Haley A. Rogers | Selected Works Vol. II

Page 1

Haley A. Rogers

Selected Works | Vol. II

Works produced during academic studies at Clemson University and Bowling Green State University.

Academic
| The
02 | Impositions
Works01
Canopy
03 | Union04 | Symbiotic05 | Eusapia

01 | The Canopy

The Canopy, is an interdisciplinary initiative between the local land grant university and state botanical gardens to enhance ecological research, community outreach and connection to the botanical gardens and the university. Located adjacent to the state botanical gardens and across the university boundary, the site

disseminates boundaries while creating a new gateway to campus and shifting it’s center access. The rotation of the axis organizes program on the exterior edges of the site. This move reaches into the botanical gardens creating a union between campus and gardens.

The act of diminishing boundaries,

developing a piazza and creating a delicate blanket of covering promotes a space for growth, discovery, and interdisciplinary work. The end result achieves an active relationship between the local university and botanical gardens which extends the reach of campus into the broader community.

In collaboration with Sean LaRochelle and Yarely Smith

De ning Boundaries Flexible program Piazza Canopy Gateway

The Canopy’s interdisciplinary initiative between the local university and state botanical gardens incorporates many program functions that promote ecology, research, and is flexible to serve the university as an extension of itself and a variety of uses. The west building is a large auditorium to accommodate university events and lectures. The east building has a larger variety program including classroom, lab, and office space to conduct courses and research. Work

rooms for students of all disciplines to collaborate and study. A visual reference lab that houses long term research projects that are on display as they are developing and converted to a gallery space for presentations with a system of collapsable and transforming furniture. Lastly a reference library and cafe that also uses the transforming furniture systems to allow it to convert to an event hall as needed by the users.

E TERTIARY STRUCTURE Rolled Steel Tube Air Gap Snapping Groove ETFE Film (semi- transparent) Clamping Connector Stainless Steel Connector ETFE ASSEMBLY F PRIMARY STRUCTURE CNC’d Steel Girders B A COLUMN STRUCTURE Steel Columns C TENSILE STRUCTURE Stainless Steel Cables D SECONDARY STRUCTURE Standard K-Joists

TENSILE STRUCTURE

Pinned Stainless Steel Connectors & Cable Suspend Canopy

PRIMARY STRUCTURE

Plasma Cut Wide Flange Girders Pinned to Columns & Suspended by SS Cables

SECONDARY STRUCTURE

Standard Sized K-Joist

TERTIARY STRUCTURE

Rolled Tube with Pinned Connections

ETFE PANELS

Ethylene Tetrafluoroethylene Panels Create the Canopy and are Filled with Compressed Air

STEEL COLUMNS

CNC & Egg Crated Steel Columns

TRANSPARENCY LIGHT WEIGHT SHADING DURABILITY STRENGTH LOW COST

02 | Impositions

Analyzing impacts of urbanization, “Impositions” begins to reflect on the development of second nature and its relationship with in itself and first nature.

Impose or to force or take advantage of, begins to reflect on crossed boundaries throughout the initial development of downtown Toledo and the concept of how breaching can be used to reflect on its ecological history as well as reconnect the broken grid.

Districts

Business District Residential

Former Tributary

c. 1840 | Toledo Streams & Tributaries

Present Day | Toledo Streams & Tributaries

Impositions initially derived from of the ecological and architectural phenomenon, daylighting, the process of exposing once filled in streams and tributaries.

Reflecting on what was once apart the ecological and topographical makeup of Toledo, Ohio begins to inform how second nature has imposed on first within this region and can influence topographical adjustments.

Imposing main corridors into the wedge bridging connections between the two grids and the wedge to riverfront.

8,000+ Vehicles 4,000 - 8,000 Vehicles 0 - 4,000 Vehicles Traffic Patterns Focal Points Axial Relationships Circulation around Wedge
Wisconsin
Glacial Stage Daylighting

Three main corridors through Toledo are intercepted by the wedge formation. While this does not limit vehicle circulation, it enhances the difficulty of pedestrian traffic throughout the whole grid system. By analyzing the three axial relationships that filters one into the

wedge and into the city, an analysis of how the grid can be imposed within the wedge to create a circulatory system and adjust the overall programming the Vistula Garage to create a more united master plan. These grids take form, creating

pedestrian bridges through the city and begins to take advantage of the structural systems of the Vistula Garage. These blends the two grids through the wedge and adds to the circulation systems being formed in the wedge.

Form
| Pedestrian
Pedestrian Water
| Pedestrian
Circulation
Wedge Circulation |
Circulation

190 ft

140 ft

0 ft

0 ft - 20 ft - 25 ft

| Union

UNION is a mixed-use development at a prime location adjacent to the Swamp Rabbit Trail within Unity Park, Greenville, South Carolina’s latest addition to their Greenway System.

Featuring almost 30,000 sqft of programmed space, the intention of UNION is to create an extension of the trail, blending the line between built and natural environments to create an

open, public atmosphere to attract both users from the trail itself as well as the parking lot.

For information about UNION and it’s design please click the UNION logo for a thorough explanation of design and space.

03
In collaboration with Nicolas Beck

North Elevation South Elevation

Programming

Level 1

1Entertainment3770 sqft

2Art Gallery725 sqft

3Bathrooms1200 sqft

4Island Cafe360 sqft

5Fresh Market1500 sqft

6Wine Bar750 sqft 7Storage250 sqft

8Ice Cream320 sqft

9Fried Chicken|Mac ‘n Cheese260 sqft

10Plant Shop250 sqft

11Used Book Store250 sqft

12Cowork Entrance240 sqft

Level 1 Total 9875 sqft

Level 2

14 15 16

Coworking8047 sqft Bathrooms1349sqft Artist Residency1154 sqft Farm To Table4022 sqft Food Prep | Storage750 sqft

Level 2 Total 18989 sqft

Corridor 15000 sqft

13 3 Total 28864 sqft

Total w/Corridor 43864 sqft

Anchor Bolt Anchor Bolt Steel Beams 3D Printed Header 3D Printed Layers Aggregate 3D Printed Wall Detail 3D Printed Robot Placement Level 1 Level 2Robots

04 | Symbiotic

A Symbiotic relationship, often referred to in biological connections, is defined as a relationship between any two parties in which at least one of the parties receives benefit. As Bowling Green State University serves as an academic institution there is a highlighted academic core (as defined by the institution) that imposes boundaries and axis on campus that has created a pattern for the placement and overlap of academia

and wellness spaces throughout campus.

Academia and Wellness in general terms have a codependent relationship that can be identified as Symbiotic. Defined by a series of parallel interactions, predetermined patterns at BGSU reflect a parasitic relationship in which academic feeds off of wellness. Blurring defined boundaries will shift campuses

parasitic symbiotic relationship between acadmia and wellness to a mutualist symbiotic relationship in which both parties support growth of one another.

Mutualism: Type when both parties benefit.

Shared between both academia and wellness, research supports growth efforts for both parties while bridging the gap between a dichonotomy and forming a symbiotic relationship.

While each encased area has intitial designated programtic functions, overlaps allow for permeation from one party into the other through transferance of it’s symbiotic resource.

Floor 1 - Key Side A 1 - Lobby 2 - Clinical Research Space Physical 3 - Stairwell A 4 - Restrooms 5 - Enclosed Garden 6 - Elevator Shaft Side B 7 - Lecture Hall 8 - Restrooms 9 - Stairwell B 10 - 12 - Classrooms Floor 1 - 1/16” = 1’0” 1 2 3 4 56 7 8 9 10 1112 Floor 2 - Key 13 - 17 - Clinical Space Offices Physical 18 - Open Office Area 19 - Stairwell A 20 - Restrooms 21 - Enclosed Garden 22 - Elevator Shaft 23 - Mental Health Practice Area 24 - 27 - Wellness Pods 28 - Stairwell B 29 - Yoga Studio Floor 1A - 1/16” = 1’0” Floor 1A Key 1A Lobby 2A 5 A - Group Therapy 6 A - 9A - Private Therapy/Offices 10A Lobby 1A 10A 2A3A4A5A 6A7A8A9A 1314 151617 18 1920 22 23 21 24252627 28 29 Floor 2 - 1/16” = 1’0” Floor 3 - Key Side A 30 - Physical Fitness Space | Clincial 31 - Terrace 32 - Stairwell A 33 - Restrooms 34 - Enclosed Garden 35 - Elevator Shaft Side B 36 Gallery / Lounge 37 Roof Garden 38 Stairwell B 31 3233 34 35 37 38 36 Floor 3 1/16” = 1’0” 30 37 41 42 38 40 39 Floor 4 - 1/16” = 1’0” Floor 4 - Key 38 - Stairwell A 39 - Enclosed Garden 40 - Roof Access 41 - Reference Library 42 - Stairwell B W12 x 26 Beams Corten Steel Corten Steel Cast in Place Conc. on Mtl. Stud Curtain Wall System w/ Corten Steel Mullions

N. Elevation - 1/16” = 1’0”

S. Elevation - 1/16” = 1’0”

E. Elevation - 1/16” = 1’0”

W. Elevation - 1/16” = 1’0”

05 | Eusapia, City of the Dead

Eusapia, a city of the dead that builds the living. Through travel and communication, the dead changes and builds the living world above them. The trust and authority of the hooded brothers between the two worlds allow for the innovation and mimicry involved. The bond between the two worlds is inevitable, for, without the one, the other would not exist. Through the changing of size and arbitrary rotation, the dead slowing builds the

living through the connection of the hooded brothers.

No city is more inclined than Eusapia to enjoy life and flee care. And to make theleap from life to death less abrupt, the inhabitants have constructed an identical copy of their city, underground. All corpses, dried in such a way that skeleton remains sheathed in yellow skin, are carried down there, to continue their former activities. And, of these activities, it is their carefree moments that take first place: most of the corpses are seated around laden tables, or placed in dancing positions, or made to play little trumpets. But all the trades and professions of the living Eusapia are also at work below ground, or at least those that the living performed with more contentment than irritation: the clockmaker, amid all the stopped clocks of his shop, places his parchment ear against an out-of-tune grandfather’s clock; a barber, with a dry brush, lathers the cheekbones of an actor learning his role, studying the script with hollow sockets; a girl with a laughing skull milks the carcass of a heifer.

To be sure, many of the living want a fate after death different from their lot in life: the necropolis is crowded with big-game hunters, mezzo-sopranos, bankers, violinists, duchesses, courtesans, generals --- more than the living city ever contained.

The job of accompanying the dead down below and arranging them in the desired place is assigned to a confraternity of hooded brothers. No one else has access to the Eusapia of the dead and everything known about it has been learned from them.

They say that the confraternity exists among the dead and that it never fails to lend a hand; the hooded brothers, after death, will perform the same job in the other Eusapia; rumor has it that some of the are already dead but continue going up and down. In any case, this confraternity’s authority in the Eusapia of the living is vast.

They say that every time they go below they find something changed in the lower Eusapia; the dead make

They say that every time they go below they find something changed in the lower Eusapia; the dead make innovations in their city not many, but surely the fruit of sober reflection, not passing whims, from one year to the next, they say, the Eusapia of the dead becomes unrecognizable. And the living, to keep up with them, also want to do everything that the hooded brothers tell them about the novelties of the dead. So the Eusapia of the living has taken to copying its underground copy.

They say that this has not just now begun to happen: actually it was the dead who built the upper Eusapia, in the image of their city. They say that in the twin cities there is no longer any way of knowing who is alive and who is dead.

So the Eusapia of the living has taken to copying its underground copy.
And to make the leap from life to death less abrupt,
innovations in their city;

Academic Research 01 | After Plastics

Research assigned and pursued at Clemson University Serving as a Graduate Research Assistant for the Director of the School of Architecture.

The After Plastics Research was largely produced by the Kala Design Studio and the Landscape Architecture Research Assistant. I was in charge of the fabrication and development of the Trianalle exhibition. Click the After Plastics logo to be linked to the instagram featuring the exhibition.

Miscellaneous Work

A variety of work produced during my time at Clemson University and Bowling Green State University outside of Design Studio

01 |

Drawing Portfolio02 | Space

Click 02 | Space to be linked to a podcast developed by myself, Michael Carabello, and Morgan Clark discussing the potential settlement of space and whether Architecture or Architects should be involved. This is a scripted podcast portraying both sides satirically for an Architecture History and Theory Course.

Click the Portfolio cover above to be linked to my drawing studio portfolio.

Arch 6990 | Freehand Drawing Haley A. Rogers Professor Lynn Craig

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.