin, Natey and Micah. I left at the end of August and moved to Athens, Georgia and opened my first independent shop.

"Flow On Upline" 32 inches tall, 8 inches wide, 4 inches depth. Can be seen in person at the Glass Bottom in Tucson AZ.

Is there anything you want to accomplish during your time in Georgia? I would love to bring some of the community from out west to Georgia and the rest of the East coast. There is such a huge glass scene blowing up along the West coast and it would be awesome to spread the events and support out east. I just want to get my work out there to people in Atlanta and Athens. It was slow at first but it’s been picking up. The economy is different but I have had good fortune with The Blue Rat in Atlanta and HotBreath and 42 Degrees in Athens. You can find my work in all three of those stores in Georgia.

Reversal marble with synthetic opal May 2012

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Rainbow Fillachello Marble Collaboration with Rose Roads. (2 inches diameter) May 2012

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Current Photo: "Green and Black" Bubbler Top Right: "Colorado Double Bub" Mouthpiece Fillachello Middle Right: "Colorado Double Bub" Set. Collaboration with Natey Biskind September 2011 Bottom Right: Marble Collaboration with Rose Roads. Being finished. May 2012

Fillachello Termination. Probably one of the hardest tasks when creating these patterns.

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Is there anything that surprised you about the South?

Large Dicro Bubbler with 2.4 inch marble May 2011

“Green and Black” Bubbler mouthpiece Fillachello

Current Photo: “Green and Black” Bubbler Top Right: Large Dicro Bubbler mouthpiece reversal. Middle Right: Marble Collaboration Pendant With Sonni Brickhouse (My girlfriend:) October 2011 Bottom Right: Marble Collaboration Pendant/Ring with Sonni Brickhouse September 2011

It is very beautiful! It reminds me of Oregon a lot and there is such a thing as southern hospitality for sure! First place I called to get my studio, I got it! Same with my house. As soon as I looked at it, the landlord gave me a lease without any background check or hassle... on the spot, and it’s the best place I have ever had to blow glass. Now me and my girlfriend Sonni share the space and she is a metal worker, so we do collaborations often. There is totally something to say about southern hospitality. Despite being a pipe maker I have found a lot of acceptance in a more conservative community. The professors at the University of Georgia and the people at the Lyndon House Art Center have been very welcoming and shown a lot of interest in my work. And not just the marbles, the pipes too. I was invited to do a show at the Lyndon House but, was unfortunately too busy to do it.

Are there any upcoming things you are doing that we should know about? Well, I just finished up a class at Revere Glass in Berkeley, and I am teaching a class in Bend, Oregon. Then Sonni and I are off to Germany, and I’m going to work with the people from ROOR again for two weeks. I’m also doing the Galleria Show this August in Vegas. I am making a non-functional sculpture for Paul Stankard, marbles for glassorbits. com, and a collaboration with Robert Mickelsen in November; all while continuing to teach classes throughout the year. Keep up with me on Facebook to get the dates for my September class in Ft. Wayne, Indiana where I will be teaching with Natey Biskind. To follow Eusheen, visit his facebook here. http://www.facebook.com/eusheen

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Photography and Review by Dash Carlisle

he digital age of music has spawned an overwhelmingly saturated market of laptop DJ’s, auto tuned fashionistas, and living room Guitar Heroes. Social media and guerilla marketing has created a world where anyone can experience fifteen minutes of fame on a daily basis. In an era where musical talent can be quantified in accuracy percentage values and fan page hits, you may find yourself asking, “What happened to good music? Where are the real musicians?” This tenuous line

of questioning often points to unyielding taste, antiquated 1st generation iPod playlists, and the unwillingness to put in the time it takes to discover new and exciting music. In order to keep things fresh, one must challenge one’s mind. Some of you may rock out in your car or in front of your flat screen television. Many of you may fall into the musician or gear nerd category. However you choose to define your level of music obsession, we collectively

share a craving for rock sustenance. If you have already had the privilege of attending a Baroness show, then you’ve been served a healthy portion of high calorie musical nourishment. They’ve shared the stage with heavy hitters like Metallica, Janes Addiction, Coheed and Cambria, Mastadon, Deftones, and High on Fire to name a few, and in 2010 made their debut at both Bonnaroo and Coachella. Their heavily technical chops aid in creating a genre-bending river of melodic vocals, harmonized guitar leads, heart-pounding and tastefully syncopated drumming, and thunderous bass. While their impeccably crafted albums properly represent the band’s strengths, nothing compares to the passion of their live musical performances. On April 27th, 2012 Baroness stopped in Nashville, TN and performed to a packed house at The End. This would be the third and final headlining night of their twenty-two-show North American tour. The small, dimly lit room smelled like feet and was quickly filled to capacity. The stage, only two feet off the floor, is a gear fanatic’s dream. Custom and boutique guitars, amps, pedals, drums, and other electronic toys sparkle and shine amidst the red stage lights. Who knew that First

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VENUE: THE END NASHVILLE, TN 4.27.2012 Illustration by Ty Lookwell

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Set List:

Horse called Golgotha March to the Sea Steel That Sleeps the Eye Swollen and Halo The Gnashing Take my Bones Away

Grad The Sweetest Curse Jake Leg Isak Red Sky Rays on Pinion Grad

Act, makers of budget minded beginner guitars found in big box department stores, also creates meticulously crafted, sonically gripping, and aesthetically engaging custom guitars? Lead singer and guitarist John Baizley keeps a few of these gems in his arsenal of axes. His pedal boards, a plethora of delays, overdrives, and other treasures, blink and glow like a space ship console. Like Baizley, Peter Adams (guitar/ vocals) and Matt Maggioni (bass) incorporate volume pedals into their respective pedal chains. All three guitarists harness the art of precise volume control to create atmospheric tonal swells. Reveling segues and breakdowns are carefully incorporated into the set, sustaining the energy of their performance while adding dynamic cohesion to the masterful musical movements. Allen Blickle absolutely pummels the drum kit, producing a unique rhythmic juxtaposition of musical influences and styles. During interludes, Allen will add electronic audio texture while the strings tune up or switch guitars. Baroness plays in multiple non-standard dropped tunings, allowing for greater compositional variation. Water bottles are consumed on stage quickly and efficiently, conjuring images of military desert training. The sweat drenched crowd chants along with every song as the energy compounds into an eruption of mosh mayhem. Flailing torsos collide in a beautiful display of controlled chaos while passive onlookers noddingly acknowledge the pitâ&#x20AC;&#x2122;s intensity. The sign of the horns is passed through the crowd like an Olympian flame as Baroness reaffirms that the spirit of rock is still alive. Baronessâ&#x20AC;&#x2122;s new record, Yellow & Green (Relapse Records) was released July 17th. For more information visit www. baronessmusic.com

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HOTBREATHMAGAZINE.COM advertising@hotbreathmagazine.com 800.375.2005 fax: 706.613.9089

Interview by Kevin Dankman digital illustration by Ty Lookwell

HotBreath caught up with John Norwood Fisher at the CK Santa Monica Relix Afterparty HB: What music inspires you right now? N: I’ve been listening to Fela Kuti’s “Expensive Shit” lately…and that’s been giving me some good inspiration. I’ve been listening to the Buzzcocks too. You know, Singles Going Steady. But mostly I’m selfabsorbed because I’ve been in the studio a lot. I’ve been producing so I’ve been mainly hearing music that I’m working on. But it’s work. Not that it’s not inspirational…but I’m in the studio producing tracks so I have to do it over and over again. HB: What kind of art do you dig outside of the music world? N: I love the low-brow artists. Anthony Ausgang is one of my favorite artisits. I love Robert Williams, Coot, ya know that whole realm of low-brow art. I’m really into cartoons. I love old adult

comic books from the 1960’s and 70’s. The Checkered Demon! All the Robert Crumb works. Reid Flemming: The World’s Toughest Milkman. I’m totally a Ralph Bakshi fan. HB: Give us some insight into Fishbone’s stage antics. N: The main inspiration is from seeing the greatest shows on earth. Parliament Funkadelic live, Kiss on the Midnight Special, The Specials on SNL, Gogol Bordello! Those were some of the most impactful performances. There was so much youthful energy…testosterone of teenagers that fueled us. That helped us relate to the audience. When we were teenagers punk rock was brand new. We were fortunate to absorb everything around us. HB: How do you define your musical style now? N: Fishbone has always been about honoring our ancestors. Now we can honor our ancestry. We are inspired

by where we’ve been and we’ve always been experimental. We hope to uncover things that we haven’t done before. HB: Do you ever take vacation? N: No. Fact is that it’s difficult for me to take a vacation because I tour so much. I do try to enjoy myself in life. HB: Any hobbies outside of music? N: Yeah, I surf and snowboard. When I snowboard it feels like a vacation even if it’s just for a few hours out of the day. I never make a weekend of it though. I never go stay in a cabin or anything. I go out for the day and then come home. I also like to run. I work out, ya know, physical fitness as a hobby. It makes me happy that’s for sure. It brings me joy. HB: What bands inspired you when you were a child? N: The Beatles, Sly and the Family Stone, Parliament Funkadelic, Grand Central Station, Jimmy Hendrix, Return to Forever, The Clash, Fear, The

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Bus Boys, Bad Brains, The Dead Kennedys, Black Flag, Steel Pulse, Black Uhuru. I could go on… HB: You’re music has been both cutting edge while existing outside of the norm. Where do you go from here? N: What was outside of the norm 30 years ago is now closer to the norm. Music has lost it’s teeth and gotten soft around the mid section. Put some shark teeth dentures in and do some crunches, pilates and yoga…make music feel brand new again. That’s the idea right now. Keep it blood and guts. We’re trying to figure out ways to express ourselves in ways we haven’t explored before. I wanna explore punk rock dance hall. It would be like dance hall rhythms…faster than normal dance hall mixed with punk rock beats. Dance hall breakdowns with really heavy guitars! Even if it doesn’t work it will be fun to try it! HB: How did Fishbone maintain it’s identity after your brother left the group? N: That was a major impact. When each of the original band members left the band…that was a devastating blow, ya know? We asked ourselves if this band could even be Fishbone without these guys. It was a difficult question to answer. It was scary to move forward. But that’s a testament to the respect that we have for those guys and their imprint on the music that we play. We honor the legacy that has been laid down while creating the future legacy.

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MUSIC AND CULTURE FROM THE UNDERGROUND Reviews by Andy Solanas

www.ridebikesdrinkbeergetawesome.com

THE BEER BURGLARS

HAMMER FIGHT

KNOTTYROCKER

The Beer Burglars are a band whose origins and intentions are shrouded in mystery. One thing that is NOT a mystery is their love of beer and their desire to yell about it.

What do you get when you combine the best elements of Motörhead and a Budweiser enema? You get a beautiful head banging baby boy and it’s name is Hammer Fight.

WARNING WARNING NUCLEAR ATTACK!! Attention all rude boys and rude girls!! KnottyRocker Crew is inna di area with a fresh ska/reggae/rock E.P. entitled “Wasted Love”. KnottyRocker is the brain child of seasoned guitarist and vocalist Chris Jof. In the past Chris Jof has leant his musical abilities to such ska acts as New Jersey’s Inspecter 7 and the legendary English Beat.

The Beer Burglars E.P. entitled National Beer Day comes in DIY packaging, hand stamped, hand painted and stuffed with a very interesting insert depicting pictures of random beers and what appears to be Al and Peg Bundy. The Beer Burglars are influenced by Hardcore music which is evident in songs like “It’s Time to Drink a Beer”. However, songs such as “Beer Job” take a punkier edge as the band explains the beauty of using beer as a lubricant for genital stimulation. The E.P. tackles a variety of themes and concepts. Some songs are straight forward in their intention such as “It’s Time to Drink a Beer”. Other songs are a bit more esoteric like “Beeranator”, which as far as I can tell is about a time traveling alien who drinks beer (take a listen and please correct me if I’m wrong). The replay ability of The National Beer Day E.P. is incredibly high. Do you need a great E.P. to pickle yourself to? Or perhaps you need to add that extra “Umph” to a family reunion, bat-mitzvah, or junior prom? Well just crack open that beer ball (do they still make beer balls?) pop in The Beer Burglars, and bust out the funnel because IT’S TIME TO DRINK A BEER! The Beer Burglars - National Beer Day E.P. can be listened to in it’s entirety at the bands’ sound cloud (www.soundcloud.com/thebeerburglars). The cool looking one of a kind aforementioned CD’s, Beer Burglars Tshirts, and other goodies can be purchased at ridebikesdrinkbeergetawesome.com. For fans of punk rock, hardcore, and beer I urge you not to sleep on The Beer Burglars!

Hammer Fight’s self titled E.P. is chock full of riffs, heavy drums, and nightmare inducing bass lines. The Hammer Fight E.P. will not disappoint for those who truly seek the need to rock. The song “Get Wrecked,” which the band made a music video is my personal favorite. “Get Wrecked” powers along keeping the listener foaming at the mouth with every accent riff and double bass drum blast. “Get Wrecked” includes a great drum break and an easy enough to remember bridge of “DRINK!! DRINK!! DRINK!!” If you aren’t already motivated to drag the weight bench into the front yard and toss a keg through your neighbors living room window, check out the “Get Wrecked”video. The video includes great footage of lots of “cocaine”, power drinking, and people getting body slammed through tables. Add a dash of metal influenced rock and roll and you got a great Sunday afternoon. Although the band thought “Get Wrecked” was worthy of a video please don’t think the rest of the tunes on the E.P. are sleepers because that is no where near the case. All the songs embody the versatility and influences of this band including their cover of AC/DC’s “If you want blood (You’ve Got it)” which closes the E.P. leaving the listener anxiously awaiting the sophomore offering from these Atlantic City, New Jersey beer drinking insainiacs. Hammer Fight has the perfect balance of fun, seriousness, and talent which makes them a great addition to your music collection, or the perfect band to book for your show, whether it be punk, metal, rock and roll or otherwise. The band’s music and merchandise can be checked out at www.facebook.com/HammerFight.

The “Wasted Love” E.P. showcases Jof’s natural abilities as a singer and a song writer. With the help of bassist DJ Brenner and drummer Jon Reilly the band executes many styles ranging from ska, reggae, rock, and beyond. Please do not confuse KnottyRocker with the next Sublime re-incarnate. Their sound is real and from the heart. Songs like “Hold It Down” and “Recognize” let you into the world of heart ache, motivation, and the everyday confusion of living. Brenner’s bass adds a full sound while cradling the off beat like it was a new born floating on a cloud. Reilly’s rock influenced reggae and ska drumming keeps the songs moving with a danceable beat. Right around the halfway mark of the “Wasted Love” E.P. KnottyRocker hit’s you with their most fun loving stomping ska tune “Rude Boy Situation,” where they proclaim “Rude boy rude girl lets go everyone down at the dancehall knows knottyrocker is going to keep it all tight all night”. Jof bounces around vocally using an almost chatting MC style to light the dancehall on fire. The rock ballad and title track “Wasted Love” closes the E.P. giving the listener a feeling of completion. Having run the gamut through a variety of influences and themes the E.P. fades out forcing you to ask yourself.....What’s next? Whether you are looking for ska, simple yet effective complimentary riffs and lyrics this E.P. delivers. If you are a ska fan or just a fan of good song writing give KnottyRocker a shot. For more KnottyRocker information and updates you can go to the bands FaceBook at http://www.facebook.com/ Knottyrocker.

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STORE 2

CURB APPEAL

4 7

6 3

5 By: Misty Miss Demeanor

This is the first installment in a series of Merchandising Tips. It seems practical to start with the outside of the store and work in. Feedback and questions are always welcome. Email me at editor@hotbreathmagazine.com. According to the National Association of Realtors, 49% of homes are sold based on exterior appearances, aka Curb Appeal. The same argument can be made for your shop. First impressions are everything, and you should ensure your store makes a good one. As a smoke shop owner, you are selling a lifestyle brand. You want to attract similar minded customers and send them a positive message about your brand. This is your chance to grab their attention. Get them in the door. The rest is up to you! Here is a look at some cheap and easy fixes that you can do to attract new buyers. 1: Spruce up the entrance. A gallon of paint costs less than $30.00 and is a great return on the investment.

Cracked or peeling trim and doors make the shop seem old and dingy. Customers will associate that with dated merchandise inside. 2: Replace that burned-out neon sign. Signs can be costly, so take a tip from a DIYer: Reuse scrap tin or reclaimed wood and get a friend to paint something cool. Creativity goes a long way and in some cases is free! Not so crafty? No problem! Used signs are everywhere. Check out an antique store, or craigslist for a fresh “OPEN” sign. 3: Feed their obsession. If you have window displays, change them out regularly. Look at it as free advertising! Ratty posters and sun faded tapestries do not engage buyers. It can be as simple as alternating existing stock a few times a month. To a customer, everything looks new when you haven’t noticed it before. 4: Don’t overcrowd window displays. Keep in mind that less is more when it comes to merchandising. Try showcasing

1 8

STORE

OPEN

Come in

a particular glass artist and a few complementary and relevant accessories. It will pique interest and draw buyers inside. 5: Place trash receptacles and ashtrays outside. But make sure to take the trash out! Overflowing cups and cigarette butts are not inviting. Also, take a few minutes twice a month to sweep the parking lot. 6: Keep It Clean. Dirty windows, dusty signs and fixtures give the impression that no one cares, so why should they shop there? Doors and windows should be cleaned daily. It takes just a few minutes, and makes a world of difference. 7: If weather allows, prop your door open. Studies show an open door generates 35% more business than a closed door. 8: Don’t forget the welcome mat. An outdoor rug for customers to wipe off dirty or wet shoes is not only aesthetically pleasing; it will keep the store cleaner as well.

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dedicated to the exhibition of the best in modern, experimental glass art.

GOOSEFIRE GALLERY

Bubbler in Serendipity Review by Boro Brain Current photo by The Glass Otaku All other photography by Dash Carlisle For more reviews go to igniteme.co

Ignit e

for e n t h u s i a s t s , by e n t h u s i a s t s

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JASON LEE Twisted Technology Exhibit It’s safe to say that a new Goosefire Gallery exhibit is something to get excited about, and Jason Lee’s May 12th show was no exception. As expected, glass enthusiasts lined up at the gallery doors, eager to buy any piece from this exclusive collection. The gallery’s glass displays didn’t stop with Jason Lee however: they featured legendary artists including Clinton Roman, Chris Carlson, Hamm, Marcel Braun and others. It was refreshing to even see some Darby Holm’s work as well. Once again, Goosefire gallery felt something like the Louvre of glass art.

Lee’s show felt warmer than others, largely because he decked the walls with enough paintings to just about fill the place. It appears that Lee has too much artistic ability to limit his expression only to the torch. The paintings seemed almost reminiscent of Dr. Seuss in their color arrangement, but they all still had a distinct feeling that showed up in Lee’s work, glass, and canvas alike. Between the dazzling art itself and the glass-savvy crowd drawn to this gallery, visiting Lee’s Goosefire exhibit turned out to be an awesome and enriching experience. Glass enthusiasts walked out of that place with a new taste of inspiration and a greater appreciation for this particular fine art.

It’s always comforting to see some of the most beautiful work in cases all by themselves. Galleries like Goosefire give each piece a pedestal and light everything up in a way that really must be seen in person. There’s something about the organization and unity of a gallery that can’t be felt in a photo.

Work by Clinton Roman on display at Goosefire

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Work by Jason Lee

Signature air-trap Reticello work by Marcel Braun

“Polar Opposites” - Collaboration by Jason Lee and Chris Carlson

Mural by Chris Carlson

“Leather and Lace” - Collaborative work by Jason Lee and Marcel Braun

Pixelation by Chris Carlson & Jason Lee

HotBreath magazine gives value to 21st century alternative smoke culture. WHY ADVERTISE IN HOTBREATH MAGAZINE? HOTBREATH HQ FULL PAGE PER ISSUE $1,350 $1,550 FREQUENCY . . . . . . . . . . . 4 issues . . . . . . . 12 issues ANNUAL INVESTMENT . . $5,400 . . . . . . $18,600 Saving you over $13,000 dollars/yr.* *based on published advertised rates.

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the Birdcage Perc w E N

American Innovation continues at MGW bringing you the first Tree/Disc Hybrid Perc! The Birdcage features tree arms that separate and cool the smoke as it flows into a cirq disc where it exits to the water evenly for maximum diffusion even while at an angle. The Birdcage perc is superior in functionality to tree and disc percs with greater durability, diffusion and filtration.

Retailers Call or Email for more Info. 518-615-0286 info@mgwtubes.com

FIND US ON FACEBOOK:

FACEBOOK.COM/MANIFESTGLASSWORKS

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EDITORIAL REVIEW: THE NEW BIRDCAGE PERC FROM MGW Review by Glass Otaku (igniteme.co)

When the team at Manifest Glassworks aka MGW invited us to check out their newest diffusion system we were “f$#&ing stoked” to simply put it. For years the fine artisans at Manifest have been doing their thing acting almost like the HTC of the glass world, I say this because the HTC phone company isn’t about flashy ads or hype. Rather HTC has built a strong following of dedicated users simply because they put out a solid, well made product. When I got into the office after my multistate trip I was giddy to see the giant box sitting at my desk, and even more curious as to what lie inside of it… When I pulled the tube out of it’s cardboard and foam-peanut sarcophagus I first took note of the piece’s size, just big enough to join the “big tube league” the piece also has a condensed feel to it. The diffusers on the piece are placed low on the tube giving you an easier pull as well as enough extra tube space to ensure no water comes splashing at you. There is also a splash guard on the piece for a little extra insurance. The stemless design make this piece perfect for any attachments you may have, they’ve also added in some marias for some extra style points. To complete the set up an 18mm icepinch style slide, simple yet extremely effective the slide also features a sandblasted MGW “classic” logo to ensure you don’t mix it up with the other all-clear slides you may have in your collection. The hit is what got us when trying out the tube, for a while now we here at the office had been on the look out

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for a large tube that was tall, ultrafunctional, and smooth. We had many different choices lined up as for what we would get…. then this came in the mail. The hit is shockingly smooth and it’s also uninterrupted when you release the slide, which we thought was most impressive considering the tube is such a massive size compared to the smaller pieces we are usually using. Once the smoke enters from the stemless it encounters the MGW “Diffy Cap” perc, with this diffusion style the water and smoke in this first chamber are blasted upward in a “volcanic” fashion from the bottom chamber into a second open chamber. Located in the third chamber is their newest perc titled the “Birdcage” perc, which acts like two of your favorite percs in one. From the first lower chamber the smoke is first separated into 6 different sections much like a tree perc, but unlike a tree perc your smoke is forced out into a circ perc rather than the classic one or two whole slits that come on the bottom of a classic tree. We believe this separation of the smoke allows it to become more evenly diffused, thus giving you a smoother hit. All in all, after our first encounter with an MGW tube we’re pleased to have been able to test out such an awesome product. The build quality is amazing and their staff really makes sure each and every tube is produced with the highest quality of standards. So the next time you’re looking for a new scientific vessel to add to your collection don’t forget to check out Manifest Glassworks. Currently their products can be found in many authorized retailers nationwide, but if you don’t live anywhere near one you can always check out their selection on Aqua Lab Technologies.

Don’t get stuck indd!! rin Grrind on the G INTRODUCING

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NE w Grindless Gear All-in-One Bubbler Kit.

Interchangeable Dome and Slide make this the only Bubbler you'll need, packed in a convenient carry case. • Grindless MGW Cirq Bubbler • Grindless 19mm Vapor Dome • Grindless 19mm Push Slide • Quartz Nail with Cup • Custom Carry Case

Retailers Call or Email for more Info. 518-615-0286 info@mgwtubes.com

MADE IN THE U.S.A.

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With Tap Dat Ash, you don't have to be afraid of cracking a beloved piece of glass. Its hefty silicone rubber construction resists temperatures up to 300째 C (that's around 570째 F). Unlike a traditional glass or ceramic ashtray, Tap Dat Ash is unbreakable. And cleanup is a snap because you can put it in your dishwasher and have it come out like new. NOW AVAILABLE AT VOLO Call: 1.877.603.2035 email: sales@volotrading.com

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VAPE-OR-SMOKE

Product Review by The Glass Otaku

In this harsh world of red tape and regulations it is often times very difficult to find a place to enjoy a relaxing smoke-break. Like cattle we’ve all been herded up and forced to go wherever “they” choose; in alleys, dim “smoker’s lounges”, and just flat out on the street is where the smoker has been marginalized to. As is always the case throughout history, from oppression, comes innovations in discretion. Or so how I see the seeds of creation for The Vape-or-Smoke (VOS) portable smoking/vaping system.

The sample that arrived to me had beautiful packaging, similar in basic style to that of an iPhone box, and includes instructions and extra screens. After popping it out of the box, the first thing that comes to mind is that I’m aware of nothing else that looks and feels like this. It’s about the size of a dugout, has great weight, and a feeling of

durable quality (which I later prove when I drop it on concrete. This thing is tough). Something about it has immediate appeal to a gadget head. The mouthpiece pulls out like something off a swiss army knife, then you do the fast action 1-2 step of putting the mouthpiece in your mouth, and then begin to draw while simultaneously pulling down the Vape-or-Smoke, which then ignites the flame. From that point, you are in full control of the throttle. The flame and bowl are fully enclosed, providing the dual benefits of being windproof and very discrete. To load it up, you slide out the bowl, and then just like grand-dad used to do with his old pipe, loosely load the small bowl with tobacco or herbs, then pop it closed, and you’re locked

and loaded for when the joint opportunity of time and space permit a smoke-break.

The Vape-or-Smoke is marketed with the active smoker in mind. Due to it’s compact, modular design, it can be used discretely and instantly for many activities such as: Skiing, Snowboarding, Disc Golf, Hiking, Fishing, Climbing, Camping, Mountain Biking and more! Just about every activity you can do outside can be accompanied by the ultra-portable and ultra-strong Vape-or-Smoke. The other secret weapon of this impressive gadget, is that it’s design allows the user, like it’s name, to have two pipes in one the Vape-or-Smoke gives you the

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option to vape or smoke. Good to have the options, but we really prefer it’s ability to vaporize. With it’s innovative Atomizer, it can function exactly like an ecigarette if you have oils. It can also hit just like a pipe, with plenty of smoke. All while never noticing the taste of butane.

Like any serious smoking utensil, the Vape-or-Smoke comes with simple cleaning guidelines which we suggest you perform regularly. Taking apart the unit is simple, and there are even helpful internet tutorials on vapeorsmoke.com that break it down so you can easily

take on the task yourself. This quick exercise makes you more familiar with all parts of the Vape-or-Smoke and how they work together. Here’s a simple list of instructions that will ensure you’re always getting the cleanest, most flavorful smoke: 1. After disassembly set lighter aside to prevent contact with any solvents. 2. Soak the bowl, mouthpiece and ash catcher in Isopropyl Alcohol (or your preferred cleaner) for 5-10 minutes. 3. Remove parts and rinse with water. 4. Clean and dry parts with a paper towel, or cotton swab (pro tip: Q-Tips work perfectly for those hard to reach areas) 5. Clean air passages 6. Using a cloth or paper towel, wipe down the cassis and cover removing any dirt. 7. Reassemble and enjoy!

Finally, the Vape-or-Smoke team said they wanted the perfect case, so they turned to the guys behind the RYOT brand to adopt a hard shell kit with smell safe technology exclusively for Vapeor-Smoke (VOS). Like any pipe, the VOS - especially when used to smoke - will give off an odor of burnt ash. This makes the greatest thing about the RYOT case - and it’s got a lot of great features - it’s Smell Safe fabric coating and zipper, which prevents odors from leaving the case. So, when kept in your clothes pocket or stored in a drawer, you or it won’t smell like an ashtray. Nice one RYOT. The case is also replete with modest but attractive logos, a removable hi-tech freshness pod that makes reloading the VOS super easy, and pockets for things like the Vape-or-Smoke Atomizer, etc. After getting to use the case for a while it’s apparent that this is a must have item for any VOS user. With an MSRP of $99, the Vape-or-Smoke is a solid and unique contender in the fast growing portable vaporizer market. Get a hold of one now by calling Franticus at 800-524-4299 or email sales@franticus.com. For more product reviews from The Glass Otaku go to igniteme.co

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Glass Art by Marble Slinger as seen on headyglass.com

GLOSSARY OF TERMS

Acid Etching: A technique for engraving blown (or cast glass or a metal) by the use of an acidic substance; esp. the use of hydrofluoric acid to etch a pattern onto a glass or metal. surface.

Fiber Softening Point: The temperature above the annealing range in which glass deforms under its own weight.

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Pontil Mark: Or pontil scar. The usually small, round or a ring-shaped scar on a glass vessel, usually centered on the base where the pontil was attached. The rough mark was once the sign of handmade glass until the 19th century when it was ground flat. Stringer: A thin long piece of rod usually colored, used for the purpose of decoration. Vermiculite: Expanded mica. A light weight, insulating material, used to allow hot glass to cool slowly.

Wax: Beeswax is traditionally used to lubricate jacks to prevent scratching or marking the surface of hot glass when working with the tool.

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Photography by Jeff Bellesiles and Glass Otaku* Buck

Abe Fleishman*

Abe Fleishman, Jahnny Niles Rise, Gordman, and Scoz

Kevin Murray

Mike Gong

Shackman and Burtoni

Buck*

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Buck

Hoobs

Gemini Andy*

Jake C

Coyle

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Gordman

Artist showcase:

250 Booths • Around 200 Vendors Buyers from all 50 states and International Buyers present 3,000 unique badges issued in 3 days

Adam G, Buck, Darby, Cap’n Crunk, Dellene, JAG, Hamm, Micro, Robert Mickelsen, Salt, Snic, Worm, and Zack P

Photography by Michael Guerrini & Maxwell Tubman JAG

Snic

Dellene Peralta

Mickelsen

Zach Puchowitz

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Mickelson/ JAG

Zach Puchowitz

Mickelson/ JAG

Salt

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Santa Monica Barker Hangar May 2012

Photography by Dash Carlisle and Aaron Rogosin

35,000 sqft. • 1580 Attendees • 140 Vendors • 888 Stores 50k + Individual page views on the Stickam Live Webcast

Barkar Hanger

Nike SB Dunk High 420 Cheech and Chong Series Signed by Cheech and Chong

Creation Skateboards Art by Chris Dyer Jerome Baker and Stu Stone RYOT and Kannastor

The A-Team Van

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Dosa / Talon / Chunk / Gabe Halliday

Hitman Glass

Syn Glass

Justin Jenicke

Jason Hedman

Skye Perry / Jason Hedman / Berzerker (middle section)

dosh / Hops / D-Wreck

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Hops / Whoobery

Roc City Glassworks Geoff Platt and JP Cicero

Tristan / Talon

Hops / dosher

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Roc City Glassworks Geoff Platt and JP Cicero Luke Wilson / Hops / Vertigo Glass

Slick

Hitman Glass

Snodgrass Glass

Shhmoke Wear

Justin Jenicke Big Z

Wicked 66

Shhmoke Wear Corinne Winters

Kristian Merwin Wasatch Glassworks

Medicali

13 Glass

Fuma

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Hops / D-Wreck / dosher

Slick

Hitman Glass

Sheldon Black

doshworld / Hops / Luke Wilson

JWalker Glass Designs

Pulse Glass

Custom Snoop Dogg Celebration Pipe

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Good Life Roots

Peace Fits

Fat bol Chris Noonan GOAT

Mary Jane Smokewear Seedless

Good Life Roots

KINDSTACK

Kristian Merwin’s winning entry Heaven into the World’s Greateast Flame Off

Kristian Merwin Kristian Merwin

D-Wreck

V Syndicate

EZPipes

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Daniel Milittonian aka Dunkees

Chris Dyer

The Further Bus

Morend

Lindsay Swan

Golden Pig Trophy

J M Ceramics

Further Bus painting by Lindsay Swan

Further Bus Interior

Lava Rubber

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Pipe Mug

RYOT® Humidors incorporate DropStop™, our proprietary system developed to maintain the humidity of your cigars from below a nylon mesh screen, eliminating damaging water droplets that can fall from lid mounted systems. Connoisseurs overwhelmingly agree that DropStop™ is the best humidification system yet developed for premium cigars and tobaccos. Gravity is now your friend.

QUALITY SINCE 2003

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Designed & Produced by VOLO TRADING Call: 1.877.603.2035 • on-line: volotrading.com

100

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101

THE PREMIER COUNTERCULTURE B2B EXPO SINCE 1999

Photography by Morgan Richardson

Snic

Matty White

Shaggy

104

Joe Blow

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Sweet Tooth

ROOR

Bandu

Hamm

Chesterfield Glass Art

Sweet Tooth Chesterfield Glass Art

Dave Strobel

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CHAMPS GLASS GAMES CHAMPS Glass Games Stats: Theme: The creation of a Rube Goldberg Machine. A, “deliberately over-engineered or overdone machine that performs a very simple task in a very complex fashion, usually including a chain reaction. The expression is named after American cartoonist and inventor, Rube Goldberg (1883-1970)”. Artists participating: Flex, Joe Blow, Matty White, David Stucky, HAMM, Tyme, Shaggy, and Maya. Shaggy

Joe Blow

Flex

Retail Store Winner

Shaggy

Bandu Flex

Matty White and Crowd during Glass Games Awards Ceremony

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Dave Stucky

Joe Blow and Tyme

Hamm and Shaggy

Tyme

Bandu and Hamm

From Left to Right: David Hirschfeld, Matty White, Hamm, Flex, Shaggy, Maya, Joe Blow, Bandu Dunham, and Tyme

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TREATING YOURSELF EXPO 3-MAN TEAMS

2012

Article by Selbot Photography by Sarah Bobowick of Stash N’ Stowe and Maxwell Tubman of Steam Machine Video The trip from Atlantic City to Toronto went fairly smoothly, with only one small delay at customs - my travel companion Inner-D was strip searched and accused of being an Illegal Alien! After showing the proper documents and posing for a few pictures with the TSA agents, he was released and we were on our way to the 3rd Annual “Treating Yourself Expo”. This year the Canadians went all out and threw down their first ever flame-off event. I knew they had a glass event planned for the weekend, but it wasn’t until we made it to the show floor that I noticed the familiar crew of top-level American glassblowers and realized that t he Americans had invaded!

day competition, happy Canadian glass-addicts eagerly crowded in to get a closer view of the action. When all was said and done, three distinct Pieces had been created; Team 3 came out strong with a 3D scene of the CN Tower and the surrounding city skyline being attacked by invading Aliens, Team 2 went classic with a stunning red and white water pipe elaborately adorned with the 6 armed Deity ‘Ganesh’, and Team 1 created an impressive set of AlienMounted Flamingo Warriors. After a close examination of each entry, the Canadians cast their ballots and TEAM 1 was announced as the winner! Although it was definitely a tight competition and the other two teams seriously brought it, the Flamingo Alien Warriors were just too epic for the crowd to resist!

“my travel companion Inner-D was strip searched and accused of being an Illegal Alien!”

All jokes aside, when nine of the best American glass blowers teamed up in 3-man teams to produce 3 epic collabs, Canadian glass enthusiasts in their masses were glad that the Americans had come. When you added in the ‘Master of Torchamonies’, MERC and the unexpected attendee Zach P, you had 11 top tier glass artists trying to take the Crown back to America. The competition was a little late to get going as the Canadian Fire Department was rather slow in cutting all of the red tape necessary for the set up, but as soon as the okay was given, the flames started firing and glass started glowing. In typical “flashy” Canadian style, the teams were named: Team 1 (Chris Carlson, Pakoh, Marcel), Team 2 (Kurt B, JOP, Chad G) and Team 3 (Big Z, Ben Burton, Brandon Martin). While the team names may have left something to be desired, the talent and artistic creativity possessed by these 9 competitors certainly did not! Over the course of the three-

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From the glass-blowers to the vendors, the show was a huge success for all involved. Over 5000 attendees walked through the doors and checked out the great wares being offered by some of the best Canadian and American companies, and new and old fans alike admired the skills of the American Glass Artists. This event will surely help grow the market for American Glass Art and Glass Culture in general. A big Thanks to Marco and the staff at Treating Yourself Expo for putting on such a great event, and big props to the ‘Master of Torchamonies’, MERC. Until Next Yeargues, Selbot

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