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GIULIA RONDININI
CONTA CT giulia.rond@gmail.com +39 338 3843555
EDUCAT ION 2020
Architectural License
2017/2018
“Erasmus +” exchange RWTH University - Aachen, Germany
2016/ 2019
Master Degree in Architectural Design Roma Tre University - Rome, Italy 110/110 cum laude, thesys “Centro Nekuni, un’architettura per la cooperazione allo sviluppo nell’ Alto Atlante marocchino”
2012/2015
Bachelor Degree in Science of Architecture Roma Tre University - Rome, Italy
2012
Scientific High School Diploma Liceo Scientifico Statale J.F. Kennedy - Rome, Italy
WOR K EXPE R IEN CES Aug 2018/ Feb 2019
Internship at Humble Martens Willems - Maastricht, Nederlands
Nov 2015/ May 2016
Internship at the Italian Presidence of Republic“ Palazzo del Quirinale” - Rome, Italy
OT HER EXPER IEN CES January 2018
Workshop ““Manufacturing Processes. 3D vertical clay printing” - RWTH Univeristy
June 2016
Workshop “Sutri- progetto del recupero urbanistico”- Roma Tre University
March 2016
International Workshop “Litoral Norte” in Porto Alegre, Brasil Universidade Federal do Rio Grande do Sul + Roma Tre University
March 2015
International Workshop “Urban Reuse in/outside” -Iowa State University + Roma Tre University
May 2014
Rome Open House Volunteer - Open House Roma
PER SONAL SK IL L S AutoCad
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Italian
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Archicad
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English
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Rhinoceros (+ Vray)
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French
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Grasshopper
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Spanish
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Photoshop
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German
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Illustrator
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InDesign
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Vectorworks
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CONTEN T 1. Nekuni Center (8-19). An architecture for development cooperation in the Mount Atlas (Master Thesis)
2. Calli e Campi (20-25). Housing in the Giudecca Island, Venice (RWTH University) 4. Lido Roma (26-31). 3D reconstruction of the 20’s beach club in Rome (Roma Tre University)
3. Porto Fluviale (32-37). Coworking in the roman ex-industrial area (Roma Tre University)
5. Internship (38-41). My experience at Humble Martens Willems Architects.
1. NEKUNI CENTER
ARCHITECTURE FOR DEVELOPMENT COOPERATION IN THE MOUNT ATLAS
Master Thesys with Miriam Conti, Roma Tre University. Tutors: Michele Beccu, Adolfo Baratta.
The Nekuni community centre is located on the High Atlas mountain, in the forgotten rural area of the Tessaout Valley. The local Amazigh community faces a severe state of abandonment which leads to a worrying scarcity of primary services, the main issues being the lack of drinkable water in private houses and the high rate of early school-leaving. Particularly problematic is the level of gender discrimination, hence the focus on women and their needs when it comes to the services provided in the centre. From our experience on the field and the collaboration with Accion Geoda, an NGO active locally we tried to focus the design on the community’s needs, trying to imagine a collaboration with the locals in order to plant the seeds and give the tools for a social development that’s respectful of the local culture.
AMAZIGH SPEAKING TERRITORIES
Fra
MOROCCO
Sourc
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Smal pred comm
THE COMMUNITY CENTRE. VIEW FROM THE TERRACE
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HAMMAM
OVENS
LIBRARY
INFO POINT
WASH HOUSE
CLASSROOM TEACHER’S APARTMENTS
VEGETABLE GARDEN
KINDERGARDEN
ISOMETRIC VIEW OF THE CENTRE
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LABS
HIGHER LITERACY LEVEL
pre-school classrooms women’s literacy classrooms library teachers’ housing / tourist accomodation
WOMEN’S EMPOWERMENT
CLASSROOM women’s craft workshops BETTER HEALTHCARE
communal ovens shop exhibition space
ENVIROMENTAL PROTECTION
wash-house
KINDERGARDEN
SOCIAL COHESION
hammam
multipurpuse hall
VISIBILITY TO IMAZIGHEN
communal kitchen local association’s office outdoor gathering spaces 41
1. NEKUNI CENTER 11
+7.80
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LONGITUDINAL SECTION
+11.20
GSEducationalVersion
LONGITUDINAL SECTION
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+12.40 +11.20
+11.20
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+7.80
+7.20
+1.00
SECTIONS 1. NEKUNI CENTER
NEKUNÍ CENTRE
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PLAN OF THE 1st LEVEL
PLAN OF THE 2nd LEVEL
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1. NEKUNI CENTER 15
PLAN OF THE 3d LEVEL
PLAN OF THE 4th LEVEL
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DETAIL OF THE EARTH BLOCKS, SCALE 1:50
1. NEKUNI CENTER 17 GSEducationalVersion
SEZIONE 1:20 IL PROGETTO 29
SOUTH-WEST ELEVATION
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1. NEKUNI CENTER 19
2. CALLI E CAMPI HOUSING IN THE GIUDECCA ISLAND IN VENICE
M2 Projekt, RWTH University - Raumgestaltung, Tutor : Univ.-Prof. Dipl.-Ing. Uwe Schröder
The urban structure of Venice is one of a kind: a riddle of narrow shadowy streets, calli, which open up into small, collected squares, campi. The perception of the city comes at a slow pace, a walking pace, as a sequence of shady passages and squares accompanies the pedestrian, the main actor in a city where motorised traffic consists only in boats. The masterplan for the Giudecca island tries to maintain this sense of discovery of an urban space which, given the monumentality and the historical value of the architecture, has a surprisingly domestic ambience in Venice. This reflects into the choice of having nonlinear passages whose angles are designed to emphasise the “surprise effect “of getting to the main square, stage of the collective and social activities which involve both the students and the other inhabitants of the housing complex. The design of the buildings focuses also on the traditional housing typologies of the city: corte, blocco, linea and ballatoio, all mixed together creating a variety of apartment typologies designed for heterogenous users. The distinction between the typologies stands in the access to the dwellings and how the passage from public to private is filtered, which also determines the relation to the public space.
SOUTH ELEVATION
LONGITUDINAL SECTION
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THE GIUDECCA ISLAND
CROSS SECTION
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ROTBALU : “RED-BLUE” ANALYSIS
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BLAU KALTE RAUM “cold space”
ROT WARME RAUM “hot space”
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INNER COURTYARD
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VIEW ON THE CAMPO
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VIEW FROM THE LAGOON
2. CALLI E CAMPI 23
INNER COURT OF THE STUDENT DORM
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2. CALLI E CAMPI 25
3. LIDO ROMA 3D RECONSTRUCTION OF THE 20’S BEACH CLUB IN ROME
Architectural restoration project, Roma Tre University. Prof. Francesca Romana Stabile
The Roma beach pavilion was built in 1924 in Ostia, an area that at the time was becoming the new centre of the high society’s social life, in a moment where seaside tourism was a rising trend all over the Mediterranean shores. Its location at the end of a boulevard that cut the new neighbourhood in half made it a focal point in the urban design of the new-born Ostia, connecting it visually with the main church and creating a straight axis that interrupted the sinuosity of the urban layout. The pavilion was completed in the early 30s but got sadly destroyed during the German occupation in 1943 as it was considered to be a possible landing spot for the Alley’s troops. The aim of the research was therefore to make a documented reconstruction of the building, relying on the drawings in the city archives and the rare pictures of the time. The main challenge was to determine which version of the structure was constructed, as the project was modified both in the design phase and during the realisation.
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VIEW FROM THE STREET - FLOORPLAN
VIEW OF THE TWO PAVILLIONS
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Despite its classical *language* G.B. Milani’s building is an example of structural innovation under many points of view. The pavilion is composed by two buildings, one on the shore, quite classical and clearly inspired by the traditional roman baths, and one that lies directly on the sea, which on the other hand is very interesting for its use of concrete. For there were no existing examples for such a typology the architect could experiment freely the use of concrete both in the structure and in the mouldings, which were not made with the traditional stucco as it doesn’t resist humidity.
RECOSTRUCTION OF THE PAVEMENT
3. LIDO ROMA 29
VIEW OF THE PAVILLION ON THE SEA
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3. LIDO ROMA 31
4. POR TO FLUVIALE COWORKING IN THE ROMAN EX-INDUSTRIAL AREA
Architectural design studio 2M, Roma Tre University. Prof. Michele Furnari
Ostiense is a developing area in Rome that used to be the industrial centre of the city at the beginning of last century and got revitalised by the presence of Roma Tre University. The project is located in an empty lot on the main road Via Ostiense and next to a building made famous by the work of the street artist “Blu�. The aim of the design is to create a coworking space which focuses on the wellbeing of workers, and provides space for sociality as well as for concentration and productivity. The working environment has to be flexible and allow multiple uses, a fluid open space is alternated by small offices which can be rented according to the necessities, creating an alternation of corners for reading, relaxing or focusing. Each floor has a small hub where workers can prepare their meals and enjoy them together.
VIEW FROM THE STREET
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THE AREA
FUNCTIONS
FLOORPLAN SCHEME
FLOORPLAN
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CROS SECTION
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SHADING SYSTEM
THE FACADE
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4.POR TO FLUVIALE
CONSTRUCTION DETAIL
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DETAIL OF THE FACADE
DETAIL OF THE INNER SPACE
4.POR TO FLUVIALE 37
6. INTERNSHIP MY EXPERIENCE AT HUMBLE MARTENS & WILLEMS
During my experience at the Dutch architectural firm I had a chance to be involved in several projects which went from interior and renovation, to housing and urban planning. My tasks have been working on technical drawings, both for preliminary and definitive design phase, as well as making models and architectural renderings for presentations.
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6. ITNERNSHIP 39
2D IMPRESSIONS OF A PUBLIC SPACE
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3D SCHEMES
MODEL MAKING
6. ITNERNSHIP 41
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