the work is DOA. I needed to trust my vision and intuition—and I did. The pieces are some of the best work I’ve done, and I am ecstatic to have my work included in the permanent collection of the Costume Institute of The Met.
What do you enjoy most about teaching?
My students. It’s important to share knowledge as it was shared with me. The students are incredible, and I have a good working relationship with each student. I make it a point to know their names and work, so that I can guide them as needed. I treat them as professionals and expect the same, and it works. They are passionate and inspirational, and I admire and adore them.
What do you hope students take away from your classes?
Integrity in their work and to never lose sight of their passion, wherever it may lead. To push the limits and explore possibilities. Talent is a gift. The artist needs to take responsibility for that gift and nurture it through practice, study and experimentation.
How did you get involved with the Georgia Breast Cancer Coalition? Through a wonderful, talented woman,
[photographer] Sara Hanna, who I met at a Dior Saks Beauty Event. We just connected and began talking about art and charity work