What's one thing you really miss while you're on tour?
I have really, really bad anxiety when I’m tour. I get really anxious before every show – especially when we headline a show – and constantly I worry that I’m not good enough or that I’m going to fuck up … That paranoia is the worst part of tour for me. Having my mental shit act up in a room full of people who are expecting me to perform for them, and do so flawlessly, it’s just such an immense pressure. It weighs on me. Also, being without my vices, my partner, my cat. I miss my partner so much when I’m on tour. Not having someone who knows me like she does, or having someone to really lean on, it’s hard. I’m so used to my cat and my partner and just living this quiet little gay life back home together – I definitely miss that the most. How did you get involved in music? Who or what inspired you to pick up an instrument?
It was absolutely because of my dad. My dad and I are super close – we always have been. He was always playing music around the house, so I grew up playing guitar with him and totally idolizing him and his musicianship. He was never professional, but he played drums in college and such, and he was good at guitar. So, I took a few lessons from him, starting when I was only seven. It’s always crazy to me when I say aloud that I’ve been playing guitar for sixteen years. I’m an old fucking lady. That’s like an entire lifetime for some teenagers who ask me this question, and that’s fucking rough. I always hate that [laughs]. How much do you think your experiences as a queer person influenced A Place I'll Always Go? And in what ways?
The content is basically, actually, very-much about queer friendships and relationships that I’ve had. A couple of the sappier songs are about my partner. They’re love songs in which I’m using she/her pronouns, instead of trying to mask it as a guy by using he/him pronouns, because, admittedly, I kinda used to do that due to shame surrounding my queerness. I guess a big influence was finally finding someone and being in a loving relationship with them – that was a new thing for me. So, I went into the writing for this record with this new experience. Before, I was like, I know I’m gay, but I don’t want to come out super publicly. Ya know, because there’s the ever-present fear of being alienated and whatnot. It was a great decision, though, and I’m really happy to be more out and proud now. As a result, there are a lot more queer people at my shows, which is super cool. And all of my friends are queer, pretty much, so I’m really grateful for my support network and queer community. Oftentimes, especially recently, I hear Palehound being labeled as a “queer band.”.Do you feel your identity is intrinsic in your art, or does it ever feel separate? If not, do you ever wish that it was or could be?
I think it is very intrinsic. I write songs that are overtly queer, but also, I feel like a lot of the way I perceive myself and the world around me, and the way I sit in it, stems from my queerness. Since I was a kid, I’ve been writing songs about anxiety. Anxiety and depression are things I’ve always struggled with, and they’re rooted in feeling very out of place, which stems from being queer and having to dig longer and harder to find your identity. So, even when my songs aren’t blatantly queer, the roots are still there. I think that’s what I’m trying to say. But I don’t wish it was separate. Like I said, before this album, I was more cautious about being labeled as a gay artist, but at this point, I have no regrets about embracing it.
Featuring Vagabon, Palehound, Astrology of Disability: Johanna Hedva, @HTMLflowers + and more.