Gregorio Mario Architecture Portfolio 2022

ARCHITECTURE PORTFOLIO

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GREGORIO GREGORIO MARIO MARIO

EDUCATION University of California, Berkeley

August 2019 - May 2021

Architecture Designer

Bachelor of Arts in Architecture GPA 3.841 Graduated with High Honors

INFO

Diablo Valley College, Pleasant Hill

August 2017 - May 2019

ADDRESS

Assoc. of Arts in Architecture Design GPA 4.0

Kebon Jeruk Baru B1 /38 West Jakarta, Indonesia 11530

EXPERIENCE

EMAIL gregoriomario@outlook.com

Architecture Designer Studio T-Square • •

LINKEDIN https://www.linkedin.com/in/ gregorio-mario/

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SOFTWARE

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3D Modelling: Revit SketchUp Rhino Grasshopper AutoCAD Vectorworks Rendering: Vray Lumion Twinmotion Adobe CS Other: Bluebeam Revu

PORTFOLIO https://issuu.com/gregoriomario/docs/gregorio_mario_portfolio

THE URBAN INSTITUTE Oakland I July 2021 - Present

Created unit plans for 200+ units apartment project in Mountain View, CA Retrofitted an office building to be a 54 units affordable housing apartment in San Pablo using AutoCAD and ensured its compliance with California Building Code 2019.

In a team of two, made three design options for a complex development consisting of a high rise office building, 200+ units apartment, parking structure, and retail.

Created multiple feasibility studies for apartment that should comply with FAR (Floor Area Ratio), density requirement, and the city design standards.

Student Assistant University of California Berkeley Building Department •

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COMMUNITY CENTER

Oakland, CA I May - July 2019

Designed a master plan of Bamboo Sea, an 8 km2 tourism project in West Guangzhou, China, in a team of 5 people.

Collaborated in a team of 6 to design a 4000 hectare master plan consists of residential, retail, recreation, and education in Shanghai Key East Bay (Qidong) for architecture competition in China.

Architecture Designer Intern Atelier Cosmas Gozali •

OBSERVATION TOWER

Virtual I February 2021

In a team of 6 people, acheived the 3rd place in a competition with 11 other teams from different universities in a 14-hour design-build project.

Produced plans of a floating fire station in San Francisco, CA that accomodates ambulance staging, dock for fire boats, and public art exhibition space using Revit.

Designed the exterior skin and openings to maximize daylight and reduce energy consumption.

Architecture Designer Intern Studio T-Square •

April - May 2021

Worked with the director to update the University of California, Berkeley Campus Design Standards 2021 based on California Building Code and inputs from other departments.

Cal Constructions - ASC Competition Team Associated Schools of Construction Competition 2021

ROWING CENTER

Jakarta, Indonesia I May - June 2016

Made a physical & digital model and plans using SketchUp of a house for a family with two children.

Conducted a research of building materials that are suitable to be used in Indonesia or other tropical region.

WORK EXPERIENCE

ARC R H 100B 00B SPRING 20 INSTRUCTOR: ROD O DY Y CRE R EDO ON

The Ur T U ba ban n In Inst sttit itut ute ut e is loc ocat ated e in San Sa n Fr Fran an nci cisc sco, sc o, CA sp pec ecif i ically at th he in inte ters r ec rs ecti tion of Br Brya yant St. and 3rd Stt. Th 3r 3rd T e go oall of building is to prom pr mot ote e be bett t er tt e qualiity of urban liife f thr h ou o gh h architecture and urban design of San Fran nci c sc sco. o

My primary interest in thi hs project is creating visual al and nd spatial intera action be betw t ee en exterior and n intter erio ior, io r, and als l o betw wee een n pr prog ogra rams ms in th the e builidi ding ng g.

THE URBAN INSTITUTE ARCH 100B SPRING 20 INSTRUCTOR: RODDY CREEDON

SITE MAP

EXPLODED DIAGRAM

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DIAGRAMS

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MAIN PROGRAMS & CIRCULATION

POROSITY AT STREET LEVEL

LIGHT & MAIN PROGRAMS

AIR CIRCULATION & SKIN

Chesnut ave & Scott St.

Mission & 20th

This site analysis shows the difference in porosity at pedestrian friendly urban settings and comparing it to the site. Through this analysis, it can be seen that urban landscapes with high porosity are more preferable for pedestrian.

Therefore, the urban institute should have a transparent exterior at street level to activate the surrounding, promoting better quality of urban life of Bryant and 3rd street.

Hayes St. & Franklin St.

Bryan nt St. & 3rd St. Porous Facade Solid Facade These are the diagrams showing the relationship between the solid “L” shape core with the diagrid structure and how the spaces are made inside them

THE URBAN INSTITUTE ARCH 100B SPRING 20 INSTRUCTOR: RODDY CREEDON

A1

A1

A3 1. Entrance 2. Bike rack 3. Elevator 4. Restroom 5. M.E.P 6. Streetfront exhibition 7. Permanent exhibition for WPA model 8. Workshop to maintain WPA model 9. Small gathering space 10. Public assembly 11. Flexible meeting rooms 12. Co-working space 13. Research work space

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The institute uses a popular economic model which is a necessary way to support a nonprofit ventures which is using various parts of the building as a flexible rental space for social and business events Therefore, at the second level there is a flexible meeting space and co-working area that startup businesses can rent as an temporary office. Moreover, at the second level, there is an auditorium that can open up and expand to accomodate bigger social events.

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FOURTH FLOOR

THE URBAN INSTITUTE ARCH 100B SPRING 20 INSTRUCTOR: RODDY CREEDON

SECTION A1 shows the half floor level at the left side where there are small gathering spaces for the workers to socialize while can also looking at activities from the two different levels at the right side.

This strategy achieves visual and spatial interaction at those spaces.

SECTION A2 shows the main programs floating above the WPA model of San Francisco which will be displayed in the exhbition space at the ground level. Wood will be used as the material for the floating spaces which indicate the importance of the programs through different materials, creating a spatial interaction SECTION A3 shows the core of the building consisting of the main circulation such as: stairs and elevator, while also has openings from the roof that can illuminate the interior space. The openings from the roof helps to light up the darkest space of the building, while also helps to circulate air in the building by letting the hot air goes out from the roof openings.

SECTION DIAGRAM

SECTION A1

SECTION A2

SECTION A3

THE URBAN INSTITUTE ARCH 100B SPRING 20 INSTRUCTOR: RODDY CREEDON

THE URBAN INSTITUTE

F LOOR TO D IAG R ID C ON N E C T I O N

ARCH 100B SPRING 20 INSTRUCTOR: RODDY CREEDON

Glass Concrete

Rebar

Aluminum Glass Frame Steel Diagrid Beam

Polycarbonate Ceiling Panel

F LOOR TO D IAG R ID C ON N E C T IO N

Thermochromic Glass Aluminum Glass Frame

Concrete Floor Finish Concrete Slab Metal Pan

Clip Angle Connection Steel Diagrid Beam

Pile Cap Concrete Pile

12’

Diagrid Steel beam m Bolts Vapor retarder and insulation

Pile Cap

Concrete Pile

DEEP FOUNDATION

DIAGRID STRUCTURE

The project uses concrete friction pile deep foundation. It is in San Francisco where the land is muddy and this foundation is perfect for the situation.

There are beams that span in between the diagrid that hold the floor. The beams connect to the nodes of the diagrid to make a strong connection so the load of the floor will be transferred to the diagrid structure.

The pile will be 2’ in diameter and will be driven into the earth until it is buried 20’ under the ground to get enough friction at the soft soil so that the foundation will be stable.

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The dimension of the beam is 12” in height and 6” wide.

F LOOR TO C ON C R E T E WA L L C ONNEC TI O N Concrete Finish Floor Insulation Rebar Concrete Slab Metal Pan

The height of each diamond of the diagrid is 6’ and the width is 12’ which is the same with the slope of the stair. Therefore, the stairs are perfectly lined up with the diagrid and it is easier to make the connection.

I-Beam Bolts End Plate Concrete Wall 8” thick to bear load

Metal Wire Wide Flanges Steel Beam Acoustic Tile Ceiling

M.E.P SYSTEM

THE URBAN INSTITUTE ARCH 100B SPRING 20 INSTRUCTOR: RODDY CREEDON

system and drain-waste-vent system. In the restroom there are hot and cold water supply which are used for the toilets and sinks.

After that, all the waste goes to drain-waste-vent system to be carried to the sewer. The vent pipe above releases air that could stop the flow of the water.

The HVAC system in the building regulate the temperature in the interior. The HVAC system runs through the mechanical and electrical shaft besides the egress stair. To cool the rooms, cool air ducts are placed in the ceiling and a radiant heating system is placed inside the floor, underneath the finish.

Mechanical and Electrical Shaft

Restrooms

Plumbing consist of water supply, drainage, vent line, and many other things. The most important concept of plumbing is the supply

ADA REQUIREMENT

The skin or facade of the design is a glass skin that fills the gap in the diagrid. Thermochromic glass is the material that I used because as the temperature and the intensity of the sun light increases, the color of the glass will be darken and block the sun light. The facade that covers important programs such as auditorium, exhibition space, ect, has an operable triangular aluminum panel to regulate the light that comes in. The frame of the glass at the facade is a 2” deep aluminum glass frame which will cover all the building to prevent water getting in to the building.

HVAC

Hinge for the panel

Elevator Shaft

SKIN

PLUMBING

Loca Loca cated att Berke kele ke leyy Aq A ua atiticc pa p rk, rkk th he bo oat athousse ac acco c mod co dates p op pe ople le to re rent nt row owin ing shells ls and en njo joy ro rowi wing ng exp xper eriiencce at a thee lake.

ARC CH 100C 0C//D /D SUMMER SUM ER R 20 20 I TRU INS T CT CTOR: R: RO RODDY Y CRE EEDON

Emergiing at th he si side de of 58 580 0 high hi ghway, thiss boat boatho ousse pr prom omot ottes rowi win ng spo p rt byy di disp spla layi ying ng the h rowi w ng shell sto ora rage ge as a muse museeum u ssh how o in ng off itts co c llllec ecction tition of arrts ts.

Peop Pe plee dri rivi v ng vi g on th he hi high gh hwa wayy woul wo uld se seee th thee co colo lorf rful ul row owin ing s el sh e ls thr hrou ough h the gla ass fac acad ade of o th he st stru ru uct c ur u e.

ROWING CENTER ARCH 100C/D SUMMER 20 INSTRUCTOR: RODDY CREEDON

MASSING DIAGRAM

EXPLODED DIAGRAM

The site is located right beside highway 580. Its elevation is about 8’ lower than the highway so if a rowing centeris placed there, drivers on the highway cannot see it

ROOF

GLASS FACADE

To promote the rowing center, the transparent boat storage have to be elevated so it will be visible from the highway.

STRUCTURE

WALLS

The rowing center then will appear as a box of colorful rowing shells collection that caught drivers’ eyes.

Usually the boat storage is hidden and located at a tightly closed space whithin the building.

However, the project reverses that idea by elevating and opening up the boat storage to display the rowing shells as a way to promote the boathouse.

To make the elevated storage functionable, a continuos circulation of a stair, hallway and ramp is needed for the users to go up to the storage, take the rowing shells and walk straight to the platform on the water

BOAT STORAGE AND RAMP

ROWING CENTER ARCH 100C/D SUMMER 20 INSTRUCTOR: RODDY CREEDON

HIG GH HWA HW WA AY

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HIG GHWA HWA WAY

LAK KE

HIG GH HWA HW WAY WA

LAK KE

1. Parking lot 2. Restroom 3. Administration office 4. Locker room 5. Fitness area 6. Utilities 7. Meeting room 8. Boat storage 9. Workshop 10. Gathering space

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The second floor is the transparent boat storage combined with a few fitness equipment such as treadmil and rowing machine at the east side.

While the ground floor consists of lockers, meeting room, fitness room, etc.

GROUND FLOOR PLAN

SECOND FLOOR PLAN

ROOF PLAN

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ROWING CENTER ARCH 100C/D SUMMER 20 INSTRUCTOR: RODDY CREEDON

1. Parking lot 2. Restroom 3. Administration office 4. Locker room 5. Fitness area 6. Utilities 7. Meeting room 8. Boat storage 9. Workshop 10. Gathering space

SECTION A

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The section shows the relation of transparent storage and the solid rooms underneath it. And the bottom section shows the relation between the building and the adjacent highway and lake.

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SECTION B

ROWING CENTER ARCH 100C/D SUMMER 20 INSTRUCTOR: RODDY CREEDON

From the highway, the drivers can immidiately see the colorful boats displayed through the glass facade. While there is a public gathering space in front of the entrance for the club members to socialize after rowing

ROWING CENTER ARCH 100C/D SUMMER 20 INSTRUCTOR: RODDY CREEDON

The solid “L” acts as a horizontal transition between the sheared and rectangular volume. The hollow “L” helps the vertical circulation between different levels.Those two “L” volumes have different material which is a grey colored material. Thus, when people enter the building they will immediately know when they circulate from the sheared volume to the rectangular volume because they have to pass through the grey colored material (the “L” volumes).

ARC AR RC CH 100A 00A 00 FAL FA FALL ALL 19 19 INS IN NST NS TRU RUCT CT CTO TOR: TO R A AND AN ND N DREW REW W AT ATWO TW WOO WO O OO OD

Ground Floor Plan

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Inside the sheared volume, there is also another sheared volume which can be seen in the section drawing. This interior sheared volume is a space for seatings and is directed to large window framing the scnenery.

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2nd Floor Plan

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3rd Floor Plan

The ob Th obseervation bu b ilding ng g is lo oca ated d on o top op of an inter errseect ctio tio on o pedestria of ia an pathways in a park. Th T e ex exte t ri r or and inte ntterio erio er or of thi of h s pr proj ojec jec e t is is mad de ou outt of an in nte tera ract ra cttio ion n be betw twee tw een 4 es een e seent ntitial al volu vo lume lume mess wh hic ich h arre on o e so solilid lilid “LL” volu vo lume lu me,, on me ne ho hollllllow o “L” vollum ow me, e onee sh on shea ea are r d vo olu lume mee, an a d on onee r ct re ctan angu an g la gu l r vollume.

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4th Floor Plan 1. CONTEMPLATIVE SPACE 2. GATHERING SPACE 3. TERRACE Section 1

OBSERVATION TOWER ARCH 100A FALL 19 INSTRUCTOR: ANDREW ATWOOD

At the left side are the interior renderings showing the stair seating space and the view to the park for people to sit and relax

model that I made using white and grey museum board at 1/4” = 1’-0” scale. There are two large opeings at the both end of the sheared volume, creating viewing space for people.

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ARCH 100A 00A FALL 19 INSTRUCTO CTOR: ANDREW ATWOOD

The project is located at the south side of four intersecting streets which are College ave, Claremont ave, 62nd st., and Florio st. College ave. is the busiest street with a lot of cars and pedestrian, thus the building massing is oriented to that street welcoming the pedestrian to enter the building. The massing is also oriented to Claremonot st. where many people would drive through the street to go from Berkeley to Oakland.

Ground Floor

2nd Floor

3rd Floor

Close space

Open space 4th Floor

The communitty ce c nter is lo oca cated in Berkeley. It wiill be a mixed d use building which ch consist off comercial space, caf afe, e, gallery, meeting room ms, and d oth ther e spaces necessary to support ber erke keley community activiities

The building massing is made from the two angular volumes which are oriented to the College ave and Claremont ave. Those two volumes then have a conflict with the rectangular box limitation thus generating the massing

Interesting things happen as a result of the conflict between those two angular volumes. It creates different types of plans for each floor. As seen in the right diagram, he division of close and open space for each floor will

be unique. Thus, creating new experience every time the users move from one floor to another

COMMUNITY CENTER ARCH 100A FALL 19 INSTRUCTOR: ANDREW ATWOOD

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1. Lobby 2. Commercial space 3. Bike storage 4. Cafe 5. Gallery 6. Gallery office 7. Community Storage 8. Computer room 9. Reading and priodical area 10. Community meeting room 11. Children’s area 12. Restroom 13. Elevator 14. Egress stair 15. Administrative offices

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2nd Floor

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From those two sections, the two angular volumes which in the form of stairs are in conflict (going in different direction), creating an “intersection” of diagonals.

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Ground Floor

The relationship between the two angular volumes can be seen in the plans as well as in the section. Although the two volumes are in harmony (oriented in the same direction) in the plans, but in the sections they are in conflict with each other.

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COMMUNITY CENTER ARCH 100A FALL 19 INSTRUCTOR: ANDREW ATWOOD

At the upper left corner there are the conceptual spatial model with the site model which shows the connection between the massing and the site At the upper right corner are the photos of physical model made using white museum board at 1/8” = 1’-0” scale.

In the middle are the elevation renderings of the west and south sides.

At the bottom are the interior renderings showing the experience of conflicting angular volumes inside the building.

STUDIO T-SQ F E A SI B I L I T Y ST U D I E S JULY 2021 - PRESENT

In the feasibility studies, I designed the building massing based on the FAR (Floor Area Ratio), unit density, parking module, and structure type to achieve the most efficient space usage and the best user experience in relation to the site.

STUDIO T-SQ SCH E M AT I C D E SIGN JULY 2021 - PRESENT

In the schematic design phase, I helped with the massing design and code analysis. The building massing have to comply with California building code and the city’s design standard.

Those diagrams show where the building complies or violates the codes. Then it will be used to ask exception to the building department.

GENERAL AL PLAN NOTES

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GENERALL PLAN NOTES

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SEE GENERAL AND FIRE LIFE SAFETY NOTES ON A-004 SHEET FOR ADDITIONAL INFORMATION SEE ENLARGED BATHROOM, KITCHEN AND AMENITY AREAS AND DIMENTIONED PLANS FOR DIMENSIONAL LAYOUTS. DISCREPANCY BETWEEN UNIT PLANS AND BUILDING PLANS SHALL BE BROUGHT TO THE ATTENTION OF THE ARCHITECT PRIOR TO INSTALLATION OF THE WORK. 3 ALL NEW EXTERIOR WALLS SHALL BE TYPE "1EWA6". SEE DETAIL 4 INTERIOR PLYWOOD SHEAR PANELS SHALL BE CONTINUED TO NEAREST END OF WALL OR INTERSECTION OF TWO WALLS TO MAINTAIN AN EVEN WALL THICKNESS. DO NOT STEP GYPSUM BOARD. SEE STRUCTURAL DRAWINGS. 5 GYPSUM BOARD LAYERS SHALL ALWAYS TERMINATE AT PARTITION ENDS OR INTERSECTIONS AS REQUIRED FOR EVEN THICKNESS. 6 ROOM AND UNIT PLAN NUMBERING IS FOR CONSTRUCTION PURPOSES ONLY, VERIFY EXACT NUMBERS WITH OWNER AND AHJ PRIOR TO FABRICATING ROOM IDENTIFICATION SIGNAGE. CONTINUE PLYWOOD SUB-FLOOR THROUGH FURRED 7 INACCESSIBLE SPACES AND CHASE WALL SPACES UNLESS NOTED OTHERWISE. 8 FOR ACCESSIBILITY STANDARDS, SEE A-040 SERIES DRAWINGS. 9 FOR CONSTRUCTION ASSEMBLIES INDICATED HEREIN, SEE DETAIL DRAWINGS IN AS-900 SERIES. 10 SEE ENLARGED ENTRY DOOR ELEVATION DETAIL FOR DOOR BUZZER, UNIT NUMBER AND ENTRY LIGHT LOCATION. 11 EXTERIOR PLYWOOD SHALL BE PROVIDED AT ALL NEW EXTERIOR FRAMING, IN ADDITION TO THOSE IDENTIFIED ON STRUCTURAL DRAWINGS. 12 FURNITURE, IF SHOWN, IS FOR REFERENCE ONLY AND NOT-IN-CONTRACT (N.I.C).

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SEE GENERAL AND FIRE LIFE SAFETY NOTES ON A-004 SHEET FOR ADDITIONAL INFORMATION SEE ENLARGED BATHROOM, KITCHEN AND AMENITY AREAS AND DIMENTIONED PLANS FOR DIMENSIONAL LAYOUTS. DISCREPANCY BETWEEN UNIT PLANS AND BUILDING PLANS SHALL BE BROUGHT TO THE ATTENTION OF THE ARCHITECT PRIOR TO INSTALLATION OF THE WORK. ALL NEW EXTERIOR WALLS SHALL BE TYPE "1EWA6". SEE DETAIL INTERIOR PLYWOOD SHEAR PANELS SHALL BE CONTINUED TO 4 NEAREST END OF WALL OR INTERSECTION OF TWO WALLS TO MAINTAIN AN EVEN WALL THICKNESS. DO NOT STEP GYPSUM BOARD. SEE STRUCTURAL DRAWINGS. 5 GYPSUM BOARD LAYERS SHALL ALWAYS TERMINATE AT PARTITION ENDS OR INTERSECTIONS AS REQUIRED FOR EVEN THICKNESS. 6 ROOM AND UNIT PLAN NUMBERING IS FOR CONSTRUCTION PURPOSES ONLY, VERIFY EXACT NUMBERS WITH OWNER AND AHJ PRIOR TO FABRICATING ROOM IDENTIFICATION SIGNAGE. CONTINUE PLYWOOD SUB-FLOOR THROUGH FURRED 7 INACCESSIBLE SPACES AND CHASE WALL SPACES UNLESS NOTED OTHERWISE. 8 FOR ACCESSIBILITY STANDARDS, SEE A-040 SERIES DRAWINGS. 9 FOR CONSTRUCTION ASSEMBLIES INDICATED HEREIN, SEE DETAIL DRAWINGS IN AS-900 SERIES. 10 SEE ENLARGED ENTRY DOOR ELEVATION DETAIL FOR DOOR BUZZER, UNIT NUMBER AND ENTRY LIGHT LOCATION. 11 EXTERIOR PLYWOOD SHALL BE PROVIDED AT ALL NEW EXTERIOR FRAMING, IN ADDITION TO THOSE IDENTIFIED ON STRUCTURAL DRAWINGS. 12 FURNITURE, IF SHOWN, IS FOR REFERENCE ONLY AND NOT-IN-CONTRACT (N.I.C).

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: Architecture : Planning : Urban Design :

1970 Broadway, Suite 615

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Oakland, California 94612

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(510) 451 - 2850 THIS DOCUMENT CONTAINS INFORMATION PROPRIETARY TO STUDIO T-SQ, INC. AND IS FURNISHED IN CONFIDENCE FOR THE LIMITED PURPOSE OF EVALUATION OR REVIEW. THIS DOCUMENT OR ITS CONTENTS MAY NOT BE USED FOR ANY OTHER PURPOSE AND MAY NOT BE REPRODUCED OR DISCLOSED TO OTHERS WITHOUT THE PRIOR WRITTEN CONSENT OF STUDIO T-SQ., INC. ALL RIGHTS RESERVED, COPYRIGHT 2016.

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AIR VENTS TO BE 5'-6" HIGH FROM THE TOP OF FINISH FLOOR TO THE BOTTOM OF THE AIR VENTS. SEE ELEVATIONS FOR DETAIL.

AIR VENTS TO BE 5'-6" HIGH FROM THE TOP OF FINISH FLOOR TO THE BOTTOM OF THE AIR VENTS. SEE ELEVATIONS FOR

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ALL NEW EXTERIOR WALLS ARE EMA. SEE SHEET A-911 FOR DETAILS.

ALL NEW EXTERIOR WALLS ARE EMA. SEE SHEET A-911 FOR

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A-301

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MAILBOX

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FIRE EXTINGUISHER CABINET

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GATED ENTRANCE

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1-HOUR CONSTRUCTION UNDER EXISTING STAIRS

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SHINGLED ROOF WITH GUTTER AND DOWNSPOUTS

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NEW EXTERIOR WALL. SEE EMA WALL TYPE DETAIL ON SHEET A-911.

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GC TO MODIFY EXISTING ELEVATOR BOTTOM LANDING LEVEL TO LOBBY LEVEL 1 FINISH FLOOR ELEVATION

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ELEVATOR DOOR OPENING TO ALIGN WITH LOBBY LEVEL

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FIRE EXTINGUISHER CABINET (F.E.C)

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FLOOR PLAN LEGEND

1970 Broadway, Suite 615 Oakland, California 94612

:

(510) 451 - 2850 THIS DOCUMENT CONTAINS INFORMATION PROPRIETARY TO STUDIO T-SQ, INC. AND IS FURNISHED IN CONFIDENCE FOR THE LIMITED PURPOSE OF EVALUATION OR REVIEW. THIS DOCUMENT OR ITS CONTENTS MAY NOT BE USED FOR ANY OTHER PURPOSE AND MAY NOT BE REPRODUCED OR DISCLOSED TO OTHERS WITHOUT THE PRIOR WRITTEN CONSENT OF STUDIO T-SQ., INC. ALL RIGHTS RESERVED, COPYRIGHT 2016.

REV

Description PERMIT SET

FIRE EXTINGUISHER CABINET GATED ENTRANCE 1-HOUR CONSTRUCTION UNDER EXISTING STAIRS SHINGLED ROOF WITH GUTTER AND DOWNSPOUTS NEW EXTERIOR WALL. SEE EMA WALL TYPE DETAIL ON SHEET A-911.

ELEVATOR DOOR OPENING TO ALIGN WITH LOBBY LEVEL FIRE EXTINGUISHER CABINET (F.E.C)

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FLOOR PLAN LEGEND

Date 05/13/2022

REV

Description PERMIT SET

Date 05/13/2022

EXISTING STEEL COLUMN

EXISTING STEEL COLUMN

BRACE FRAME

BRACE FRAME

EXISTING 1-HOUR RATED WALL

EXISTING 1-HOUR RATED WALL

SEE A-911 FOR ALL WALL ASSEMBLY

NEW 1-HOUR RATED WALL IMA - INTERIOR EMA - EXTERIOR SEE A-911 FOR ALL WALL ASSEMBLY

SEE A-911 FOR WALL ASSEMBLY

NEW NON-RATED WALL IMC - UNIT INTERIOR SEE A-911 FOR WALL ASSEMBLY

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NEW 1-HOUR RATED WALL

JULY 2021 - PRESENT

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EL PORTAL PLACE

2555 EL PORTAL DRIVE, SAN PABLO, CA 94806

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: Architecture : Planning : Urban Design

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KEYNOTES NOTES

CLARENCE PERRY, LLC 200 PARR BLVD. RICHMOND, CA 94801

D E SI G N D E V E LO P M E N T CON ST R UCT I ON D O CU M EN T

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EL PORTAL PLACE

STUDIO T-SQ

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2555 EL PORTAL DRIVE, SAN PABLO, CA 94806

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CLARENCE PERRY, LLC 200 PARR BLVD. RICHMOND, CA 94801

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FIRE EXTINGUISHER CABINET (F.E.C)

FIRE EXTINGUISHER CABINET (F.E.C)

ALIGN WALL FINISHES EGRESS WINDOW Sheet Title:

FRESH-AIR INTAKE - SMD

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LEVEL 1&2 PLAN

1/8" 8" = 1'-0 1'-0"

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Job No.

OUTLINE OF REQUIRED ACCESSIBLE FLOOR CLEARANCE. SEE SHEET A-500 FOR DETAIL. MOBILITY UNIT (FULLY ACCESSIBLE) (110, 114, 302, 310, 314) UNIT WITH COMMUNICATION FEATURES (220, 420)

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HEAT PUMP - SMD

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SCALE 1/8" = 1' - 0"

Sheet Title:

FLOOR PLAN AN LEVEL VEL 3&4 3

FRESH-AIR INTAKE - SMD ELECTRICAL PANEL - SED

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ELECTRICAL PANEL - SED W

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FIXED WINDOW

FLOOR PLAN AN LEVEL1& VEL1&2 VEL1&

HEAT PUMP - SMD

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SCALE 1/8" = 1' - 0" 0

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Date: Scale:

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UNIT WITH COMMUNICATION FEATURES (220, 420)

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LEVEL 3&4 PLAN

19035 05/13/2022 AS SHOWN

Job No.

OUTLINE OF REQUIRED ACCESSIBLE FLOOR CLEARANCE. SEE SHEET A-500 FOR DETAIL.

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MOBILITY UNIT (FULLY ACCESSIBLE) (110, 114, 302, 310, 314)

Sheet No:

A-202

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1/8" 8" = 1'-0 1'-0"

EXTERIOR ELEVATION NOTES

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WINDOW DETAIL

WINDOW DETAIL

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1/4"" = 1'-0 1'-0"

ENTRANCE DETAIL

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1/4"" = 1'-0 1'-0"

A

F-6

F-4

4

1/4"" = 1'-0 1'-0"

1/4"" = 1'-0 1'-0"

3 A

A

F-6

5

ELEV. EQUIP. RM

4

10

11

12

Oakland, California 94612 (510) 451 - 2850

VERTICAL PLASTER CONTROL JOINT, TYP. EXISTING HORIZONTAL OFFSET AT LEVEL 3, TYP.

3

THROUGH-WALL HEAT PUMP.

4

ROOF CANTILEVER.

5

SEE DETAIL 7,9 ON A-960 SHEET FOR EXTRUDED STUCCO WINDOW FRAME.

LEVEL 4 18' - 4"

LEVEL 3 11' - 8"

F-1

3

6

TYP.

15

SEE DETAIL 1 ON A-928 SHEET FOR HORIZONTAL PLASTER EXPANSION JOINT, TYP.

7

BUILDING SIGNAGE.

8

NEW ATTIC VENTS.

9

STOREFRONT. FOR DETAIL, SEE SHEET A-962.

10

EXISTING CLERESTORY WINDOWS AND STAIR ROOM

11

DECORATIVE IRON FENCING AT BREEZEWAY.

12

NEW GATES TO BREEZEWAY.

13

NEW PAINTED GSM GUTTER.

A

F-5

TYP. SOUTH ELEVATION

1/8"" = 1'-0"

2

REV

Description PERMIT SET

3

3

1

A

1 A-991

1 A-991

3

1/4" 4" = 1'-0 1'-0"

4

REV

Date 05/13/2022

14

TILE ROOF EDGE - TYPICAL AT SLOPED ROOFS

15

FRESH-AIR INTAKE LOCATED 5'-6" FROM TOP OF FINISH FLOOR

16

WOOD BEAM FINISHED WITH STUCCO

3

2

1

2

LOBBY INTERIOR ELEVATIONS

EXTERIOR ELEVATION LEGEND LIGHT TEXTURE CEMENT PLASTER COLOR #1

F-5

HEAVY VERTICAL TEXTURE CEMENT PLASTER COLOR #5

F-6

NEW ASPHALT SHINGLE ROOFING

Sheet Title:

SOUTH TH & WEST ELEVATION EVATION

Date:

19035 05/13/2022

Scale:

AS SHOWN

Job No. LEVEL 2 5' - 0"

LEVEL 1 0' - 0"

F-3

TYP. WEST ELEVATION

1/8"" = 1'-0"

3

3

3

1

4" PRIMED BASEBOARD.

SEE PLUMBING DRAWING FOR PLUMBING FIXTURE SCHEDULE.

2

STOREFRONT. FOR DETAIL, SEE SHEET A-921

3

PAINT WALL FINISH PER SPECIFICATION.

4

SEE APPLIANCE SCHEDULE/SPECIFICATIONS FOR APPLIANCES. VERIFY REQUIRED CLEARANCES WITH MANUFACTURER BEFORE FABRICATION OF CASEWORK.

5

CONTRACTOR SHALL FIELD VERIFY DIMENSIONS. CASEWORK SHOP DRAWINGS SHOULD ADDRESS FIELD FITTING ADJUSTMENTS.

6

ACCESSIBLE RECEPTACLES ARE SHOWN AT KITCHEN ELEVATIONS AS A REFERENCE. FOR ALL OTHER RECEPTACLES, REFER TO ELECTRICAL DRAWINGS.

7

SEE ELECTRICAL PLANS FOR LOCATIONS OF ALL OUTLETS. OUTLETS SHOWN AT KITCHEN COUNTERTOP AND/OR CABINET IN ARCHITECTURAL PLANS ARE ONLY TO INDICATE THOSE REQUIRED FOR ACCESSIBILITY.

8

SEE A-991 DRAWINGS FOR COMMON AREA DETAILS.

2

1/4" 4" = 1'-0 1'-0"

Sheet Title:

INTERIOR ERIOR ELEVATIONS VATIONS

A

1

1

19035 05/13/2022

Scale:

AS SHOWN

Sheet No:

A-301

1

Date:

Job No.

1

Sheet No:

NOTE: PATTERN FOR TILE FINISH IS FOR PRESENTATION ONLY AND DO NOT INDICATE ACTUAL SIZE OR COURSING.

A

3

SEE GENERAL AND FIRE LIFE SAFETY NOTES ON A-004 SERIES DRAWINGS FOR ADDITIONAL INFORMATION. SEE ACCESSIBILITY STANDARDS IN A-040 SERIES DRAWINGS FOR ACCESSIBILITY REQUIREMENTS AT DWELLING UNIT, BATHROOMS, AND KITCHENS.

3

8'-0"

ACCENT COLOR COLOR #4

8'-0"

LIGHT TEXTURE CEMENT PLASTER COLOR #3

F-4

8'-0"

LIGHT TEXTURE CEMENT PLASTER COLOR #2

F-3

1 2

3'-2"

F-2

TYP.

F-2 LEVEL 4 18' - 4"

LEVEL 3 11' - 8"

3'-2"

6

TYP.

8'-0"

F-4

TYP.

7'-2"

F-1

TYP.

Date 05/13/2022

A

14

F-1

A-301

Description PERMIT SET

D

C

3

(510) 451 - 2850

D COMMUNITY ROOM INTERIOR ELEVATIONS

14

F-5

Oakland, California 94612

:

1

C

2

3 A-301

3'-0"

4

1/4"" = 1'-0 1'-0"

3

1

A

F-1

TYP.

TYP.

TYP TYP.

7'-6"

7'-6"

8'-11"

PUBLIC RESTROOM INTERIOR ELEVATIONS

THIS DOCUMENT CONTAINS INFORMATION PROPRIETARY TO STUDIO T-SQ, INC. AND IS FURNISHED IN CONFIDENCE FOR THE LIMITED PURPOSE OF EVALUATION OR REVIEW. THIS DOCUMENT OR ITS CONTENTS MAY NOT BE USED FOR ANY OTHER PURPOSE AND MAY NOT BE REPRODUCED OR DISCLOSED TO OTHERS WITHOUT THE PRIOR WRITTEN CONSENT OF STUDIO T-SQ., INC. ALL RIGHTS RESERVED, COPYRIGHT 2016.

3'-2"

TYP.

1

1970 Broadway, Suite 615

:

5

1

F-5 F-4

14

: Architecture : Planning : Urban Design

C

:

1/4"" = 1'-0 1'-0"

8'-11"

F-5

6

LEVEL 1 0' - 0"

1

B

7'-2"

F-3

A

LEVEL 2 5' - 0"

D

ELECTRICAL ROOM INTERIOR ELEVATIONS

2555 EL PORTAL DRIVE, SAN PABLO, CA 94806

1 2

EL PORTAL PLACE

KEYNOTES YNOTES F-1

1

1

C

THIS DOCUMENT CONTAINS INFORMATION PROPRIETARY TO STUDIO T-SQ, INC. AND IS FURNISHED IN CONFIDENCE FOR THE LIMITED PURPOSE OF EVALUATION OR REVIEW. THIS DOCUMENT OR ITS CONTENTS MAY NOT BE USED FOR ANY OTHER PURPOSE AND MAY NOT BE REPRODUCED OR DISCLOSED TO OTHERS WITHOUT THE PRIOR WRITTEN CONSENT OF STUDIO T-SQ., INC. ALL RIGHTS RESERVED, COPYRIGHT 2016.

A

TYP.

8'-11"

1'-8"

: :

PAINT METAL REVEALS, CONTROL/EXPANSION JOINTS, PARAPET COPING, EXPOSED GSM FLASHING, DOWNSPOUTS, GUTTERS, SOFFIT VENTS AND CONDUCTOR HEADS TO MATCH COLOR OF ADJACENT WALLS. FURNISH AND INSTALL SINGLE PIECE PRE-MANUFACTURED FLASHING (QUICKFLASH OR SIM) FLASHING FOR ALL ITEMS PENETRATING EXTERIOR WALL CONSTRUCTION PER DETAILS: SUCH AS J-BOXES, PIPES, MECHANICAL VENTS, ETC. WHERE DOWNSPOUT MEETS EXTERIOR TRIM ROUTE DOWNSPOUT OVER TRIM. FURNISH AND INSTALL BENDS AS REQUIRED. DO NOT CUT TRIM AT DOWNSPOUTS. REFER TO PLUMBING PLANS FOR TERMINATION OF DOWNSPOUTS. GENERAL CONTRACTOR TO PAINT ALL EXPOSED ROOF ACCESSORIES AND MEP PENETRATIONS TO MATCH ROOFING COLOR. BUILDING ADDRESS NUMBER SIGN SHALL CONTRAST WITH ITS BACKGROUND

1

B

CLARENCE PERRY, LLC WITH CONTRA COSTA COUNTY 200 PARR BLVD. RICHMOND, CA 94801

EQ.

A

1

A

1970 Broadway, Suite 615

2555 EL PORTAL DRIVE, SAN PABLO, CA 94806

4'-6"

:

EL PORTAL PLACE

4'-6"

9'-11 7/8" BREEZEWAY

1

: Architecture : Planning : Urban Design

8'-11"

3'-10" ENTRANCE

3

3

8'-11"

9'-0" STOREFRONT

3

4'-0"

SG G SIGNAGE

3

8'-11"

8'-2"

6 7

3

8'-11"

4 5

8'-11"

3

8'-11"

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ALL COLOR CHANGES WILL OCCUR AT INSIDE CORNERS UNLESS NOTED OTHERWISE. COLOR AND PATTERN OF FINISH ARE FOR REPRESENTATION ONLY AND DO NOT INDICATE ACTUAL COLOR AND SIZE. CONTRACTOR SHALL PROVIDE FIELD MOCK-UPS IN THE QUANTITIES INDICATED SHOWING THE ACTUAL FINISH MATERIALS IN THEIR TEXTURE, COLOR, AND/OR SERIES SPECIFIED FOR APPROVAL BY OWNER, ARCHITECT AND CITY PLANNING PRIOR TO INSTALLATION ON BUILDINGS.

2

CLARENCE PERRY, LLC 200 PARR BLVD. RICHMOND, CA 94801

1 9 A-960

9 A-960

A-601 -601

A

LAUNDRY ROOM INTERIOR ELEVATIONS

1/4" 4" = 1'-0 1'-0"

GENERAL ENERAL NOTE NOTES

1

KEYNOTES EYNOTE

EXTERIOR ELEVATION NOTES

6

6 7

LEVEL 4 18' - 4"

8

PAINT METAL REVEALS, CONTROL/EXPANSION JOINTS, PARAPET COPING, EXPOSED GSM FLASHING, DOWNSPOUTS, GUTTERS, SOFFIT VENTS AND CONDUCTOR HEADS TO MATCH COLOR OF ADJACENT WALLS. FURNISH AND INSTALL SINGLE PIECE PRE-MANUFACTURED FLASHING (QUICKFLASH OR SIM) FLASHING FOR ALL ITEMS PENETRATING EXTERIOR WALL CONSTRUCTION PER DETAILS: SUCH AS J-BOXES, PIPES, MECHANICAL VENTS, ETC. WHERE DOWNSPOUT MEETS EXTERIOR TRIM ROUTE DOWNSPOUT OVER TRIM. FURNISH AND INSTALL BENDS AS REQUIRED. DO NOT CUT TRIM AT DOWNSPOUTS. REFER TO PLUMBING PLANS FOR TERMINATION OF DOWNSPOUTS. GENERAL CONTRACTOR TO PAINT ALL EXPOSED ROOF ACCESSORIES AND MEP PENETRATIONS TO MATCH ROOFING COLOR. BUILDING ADDRESS NUMBER SIGN SHALL CONTRAST WITH ITS BACKGROUND

LEVEL 3 11' - 8"

9 LEVEL 2 5' - 0"

10

LEVEL 1 0' - 0"

11

12

BUILDING SECTION

1/8"" = 1'-0"

2

2

DECORATIVE IRON FENCING AT BREEZEWAY.

3

THROUGH-WALL HEAT PUMP.

4

ROOF CANTILEVER.

5

A

NEW GATES TO BREEZEWAY.

6

SEE DETAIL 11 ON A-921 SHEET FOR CONTROL JOINT, TYP.

7

NEW PAINTED GSM GUTTER.

8

NEW CEILING ASSEMBLY. SEE DETAIL F2/A-911

9

NEW UNIT CEILING ASSEMBLY. SEE DETAIL F1/A-911

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ALL COLOR CHANGES WILL OCCUR AT INSIDE CORNERS UNLESS NOTED OTHERWISE. COLOR AND PATTERN OF FINISH ARE FOR REPRESENTATION ONLY AND DO NOT INDICATE ACTUAL COLOR AND SIZE. CONTRACTOR SHALL PROVIDE FIELD MOCK-UPS IN THE QUANTITIES INDICATED SHOWING THE ACTUAL FINISH MATERIALS IN THEIR TEXTURE, COLOR, AND/OR SERIES SPECIFIED FOR APPROVAL BY OWNER, ARCHITECT AND CITY PLANNING PRIOR TO INSTALLATION ON BUILDINGS.

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