ODAKULE PASSAGE DESIGN IDEA COMPETITION -2019| Gizem Kaya Hasan Cem Safa Ece Gökçe Altay
Mechanization, steam power, weaving loom
INDUSTRY 2.0
mass production, assembly line
INDUSTRY 3.0 INDUSTRY 4.0 Automation, computers and electronics
Cyber physical, steams, internet of things, network
Industrial Development
sěƠƓƯƧŁǍěƧ ®ƧƓěěƧ
1800
1900
2000
8LI 3HEOYPI 4EWWEKI MW MQTSVXERX ERH LMWXSVMGEP TPEGI SR -WXMOPEP 7XVIIX -WXERFYP 8S IQTLMWM^I MXW iportance and history, historical approche of the timeline of the passage is been used. There are three parts created -past, present and today. To strength the historical journey we used construction materials belong to their own period. Period materials surrounded the building such as the building rising in the history. There is nested material transition between periods to strength the MQTVIWWMSR SJ XLI GLERKMRK XMQIPMRI 8S QIRXMSR XLI 'SVTSVEXMSR SJ -RHYWXV] [LMGL MW SVKERM^IV SJ XLI GSQTIXMXMSR XLI W]WXIQ WYTTSVXMRK -RHYWXV] [EW YWIH XLVSYKLSYX XLI TEWWEKI
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INDUSTRY 1.0
-0.45
-0.90
-0.70
-0.70 -0.70
±0.00
-0.87
A
A
-1,05
-1,35
+-0,00 -0,70
8LI -WXMOPEP 7XVIIX JEGEHI VITVIWIRXW XLI TVIWIRX ERH XLI JYXYVI 1SHIVR ƚSSVMRK ERH JEGEHI QEXIVMEPW [IVI YWIH 8LI relationship with the works of art, the large areas of the landscape, the landscape has been given a new texture to the region. The area formed by the expansion of Istiklal 7XVIIX [EW TVIWIVZIH ERH E WQSSXL XVERWMXMSR FIX[IIR XLI TSHMYQ EVIE ERH -WXMOPEP 7XVIIX [EW TVSZMHIH
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-1,35
This symbolic ’podium’ with motion detection W]WXIQW VIƚIGXW XLI LMWXSVMGEP EHZIRXYVI SJ 3HEOYPI 4EWWEKI 8LI NSYVRI] JVSQ 1IġVYXM]IX 7XVIIX XS óWXMOPEP 7XVIIX MW W]QFSPM^IH EW XLI NSYVRI] SJ the passage from the past to the present. The VIƚIGXMSRW SJ XLI TIVMSH HVIWWIW EVI GLERKMRK JVSQ XLI W XS XLI TVIWIRX HE] SR XLI WGVIIRW 8LMW I\TVIWWMSR MW IQTLEWM^IH F] YWMRK XLI QMVVSV MRWXIEH SJ XLI WGVIIR MR ŞW 7MRGI XLI QEXIVMEPW YWIH SR XLI KVSYRH ERH ƚSSV [IVI YWIH during this period, their original textures were not MRXIVJIVIH ;LIR XLI TSHMYQ MW STIR XLI REXYVEP texture of both the passage and the tower can be detected while passing through the podium.
sěƠƓƯƧŁǍěƧ ®ƧƓěěƧ
As we begin the journey, we see a slight Neoclassical touch that refers to the Pera Museum next to the base of the building on the 1IġVYXM]IX 7XVIIX JEGEHI ;I EVI IRXIVMRK ER SPH X]TI SJ ƚSSVMRK under the Urban Basin. The reason for these touches is that the area SR [LMGL 3HEOYPI 4EWENô MW PSGEXIH MW XLI FIKMRRMRK SJ XLI XL GIRXYV] ERH MX MW HIWMVIH XS PMZIH TISTPI XLI XL GIRXYV] EXQSWTLIVI
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The screens can be used with a preferred concept in their backgrounds. The Chamber of Industry activities, national and religious holidays, special days related to Istanbul and cultural arts activities can change the background. Thus, this urban and historical podium is also an activity board.
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MOSQUE DESIGN IDEA COMPETITION - 2019| Gizem Kaya
Hasan Cem Ece
ĹĹ Ĺ Ä›Ć“ÄŒĹ‰Ă°Ĺ— IƓěěŢ Ɠěðƛ 1Ä“ĆŻÄŒĂ°Ć§Ĺ‰ĹŢ ěŢƧěƓƛ
ÂĽĹ‚Ä‹
Ĺ—Ă°
ŒěƛʼnēěŢƧʼnðŗ ÂŢʼnƧƛ
ğƓěě Ä›Ĺ˘Ć§Ć“Ă°Ĺ˘ÄŒÄ› Ă°ÇŒÄ›Ć› ğðdžě ċěěŢ ēěijʼnŢěē ʼnŢ ƧğƓěě ēʼnijijěƓěŢƧ Ä“Ĺ‰Ć“Ä›ÄŒĆ§Ĺ‰ĹŢƛ ijƓĹĹ ÄŒĹĹ Ĺ Ä›Ć“ÄŒĹ‰Ă°Ĺ—Ěś ƓěƛʼnēěŢƧʼnðŗ ðŢē Ä›Ä“ĆŻÄŒĂ°Ć§Ĺ‰ĹŢ ƯŢʼnƧƛ̝ IƓěěŢ ðƓěð LJðƛ ÄŒĹŢƧʼnŢƯěē ĹŢ ĹĆŻĆ“ ŗðŢē̝
ğě ŠʼnŢðƓěƧ ʼnƛ Ưƛěē Ă°Ć› Ă° ÄŒĹĹ—Ĺ—Ä›ÄŒĆ§ĹĆ“ ðŢē Ä“Ĺ‰Ć“Ä›ÄŒĆ§Ć› Ć?Ä›ĹĆ?Ĺ—Ä› ƧŠƧğě Ĺ ĹƛƒƯě̝
ÄŒĹƯƓƧÇ?Ă°Ć“Ä“ LJðƛ ēěijʼnŢěē Ă°Ć“ĹƯŢē Ƨğě ŠʼnŢðƓěƧ̜ Ç‡ÄźĹ‰ÄŒÄź LJðƛ Ă° ĴðƧğěƓʼnŢĴ ěŗěŠěŢƧ̜ Ç‡ÄźĹ‰ÄŒÄź LJðƛ ʼnŢƧěŢēěē ƧŠŠěěƧ LJĹƓƛğʼnĆ? ðŢē Ć›ĹÄŒĹ‰ĹÍ˜ÄŒĆŻĹ—Ć§ĆŻĆ“Ă°Ĺ— Ţěěēƛ̝
ğě Ĺ ĹƛƒƯě LJðƛ Ć?Ĺ—Ă°ÄŒÄ›Ä“ ĹŢ Ƨğě ƒʼnċŗð ƛʼnēě ĹÄł Ƨğě ÄŒĹƯƓƧÇ?Ă°Ć“Ä“ LJğěƓě Ć?Ä›ĹĆ?Ĺ—Ä› LJěƓě ěŗědžðƧěē ʼnŢ ěŗědžðƧʼnĹŢ ðŢē Ć?Ä›ĹĆ?Ĺ—Ä› LJěƓě Ä“Ĺ‰Ć“Ä›ÄŒĆ§Ä›Ä“ ƧŠƧğě Ĺ ĹƛƒƯě̝
It is used real garden and glass as an abstaction of stained glass which is tradition for Mosques. There is created symbolic garden of edan in QÄąbla front during prostration people can see the garden. The wall which contains calligraphy seperate worshiped people from outside buildings for full consantration. People can see green garden, Islamic symbols on wall and blue sky in order. There is natural ventilation and lighting thanks to the windows and ceiling openings. The entrance of the mosque and minaret emphasized with stages. All the forms of mosque, courtyard and landscape emphasize the QÄąbla axis. There is levels from landscape to Mosque for emphasizing the importance of the Mosque.
ğě ¼ʼnċŗð Ă°ÇŒĹ‰Ć› ēěijʼnŢěē Ä‹Ç? Ƨğě Ć?Ĺ—Ă°ÄŒÄ›Ĺ Ä›Ĺ˘Ć§ ĹÄł Ƨğě ŠðʼnŢ LJĹƓƛğʼnĆ? Ć?Ĺ—Ă°ÄŒÄ› LJðƛ ƓěʼnŢijĹĆ“ÄŒÄ›Ä“ Ä‹Ç? Ĺ—Ă°Ĺ˘Ä“Ć›ÄŒĂ°Ć?ě̝Ƨğě ŠðʼnŢ LJĹƓƛğʼnĆ? Ć?Ĺ—Ă°ÄŒÄ› LJðƛ ƓěʼnŢijĹĆ“ÄŒÄ›Ä“ Ä‹Ç? Ĺ—Ă°Ĺ˘Ä“Ć›ÄŒĂ°Ć?ě̝
MOSQUE DESIGN IDEA COMPETITION - 2019| Gizem Kaya Bike Stand
Hasan Cem Ece
B
A
Imam Lodgament
Social Area
Sitting Area WC
Minaret
Bike stand
Lavatories
Koran Course Parking Area
Manuel Scatter system Technical Rooms Technical Room
Janitor Room
Mosque
C
C
B A
EXAMPLES I WORKED ON IN LEJANT ARCHITECTURE - 2016/2018| Gizem Kaya Visuals are not my work. Microhousing in Istanbul
Mixed use complex in Ankara
Villa project in Ankara
Commercial project in Corum
Residential project in Ankara
Social facility center in Ankara
FREELANCE SUBURBAN OFFICE - 2015| Gizem Kaya
FREELANCE VILLA PROJECT - 2015| Gizem Kaya
R-URBAN RENEWAL IN SHENZHEN - 2015| Gizem Kaya Today the cities in the Pearl River Delta, especially Shenzhen, are at their limits of growth capacity. Economy-oriented approach encroaching on habitats and industrial areas cover a large portion of the city. People living in the area, are not just those who migrated from outside rural areas, but also those whose living areas are occupied by the city. When the pains of the ongoing integration caused by transfer of sovereignity is faded away, Hong Kong will start to periodically lose its “unique” attributes in some areas by sharing some of its economical capabilites to neighbouring cities. While this process may cause growth potential of Hong Kong to spread to other cities, it will also cause a lose of growth speed in Hong Kong. Since Luohu and Sungang-Quingshuihe functions as a node for industrial traffic between Hong Kong, Shenzhen and mainland China, predicted growth of warehouses in the area also may not occur. If the actual growth in Shenzhen occurs in Futian, worker population in Sungang-Quingshuihe may also shift to that area as well. In order to prevent more extension beyond city limits, and by the help of slower growth speed in Luohu region Chinese administration may try to re-urbanize these areas at city center. Thus, the region may become more people oriented and less industry oriented. Though losing some of its industrial and economic privileges, Hong Kong will still be an attraction center due to its cultural richness and unique demographic structure as a result of being a British colony for a hundred years. Sungang-Quingshuihe has a high potential in terms of cultural activites because of its proximity to Hong-Kong. Due to being last stop before arrival for local and foreign tourists coming to Hong Kong, a new architectural approach of “Neo-Chinese" could also create potential display area there. People-oriented urbanism, reduction in the rate of production growth and proximity to Hong Kong is possible to create attraction to the area. As the Invisible City Despina, Sungang-Quingshuihe is the border city between two worlds. Visitors coming from all around the world will expect to see and experience China in the area, whereas the visitors from mainland China will expect to see the cultural diversity and international taste. Howewer, Hong Kong is also showing similiar aspects. Therefore, a need for Identity arises to differ Sungang-Quingshuihe from Hong Kong.
Slow Paced City _Relocating the mechanical and industrial functions (warehouses, transportations) to underground _Separating the freight train and passenger train stations. Healed City _Refunctioning the areas gained by relocating the warehouses as urban agriculture to ease accessibility of agricultural products. _Creating a pedestrian path which is projection of metro lines on the ground and taking shape according to slow&fast usages. Creative City _ The path fed from surrounding functions, then reflecting them itself. It increases people interaction, so this provides creativity. _Schools and educational facilities maintaining the traditional Chinese culture. Then, there will be centers serving in the light of this education. _Creating a Neo-Chinese architecture line starting from the welcoming place.
UNFINISHED/DERELICT ARCHITECTURE -2014| Gizem Kaya Reclaming a Blighted Spor at Çankaya: The Çankaya Hub
The Çankaya HUB is a mixed-use Complex as a community center and the program consist of residential for the short term visitors, library and studying area, auditorium for 400-100-50 people, cafe and retail shops on the ground floor, think tank cluster of workshops, offices, seminar rooms, meeting rooms. I create a system from public to private. The circulation begin with dynamic main street to resident where residential area already exist. To strength the idea from public to private, the HUB is rising and move away from gorund from public to private to focus the seperation from ground. Library is rising on columns to attract people want to enter the HUB. There is main entrance for the think tank and commercials and seperate entrance for libarary. The residential and auditorium have their own entrances and lobbies for the certain users. In the public areas there are galleries, a lot of lobbies, alternative staircases to increase interaction. The alternative stairs offer change to see other interactive activities while going somewhere else.
The stairs starts from the main street and get through the library, studying area and think tank lounch, finally going arround the building. Then another alternative stairs starts from the grund floor where commercial line ends and going around the building surface and experience the activityies like workshops, exhibitions, lounch facilities and finally reach the terrace. The both stairs walk around the public areas and provide the show all public activities and also draw a public strip of the building.
UNFINISHED/DERELICT ARCHITECTURE - 2014| Gizem Kaya
Reclaming a Blighted Spor at Çankaya: The Çankaya Hub
GROUND FLOOR PLAN
SECOND FLOOR PLAN
FIRSTFLOOR PLAN
THIRD FLOOR PLAN
TW TOWER PROJECT - 2013 | Gizem Kaya
IZNIK TILE CERAMIC RESEARCH CENTER - 2012| Gizem Kaya Primarily design idea is emphasizing the historic fortification wall and gate and the amphitheatre located in the area. The next decision is to make the region a focal point of the city and a historical place to visit. The existing fortification gate was used as the symbolic gate of the design. There is a colonnaded road that starts from the fortification gate and circulates between structures. There is a mini amphitheater, symbolized the existing one, between the exhibition area and the cafe. Fortification wall used as stage for shows and there is 3 meter excavation for sitting and isolating place from outside. The place used as gathering people and events. There is main building in center used as education and workshops. The other 4 buildings -cafe, museum, library, gift shop- placed arranged around the main building as private to public. The whole place thought as an open air museum and historical ruins and products produced in the training building are exhibited not only in the eshibition area but the whole open and close places.
GROUND FLOOR
MEZZANINE FLOOR