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Jeong Chu’s Song of Goryeo Forgotten at Home, Famous Abroad (III)
www.gwangjunewsgic.com
December 2020
CULTURE & ARTS
Interview by Jeong Jiyeon
This article aims to shed new light on the life of Gwangju’s forgotten musician, Jeong Chu, a Gwangju-born emigrant caught up in Korea’s turbulent modern-day history. His life was reconstructed through an interview with Mr. Jeong Heon-ki, a culture and arts planner. This concluding article continues from “The Black-Haired Tchaikovsky” in the November issue of the Gwangju News.
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uring his studies at the Moscow Conservatory in Russia (then the Soviet Union), a warrant to arrest Jeong Chu was issued by the North Korean authorities with the accusation that he was promoting a movement against the idolization of Kim Il-sung. In response to this, Jeong Chu wrote a letter to Khrushchev, First Secretary of the Communist Party of the Soviet Union, to seek political asylum. Consequently, instead of being forced to return to North Korea, he was deported to Almaty, Kazakhstan. It was not until 17 years after being deported, in 1975, that Jeong Chu was able to receive Kazakhstani citizenship. Jeong Jiyeon (JJ): It is said that Jeong Chu was deported to Almaty, Kazakhstan, for demonstrating against Kim IlSung's idolization in Russia. We are curious to hear what his life was like in Kazakhstan and what he did while there. Jeong Heon-ki: In 1958, after arriving in Kazakhstan, he came across the “Goryeo people” (Koreans in the Soviet Union who were exiled to Central Asia by Stalin). However, as you probably are very well aware, Stalin committed many atrocities against the Goryeo people in Central Asia, which deeply shook Jeong Chu. It left such a big impact on him that there is even a symphony he created, inspired by the deportation of the Goryeo people to Central Asia called “September 11, 1937, Stalin.” Another great achievement of his during this time was that he recorded the musical oral heritage of the Goryeo people. He took a state-of-the-art portable recorder of
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the time, which had just been released, and got on board the Trans-Siberian Railway. He recorded, as well as wrote down, musical scores of the songs he heard from the Goryeo people he met along the way. In this way, he collected over 1,000 traditional songs. I truly believe that the reason why he was able to immerse himself in this way in studying folk music was because, as a musician, but also as an immigrant himself, he could, like no other, feel the sorrow and grief that the Goryeo people experienced due to alienation. Interviewer’s Note: The early days of Jeong Chu’s exile in Kazakhstan gave birth to all of his most representative orchestral music pieces. Following that, starting at the end of the 1970s all the way until the year 1990, he focused mainly on his research as a folk music scholar, as well as on educational activities as a university professor. What is more, about 60 of his works were featured in Kazakh music textbooks, and in 1988, he was awarded the title of "Honored Cultural Worker of Kazakhstan" by the Kazakh government. JJ: We would like to hear your opinion, as a descendant of Jeong Chu, about what kind of musician you would like him to be remembered as. Jeong Heon-ki: It seems to me that people tend to, more or less, take an eventful approach to Jeong Chu’s life. When researching about his life and achievements, one cannot help but think about their sociological, economical, and political effect. However, reflecting on the circumstances of the era, I hope that more light is shed on what kind of life he lived as a Korean born during the Japanese colonial
11/24/2020 4:51:35 PM
