Crossover Culture Max Bill’s and Georges Vantongerloo’s Ties with the United States by Angela Thomas

Parallel Show in Beverly Hills Coinciding with his retrospective, Bill exhibited additional work in a parallel show at the Comsky Gallery in Beverly Hills (which ran from February 7 to March 1, 1975), with the invite to the opening reception designed by Bill himself. It showed a construction drawing for a painting.

Invitation card for the exhibition ‘Max Bill’, February 7 – March 1, 1975, Comsky Gallery, Beverly Hills, archiv haus bill, zumikon

17

Turn static files into dynamic content formats.

Create a flipbook

Articles inside

Max Bill and Fritz Glarner in Venice

Fritz Glarner and Georges Vantongerloo at the Rose Fried Gallery in Manhattan

Rose Fried and George Wittenborn

Leon Polk Smith

Robert Wilson and the Film Max Bill: The Master’s Vision

Praemium Imperiale, 1993

Bill’s Sculpture Is First-Rate

Moholy-Nagy, Theobald van der Rohe in Chicago

Émigré Bauhaus Teachers and Students in the United States

Substance vs. Form

Max Bill and Josef Albers —Mutual Appreciation

Walter Gropius Vouches for Max Bill

Marshall Plan

The USA Baut Exhibition in Zurich 1945

Vantongerloo’s Collectors

Hilla von Rebay

Georges Vantongerloo’s American Friends and Allies

Ellsworth Kelly

Corcoran Gallery of Art in Washington D.C.

Los Angeles County Museum of Art

Max Bill

Bill’s Retrospective in Buffalo, Los Angeles, San Francisco, and Washington D.C.

Max Bill’s Project for the 1939/40 New York World’s Fair

Georges Vantongerloo

Parallel Show in Beverly Hills

Collectors and Artists with Close Ties to Max Bill

Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.

Crossover Culture Max Bill’s and Georges Vantongerloo’s Ties with the United States by Angela Thomas by Hauser & Wirth - Issuu