Historic Homes Magazine Spring Summer 2022 by historichomesmagazine

ecorating Last is not Look

azine. I am very pleased with our premier double issue. Here are a few of my Last Looks - I to thank Liz from the East Lyme Historical Society for allowing us to photograph the mas Lee House, one of the oldest untouched houses in Connecticut. We enjoyed our time with who enlightened us with so many stories about the Thomas Lee House. Our trip to North Maryland, where Jeffrey Ricketts’ barn is filled with amazing 18th century antiques, provided ith an inside look at his collection. We got to meet Blue, Jeffrey’s dog, who is a big part of East ingham Antiques, what a sweetie! Jeffrey is a self-taught antique connoisseur and is keeping this tradition. It was a delight chatting back and forth with featured artist Sarah Bechler, who hes by hand her lovely creations. Sarah is a very talented artist. It was a hard decision as to h building we would feature from Old Sturbridge Village. The Bixby House was ultimately en for all of its historic features, including its red kitchen, one of my favorite colors for an early en. We knew when we visited Heavitree B&B in Griswold, Connecticut for a special versary last year, that this property would be one of our featured homes. My husband found vitree by chance and I am so glad he did! Surrounded by a Christmas tree farm, the views are htaking. Charlotte is an amazing cook as well! To my friend, Melodie, I will cherish the ten s we spent together in Virginia. Sometimes in life, you are lucky enough to find your soul r. Decorating your home was more than a project, it was a personal journey of two friends have the same passion for decorating in 18th century fashion. Along the way, we laughed and me the Lucy and Ethel of the 18th century! The stories we d tell! We truly are “two peas in a pod”. Thank you for g my friend. I want to thank my dear friend, Jill, who has by my side through this journey along with being a very ured friend. As they say, through thick and thin, that is my friend. She has given me the encouragement and insights ursue this dream. I look forward to her weekly ideas she s to me as to future article ideas, as she too has the same on. I hope you all have enjoyed the premier issue. We are ing forward to bringing you more in the upcoming issues are excited about the Fall issue. The Fall issue will feature ric homes and decorating inspirations, along with so much e. Lastly, Luke is always by my side, as he too is a part of ourney!

about nitiating a style. It's about expressing your own.

Sheila M. Belanger

O w n e to r / EHistoric d i t o r / P u bHomes l i s h e r / PMagazine. hotographer Welcome We are excited and thrilled to bring to you Dennis Belanger our vision of protecting D e s i g n a n d historic L a y o u t homes. This dream started many years ago. We t t B e l a n gfor e r old houses. have always hadMa apassion Director of Digital and Social Media We are from New England, left and traveled south for ten years, and returned In Print Visit www.historichomesmagazine.com to New England recently. We missed riding the old country roads and seeing old Online: Visit www.historichomesmagazine.com homes. We hope to preserve and showcase these old homes so that the past is not lost. Newsletter: Visit www.historichomesmagaine.com Along the way, we will bring to you historic Social Media:travel destinations, old homes, Instagram: www.instagram.com/historichomesmagazine decorating ideas, and of course food! Facebook: www.facebook.com/historichomesmagazine There is a thought process and vision in any magazine. When Q u e sIt was i o n s a little girl, my c o n t a c t @ h i s t omy r i c hmom, o m e s mbrother, a g a z i n e . cand om dad would gather myself on Sunday and we would drive the country roads of New Hampshire. We H i s t o r i clook H o m for e s Mold a g a z houses i n e , S p r i nhowever, g / S u m m e r 2we 0 2 2 all © by would Historic Home Magazine. All rights reserved. knew my dad was scouting fields to see Permission to reprint or quote excerpts granted by w r i tIt enow n r e q ufind est on l y. To rcontinuing e a c h o u r e d i t othis rial and deer. myself advertising office, please email us at: tradition with my husband on Sundays contact@historichomesmagazine.com (sometimes Saturdays) driving the New rinted in USA England countryP roads. There is no place like New England. It is my heart and soul and where I come from. So being back in New England has rejuvenated my soul. There are many roads to explore along with beautiful historic homes. We hope to bring those homes to you in our magazine. I want to thank my husband, Dennis, my son Matthew and his partner, Jake for all the encouragement and help through this journey to make this dream come true.

Sheila

nuff ree homas ntiques ofMill Life Lee areHome at House my Contents

assion

TavernHouse Gambrel Featured Historic Bixby Green Glass inHomes on Artist Griswold the at Elizabeth Sarah Magazine Jamestowne Mistele Kitchen Bechler

Thomas Lee House

scendants to the fourth neration were of that race of ste - not - want - not. New glanders whose frugality has eserved many early buildings. en among these, the Lee House exceptional. Built in the fourth arter of the seventeenth century, was enlarged, then refenestrated, er remodeled and enlarged again, d in the nineteenth century riously altered to provide parate accommodations for a dow and to heat one front room th a stove. Always the builders em to have been instructed to move as little as possible, reuse as uch as possible, and eschew the odigal temptation to give litarian spaces the trappings of hion.

descendants to the fourth generation were of that race of waste - not - want - not. New Englanders whose frugality has preserved many early buildings. Even among these, the Lee House is exceptional. Built in the fourth quarter of the seventeenth century, it was enlarged, then refenestrated, later remodeled and enlarged again, and in the nineteenth century variously altered to provide separate accommodations for a widow and to heat one front room with a stove. Always the builders seem to have been instructed to remove as little as possible, reuse as much as possible, and eschew the prodigal temptation to give utilitarian spaces the trappings of fashion.

udgement Hall

Judgement Hall

and opened the house to the public in 1914, exercised the same restraint. Ever since the house has been spared the heavy hand of restoration that has befallen so many other early structures throughout New England. Benign neglect has left the Lee House one of the two or three best preserved seventeenth-century houses in the region and a remarkable primer of vernacular architecture in New England.

The Parlor

Borning Room

Lean-to Kitchen

The Buttery

The Bed Chamber

Sleeping Room

THE WORLD'S MOST HISTORIC TEXTILE PATTERN

TREE OF LIFE

The tree of life is one of the most used patterns in interior design today. It has been an anchor of the textile industry since the 1700s. The first example goes back as far as 7000 B.C. To some, it is known as the pattern “between good and evil”. The Tree of Life pattern has been used for wall hangings, bed coverings, and table linens. China used the pattern to make wallpaper, silk, and wall coverings. As time went on, France joined in on creating its own examples of the pattern.

THE ROUGH AND THE FINE

OMG PAST AT STRAWBERY BANKE MUSEUM MAY HAVE A TALE OR TWO TO TELL . . . . .

discovery are Antiques

my passion

discovery are Antiques

my passion

effrey Ricketts

aryland. He remembers when he was a little boy, along with his brother, digging in their rents’ backyard and finding sherds of redware and stoneware. His parents have the same passion for antiques. His parents restored a 1739 home and surrounded themselves with tiques. Jeffrey traveled with his parents to antique shows and markets. Jeffrey would see tiques for sale at the shows that he recognized as similar items he found in his yard. As a g boy, he thought it was exciting to see some of his finds from his backyard. Jeffrey started ng and collecting eighteenth century antiques, his room then became a haven for his antique ection. The overflow of his buying filled his parents’ home and soon a barn was needed for ollection. When we asked Jeffrey how he started to sell his antiques, Jeffrey says he started cipating in antique shows when he was about thirteen years old. Very impressive! He then ed selling off his personal social media platforms along with his website. Jeffrey’s passion is e 1850 antiques “but there are a couple of exceptions”. Jeffrey lives in his parents’ historic me but someday would like to own a historic home of his own. He likes different styles of mes but would prefer a colonial-style home in the same area as his family. Jeffrey indicates at “there are several homes in the area that need some love.” He is up to the challenge to store an old home and looks forward to seeking out that special historic home. Jeffrey is ted to fill it with his eighteenth century antiques. There is a 1745 log house located near his y’s home that has been vacant for the past twenty years. The structure of the house is worth ng, with twelve over eight windows and wide board floors, according to Jeffrey. There is an nal built-in cupboard that he can envision filling with his redware collection. The best part ffrey's work is finding and searching out his wares. He has visited some amazing places and omes. His finds consist of auctions and estate sales in his surrounding area of Maryland, Pennsylvania, and Virginia. The old saying “word of mouth” is still a good source of his ngs. He has prospective customers who call him to view their personal wares, and it is that e antique that could be waiting for him amongst the remaining not so promising personal cts. Jeffrey says many people do not realize what they have because most of the time they ave inherited these coveted antiques. We asked the common question “where do you see rself in twenty years?” Jeffrey, indicating with a smile, “I am not sure, but I will definitely continue to collect and sell my collection of eighteenth century antiques”.

t Historic Homes Magazine, wish Jeffery all the best with his antique shop and business Nottingham Antiques.

East Nottingham Antiques

snuff mill

foremost portraitist. Located on twenty three acres, the Gilbert Stuart Birthplace and Museum contains the authentically restored and furnished 1750 home and snuff mill where Gilbert Stuart was born. The Museum has the working Stuart snuff mill, an operating gristmill, a fish ladder, millpond, nature trails, and a colonial herb garden. The art gallery contains original works by Stuart and his daughter Jane Stuart.

I Pledge Allegiance to the Flag of the United tates of America, and to the Republic for Which It Stands, One Nation, Under God, Indivisible, with Liberty and Justice for All.

LONG MAY SHE WAVE

I Pledge Allegiance to the Flag of the United States of America, and to the Republic for Which It Stands, One Nation, Under God, Indivisible, with Liberty and Justice for All.

LONG MAY SHE WAVE

ld Fashioned

Fourth of July

ld Fashioned

Fourth of July

Dressed for the Holiday

Star Spangled Banner By the dawn's early light

By Francis Scott Key (1814)

What so proudly we hail'd At the twilight's last gleaming Whose broad stripes and bright stars Through the perilous fight O'er the ramparts we watch'd Were so gallantly streaming And the rocket's red glare The bombs bursting in air Gave proof through the night That our flag was still there

Oh say, does that star-spangled banner yet wave

O'er the land of the free and the home of the brave

Antiques at home

"An Antique is

anything old with class."

Perukes The ownership of a wig or

several wigs was

the sign of status in colonial America.

Perukes The ownership of a wig or

several wigs was

the sign of status in colonial America.

Mom's Spaghetti & Meatballs

supper. My mom would make spaghetti and meatballs for this Sunday's per. My dad was the chauffeur and would gather up my great aunts and g them to our house. My great aunts only spoke French. I can hear them w as they bustled around our kitchen. It is such a great memory I have of day suppers at our house. Such fond memories of a time that was truly ial in my life. Here is Evelyn's recipe for spaghetti and meatballs. Enjoy!

Historic Homes Magazine kitchen

garlic andhamburg cook a minute. Add the tomato sauce to the pot along with the tomato paste. Mix 21 28 pound ounce cans for chopped tomatoes Add the remaining ingredients and cook on low for two hours. 2thoroughly. eggs tablespoons extra virgin olive oil 2¾garlic Italiancloves dried(chopped) bread crumbs 1 tablespoon clove garlic sugar (chopped) ½ teaspoon salt ½ teaspoon pepper 1 medium teaspoononion chopped (sliced) parsley 1 tablespoon chopped parsley 5 fresh basil leaves 1 6 ounce can tomato paste 1 pound spaghetti

"IF IT STICKS, IT’S DONE"

One of my mom's methods for checking to see if the

aghetti was ‘al dente’, was to throw the spaghetti at the wall above the stove.

If it stuck to the wall, it was done!

o this day, I still have memories of the faint outlines of spaghetti on our kitchen wall.

"You dont

have to cook fancy or

complicated

masterpieces -

just good food from fresh

ingredients."

Featured Artist Sarah mistele bechler

"I love doing all of my work by hand the way our great grandmothers would have done".

america www.aubreygracephoto.com

Sarah Mistele Bechler

always loved dolls as a little girl and in 1985 when she was looking for a creative outlet she ed "Willow Creek Cousins". The dolls were made of fabric with hand oil painted portrait style She then altered and dressed them in Vintage clothing and textiles as well as vintage leather high hoes. She did her first Folk Art show in Marietta, Georgia where she quickly sold out an knew ad found her "niche". Sarah went on to do many more shows in Sturbridge, Massachusetts. and ville, Tennessee. Her dolls were purchased by the Museum of American Folk Art gift store in York City. In 1989 Sarah was introduced to Primitive Rug Hooking which she fell in love with. nding her business called for a name change and because Sarah loves all things Americana she ged the name to Old Glory Woolen Co. Sarah continues to do shows all over the country and ugh her website has sold goods to both Europe and Japan. "I love doing all of my work by hand way our great grandmothers would have done. There is just something that feeds the soul through ow process of hand work." "I am so grateful that I grew up in a creative family where we were uraged to make things we could see in our minds with our hands. It has been a very fulfilling ey and you meet the most amazing people!" at Historic Homes Magazine wish Sarah continued success with her her unique one of a kind ons.

Sarah Mistele Bechler

Sarah always loved dolls as a little girl and in 1985 when she was looking for a creative outlet she created "Willow Creek Cousins". The dolls were made of fabric with hand oil painted portrait style faces. She then altered and dressed them in Vintage clothing and textiles as well as vintage leather high top shoes. She did her first Folk Art show in Marietta, Georgia where she quickly sold out an knew she had found her "niche". Sarah went on to do many more shows in Sturbridge, Massachusetts. and Nashville, Tennessee. Her dolls were purchased by the Museum of American Folk Art gift store in New York City. In 1989 Sarah was introduced to Primitive Rug Hooking which she fell in love with. Expanding her business called for a name change and because Sarah loves all things Americana she changed the name to Old Glory Woolen Co. Sarah continues to do shows all over the country and through her website has sold goods to both Europe and Japan. "I love doing all of my work by hand the way our great grandmothers would have done. There is just something that feeds the soul through the slow process of hand work." "I am so grateful that I grew up in a creative family where we were encouraged to make things we could see in our minds with our hands. It has been a very fulfilling journey and you meet the most amazing people!" We, at Historic Homes Magazine wish Sarah continued success with her her unique one of a kind creations.

BIXBY HOUSE

THE KITCHEN IS

THE HEART OF

THE HOME. IT IS MY FAVORITE BECAUSE EVERYONE

ATHERS THERE."

The Kitchen

illage’s best researched d restored home. It was originally located in arre, Massachusetts and was home to the Bixby mily from 1826 until the 70s. Emerson and Laura xby lived in this house th their three daughters, Eliza, Lucy, and Ruth. he house was moved to illage grounds in 1986, after extensive archaeological and rchitectural research.

surrounding a four-poster bed that not only ensured warmth and privacy but

also displayed the family's wealth and good taste.

www.osv.org

PORTSMOUTH VIRGINIA

North Meets South

modie the and North I have or South, similar wetraits both–have howsosoon much can in the common. task at For handme, be itcompleted, takes on ry ther memorable painting atime room living or in constructing the South. aMy tavern husband room, andwe I moved can notsouth waitfrom for a native ect to be New completed Englandso fourteen we can years decorate. ago. There We lived wereinmany Colonial times Williamsburg, when the paint a ong notdream. quite dry Our and passion we for would historic say homes to my and husband period“can decorating we hang provided this shelf, us rait, a great or other opportunity accessories”. to continue We would this get passion a look in that the Williamsburg only can be described area. Myas ndship lly?” When with Melodie you walk and into her husband, this home, Duck, youbegan trulywith feel ayou phone areconversation back in the teenth teen years century. ago. "Reproduction They were inhomes the process are the ofantique purchasing homesa of reproduction tomorrow!" odie brel-style and Duck's home on home theisElizabeth situated on River. the Elizabeth Melodie was Riverseeking in the Cheseapeak some guidance Bay help of Virginia in transforming with picturesque the house river to an views. earlier time Melodie period. andWeDuck were enlisted also have to a gn ionand for transform boating Duck their home is a captain to to the andtime has period many years of theof18th experience century. onThe the er. se had He all hasthe been major boating components all of his of life an early and has home, a U.S. including Coast Guard moldings 100-ton and ter wood license. floors. HeThe has colors spent decades of the interior providing however on-the-water were from towing a different and assistance period ecreational e sixties. We boaters spentinmany need. hours, The addition room byofroom, their dock deciding andon boathouse historic paint makes rs a picturesque for each room. scene Our through hunttheir for colonial-inspired fabric, period-inspired sunroom. furniture, The design and ssories ect wastook completed us on after manythree excursions. years. We Melodie traveled andNorth I continue to Connecticut to share room to ng these ideas wares. that On may acome whimtoone light time, evenwethough left Virginia we have oncompleted a Friday and decorating came ye on room. Sunday. I will Along treasure the way, thesewe memories gatheredfrom bittersweet our time andinother the South. treasures. To great We nds, r came I raise home a glass without to your a purchase. beautifulA home closeon friendship the Elizabeth soonRiver. developed between odie and myself as we had so much in common with our love for antiques and hriod-decorated fond memories! home. My husband was the project manager overseeing each m, painting, and stenciling, along with his restoration talents, to achieve the laof a historic home.

North Meets South

Melodie from the and North I have or South, similar wetraits both–have howsosoon much can in the common. task at For handme, be itcompleted, takes on a very memorable whether painting atime room living or in constructing the South. aMy tavern husband room, andwe I moved can notsouth waitfrom for a our native project to be New completed Englandso fourteen we can years decorate. ago. There We lived wereinmany Colonial times Williamsburg, when the paint a lifelong was notdream. quite dry Our and passion we for would historic say homes to my and husband period“can decorating we hang provided this shelf, us with a great portrait, or other opportunity accessories”. to continue We would this get passion a look in that the Williamsburg only can be described area. Myas friendshipWhen “really?” with Melodie you walk and into her husband, this home, Duck, youbegan trulywith feel ayou phone areconversation back in the fourteen years eighteenth century. ago. "Reproduction They were inhomes the process are the ofantique purchasing homesa of reproduction tomorrow!" gambrel-style Melodie and Duck's home on home theisElizabeth situated on River. the Elizabeth Melodie was Riverseeking in the Cheseapeak some guidance Bay and help area of Virginia in transforming with picturesque the house river to an views. earlier time Melodie period. andWeDuck were enlisted also have to a design and passion for transform boating Duck their home is a captain to to the andtime has period many years of theof18th experience century. onThe the house had water. He all hasthe been major boating components all of his of life an early and has home, a U.S. including Coast Guard moldings 100-ton and hardwood Master license. floors. HeThe has colors spent decades of the interior providing however on-the-water were from towing a different and assistance period – the to recreational sixties. We boaters spentinmany need. hours, The addition room byofroom, their dock deciding andon boathouse historic paint makes colors for a picturesque for each room. scene Our through hunttheir for colonial-inspired fabric, period-inspired sunroom. furniture, The design and accessories project wastook completed us on after manythree excursions. years. We Melodie traveled andNorth I continue to Connecticut to share room to find these setting ideas wares. that On may acome whimtoone light time, evenwethough left Virginia we have oncompleted a Friday and decorating came home on every room. Sunday. I will Along treasure the way, thesewe memories gatheredfrom bittersweet our time andinother the South. treasures. To great We never came friends, I raise home a glass without to your a purchase. beautifulA home closeon friendship the Elizabeth soonRiver. developed between Melodie and myself as we had so much in common with our love for antiques and a period-decorated With fond memories! home. My husband was the project manager overseeing each room, painting, and stenciling, along with his restoration talents, to achieve the look of a historic home. Sheila

The Duck Tavern

CAPTAIN'S

QUARTERS

CAPTAIN'S

QUARTERS

In early America, as soon as people began to have the time and money to beautify their

surroundings, they

started to apply stencil

decorations on their walls and even on their floors.

A look at Green glass

amestowne Virginia

he settlers of Jamestowne began producing in 1608, shortly after the initial establishment he new town. Colonists thought a glass stry would be sustainable in America because e seemingly endless supply of sand and trees aw materials and fuel. The Virginia Company London employed Dutch and Polish glass ans during the first phase of glass ufacturing at Jamestowne. At first, glass uction seemed possible. In 1610, William hey of the Virginia Company described the n’s glasshouse as a “good house.” However, 617, glass production appeared to be a dying stry in Jamestowne. The mid to late 1600s more successful glass manufacturing in areas de Virginia. By the 18th century, glass uction would grow in the colonies and the s of glass and products created would evolve ell. The color of the glass is determined by rent materials added to the mixture. Green is atural color of glass because it is made mostly nd, which contains iron oxide(rust)., which es the glass to be green. It is believed only n glass was made at Jamestowne in the 17th ury as the ingredients needed to produce other rs were not available there at the time and ably not sent over there from England. ough glassmaking failed at Jamestowne it was first industry attempted in English North rica. Glasshouse Point, located one mile from the or center, the National Park Service exhibits original furnace ruins. Nearby is the nstructed glasshouse, built in the 17thury style. At the Glasshouse, costumed ans blow and fashion glass in the 17th-century ner. The handmade objects are sold at the house.

he settlers of Jamestowne began producing glass in 1608, shortly after the initial establishment of the new town. Colonists thought a glass industry would be sustainable in America because of the seemingly endless supply of sand and trees for raw materials and fuel. The Virginia Company of London employed Dutch and Polish glass artisans during the first phase of glass manufacturing at Jamestowne. At first, glass production seemed possible. In 1610, William Strachey of the Virginia Company described the town’s glasshouse as a “good house.” However, by 1617, glass production appeared to be a dying industry in Jamestowne. The mid to late 1600s saw more successful glass manufacturing in areas outside Virginia. By the 18th century, glass production would grow in the colonies and the types of glass and products created would evolve as well. The color of the glass is determined by different materials added to the mixture. Green is the natural color of glass because it is made mostly of sand, which contains iron oxide(rust)., which causes the glass to be green. It is believed only green glass was made at Jamestowne in the 17th century as the ingredients needed to produce other colors were not available there at the time and probably not sent over there from England. Although glassmaking failed at Jamestowne it was the first industry attempted in English North America. At Glasshouse Point, located one mile from the visitor center, the National Park Service exhibits the original furnace ruins. Nearby is the reconstructed glasshouse, built in the 17thcentury style. At the Glasshouse, costumed artisans blow and fashion glass in the 17th-century manner. The handmade objects are sold at the glasshouse.

of griswold

Heavitree

of griswold

Heavitree

Griswold, Connecticut in 1635 om Heavitree, England, thus the ame Heavitree for the property. The farm is one of the few and ngest-living farms to continue in the founder's name "Geer". Heavitree is an original 18thntury building that was saved and ved to its current location suiting surroundings, a 140+ acre farm arted by their ancestors in 1700. arlotte felt "the house should suit land, and the furnishings should suit the house". The original tructure was a tavern located in ode Island, which had plans to be stroyed. At that time, Charlotte s looking for an early farmhouse complement her family's historic rmland. Heavitree is Charlotte’s sion. The painstaking process of restoring the tavern’s original terior using historically accurate aterials and methods was a labor love. The house is now open to e public as a bed and breakfast to be shared and enjoyed.

in Griswold, Connecticut in 1635 from Heavitree, England, thus the name Heavitree for the property. The farm is one of the few and longest-living farms to continue in the founder's name "Geer". Heavitree is an original 18thcentury building that was saved and moved to its current location suiting its surroundings, a 140+ acre farm started by their ancestors in 1700. Charlotte felt "the house should suit the land, and the furnishings should suit the house". The original structure was a tavern located in Rhode Island, which had plans to be destroyed. At that time, Charlotte was looking for an early farmhouse to complement her family's historic farmland. Heavitree is Charlotte’s passion. The painstaking process of restoring the tavern’s original interior using historically accurate materials and methods was a labor of love. The house is now open to the public as a bed and breakfast to be shared and enjoyed.

personal collections things bring life to a howcasing favorite

ome. offer guests a glimpse into your ssions with artistic arrangements in every room

personal collections things bring life to a howcasing favorite

home. offer guests a glimpse into your passions with artistic arrangements in every room

Resources

eastlymehistoricalsociety.org oldglorywoolenco.com Historic Homes Magazine Discovery Strawbery Old Sturbridge Banke Village Museum Historic Homes www.strawberybanke.org osv.org Magazine Kitchen Historic JeffreyJamestowne Ricketts Featured Artist East historicjamestowne.org Nottingham Antiques www.eastnottinghamantiques.com Historic Homes MagazineB&B Heavitree of Griswold Resources Gilbert Stuart heavitreebb.com Birthplace and Museum www.gilbertstuartmuseum.org Last Look Editor's Choice

Resources

Historic eastlymehistoricalsociety.org oldglorywoolenco.com Homes Magazine Discovery Strawbery Old Sturbridge Banke Village Museum Historic Homes www.strawberybanke.org osv.org Magazine Kitchen Historic JeffreyJamestowne Ricketts 84 Featured Artist East historicjamestowne.org Nottingham Antiques www.eastnottinghamantiques.com 154 Historic Homes MagazineB&B Heavitree of Griswold Resources Gilbert Stuart heavitreebb.com Birthplace and Museum www.gilbertstuartmuseum.org 157 Last Look Editor's Choice 80

it's all in the Historic homes details magazine

details ntiques at home ambrel on the elizabeth