reducing performativity to a phenomenological ‘effect’ on the subject/user. This is an approach that re-actualizes the status of the subject in relation to architecture, but that in insisting on a trans-historical relationship between the two falls short of any critical investigation of the processes that shape this very subjectivity (and its relationship to architecture) in the first place. A critical response to how performativity translates to architecture is thus still called for. One of the ambitions of this thesis is thus to identify the various specters of performativity, and how these can be understood in relation to the production and reception of architecture. Trying to rephrase the discourse on ‘performative architecture’ from an insular relation between architecture and user, I will attempt to formulate the parameters through which performativity can be applied as a productive terminology and apparatus for interpretation and analysis in relation to the field of architecture and architectural discourse.
Ismaelly Pena “RE-presentation: Architecture in process…” Advisor: Mabel O. Wilson “We should have to study not only the history of space, but also the history of representations, along with that of their relationships—with each other, with practice, and with ideology” argued Henri Lefebvre in his seminal book The Production of Space, and it is under such premise, that this investigation takes its foundational stance. In a contemporary society in which we are bombarded with information and visual representations of events such as the war on terror, natural disasters, new state formations, and other such events, the architect has been called upon to be an active participant in the social and political reinvention and “projection” of the world; but how are such “projections” and more often representations, responding to the immediacies of everyday life and represented/re-presented to a public? .The thesis will use as a resource, the four institutions listed below and the mentioned competition/exhibitions/archive and the works that were associated with such, to investigate above mentioned idea of representation in contrast and in conjunction to its re-presentation. -MOMA: Small Scale Big Change - CCA: ACTION competition and exhibition -Storefront for Art and Architecture: Call for entry- Strategies for Public Occupation -Creative Time-Living as Form: Archive for Socially Engaged Practices The investigation will culminate in the production of an “exhibition”; one that as Robin Evans argues, will aspire to not simply present an expose of the findings of an investigation in the form of “image”, but rather utilize them explore the re-presentational act of the exhibition within the architectural/public/ social space it would appropriate
Fernando Portal “Design Policies: Public Policies and Design Disciplines in the US. The NEA Design Programs, 1967-2012” Advisor: Enrique Walker