The Collegian, March 5, 3014

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Vol. 91, No. 9 March 5, 2014

Open Mic Night: Break the silence to end the violence

by Danielle Leslie

A small gathering of people met together in Mane Stage at Reynolds Center for the “Break the Silence to End the Violence” open mic night. GC’s counselor, Emily Holmes, put together a wonderful night that hosted a various number of performers. The night started with a screening of short news clips about dating violence. Associate Dean for Students, Brian Haack was the night’s emcee. Performances included musician Kelsey Ledbetter, poet Adonis Archie, and two poets from UNCG – Lauren La Melle and Taylor Cope. Greensboro College students, Sharon Dei-tumi, Warren Scott and Julian Cinotti also graced the stage with their own last minute entries. Kelsey Ledbetter was the night’s opening act and serenaded the audience with two of her very own songs, titled “All I’ve Got” and “Forever More.” Adonis Archie followed her performance with three aweinspiring original pieces that discussed a powerful message. The first poem was a Martin Luther King Jr. inspired “I Have a Dream” speech and he concluded with a Trayvon Martin speech. Trying to stay true to the night’s topic, he also performed a piece he had written about marriage and its negative potential.

The two poets, Lauren and Taylor, also performed amazing original pieces that included Lauren’s “Letters in the Attic,” and Taylor’s poems honoring Black History Month and a poem about domestic violence. Greensboro College student Ryan Johnson provided the audience with a bit of comic relief by performing ten minutes of stand-up comedy.

A brief intermission was held, allowing the attendees to enjoy the free hot beverages and snacks provided. After the break, Sharon Dei-tumi delighted the crowd with an acoustic rendition of Christina Perri’s hit song “Jar of Hearts.” The night closed with Julian Cinotti and Warren Scott performing their version of Mario’s “Let Me Love You.”

Kelsey Ledbetter on stage.

Open mic night was wonderful. There was a feeling of acceptance in the air. It was a chance for people to gather

The three poets of the evening.

together and enjoy each other’s talents while raising awareness for a worthy cause.

Photos by Danielle Leslie

Insight through ‘Carrie: The Musical’ by Scotty Inyama

Stephen King’s first published novel, “Carrie,” made it to Broadway decades ago. After five performances, the curtain closed on the production and it was coined a flop. A 2012 offBroadway production and revival of the play put new life into the twisted story of Carrie White, and it is the offBroadway production that has made its way to GC. The story of Carrie White is pretty familiar. Shy, unpopular girl with hidden abilities causes chaos at her high school prom because of bullies. Most people have seen one of the movies based on the epistolary novel. Whether Carrie is remembered as Sissy Spacek or Chloe Grace Mortiz, Carrie is recognizable. So what can the play offer that the two movies haven’t? Carrie was given a voice in this play that she was not able to have in either film. There are great moments when Carrie and her mother are able to have a dialogue, though it is all for naught, seeing as Carrie is still stabbed in the end. But, what is important here is that the audience gets to hear the title character

say more than that she doesn’t like being tricked. Carrie getting a voice through the music could possibly be the main reason for the thriller movie being adapted for the stage. The play is a bit campy at times, but the message is very much still there. Bullying is never okay. This is where the relevance of the entire work comes into play. Bullying is a hot button issue these days. The tale of a girl getting revenge on bullies seems like the perfect hero story. But, it tells the ugly truth about bullying and bullies; nothing good results from the experience on either party’s side. The ending of the play dramatically summed up the message. As Carrie lay dead or dying, the black-clad cast members who caused Carrie’s destruction stood over her asking the audience for a name. With the media light on the issue, many can name a victim of bullying from the tops of our heads. At the end of the play, we are forced to deal with just how much our actions can affect another. Carrie White might be a fictional character with supernatural powers, but her story is real.

Carrie (sophomore Emily Mazelin, left) has a moment of revelation with castmember Nicole Swofford.

Sue (Hensom Milam) in the finale of “Carrie.”


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