CASSIGNEUL CATALOGUE

Page 1

Guarisco Gallery


Guillaumin

Cassatt

A. Guillaumin

Ecluse du Moulin Bouchardon, Crozant (ca. 1895)

M. Cassatt

Portrait of Master St. Pierre as a Young Boy 29 ½” x 22 ¾” unfr. 38” x 31” fr. Literature: 1) Breeskin, Mary Cassatt, A Catalogue Raisonné of the Oils, Pastels, Watercolors, and Drawings (Wash., D.C., 1970), p. 106 (no. 210) (illus.) 2) Breeskin, Adelyn Dohme, Mary Cassatt: A New Catalogue Raisonné of the Paintings, Pastels, and Watercolors Published by Adelyn Dohme Breeskin (Adelson Galleries, NY, 2015), no. 441 (illus.) 3) Mary Cassatt among the Impressionsists (exh. cat. Joslyn Art Museum, Omaha, Neb., 1969)) (illus.) 4) A Selection of Drawings, Pastels, and Watercolors from the Collection of Mr. and Mrs. Lester Francis Avenet (exh. cat. (1969) (frontispiece (illus.))

30 ½” x 36 ¼” unfr. 42” x 48” fr.

Literature: To be included in the forthcoming second volume of the Catalogue Raisonné Armand Guillaumin being prepared by the Comité Guillaumin: Dominique Fabiani, Stéphanie Chardeau-Botteri et Jacques de la Béraudière.

Armand Guillaumin was a founding member of the Impressionists, participating in all eight of the Impressionist group exhibitions. The Moulin du Bouchardon located on the Sédelle river in the region of Crozant was a popular subject for many painters, including Monet and Pissarro, but it was most often painted by Guillaumin. The mill is ancient, appearing on maps of the region as early as 1544. Painters of the School of Crozant called it the Moulin du Bouchardon, after the miller of the time; and it was one of their favorite subjects due to the picturesque qualities of the mill, the stream, and the cliffs.


J. Martin-Ferrières

Coquelicots et Marguerites (Poppies and Daisies) 32 ½” x 39” fr.

F. L. Puigaudeau Les Bulles de Savon 29 ½” x 35” fr.

G. Loiseau

Les Falaises d’Yport (Cliffs at Yport) 32 ½” x 37 ½” fr.

L. Kronberg

Ballerina in Blue (Curtain Call) 28 ¾” x 22 ¼” fr.

H. Lebasque

Jeune femme promenade dans le parc 11” x 16” fr.


E.O. Friesz

Sailboats at the Quai du Parti, Toulon 25” x 19 ¾” fr.

An important leader of the Fauves, Emile Othon Friesz, like Matisse, Marquet, Vlaminck, and Dérain, rebelled against the tenets of Academicism. An admirer of Cézanne, Friesz preferred methodical compositions, simplified tonalities, solidity of form, and distinct separation of planes.

G. Balande

Déjeuner au bord de la Seine 40” x 29” unfr.

C. Foreau

Déjeuner en bord de mer 27 ½ “ x 33 ½” fr.

U. Caputo

The Open Window 23” x 19 7/8” fr.

L. Lhermitte

Wissant, dit ‘la colline á côté du village’ (ca. 1907) 17 ½” x 21” fr.


A. André

The Bouquet (View from the Artist’s Studio, Paris) 40 7/8” x 34 3/8” fr.

PICABIA

H. Lebasque

Le Parasol, Baie de Douarnenez 32” x 43” fr.

Literature: Camfield, Arnauld, Clements, Calté, et. al., Francis Picabia Catalogue Raisonné (1898–1914) (2014), vol. 1, pg. 238, no. 233 (color illus.)

F. Picabia

Saint-Germain l’Auxerrois, Paris (ca. 1905/06) 21 ½” x 26” ufr. 33” x 37 1/4” fr.

Francis Picabia is considered one of the most important and influential figures of the Dada movement. Throughout his career, he was allied with numerous other modern movements—Impressionism, Fauvism, Futurism, Vorticism, and Orphism—but Picabia is perhaps best known for energetically questioning prevailing understandings about art and for helping to disseminate, through his publications, avant-garde ideas. Picabia did a series of paintings in 1906 depicting the city of Paris. The earliest of these was Saint-Germain l’Auxerrois. Picabia’s heavy impasto and gestural palette knife-work convey the fleeting effects of brilliant sunlight and sense of urban spontaneity.


J. F. Day

Light of Love 39” x 33” fr.

Le Bassin du Château (Nice–Côte D’Azur) 24” x 29 ¾” fr.

Terrasse à Menton 14 5/8” x 20 1/8” unfr.

Neige au bois Jôdin 18 1/8” x 15” unfr.

La Mare des canards, chez Jean 28 1/4” x 32 1/2” fr.

Céline et Pipo dans le pré 24” x 19 3/8” fr.

Rue Hautvie à la Ferté-Macé 14 5/8” x 20 1/8” unfr.

A. M. Gorter

October: A Sunny Day in Autumn (ca. 1910) 80” x 63” fr.

H.C. Pissarro


M. Dawson The Golden Eagle 33 ¼” x 45” fr.

H. J. J. Geoffroy At the Fountain 32” x 27 ½” fr.

E. Petit

G. L. De Jonghe

T. S. Cooper

Hunting Scene 31 ½” x 36” fr.

Dressing for the Ball 31 3/8” x 26 ½” fr.

Drover with Cattle and Sheep (1857) 45 1/2” x 60” fr.

G. Capone

Still Life with Pink Roses 35 ¼ x 29 ¼” fr.

S. Lépine

Le Pont 27 ¼” x 39 ¾” fr.


C

Aude 40 ¼” x 34” fr.

assigneul

Jean-Pierre Cassigneul is a master of contemporary French figurative painting. His critically- and popularly-acclaimed paintings and lithographs are admired for their synthesis of French historical figurative traditions from the 18th-, 19th-, and 20th-centuries with advanced modern schools of painting, including Fauvism. His depictions of serious, intellectually engaged women dressed in haute couture, transcends the tastes of any particular era or decade.

Dans le jardin 47” x 39 ½” fr.

L’Hortensia 44” x 33 1/2” fr.

Le collier rose 31” x 27 3/8” fr.

Inquire about additional works in our collection.

L’Espagnole 47 ¼” x 36 3/8” fr.


J. B. Kirkman

J. B. Dinsdale

Unsaddling at Windsor 36” x 26” fr.

The First Two Home 22 ½” x 26 ½” fr

E. Guarisco

14 1/5” x 15” x 11”

D. Wilks

24 ½” x 15” x 8 ½ “

L. Kley

9 ½ x 2 1/8 x 2 1/8”

C. W. Mundy

Flo Blue Pitcher with Oranges 18” x 22” fr.

A. L. Barye 11” x 8” x 6”

B. Browne

Two Heads 30” x 36” fr.

A. Jacquemart A. Karssen

7 ½” x 13 ½ “ x 7”

Two Pups Watching a Snail 23” x 31” fr.

S. York

23” x 21” x 11”

N. Okonkwo 13” x 18” x 7”

E. F. Carlier

29” x 10” x 10”

C. Alan

Singularities: Up and Away 18 ¾” x 18 ¾” fr.

C.W. Mundy

17 ¼” x 8” x 8 ½”

C. Vénard

Le mappemonde et le damier 22 3/4” x 19 1/4” fr.

B. O. Skaarup

22” x 9 ¼” x 8 ½”


Rouault

Carlotta 15-7/8” x 12-¼” unfr. 25-½” x 22” fr.

GEORGES ROUAULT is most readily associated with the avant-garde movements of Fauvism and Expressionism. His relationship with MATISSE, MARQUET, and CAMOIN heavily influenced Rouault’s particular brand of fauvism, while his work as a glass-painter and association with VAN GOGH led to his most noted stylistic innovation—heavy black contouring and use of dramatic contrasts.

Vénard

Literature: Dorival, Bernard & Rouault, Isabelle, Rouault, L’Oeuvre peint (Monaco, 1988), vol. 2, p. 150, no. 1864 (illus.) Executed in 1937, Carlotta belongs to a group of portraits of urban types and popular entertainers. Unlike Picasso and Toulouse-Lautrec, who portrayed these individuals with pathos, Rouault’s approach was unapologetic and raw. In the present work several layers of pigment can be discerned, the build-up of translucent and opaque paints creating a three-dimensionality that characterizes the artist’s strongest work. Furthermore, the work is highlighted by the deep swaths of black ink delineating the subject, representing a signature element of Rouault’s portraiture of this period.

BUFFET

BERNARD BUFFET was a French Expressionist painter, lithographer, etcher, designer and sculptor. His paintings covered a wide range of subject matter, including landscapes, portraits, still-lifes, and religious scenes executed in his signature style of thick, angular black lines. Nature morte au fond rouge 39” x 53”

Femme à la lampe et à l’échiquier 47 1/2 “ x 47 1/2” fr.

Tournesols et les fruits 50 3/4” x 50 3/4” fr.

Biplan au-dessus de Paris 40 ½” x 53 ½” fr.


E. Mattini

O. Gauthier

Mosaic-Orchestration XIII 37” x 37” fr.

Terrain 35” x 30” fr.

E. Mattini, Mosaic-Orchestration “Saxophone”

C. Levier

43” x 49” fr.

W. Quirt, The Farm

28 1/4” x 32 1/4” fr.

G. Terzian, La Bouteille noire

32 ¼” x 28 ¼” fr.

Still Life with Fruit 29 1/4” x 35 1/4” fr. .

Levier C. Levier, Dans la rue 53” x 43” fr.

C. Levier

Levier La Loge 37” x 31” fr.

J. Lurçat

Blue Moon 18” x 19 ¾”


Lenticular Art is.... A process of layering multiple images so that when viewed from slightly different angles, different images are evident and magnified, creating an illusion of depth and movement.

Doug POWELL

Jerry Garcia 62” x 68” fr.

H. Park

Redemption 55 x 39 1/2” fr.

S.Y. Hong

Heuristic #4 (Black/Rainbow) 39 ½” x 39 ½” fr.

Inquire about our entire lenticular collection. S.Y. Hong

Heuristic #10 (Teal Diamond) 39 1/2” x 39 1/2” fr.

Salvador Dali 76” x 85” fr.


R

enssen

Carousel 86” (H) x 80” (L) x 24” (D) Seated Woman in a Green and Yellow Dress 35 ½” x 29 ¼” fr.

Le Bescond

Woman in a Dark Pink Hat 35 ¼” x 31 3/16” fr.

Reclining Nude in Rose Garden 41” x 55” fr.

Equation 41 ¼” (H) x 23 ½” (W) x 10 ¾” (D)

Adagio 62” (H) x 24” (L) x 23” (W)


Kyu-Hak

LEE

Monument: Self-Portrait with Bandaged Ear & Pipe 57 ¼ x 46 ¼” fr.

Degas Bather 58” x 45 1/4” fr.

Monument: Degas. Dancer Practicing at the Barre 58 3/4” x 45 1/2” fr.


Populus: Lincoln “American Emancipator” 48 ½” x 48 ½” fr. Populus: E Pluribus Unum (Liberty) 65 ½” x 53 ¾” fr.

Craig

ALAN Populus: Marilyn Monroe, “In a Big World” 45 1/2” x 65 ½” fr.

Populus: Dame Elizabeth Taylor, “Liz” 46 ½” x 46 ½” fr.


C. Alan

Narrative: Lotus “Traced Awakenings” 48 ¾” x 48 ¾” fr.

Alain GAZIER Additional work in our collection.

A. Gazier

Matin Bleu 76 ¾” x 38 ¼” unfr.

C. Alan

Narrative: Butterfly Dress “Banded Migration” 50 ¾” x 40 ¾” fr.

A. Gazier

Palace 76 ¾” x 76 ¾” unfr.


D. Powell

George Washington 71” X 62” fr.

73 ¼ x 61” fr.

FRONT COVER:

J.P. Cassigneul, Jardin d’émeraude II

www.guariscogallery.com 202-833-8533 guariscogallery@guariscogallery.com

2828 Pennsylvania Avenue, NW | Washington, DC 20007

At The Four Seasons Hotel

Guarisco Gallery

53” x 39-5/8” fr.

Family of Jesters with Instruments 27 1/4” x 39 3/4” unfr.

M. Wagner

PAID

PERMIT #273 ANNAPOLIS, MD

PRESORTED STANDARD U.S. POSTAGE


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