Best Thriller n o m i n e e s
1BR “WELCOME TO THE NEIGHBORHOOD” Dark Sky Films Hungry Monster Entertainment Producer: Garo Setian Editor: Garo Setian Copywriter: Garo Setian Client: Dark Sky Films Graphics: Perry Harovas
Music: Firstcom Mixer: Shawn Duffy
EL CAMINO: A BREAKING BAD MOVIE, “CHANGE”
Netflix MOCEAN Client: Jean Tanis, Netflix Executive Creative Director: Mike DiBenedetto Editor: Dan Barnette Graphics: MOCEAN Design Team Music: Sanaz Lavaedian, Marina Polites
Associate Producer: Maxine Renning Creative Coordinator: Zachary Trembowicz
JOKER “OPEN MIC”
Warner Bros. JAX
Client: John Stanford, EVP Creative Advertising (Warner Bros.) Creative Director: Scott Goldman, Nick Counter Editor: Alvaro Del Saz Fersing Music Supervisor: Anny Colvin
Music Coordinator: Denisse Ojeda Producer: TJ Barton, Tory Hakmiller Creative Coordinator: Clara LaPatra Graphics: Elastic Composer: Veigar Margeirsson (Pitch Hammer Music)
THE COURIER “BUSINESSMAN”
Roadside Attractions GrandSon Clients: Aimee Pitta, Dennis O’Connor Creative Director: Goktug Sarioz Executive Producer: Rachel Joynes Producer: Roy Smith Editors: Louis Jones, Joe Hackman
GFX: Jennifer Lee MSX: Will Quiney
THE INVISIBLE MAN “BELIEVE”
Universal Pictures Creature Street Creative Director: Eugene Fillios Producer: Angelique Benson Editor: Eugene Fillios Client: Joe Wees, EVP, Creative Advertising Client: Chandler Chow, VP, Creative Advertising
Client: Sean Zabik, Manager, Creative Advertising
THE INVISIBLE MAN “FEAR”
Universal Pictures Inside Job Editor: John Cantú Creative Director: Justin Slobig Creative Director: Ryan Rudd Graphic Designer: Janelle Ricci Music Supervisor: Matthew Tolhurst
Client: Joe Wees, EVP Creative Advertising Client: Chandler Chow, VP Creative Advertising
THE WOMAN IN THE WINDOW “PUZZLE”
20th Century Fox Aspect Ratio
20
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