The Third PictureShow

HR: The funniest was working for David Lynch because he was as cool as I hoped he would be. I see him now and then. He is really great, thinks differently and always has interesting things on his mind.

All the Sons of Anarchy people were great. Sometimes you’re on a show and there’s someone with an ego or whatever and you have to work around them. That’s not a problem for me as I have no ego with the work at all. I just want to do the part well. That being said, it’s rare where the whole cast is cool and friendly. That was the ‘Sons’ cast.

They were all great and went out of their way to make me feel welcome. I was sorry when it was over.

CB: Wrong Turn 2, Suck, Feast, spoken words on World War Z audio books are a lot of projects I am sure you had a lot of fun on.

Are you an avid horror fan yourself?

HR: I am not. It’s not a genre that really holds any interest for me. I am happy to work in it though.

CB: As a self-confessed workaholic currently powering through the dates of your latest spoken word tour what’s next? Have you got any film projects lined up or anyone you would love to work any fundamental lessons about and that has helped me very much. with? Ever considered moving yourself or about the entertaininto directing? ment industry in general?

With Henry visiting the UK next year as part of his eight date ‘Long HR: I am working on a few books. I HR: I have learned that you have to March’ spoken word tour and have been doing a lot of documen- be flexible and very professional in launching the documentary ‘Snake tary work these days with National order to hang in the film and tele- Underworld’ on National GeoGeographic. That’s been a great ex- vision world. The fundamental les- graphic Wild, it’s obvious his strong perience. I would like to do more sons I have learned is that you bet- work ethic has not diluted with age. doc work than anything else. I have ter bring you’re A-game to every Putting his film work aside to truly no interest in directing but defi- audition and day on a set. There are experience Henry Rollins is to see his nitely want to come up with ideas some frighteningly talented peo- spoken word performances: he may of things to shoot. ple in the entertainment industry. not scream and brawl with the audiIf you are not on the top of your ence like the old days but his power CB: With over 20 years of film game, you don’t stand a chance. with a microphone hasn’t changed and TV projects under your belt Even on my best day, I struggle. So, one bit. now, in retrospect have you learnt I learned to prepare like a madman