Phenomenon Magazine: Decay

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Phenomenon Magazine

Vol 1, Issue 1

WAIT & WATCH Beauty in Decay

Volume 1 Issue 1


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Vol 1, Issue 1

Phenomenon Magazine strives to produce a visual representation of what we take for granted in our environment. Once a year we tackle topics like Tsunami, Earthquake, Magnetism, Decay, Aging, Photosynthesis, Waterfall, Tides, Eclipse, Cold, Ocean, Oxidation, Sedimentation, Bay, Lake, Camouflage, Weather, and Wind.

Editor/Designer George Ramirez Executive Editor Lessica Peltz

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Art Director/Designer George Ramirez Contributing Editors Kyle Arnold Jasmine Godfrey Christina Jenkins Susan Savage Melissa Smith Helen Vanderbeek Founder George Ramirez

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(ISGN 978020137962) is published once a year (December), by the Academy of Art University, 79 New Montgomery St, San Francisco, CA 94105.

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15 Ruin

Porn

23 Life,

Living, & Death


DECAY

1 We think about mortality, the inevitable result of our lives leading towards death. For many this is a disturbing truth, but we wake up each day moving closer to that finite conclusion. Perhaps this is why the vision of decay, whether in process or total decomposition, tends to bother people and often illicit a reaction of distain. I do not fall into fits of despair when the vision of decay happens upon my senses, nor do I look deeper into the process of decay as a natural phenomenon. I see the color, texture, metamorphosis, and beauty associated with decay, which understandably leaves me outside of the norm.

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By George Ramirez


of roses, and she kept them on display for a day before she decided to nail them upside down by the stem on her bedroom wall. For days I watched as the roses became dry and hard, taking on the wrinkled appearance of skin. It began my fascination with looking at decay as a means of a natural process; a beauty that I translated through my painting, sculptures, and sketches. As visual artists, communicators charged with invoking emotion through our art, we somehow become drawn to this transformation of life and death.

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decay. My mother received a bouquet

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fascinated with the physical process of

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I was eight years old when I first became


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Decay is a process rather than a fixed image and provokes thoughts and

actions. It is not in sync with progress, modernisation and determined narratives, which are characteristics of modern Western society. Not surprisingly, decay is a main creative inspiration for artists and writers.

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our fascination as:

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“Failed Architecture,” he talks about this

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An excerpt from Mark Minkjan’s blog,


Bitola. Courtesy of Creative Commons

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witness what progress has rout on living things and structures. We as a modern society take in these images as an examination of what was, or what could have been. We watch the effects of overconsumption and waste, developing a deep appreciation for the cycle of natural progresses, even on inanimate objects. Within its root, some may call it perverse, but how many people are willing to admit that they’d turn away from a tragic car accident? Our Western society has even coined the term, “Rubbernecking,” for the action of watching something so subversive.

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Some call it Ruin Porn, a deep yearning to

Olympischen Sommerspiele 1936 in Berlin. Courtesy of Creative Commons

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The Possible Root of Our Fascination


Decaying Wasp. Courtesy of Creative Commons

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Porn: What’s Behind Our Obsession with Decay?” for Archdaily.com, says:

Our fascination with Ruin Porn is far too

complex a phenomenon to be dismissed

as being a morbid obsession with decay and desolation. The didactic display of where our society has failed in the last

Decaying Fig. Courtesy of Creative Commons

century is embodied in ruin porn, and is perhaps one further source of uneasiness for architects. On the other hand, there is the discomfort caused by the fact that we are so intrigued by that which is not architecture, and that which signifies what is beyond our abilities, not unlike a doctor marveling at a corpse.

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Pin Mould on Peach. Courtesy of Creative Commons

Mould on Peach. Courtesy of Creative Commons

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Shayari De Silva, author of “Beyong Ruin


Rotten Oranges. Courtesy of Creative Commons

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Courtesy of Creative Commons

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Yet, these visions of decay endure in the realms of fascination. I once left a sunflower to rot, still planted within the Earth to undergo a pattern of death. It was the curiosity of what might grow from the ruins that left the sunflower untouched, and in the depths of my curiosity, I wondered if it would be same for an abandoned building or aging paper within a book. When we look at these forms with new eyes, they are reborn in guise of abstraction for visual enjoyment. These visions can touch the deep recesses of our unrecognized emotion, an aspect of our consciousness screaming for attention.

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obsessed with the consumption of the new.

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disposing what is old because we are

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We take for granted the forces of nature,


with decay is a reflection of our final destination. As we look in the mirror each morning, we can see our bodies and faces giving way to gravity, shedding our skins in the process of transformation. Is the result intrigue, or a deep rooted visceral reaction of the inevitable?

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Photographer: Sean Stratton. Courtesy of Unsplash

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In life, living, and death, our preoccupation


Sources http://www.failedarchitecture.com/the-poetry-of-decay/ http://www.archdaily.com/537712/beyond-ruin-porn-what-s-behind-our-obsession-with-decay https://creativecommons.org http://www.flickr.com

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