ARTMILL MUSEUM, DOHA - QATAR (shortlist) by Henri Mezini

team O

The Art Mill Museum, viewed from the sea

TEAM O - MANGADO Y ASOCIADOS ART MILL - INTERNATIONAL DESIGN COMPETITION

ART MILL stage three international design competition

STAGE THREE

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SUMMARY BOARD//01

GREEN SPACES SYSTEM

CITY STRUCTURE

team O

URBAN FABRIC

CHARACTERIZING ELEMENTS OF URBAN FABRIC

THE ORGANIZATION OF URBAN FABRICS REVEALS A CONCENTRATION OF THE ACTIVITIES ON BANKS AND IN THE OLD TOWN. QUITE THE MAJORITY OF THE GREEN AREAS OF THE CITY CAN BE FOUND ALONG THE COAST, AROUND THE CENTER POINT OF THE CITY. THEY THE CITY HAS A CONCENTRIC STRUCTURE, THE CENTER BEING THE BAY. THIS STRUCTURE IS SHOW THE IMPORTANCE OF THE THE CULTURAL AND ECONOMIC MARKS ARE SEPARATED AND POSITIONED EACH ON ONE SIDE OF THE PARTICULARLY THE CULTURE AND THE TOURISM ARE CONCENTRATED TOWARDS THE PORT. CREATE LIKE A BUFFER BETWEEN THE CITY AND WATER. thiS StRUctURe, BOUnD With A lineAR pARk, the BUSineSS With the neW WATER ON THE ORGANIZATION OF THE CITY. THE STRUCTURE REVEALS THE INDIRECT RELATION OF THE SITE WITH THE URBAN BAY. THE RELIGIOUS AND SPORTS MARKS, AS FOR THEM, BEING A MATTER OF THE EVERYDAY LIFE, ARE FABRIC. THE DISCONTINUITY PROPOSES TO CONVERT THE ZONE IN A NEW CULTURAL POLE. A UNIT, WITH CHARACTER OFcUltURAl DeVelOpMentS. in thAt SenSe the ARt MillS WORkS AS A FUnDAMentAl piece OF thiS StRUctURe, DeFine the FinAliZAtiOn AnD SET BACK IN LANDS. the Beginning tO the FUtURe DeVelOpMentS ENCLOSURE BUT WITH THE POWER TO TRANSFORM THE CITY

green spaces system

URBAN FABRIC

CHARACTERIZING ELEMENTS OF URBAN FABRIC

The city has a concentric structure, with the bay at the center. This structure shows the importance of the seafront in the organization of the city, revealing the building site’s indirect relationship with the urban fabric. The discontinuity calls for an effort to turn the zone into a new cultural hub, enclosed in character but with the power to transform the city.

Most of the city’s green areas are located along the coast and around the urban center, creating a buffer between the city and its waterfront. In the linear structure linking the business to the cultural area, the Art Mills become the cornerstone, completing the structure and marking the beginning of future developments.

The functional structure of URBAN FABRIC REVEALS A CONCENTRATION OF ACTIVITIES IN THE ENVIRONMENT OF ART MILLS, SHOWING ITS STRATEGIC POSITION, BUT ALSO THE DISCONNECTION OF THE URBAN FABRIC. This HIGHLIGHTS THE NEED to create synergies with the existing structure.

The elements that characterize the urban fabric and the recent development of Doha are situated at the endpoints of the seafront. This throws light on the importance of the park as a connector and on the strategic position of the art mills in this structure.

SOUQ

MUSEUM

ART MILL CONCEPT

CONCEPT

CITY STRUCTURE

ART SOUQ

SITE ANALYSIS

Prevailing winds 3

PRIMARY ARTERIAL STREETS TRANSFORMATION AREA

secondary arterial streets TERTIARY STREET

SECONDARY ARTERIAL STREETS (COLLECTOR)

SEMI-PRIVATE STREETS

TERTIARY STREET

green / public spaces

FUTURE GREEN SPACE IN CONTINUITY WITH THE MIA PARK

FUTURE GREEN SPACE IN CONTINUITY WITH MIA PARK

GREEN / PUBLIC SPACES

SEMI-PRIVATE STREETS

FUTURE BUILDINGS IN DEVELOPMENT ZONE

housing hospitals

FUTURE BUILDINGS IN DEVELOPMENT HOUSINGS ZONE HOSPITALS

housing + shops tourism

HOUSINGS + SHOPS TOURISM

markets business

MARKETS BUSINESS

NEW PUBLIC SPACE CULTURAL

RELIGIOUS

religious business BUSINESS

cultural sport CULTURAL

CITY SCALE

PRIMARY ARTERIAL STREETS TRANSFORMATION AREA

new cultural and commercial center SPORT

1 2

NEW CULTURAL AND COMMERCIAL CENTER

66kV HV Electrical Utility

CULTURAL ANALYSIS - ENCLOSURE AND GROWTH IN MODERNITY AND TRADITION

300Ø MV Electrical Utility 1 Sea water cooling opportunities

EVOLUTION OF THE CITY

2 Good potential water transport acces

DOHA´S EVOLUTION SINCE 1947

3 Potential for large-scale renewables on unallocated land

SITE UTILITIES 1959

1979

1988

2016

2030

TERRITORIAL SCALE

1947

VERTICAL GROWTH MILLS MODERNITY HAS ALWAYS BEEN firmly contemporary

MODeRnitY + tRADitiOn VeRticAl + hORiZOntAl

1992 SKYLINE

2000 SKYLINE

TRADITION / HORIZONTAL OLD CITY

tRADitiOn hORiZOntAl OlD citY

dEVELOPMENT OF THE CITY CONSIDERING ITS PAST AND FUTURE

2015 SKYLINE

VERTICAL CITY / SKYSCRAPER AS A SYMBOL

MODeRnitY VeRticAl citY / SkYcRApeR AS A SYMBOl

66 kV high voltage cable (abandonned)

66kV HV Electrical Utility 300Ø MV Electrical Utility

GROWTH OF THE MOSQUE BY AGREGGATION

SYSTEMATICAL GROWTH OF THE MOSQUE

240Ø MV Electrical Utility

MOSQUE OF AL-AZHAR, EL CAIRO

MOSQUE OF CoRDOBA

120Ø MV Electrical Utility

Some mosques have in the course of history expanded by aggregation to accommodate various programs, resulting in hybrid buildings where different functions coexist and thus showing that modernity already existed in tradition.

Qtel Duct Storm water

1 · MOSQUE

2 · FIRST GROWTH

3 · SECOND GROWTH

4 · MOSQUE COEXIST WITH OTHER PROGRAMMES

5 · The mosque is thus a hybrid building: the attached additions serve as a wall linking up with the exterior.

THE ENCLOSURE IN THE COLLECTIVE SPACE The Art Mill is a ‘natural enclosure’. The focus is on the idea of the enclosure as both tradition and in relation to the growth and development of these spaces in history and culture.

1.- MOSQUE

2.- first growth

3.- SECOND GROWTH

4.- THIRD GROWTH

COLLECTIVE SCALE

grain silos

garages

Every step, house, space, and form is shaped by people’s habits, customs, and traditions.

The built wall-to-wall courtyard shows the importance of vernacular architecture.

There are overlapping patterns of organization—urban blocks and neighborhoods.

The main entrance opens onto the liwan, which is on the scale of the house, rather than out to the public street, which is on the scale of the city.

PATTERN OF THE DESERT

PASTA FACTORY

grain silos

URBAN FABRIC: TRADITION vs MODERNITY

The fabric is formed by the plot-defining urban enclosures that determine the structure of the city. The privacy required for housing forms a closed urban structure. Sometimes the gaps become communal spaces.

FLOUR SILOS

in the tRADitiOnAl citY eqUipMentS ARe pARt OF the URBAn FABRic cOnteMpORARY citY iS VeRticAl AnD BReAkS the URBAn FABRic, DeFining neW RelAtiOnShipS

In the traditional city, public facilities are part of the urban fabric, whereas the contemporary city is vertical, breaking the urban fabric and establishing new relationships.

INDIVIDUAL SCALE

HOW CAN THE ART MILL MUSEUM BE REPRESENTATIVE OF THE DIVERSE URBAN CHARACTER OF DOHA?

site plan scale 1:150.000

1 km

art mill museum

public space

by opening the museum to the public space and to the urban landscape outside, the art mill museum of doha will be as diverse in architecture and history as the city itself

5 km FROM THE CITY TO THE MUSEUM definition of Two Worlds: the outside, The transition, and the Interior world

In the fabric of a city you can read its history, culture, and tradition. A network of relations, a nest and tissue transformed over time, is well defined. The same happens with the city, where only the structure, the fabric, is imperishable (Theory of Poet).

1. the street (hall, circulation, landscape link) 2. the transition (support, reception, context room) 3. the room (gallery, exhibition, neutral space) 4. courtyard (lighting, reference, urban link)

APPROACH TO THE SITE AND EXISTING BUILDING

THE MUSEUM BECOMES AN OCCUPIED CANOPY WHICH DEFINES THE PUBLIC SPACE, an umbrella

The house surrounds the courtyard, forming an inner world of the family which one enters from the outside world through an intermediate space, a transition.

The museum will be like a city, with various orders and hierarchies; with an outside world, connected to the landscape, open to all, and an inner world, different in each case, transformable, mutable, accessed through an intermediate space, a transition.

streets “INDOOR“ plazas “OUTDOOR“ plazas

using this scheme, TAKING ADVaNTAGE OF THE SITE becomes EVIDENT, almost intuitive 1. in such a way, the museum becomes a proper neighbourhood: full of families, life and activity

PROPOSAL

2. 3.

ScAle 1:3000

typological reference

BASIC SYSTEM

CONCEPTUAL SYSTEM

the museum BECOMES a system, as a city

INSIDE

OUTSIDE URBAN FABRIC

ENCLOSURE

MORPHOLOGY

ART MILL stage three international design competition

streets and squares

PATIOs

OASIS

ATMOSPHERE

TRANSITIONS

axes

filters

light and shadow

intersticial spaces

SCALE

proportion

souq

HANDICRAFTS

neighbourhood

in-between spaces

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team O

art mill museum, neighbourhoodand park masterplan//02 THE SITE

CONTINUITY OF THE GREEN SPACES AND THE SEAFRONT

The connection with the city is not direct. To regenerate the area it is important to establish synergies with the coastal park and existing facilities, defining a unity with the existing as the city’s new front facing the sea.

The maritime walk on the corniche creates a public continuity that ends at MIA Park. The sea is a natural boundary of the site, constituting an enclosure, open to the city on one side, but also to the bay.

extending the mia park existing mia park limit

THE ART SOUQ

THE CENTRALITY OF THE SITE

The building should be taken as part of the large M.I.A. Park. We propose to continue this park through the envelope of the museum, which will appear in the complex like its prow. To achieve this, we suggest that a walkway bridge be built across to the Art Mill Museum platform and to the MIA Park, seeking to create continuity all along it. The walkway has been designed such that it can move in order to link up to the bay of Doha.

The position of the site gives it a centrality in relation to existing and future developments. If we understand the area by the sea as an autonomous urban zone because of its indirect relationship with the city, the flour mills will be the element that links the new to the existing, the present to the future.

MUSEUMS CULTURAL FACILITES LEISURE FACILITIES SPORT FACILITIES INFRAESTRUCTURE FACILITES

Aerial view of the Art Mill Museum and the park the enclosure in the collective space

A MOSQUE - A COLLECTIVE SPACE

The mosque rises within a closed enclave of the city, a sacred space open to people, an inner world entered through a courtyard open to the sky.

For a start we took as a reference the most important public space of Qatari tradition: the mosque. Not, however, as a purely formal reference, but as a conceptual one, drawing inspiration from the transitions and nuances of its different spaces. It is not a direct, but an ‘essential’ interpretation of the mosque.

interior square

interior space

exterior square

01 ENCLOSURE

02 TWO SPACES

03 TRANSITION

04 PRAYER HALL

Continuity of the public space FUTURE DEVELOPMENTS

ART MILL

sea

private

public

street

MOSQUE MIA MUSEUMS PARK

FUTURE DEVELOPMENTS

TWO SPACES

AN OCCUPIED CANOPY, AN ART SOUQ

Traditionally the mosque consists of two spaces, the sacred one inside and the access area, the transition to the outside world. Reversing the scheme, the columns become a sea of palms, an entrance courtyard, the void in the main space open to the sea. Two spaces, one open to the city, the other to the sea.

In the mosque, the sequence of alternating public and private spaces develops linearly on the same plane as the city. A new public space which is covered towards the city, open towards the sea, the museum volume is elevated to free up the ground level and make the institution engage with the Art Mill neighbourhood and park.

QNM 2

Masterplan concept NEW CULTURAL AREA 212.000 m2

ART MILL 100.000 m2

NEW CULTURAL AREAS 240.000 m2

OPEN-AIR ACTIVITIES 49.000 m2 CORNICHE 45.000 m2

SCULTPURE GARDEN 52.000 m2

QNM 47.000 m2

A. ART MILL PARK

ART MILL stage three international design competition

B. MIA PARK

1. ART MILL MUSEUM 2. MIA 3. AL-RIWAQ 4. NATIONAL MUSEUM OF QATAR C. EXISTING PARKING D. NEW PARKING E. CORNICHE F. QNM PARK g. tram station

masterplan scale 1:10.000

100 m

200 m

500 m

sea

Different site areas

art mill private

park - public

sea

art mill private

park - public

public space

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team O

content, collectionsand programming//03 A MUSEUM LIKE A CITY

FLEXIBILITY MUSEUM FLEXIBILITY

An adaptable system to form unique and singular spaces The large exhibition halls can be arranged differently depending on the use plan. There are four categories or themes which represent chronologically distinct moments in the history of art. In technical terms, their architectural and museographic conditions are very similar, but none are exactly the same. They differ in terms of geometry and size. And under one same cover and structure, they vary in height according to the requested plan, and can be changed subsequently as required. Based on systematically defined solutions and elements, countless combinations can be formed to turn each hall into a unique space. For instance, the doors to the halls are always the same, as access or exit points, but they can be arranged in different ways to suit the geometry of each hall, inviting visitors to explore their contents in a specific way.

STREETS AND PLAZAS

Variation - Different scales

Orthogonal halls

GALLERIES FLEXIBILITY

sTREETS plazas

TAKING ADVANTAGE OF THE SITE THROUGH THE INTERIOR CONFIGURATION OF THE MUSEUM

Small galleries

Big galleries

Auditoriums spaces

Office spaces

HEIGHT FLEXIBILITY

VIEWS FROM THE INSIDE

Exhibitions

Art Installations

Lectures and events

Permanent collection - Galleries X0

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+41,0 m

fifth floor - silos level +33.70 m

+25,7 m

ART INSTITUTION / FOUNDATION 4,000 m2

+23,7 m +20,7 m

TECHINCAL ROOM 650 m2

+14,2 m +13,0 m +11,0 m

TECHINCAL ROOM 1,100 m2

fourth floor - silos level +27.20 m

STAFF 2,000 m2

+04,0 m +01,0 m

south-west elevation scale 1:750

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modern 2,200 m2

third floor (silos) - museum level +20.70 m

classical 1,310 m2

temporary 5,000 m2 vip space 1,000 m2

access LEARNING SPACE 850 m2

restaurant 370 m2

industrial 6,635 m2 CAFE 365 m2 PRESENT 9,125 m2

mosque and prayer rooms 680 m2

second floor - museum level +14.20 m

Y14

3 craft/production workshops 2,000 m2

Y13

3 Y12

artists’ studios 2,000 m2

7 5

Y11

start up-office SPACE 755 m2

first floor - art mill neighbourhood Level +8.50 m

RETAIL-ART SOUQ 650 m2

Y10

WATER CONNECTIONS

ARTISTS’ RESIDENCE 910 m2

CONNECTION WITH THE TRAM/METRO

10 Y9

COVERED PARKING

mosque and prayer spaces 680 m2

VIP DROP-OFF AREA

9 4

MAIN PUBLIC ACCESS TO THE MUSEUM

PLANTROOMS & STORAGE 1,500 m2

4 Y6

EDUCATION 1,000 m2

SERVICE & ART ENTRANCE

vip access

RETAIL-ART SOUQ 650 m2 exterior prayer area

LOAD AND UNLOAD

start-up office SPACE 755 m2

amphitheater

ARTISTS’ RESIDENCE 1,205 m2

PEDESTRIAN BRIDGE

1 Classical Galleries 2 Modern Galleries

ART MILL stage three international design competition

3 Industrial Galleries 4 Present Galleries

5 Temporary Galleries 6 VIP Space

7 Casual Restaurant 8 Cafe/Education

9 Learning space 10 Gallery studios

SECOND FLOOR - MUSEUM scale 1:750

ground floor - art mill neighbourhood Level +1.00 m

20 m

50 m

ARTISTS’ RESIDENCE & cafe 1.205 m2

ground floor - art mill neighbourhood level +4.00 m

AXONOMETRICAL VIEW REFERENCES

entrance, black box and shop 2,070 m2

CAFE, restaurant, MAIN KITCHEN 390 m2

COVERED DROPOFF AREA

mosque & prayer spaces RETAIL-ART SOUQ START-UP OFFICE SPACE ARTISTS’ RESIDENCE Technical spaces & OTHER ENTRANCE, BLACK BOX & SHOP education restaurant & MAIN KITCHEN artists’ studios WORKSHOPS

PROGRAM TOTAL SURFACE

1,360 m 1,300 m2 1,510 m2 3,320 m2 5,005 m2 2,070 m2 1,000 m2 390 m2 2,000 m2 2,000 m2

52,810 m2

VIP SPACE CLASSICAL GALLERIES MODERN GALLERIES INDUSTRIAL GALLERIES PRESENT GALLERIES TEMPORARY GALLERIES CHILDREN AND FAMILIES CAFE & RESTAURANT STAFF ART FOUNDATION

1,000 m2 1,310 m2 2,200 m2 6,635 m2 9,125 m2 5,000 m2 850 m2 735 m2 2,000 m2 4,000 m2

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+04 library & Archive

+08.5 Studios & Workshops +08.5 Studios & Workshops

content, collectionsand programming//04 X2

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team O

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SERVICE ENTRANCE

ART LOADING

+04 library & Archive

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+08.5 Studios & Workshops +08.5 Studios & Workshops

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vip ENTRANCE

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Back-of-House (Library X7 & Archive) X8

Education X6

+20.7 temporal galleries Artists’ Studios 10 m 20 m 0

ground floor - level +4 m scale 1:750X11 X2X12

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Craft/Production WorkshopsX8 X6X16 X7X17

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first floor - level +10.2 m 1:750 X11 X12

scale X10

10 m

0 X13

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+27.2 Staff & Archive X7 X17

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First floor +33.7 Foundation

Ground floor X13 X7

+33.7 Foundation

+27.2 Staff & Archive

20 m

X14

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X2 X12

X3 X13

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X5X15

SILOS-FLEXIBILITY: CORES AND SERVICES +33.7 Foundation

BACK-OF-HOUSE X6 X16 X7X17 VIP ENTRANCE EDUCATION (LIBRARY & ARCHIVE) CRAFT/PRODUCTION WORKSHOPS ARTISTS’ STUDIOS Visitors core

X8 X2

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FLEXIBILITY

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MUSEUM FLEXIBILITY

Service core

Second floor

VIP core

Third floor

Homogeneus light

TEMPORARY GALLERIES VIP SPACE Visitors core

Different programms

Service core

Perimeter-free

Center-free

SILOS-FLEXIBILITY: TEMPORARY GALLERIES

VIP core

Artificial Skylights Fourth floor

Fifth floor STAFF art iNSTITUTION/FOUNDATION Visitors core Service core

+27.2 Staff & Archive

+20.7 temporal galleries X8 X2

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VIP X6 Space X12

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+33.7 Foundation Temporary Galleries 10 m 20 m 0

SECOND floor - level +14.2 m 1:750X17 X11 X2 X12

scale X16 X10

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+33.7 Foundation tHIRD floor level +20.7 m N X8 X2

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1:750X11 X5

Kids & Workshops 10 m

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SILOS-LIGHTING POSSIBILITIES

X6 X12

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Sculptures, Paints & Audiovisuals Y05

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Point light source

Artistic performances Y08

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When working with dropped ceilings, there are two possible systems. One leaves the technical elements exposed, including structural modulations, lighting or rails, air conditioning and so on. The other system is a ceiling that conceals those elements and lights up the hall evenly, forming a plain, white surface. Moreover, it is important to note that under the building’s large roof structure, each hall can adjust the height of its dropped ceilings, which enables freedom when it comes to arranging the various spaces depending on how the museographic project develops and the pieces are laid out. In fact, this also enables height variations within one same exhibition hall, and the two dropped ceiling systems can be combined at will.

Y14

X17 +41,0 m

B A

+25,7 m +23,7 m +20,7 m

+33.7 Foundation

+27.2 Staff & Archive X2

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south-east elevation scale 1:750 Y00

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+41,0 m

+25,7 m +23,7 m +20,7 m

+14,2 m +13,0 m +11,0 m

+04,0 m +01,0 m

Staff

fOURTH floor - level +27.2 m scale 1:750

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+41,0 m

+25,7 m +23,7 m +20,7 m

+14,2 m +13,0 m +11,0 m +07,8 m +04,0 m +01,0 m

Entrance to the Silos

ART MILL stage three international design competition

2345X

X14

team O

public programming//05 Y0

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+25,7 m +23,7 m +20,7 m

+14,2 m +13,0 m +11,0 m +07,8 m +04,0 m +01,0 m

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C-C section scale 1:750

20 m

50 m

D-D section scale 1:750

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50 m

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+41,0 m

+25,7 m +23,7 m +20,7 m

+14,2 m +13,0 m +11,0 m +07,8 m +04,0 m +01,0 m

View of the Palm Court with the Main Entrance in the background

Service trucks

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art entrance

VIP cars

VIP Drop off

X36

Load & Unload

SERVICE ENTRANCE

Water connections

ART LOADING mosque & madrasa (males) ENTRANCE, BLACK BOX & SHOP RETAIL-ART SOUQ START-UP OFFICE SPACE ARTISTS’ RESIDENCE

VIP Drop off

Y14

1 2 3 4 5

restaurant & MAIN KITCHEN VIP SPACE education Technical spaces & OTHER LIFTS & EMERGENCY EXITS

Park furniture storage Public bathrooms Control IT / DATA comms HV / LV room 1

6 7 8 9 10

Public bathrooms Sprinker services HV / LV room 2 Art loading-bay Storage and plantrooms

Y14

12 Y13

SECONDARY ENTRANCE

vip ENTRANCE

PARKING ENTRANCE

Y12

Y11

Y10

1 Male Female

PARKING ACCEsS

e 6

a h 5 9 f 3 1 0 m5 t

Covered Drop off area

Screen Y6

main ENTRANCE

7 10

SECONDARY ENTRANCE

3 5

11 Y10

Y11

Y12

Load & Unload

Amphiteatre Y4

28 30

24 24

27 18

LEVEL +2.50m

PARKING EXIT

ART MILL stage three international design competition

PARKING ENTRANCE

Y13

GROUND FLOOR - ART MILL NEIGHBOURHOOD scale 1:750

20 m

PARKING exit

50 m

GROUND FLOOR REFERENCES 1 Mosque (male) 2 Prayer space (Madrasa) 3 Black Box (and green room) 4 Museum shop 5 Ticketing & information, member’s desk and cloakroom 6 Projection room 7 Restroom & Break-out space 8 Lift 9 Children’s library 10 First Aid room 11 Library and Archive 12 VIPs’ restrooms 13 Service and Art entrance (Art Loading-bay, receiveing & packing) 14 Storage, conservation and plantrooms 15 Cafe

parking - LEVEL +2.50 m scale 1:750

16 17 18 19 20 21 22 23 24 25 26 27 28 29 30

Main kitchen Retail - Art Souq Start-up Office space Artists’ Residence (live & work spaces) Park furniture storage Public bathrooms Water services Control IT / DATA comms HV / LV room 1 Souq Storage BMS Sprinker services HV / LV room 2 Residence storage

2345X

team O

public programming//06 VERTICAL COMMUNICATIONS

PARKING ACCESS

PARKING

COVERED DROP-OFF AREA

MAIN ACCESS

COVERED DROP-OFF AREA FOR VIPS

ART SOUQ

LOADING AND UNLOADING AREA

AMPHITHEATER

PEDESTRIAN BRIDGE

View from the MIA to the Art Mill Museum X0

X01

X02

X03

X04

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X06

X07

X08

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X10

X11

X12

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emergency cores vip cores visitors cores service cores ART MILL MUSEUM ART MILL NEIGHBOURHOOD

THE STRATEGY

E PUBLIC SPACE AND FUNCTIONS: AN ART SOUQ

+41,0 m

+25,7 m +23,7 m +20,7 m

+14,2 m +13,0 m

X10

X11

X12

X13

X14

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+11,0 m

+04,0 m +01,0 m

E-E section scale 1:750

20 m

50 m

GROUND FLOOR PREVAILING WIND ART MILL MUSEUM entrance ART MILL NEIGHBOURHOOD

NIGHT CLOSING LATTICEWORK

3 intermediate slap

Y14

Y13

4 SECURITY - NIGHT TIME CLOSING

mosque & MADRASA (FEMALES) RETAIL-ART SOUQ START-UP OFFICE SPACE ARTISTS’ RESIDENCE

Y12

10 2

Y11

CRAFT/PRODUCTION WORKSHOPS ARTISTS’ STUDIOS Technical spaces & OTHER LIFTS & EMERGENCY EXITS

1 2 3 4

Park storage Water services Security IT / DATA comms

5 6 7 8

HV / LV room 1 BMS Sprinker services HV / LV room 2

Secure closed area Independent opened public spaces

Y10

s e

o 3

o r t

e 6

a h 5 9 f 3 1 0 m5

c 1

16 8

12 6

1 Mosque (females) 2 Prayer space

ART MILL stage three international design competition

3 Workshops 4 Artists’ Studios

5 Retail - Art Souq 7 Artists’ residence 6 Start-up office space 8 Residential rooms

9 Park Maintenance 10 Water services

11 Security 12 IT / DATA comms

13 HV / LV room 1 14 Souq storage

15 BMS 16 Sprinker services

17 HV / LV room 2 18 Residence storage

FIRST FLOOR - ART MILL NEIGHBOURHOOD scale 1:750

20 m

50 m

View from the Art Mill Museum to the MIA Park through the Art Mill Neighbourhood

2345X

team O

operationsand logistics//07

BACK AND FRONT-OF-HOUSE OPERATION service lift forklift CORES FOR INTERNAL USE ART INSTITUTION / FOUNDATION 4.000 m2 walkways

fifth floor level +33.70 m

double height space CORES FOR INTERNAL USE staff 2,000 m2

prayer rooms 2x50 m2

fourth floor level +27.20 m

service lift forklift

The restaurant with Doha´s Skyline in the background

Learning spaces

walkways temporary galleries 2,000 m2

AXONOMETRICAL VIEW REFERENCES

tram

OPERATIONS AND LOGISTCS AREA

local water taxi pedestrian

MAIN ACCESS

local water taxi

double height space

BACK-OF-HOUSE VIP ENTRANCE EDUCATION (LIBRARY & ARCHIVE) CRAFT/PRODUCTION WORKSHOPS ARTISTS’ STUDIOS TEMPORARY GALLERIES VIP SPACE STAFF art iNSTITUTION/FOUNDATION

car

third floor level +14.20 m

service lift forklift

pedestrians pedestrians from mia park vip services

PEDESTRIAN BRIDGE FLUXES AND DEDICATED ACCESS ZONES

VIP Lifts VIP Space 1,000 m2 walkways temporary galleries 3,000 m2

second floor level +8.50 m

G rotating pedestrian bridge service lift forklift

walkways Artists’ Studios 2,000 m2

local water taxi G

local water taxi road

ground level parking access

secondary

Craft/ Production Workshops 2,000 m2

PREVAILING WINDS AND PATIOS

tram

first floor Level +10.50 m

local water taxi F local water taxi

ART LOADING-BAY

local water taxi

city wide rapid ferry

service entrance ground level parking access secondary road

tram

vip entrance

ground floor level +4.00 m local water taxi

4890.00

to airport local water taxi

access

access restaurant access

MASTERPLAN ACCESS AND CIRCULATION scale 1:7.500

100 m

200 m

500 m

Conection with MIA Park: Pedestrian rotating bridge - people crossing

scale 1:5.000

Back of house: operations and logistics

Conection with MIA Park: Pedestrian rotating bridge - boats crossing scale 1:5.000

G f

f G

F-F SECTION scale 1:1.500

ART MILL stage three international design competition

40 m

100 m

G-G SECTION scale 1:1.500

40 m

100 m

2345X

team O

materialityand technicalrequirements//08 INDOOR CLIMATE STRATEGY option to integrate solar pv and solar hot water collectors on roof area, which would shade the roof and reduce cooling energy demand

Air handling unit with highly efficient motors and heat exchangers Exhaust air removed at high level through acoustically lined baffle

EASE OF MAINTENANCE ACCESS

Fresh air intake at high level Exhaust air removed at high level Fresh air is cooled to offset solar and occupancy heat gains and enters space using displacementCumulative ventilation Solar Irradiation

Cumulative Solar Irradiation Exterior Neighbourhood Spaces kWh/m 2 2030 15

Daylight 300 - 2.500 Lux Interior Circulation Spaces 0 %. occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux Lux 0 %. occ. hrs 100

Daylight 500 - 10.000 Lux Exterior Neighbourhood Spaces 0 %. occ. hrs 100

Exterior Neighbourhood Spaces Excellent Daylighting to circulation spaces high 2 2030 15 using kWh/m performance glass on elevations; “borrowed” side lighting to gallery spaces

Prevailing wind direction creates passive cooling options, especially for “neighbourhoid” spaces underneath gallery level; winter air night-purging for passive conditioning

Daylight 500 - 10.000 Lux Exterior Neighbourhood Spaces 0 %. occ. hrs 100

flexible gaLLERY SPACES AND CIRCULATION

CLOSE CONTROL GALLERY

Daylight 300 - 2.500 Interior Circulation Spaces 0 %. occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux 0 %. occ. hrs 100

EXPOSED HEAVY-WEIGHT SURFACES PROVIDING PASSIVE COOLING, THROUGH THERMAL MASS Mechanical cooling distribution pipeline High efficient circulation pumps

Cumulative Solar Irradiation Roof Canopy 635 kWh/m 2 2030

Cumulative ROOF PLAN Solar Irradiation Roof Canopy 635 kWh/m 2 2030

Incoming sea water cooling pipes

CLOSE CONTROL GALLERY

mep GALLERY TCHNICAL FLOOR

Hydronic thermoactive floor slab maintains low temperature and provides efficient radiant cooling in the occupied zone

Underground grey water settlement tank Bio reactor with glass display cabinet

Daylight 500 - 10.000 Lux Exterior Neighbourhood Spaces 0 %. occ. hrs 100

Cumulative Solar Irradiation Exterior Neighbourhood Spaces 15 kWh/m 2 2030

WATER RESOURCE STRATEGY

Daylight 500 - 10.000 Lux Exterior Neighbourhood Spaces 0 %. occ. hrs 100

Cumulative Solar Irradiation Exterior Neighbourhood Spaces 15 kWh/m 2 2030

Lux Interior Circulation Spaces 0 SECOND %. FLOOR occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux 0 %. occ. hrs 100

Roof inlets for rain water collection (very limited amount) Grey water for toilet flushes

Copper / UV- filter

Grey water drainage system (washbasins, sinks, showers)

Condensation collection from AHU’s, FCU and other on-site cooling systems

Cumulative Solar Irradiation Roof Canopy kWh/m 2 2030 635

Daylight 300 - 2.500 Lux Interior Circulation Spaces 0 %. occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux Daylight 2.500 0 %. occ. 300 hrs -100

Cumulative Solar Irradiation Roof Canopy 635 kWh/m 2 2030

Waterless urinals allow saving water and energy

Condensation collection from AHU’s, FCU and other on-site cooling systems

Daylight 500 - 10.000 Lux

Cumulative Solar Irradiation Exterior Spaces Cumulative Solar Neighbourhood Irradiation 15 kWh/m 2Spaces 2030 Exterior Neighbourhood 2 15 kWh/m 2030

SUSTAINABILITY STRATEGY

Exterior Daylight 500 - 10.000 Lux Neighbourhood Spaces 0 %. occ. hrs 100 Exterior Neighbourhood Spaces 0 %. occ. hrs 100

Daylight 300 - 2.500 Lux Interior Circulation Spaces 0 %. occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux 0 %. occ. hrs 100

FIRST FLOOR

Daylight 300 - 2.500 Lux Interior Circulation Spaces 0 %. occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux 0 %. occ. hrs 100

Cumulative Solar Irradiation Roof Canopy 635 kWh/m 2 2030

The Art Mill Museum, viewed from the sea

option to integrate solar pv and solar hot water collectors on roof area, which would shade the roof and reduce cooling energy demand

Water saving taps, WC cisterns and waterless urinals Innovative waste water recycling technology

Locally sourced materials with high recycled content

Maximized open EXTERNAL space Heat Island effect on the roof Cumulative Solar Irradiation Exterior Neighbourhood Spaces 15 kWh/m 2 2030

Heavily insulated envelope to reduce solar heat gains

Cumulative Solar Irradiation Exterior Neighbourhood Spaces 15 kWh/m 2 2030

Advanced building comisioning tools

Building shape optimizes shading and reduces solar gains Cooling and electricity provided by the renewable sources

Daylight 500 - 10.000 Lux Exterior Neighbourhood Spaces 0 %. occ. hrs 100

Low-emitting materials

GROUND

Daylight 300 - 2.500 Lux Interior Circulation Spaces 0 %. occ. hrs 100 Galleries, ‘borrowed’ light Daylight 300 - 2.500 Lux 100 - 2.500 Lux Interior Circulation Spaces 0 %. occ. hrs 100

Daylight 500 - 10.000 Lux Exterior Neighbourhood Spaces FLOOR 0 %. occ. hrs 100

Collection and storage of recyclabies

Cumulative Solar Irradiation Roof Canopy 635 kWh/m 2 2030

0 %. occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux 0 %. occ. hrs 100

Exterior space irradiaton; interior & exterior daylighting

+20.23 m

View from the MIA - Sunset

+20.23 m

DIfferent screens for the façade

STRUCTURE OVERVIEW A key aspect of the architectural proposal is to maximise flexibility of the galleries to allow internal spaces allow be transformed with freedom over time; allowing an extremely adaptable environment for different configurations of gallery rooms, exhibits and events. Therefore one of the main priorities of the proposal has been to maximise structural spans and eliminate as many internal columns as possible, resulting in column-free areas of up to 35x45m.

CENTRAL TRUSSES 4.5m spacing

central and outer trusses supported by box trusses and mega-columns

TYPICAL

COURTYARD

END

simply supported beams between outer trusses and box trusses

The structural frame of the building is proposed to be predominately steel-framed and has been developed to withstand the high forces associated with gallery and exhibition spaces, by utilising truss elements that are material efficient and are therefore ideally suited to long-span structures due to their high strength-toweight ratio.

+4.00m

STRIP SECTION 1 0 scale 1:100

Behaviour of typical roof structure X35

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STRIP SECTION 1 scale 1:100

1. Main truss 2. Extruded polystyrene thermal insulation (30 cm) 3. Cladding of foded 1 mm aluminium sheet 4. Aluminium sheet gutter 5. Aluminium sheet 6. Thick steel “L” sheet

Location of zones of differing structural typology X36

X28

X27

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X24

7. Ceramic filter 8. Metallic support 9. Ceramic filter 10. Secondary truss 11. Aluminium folded sheet 12. Structural steel element X23

X22

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X20

X19

STRIP SECTION 1 0 scale 1:100

19. Suspended ceiling with sound absorption and geotextile 20. Aluminium ceiling substructure 21. Ceramic tiling 22. Extruded aluminium profile 23. Extruded steel profile 24. Folded galvanized sheet frame 25. Galvanized tubular profile filled with internal wool

13. Double glazing 10 + 10 14 Aluminium substructure 15. Self-leveling resin interior floor 16. Reinforced concrete slab 17. Lower truss 18. Tubular galvanized steel substructure X18

X17

X16

X15

X14

X13

X12

X11

STRIP SECTION 1 0 scale 1:100

X10

X09

X08

X07

X06

X05

X04

X03

26. Laminar glass 27. Galvanized steel louver 28. Structural steel cable 29. Steel beam 30. Double layered plasterboard over galvanized structure 31. Led skylight X02

X01

• • • • •• • •• • • • •

X0 +41,0 m

NORTH-EAST elevation scale 1:750

10 m

+25,7 m +23,7 m +20,7 m

+14,2 m +13,0 m +11,0 m

+04,0 m

ART MILL stage three international design competition

2345X

20 m