George Plionis Industrial and Jewelry Design

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portfolio george plionis

industrial & jewelry design


contact

Address 47-05 45th St, Apt F8 Queens, NY 11377 Cell +1 917 499 2090 Email george.plionis@gmail.com Website www.georgeplionis.com


profile

As a designer, I see the importance of cross-pollination and inter-disciplinary collaboration as important drivers for the future of design. These partnerships are beautiful conversations that facilitate new design strategy and drive innovation with impactful design solutions.


The Audubon Collection An Eclectic Dinner Set World Kitchens - Corelle Collaboration: Caroline Brustowicz

01 02 03 04 05 06 07 Cairn Chair Bringing Nature to the Table Roche Bobois Collaboration: Wenny Chen

Jax Headphones Thesis Project Electronics for Life

table of content

Weaver Bird Basket Transforming Inanimate Objects to be Vessels for Personal Experience

Giagia’s Kitchen Set of Cooking Tools Collaboration: Sarah Templin

Dolphin Jacks Moet Hennesey Promotion Product

Jewelry A Collection of Projects: CAD, Bespoke, Exhibition and Production 1998-2019



education resume

2016 - 2018

Master of Fine Arts - Industrial Design Parsons School of Design New York City, NY - USA

2008 - 2009

Certificate 3 in Jewelry Manufacture Design Center Enmore, Sydney Institute - TAFE Sydney, New South Wales - Australia

2003 - 2004

Certificate 4 in Small Business Management New Enterprise Incentive Scheme Australian Government Sydney, New South Wales - Australia

1989 - 1991

Bachelor of Education - Secondary Design University of South Australia, Adelaide, South Australia - Australia


1991 - current

experience

current clients

George Plionis - Sydney, Australia & NYC, USA Jewelry Design and Manufacture Director and designer of jewelry business trading as George Plionis. Exhibition, bespoke and production ranges characterized by strong concepts, unique design, handcrafted quality and attention to detail. Fine jewelry in technique and contemporary in style, materials include precious metals and stones and nonprecious materials like glass, wood, paper, resin, plastic and leather.

2016 - current

Design Studio 5 - Senior Product Design | Interdisciplinary studio focus that explores the world of health and wellbeing through deep sensory analysis. Through this exploration of the senses, the studio aims to develop a deeper connection between humans, design systems and products. Summer Studies Industrial Design | Designing product concepts focusing on developing 2D and 3D skills for portfolio caliber to apply to MFA Industrial Design graduate programs.

Fitzgerald Jewelry - NYC, USA Freelance Jewelry Designer

Jewelry 1 | Predominantly a studio-based subject that focuses on foundation jewelry techniques and research project that tackles historical and contemporary jewelry.

Collaboration with owner to create commercial fine jewelry collections, from concept through to final realization. Design, development and technical designer to create a new branded collaborative collections.

Jewelry 2 | Industry-based focus using digital fabrication techniques associated with production jewelry design.

World Kitchens - Rosemont, USA Freelance Product Designer Development of concept and graphics for new patterns that are responsive to current design trends and embodies the Corelle brand.

Digital Fabrication for the Body | Focused on using digital fabrication and rapid prototyping together with the hand-made techniques to discover new expressive and communicative potentials for wearables. 2015 - 2018

Roche Bobois - Paris, France Freelance Furniture Designer Develop concept and furniture design for global production that drives current design trends and embodies the Roche Bobois brand. The Plunge - NYC, USA Freelance Jewelry Designer Design, development and technical designer for The Plunge to realize male jewelry collections for engagement and wedding occasions.

Parsons School of Design - NYC, USA Adjunct Professor

Erica Molinari - NYC, USA Freelance Jewelry Designer Product development and technical designer. Working with Design and Production Managers to realize jewelry collections through CAD development.

2013 - 2014

Temple St Clair - NYC, USA Senior Designer Product development and design. Working with design team to develop all fine jewelry collections that embody the brand – collection, special stock, bespoke and one-of-a-kind collections.


Concept Design: Exhibition Concept Development Execution of prototype Collaboration with artists, designers and craftspeople Bespoke Problem Solving Liaising with client/manufacturers Hand rendering Commercial Technical Development of prototypes Liaising with manufacturers

Sales and PR:

Liaising with clients Branding: realize product concepts as directed by the brand of the company Marketing: Researching and analyzing markets to inform design direction Liaising with stylists: magazine, newspaper, catwalk

achievements & awards

skills

Computer: Rhino Z-Brush Key Shot InDesign Photoshop Illustrator

2018

2017

2016 2015

2014

Interview by Michelle Jackson; BGC Craft, Art & Design Oral History Project Bards Graduate Center, NYC, USA MFA Industrial Design Award - Sustained Achievement in Design Parsons School of Design, NYC, USA Design Intensive Workshop - Corelle Design Challenge2nd Place Winner Selected from schools across Parsons - Parsons School of Design Partnership, NYC, USA Milan Furniture Fair - Roche Bobois Milan, Italy Design Week NYC 2018 - Roche Bobois Showroom NYC, USA Modern Atlanta Design Festival - Roche Bobois Atlanta, US Winner Roche Bobois Design Awards 2017 - 1st Place Winner Parsons School of Design Partnership, NYC, USA Artist Residency - The Jam Factory, Jewelry and Metal Studio, Adelaide, Aus SOFA – Represented by Charon Kransen, Chicago, USA The Understory – Jason Moss Jewelery Studio - curated by Alex Bowen Sydney, Aust SOFA Represented by Charon Kransen, Chicago, USA Traveling Exhibition - Brooch - Represented by Charon Kransen Hiko Mizuno College,Tokyo, Japan | Yamawaki Design College, Tokyo, Japan | Kobe Design University, Osaka, Japan Dutch Embassy, Tokyo, Japan | International House, Tokyo, Japan Mariposa - Solo - Fitzgerald Jewelry, Brooklyn, NY USA SOFA – Represented by Charon Kransen, Chicago, USA


2011 Contemporary Wearables 2011 - Touring Exhibition Toowoomba Regional Art Gallery, Toowoomba, Qld | Tweed River Art Gallery, Murwillumbah, NSW | Hervey Bay Regional Gallery, Pialba, Qld | Redland Art Gallery, Cleveland, Qld | Schoolhouse Gallery, Rosny Farm, Tas Finalist for ‘Contemporary Wearables ‘11, Australia and New Zealand Jewelry Competition Toowoomba Regional Art Gallery Queensland - Australia 2010 Finalist for National Contemporary Jewelry Award Griffith Regional Gallery, New South Wales - Australia Finalist for Pearl Award JAA (Jewelry Association of Australia), Australian Jewelry Awards - Australia Marie Claire Finalist for People’s Choice Award, Australia


01 Jax Headphones

Electronics for Life Thesis Project 2018


JAX C O N N E C T I N G T F

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why do we as a consumer society have such short lived and under stimulated relationships with our objects?

waste is nothing more than a failed relationship between us and our things, where insufficient empathy leads to a dumping of one by the other


gold 75lbs palladium 33lbs “90% of resources taken out of the ground today become waste within only 3 months” Emotionally Durable Design, Objects, Experience and Empathy Jonathan Chapman

12%

E-waste is recycled per annum United States Environmental Protection Agency 2016

many headphones for a mass market are designed for replacement within a year. The cell phone-add-on headphones are constantly in a cycle of disposability ‘Will Your Headphones last 10 Years’, October 21, 2010 Steve Guttenberg

United States Environmental Protection Agency 2016

silver 772lbs

1M cell phones recycled, precious metal recovered

copper 35,274lbs


develop a deeper emotional connection between us and our things to cultivate a longer product life


design

headphones

that instills a sense of

redefining how we relate to our objects and how our objects relate to us

adventure and fosters ownership giving rise to meaningthrough storytelling


Consumers treat these objects with a worshipful attitude that transcends their mere function

fetishization of objects 1955 Dieter Rams Transistor Radio for Braun

1980 Sony Walkman

1933 George Carwardine 1939 Voltswagen Beetle

1927 Eileen Gray

1949 Hans Wegner Chair 1975 Bang&Olufsen by Jacob Jensen 1960 Timo Sarpaneva

2018 Sunbeam Toaster

1983 Michael Graves for Alessi

1920 Helen Jensen

1933 Moka Express Stove Top

2016 Maison Martin Margiela

1908 Model T Ford 1920 Portable Gramophone

2007 Apple Iphone

minimalism

materiality

analogue

futurism

Philippe Starck’s Juicy Juicer’s social commentary on the fetishization of our consumption is in direct contradiction to the notion of form meets function

1990 Philippe Starck for Alessi

retro

aesthetic beauty

over fun c t i on

fashioning of objects are important to consider

paramount to the success of a products life

1964 Radio Cubots -Richard Sapper and Marco Zanuso

form

&

1930 Ace Stapler

explore how the form of an object can respond to the past yet speak to the technology of the future observe traits that continue to emerge in our history time-line and appeal to our sense of aesthetics


a headphone concept that can be customized, transforming over time

2018 - Purchase . Original purchase of the headphones 2025 - Repair . Right earpiece is damaged and is replaced by the current manufactured component

a modular system that links together, forever, and ultimately begins to develop a 2027 - Community community . Customer wants to ecosystem that update the headphone. They connects with is about sharing, other headphone swapping and owners to swap and share components selling s

y

s

t

e

m

modular easy to reassemble design for disassemble

p r o d u c t

magic of analogue customizable and current linking together forever noble materials live forever

c o m m u n i t y

swap and share

philosophy


developing an intimate understanding of the parts and how they might work understanding both parts and technology was imperative to developing the form


exploring form finding through sketching and model making


whilst model making, I looked at open source, symmetry vs asymmetry and ideas of wearing the break with pride


removing the intimidation associated with taking ownership of a broken object could be as simple as unplugging, replacing and repairing

if the world of cables are simplified to a plugging and unplugging system, swapping parts becomes a simple step


music - play pause | hold | stop calls - answer hang up noise canceling

music - direction | scroll forward backward blue tooth - on|off

S

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functions associated with the models

volume

re-imagining the electronic functions of headphones as physical switches


calls - answer hang up noise canceling

music

slide

play pause | hold | stop direction | scroll forward backward

press

interactive headphone that respond to the user through physical attributes and allows for ease of repair through a plug and unplug modular system

turn

volume

tension


developing an intimate understanding of the headphones, each component needs to be considered separately

JAX is a modular system that contradicts current systems of consumption

a simple outer shell and a complex inner structure

C T F

O O O

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N G

JAX

E E

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embedding ideas of repair and customization at the beginning of the products life provides insights for its possible futures offering opportunities for a living product Jax is a vessel for storytelling


battery battery charger port printer circuit board bluetooth switch microphone female connection for external cable female connection for part #1, #3 and 11 speaker grill earpads female connection for external cable wheel button - volume joy stick - direction switch board male connection to part #2 printer circuit board microphone female connection for part #4, #6 and 11 speaker grill earpads female connection for external cable

1. adjustment stopper 2. slider adjustment

part #1

3. shoulder - slider

part #2

left ear gear

left brain spring shoulder loaded hinge

5. steel spring 6. bottom hinge

8. AUX connector to brain 9. pivot to brain lock

left pivot

10. pivot cavity 11. AUX connector to ear gear part #2 or #5

part #4

part #5

part #6

brain - slider

the brain

brain - replacement magnetic connection

4. top hinge

7. shoulder pivot

part #3

brain - head

1. 2. 3. 4.

right brain shoulder

5. 6. 7.

8. 9. 10.

right pivot

11.

right ear gear left ear gear

part #1 part #2 part #3

part #4 part #5 part #6

right ear gear

modular connection system

press button - answer call latch button - sound cancellation switch board male connection to part #2


unplug the headphones ear gear transforms the component into a portable speaker and shares the soundtrack you live your life by plug in to reprogram the functions and diagnostics to easily locate faulty components to repair


Japan

Murikami

Australia

Kab 101

Ariana Baret USA

limited edition

JAX initially engages multiple users by offering a variety of styles


the future of doing business to create revenue has to diversify

broken components easily switched out for repaired or upgraded parts limited styles manufactured, encourages wearing the repair with pride

building community through a buy back scheme and encouraging community to swap and exchange pieces for their desired styles


a vessel for storytelling, creating reverence over a long owner-product relationship a living product that changes and morphs over time

headphones for life - less waste and more love


JAX


02

Cairn Chair Winning Entry

Bringing Nature to the Table Collaboration with Wenny Chen 2018


1 cairn chair


Roche Bobois is tight with nature...

inspiration a sensory eating experience how will we engage with eating if nature is sitting at our table?


“

our muscles are designed for

dynamic movement

and not well adapted to

static strain Peter Opsvik


an organic form that offers affordances for body movement

exploration

the more organic the form, the more restrictive to the body


inspired from

natural formations

we explored

the balance of body movement as applied to

organic geometry where comfort

is achieved by balancing the body in the

chair


we arrived at a

pebble formationcalled a

cairn

a stone formation that

resonates with manycultures. for thousands of years people have used piles of stones to indicated their way home.

we are creating a landmark at the philosophy

dining table where familycomes together.


exploration


cushions combination offers customization

concept discovery


testing aesthetics materials technique form innovation

exploring aesthetics, form and language through hand drawing, cad and physical modeling. shape, size and curvature of the chair provides affordances for freedom of movement.


soft pebble formations created with woolen upholstery and developed with hat blocking techniques


chair elements have a cohesive language proportions curve details and textures all speak to each other

introducing the

Cairn Chair

simplified structure

illusion with balance

tension between forms


cushions combined in different ways to capture the poetry of the cairn individual seating for different individuals.


bring nature into our dining experience through form, the variation creates a dynamic landscape around the dining table.


eccentric modern and avant garde, the cairn gives clients the opportunity to customize their dining chairs to suite their personality


Cairn Chair


The Audubon Collection

An Eclectic Dinner Set World Kitchens Dinnerware Intensive for Corelle Collaboration with Caroline Brustowicz 2018


The Audubon Collection

An Eclectic Dinner Set


project

brief

Design a new pattern that reflects Corelle’s brand and captures a new audience whilst at the same time appealing to their current market. . Create awareness . Create change . Look to the future while incorporating the past . Design patterns that inspire future food experiences

program

target audience | outdoor dining experience


marketplace

tempered glass

affordances

What do current generations desire?

recyclable local manufacturing indoor | outdoor dining supporting USA industry scratch and chip resistant microwave safe

old fashioned

market research for dinnerware pattern

unbreakable USA owned & manufactured

modern

corelle dishware lines current trends minimal


melamine

attributes

Corelle’s biggest competitor

connecting history

Blue has been a significant color throughout history. Patterns evolve but the color is always present.

outdoor dining high-patterned mimics ceramics prominent trend plastic non-recyclable not microwave safe global manufacturing toxic formaldehyde ingredients


mix and match

Designing a less formal way for Corelle’s users to acquire a full dinner set through time.


For centuries, humans have used nature in pattern to tell stories and to bring us closer to God.

pattern


The Audubon Collection

introducing

In collaboration with The Audubon Society, an eclectic nontraditional dinner set. Different patterns on each piece offer opportunities for mixing and matching.

cheese platter

carafe

stackable glasses

cheese platter

carafe

stackable glasses

Three new additions to the Corelle Family. Introducing existing typology that users already associate with glass, educating users of Corelle’s sustainable material.

blue . connecting history

nature inspired


social commentary and awareness

mix and match 4 x designs | 12 x iterations

Golden-winged Warblers

conservation status: near threatened population declined by 68 percent since 1960

Northern Bobwhite Quail conservation status: near threatened population decreasing

Ivory Billed Woodpecker Whooping Crane

conservation status: endangered

conservation status: critically endangered


back plate quote

quote

collaborator

Young generations have a heightened awareness of our planets future. Offering conversation starters for trans-generational exchange to give back and be stewards to our world.

#Corelleforawareness Future collaborators in the #corelleforawareness campaign.



The Audubon Collection


04 04 Weaver Bird Basket

Transforming Inanimate Objects to be Vessels for Personal Experience 2016


weaver bird basket


problem

solution

We are becoming increasingly disconnected from our environment and in an odd turn of events, have started purchasing as a means of fulfilling the void.

Design an object that initiates an experiential interaction that creates storytelling, transforming an ordinary object to one that is highly personalized.


“Without the objects, the stories would lack vibrancy; without the stories, the objects would lack significance.” Objects and Memory 2008

philosophy

$1.2T

“Americans spend $1.2T every year on goods and services they don’t need” Wall St Journal Apr 23, 2011

imagine if each product you purchased had a starting story


looking at objects that have

time

meaning

is essential to creating

stories

transforming objects

from inanimate everyday things to conveyors of

personal experience

crafted objects

have a greater ability to take on identity and form bonds with the user that has longevity


technique transferability

importance of the human hands relationship to natural objects

creating a narrative for the user that conveys the products ongoing story

modular

a system that allows for a variety of solutions

biodegradable

looking towards a cradle to cradle closed life-cycle

interactive

highlight the symbiotic relationship between the user and the product

design constraints


& technique material exploration


form exploration


process

slab-built

umihimo

weaving


binding

stoneware stitching


plant irrigation material layering planter for small rooted plant systems

orchid

creating a system for drainage without dripping

layering plant materials to allow for nutrients and water to wick from the bottom of the planter to the plant.

planter

sphagnum moss bark pebbles water container


life-span

biodegradable transferability

craft

modular interactive technique



weaver bird basket


05 Giagia’s Kitchen

Set of cooking tools Collaboration with Sarah Templin 2016


Giagia’s Kitchen

Experimental pasta tools for social, tactile cooking


3D sketching drove concept and form innovation. The tools to create new food shapes, billowing sea creatures, curving fans and tiny succulents.

Create utilitarian, heirloom cooking tools to make new food shapes and promote tactile, social cooking.

Each tool formed from a single shape without any joining.


Family consists of tools and the resulting food.


Slow Cooking a family of objects to promote tactile social cooking.

Panayota Sieve

Truman Tongs

Millie Knife

Olga Billow Cone


Giagia’s Kitchen


06 06

Dolphin Jacks

LVMH Group Promotion Product Development Cloudy Bay Pelorus Sparkling Wine Launch 2011


Dolphin Jacks


program reflect logo

organic form

tactile

childhood game

Create a give away to promote Pelorus, sparkling wine.

engages people at a bar

played in limited space

old school game fun


tactile

played in limited spaces

organic

old school

reflect logo

childhood game

Appropriating the game of Jacks using dolphin motif

The game of Jacks, has ancient origins, usually played with five knuckle-bones


Variations with both wood and resin


Dolphin Jacks


07 Jewelry

A Collection of Projects: CAD, Bespoke, Exhibition and Production 1998-2019


Engagment Ring Private Commission CAD rendering New York, USA 2017

Coffin Pendant Jewelry concept Erica Molinari New York, USA 2017

utilizing digital fabrication for design development

CAD

Wedgwood Provocation Luxury for everyone Paper cup concept New York, USA 2018


Till Death Us Do Part - Halo Ring Capsule collection with Fitzgerald Jewelry CAD rendering New York, USA 2018

Engagement Ring Private Commission CAD rendering New York, USA 2019


Enamel Bracelet Design development with jewelry designer and maker Erica Molinari New York, USA 2017

Phoenix Earrings Design development for ‘Mythical Creatures’ capsule collection Temple St Clair New York, USA 2014


Horsehair Wrap Glass beads, horsehair, 925 silver Sydney, Australia 2007 Photo: Studio Go - Josh Evans

collaboration with clients

bespoke Cocktail Ring Lemon quartz, 750 white gold Sydney, Australia 2010 Photo: Nuran Zorlu

Wedding Ring Diamond, 750 white gold Port Moresby, Papua New Guinea 2010 Photo: Studio Go - Josh Evans


Ink Ring Diamonds, 750 white gold Sydney, Australia 2008 Photo: Studio Go - Josh Evans

Amber Choker Akoya pearls, amber, glass, 750 yellow gold London, UK 2005 Photo: Silver Vaults - Simon Surtees

Coin Ring Amusement coin, diamonds, 750 white gold Sydney, Australia 2010 Photo: Riccardo Abate

Cocktail Ring Amatrine, 750 red gold Adelaide, Australia 2011 Photo: Craig Wall

Single Black Line Diamond, sapphire, black rh., 750 red gold Melbourne, Australia 2011 Photo: Riccardo Abate


Lorikeet - Earring/Brooch/Enhancer Carved resin, silk, 925 silver Exhibition: Make Do, Gaffa Gallery, Sydney, Australia 2009 Photo: Josh Evans

exhibition

works that critically explore ideas, techniques and materials


Nest Feather Ring Golden south sea pearls, diamond, 750 yellow gold Exhibition: One Night Under Lights, Design Centre, Enmore, Sydney, Australia 2009 Photo: Riccardo Abate

Untitled - Pendant/Brooch South sea baroque pearl, ruby, 750 yellow gold, 999 silver, 925 silver, black rhodium Finalist in Pearl Award, JAA (Jewelry Assoc of Aust), Sydney Australia, 2010 Photo: Riccardo Abate

Untitled - Bracelet Carved resin, 925 silver Exhibition: One Night Under Lights, Design Centre, Enmore, Sydney, Australia 2009 Photo: Riccardo Abate


Untitled - Bracelet Carved resin, 999 silver Exhibition: National Contemporary Jewelry Award, Griffith Regional Gallery, Griffith Australia 2012 Photo: Riccardo Abate

Blood Lasso Glass, akoya pearls, ruby, 925 silver Exhibition: Blush, Glass Artist’s Gallery, Sydney, Australia 2006 Photo: Josh Evans


It’s so green it hurts my eyes - Brooch Pearls, paper, plastic, wood Exhibition: The Understory Jason Moss Studio, Sydney, Australia 2016 Photo: Devon Jarvis

Butterfly - Neckpiece Pearls, cotton, mother of pearl, paper Exhibition: Mariposa Fitzgerald Jewelry, NYC, USA 2014 Photo: I Love Shoot - Mariano Garcia

Butterfly The reverse

Colony - Neckpiece 925 silver Exhibition: Contemporary Wearables Touring Exhibition – Toowoomba Regional Gallery, Toowoomba, Australia 2011 Photo: I Love Shoot - Mariano Garcia


production storytelling in a series of objects

Deconstructed Collection A customizable collection Photo: Riccardo Abate


Jewelry


george plionis c: +1 917 499 2090 e: george.plionis@gmail.com www.georgeplionis.com


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