Table 17 Program

Page 1


WELCOME TO

ARTISTIC

TARELL ALVIN MCCRANEY

I thought I knew how hard it might be to ask the love of your life to marry you… until I saw Table 17

Every story previous made it feel simple, an easy step you fall into, much like you read in the romance novels. Something so intimate but often performed for the world, and all goes well (or it doesn’t), but the doing is… cut and dried, right?

Table 17 reminds us, well me, that time is of the essence. But while time waits on no one, it will make an exception for two. It also reminds us that love takes the time it takes.

This incredible play feels like a perfect meal between folx who need to remember that love, and loving, is hard. It’s a practice. And sometimes no matter how earnestly we approach our practice, we fail.

But that doesn’t mean love is over. You come back, you step in, and you fail better. Table 17, with this incredible cast, allows us to see so many versions of ourselves in and out of love. The play joyfully, as only Douglas Lyons can do, piques our interest in the spicy, sweet, and bitter taste of romance, betrayal, and reignition. It’s delightful, its place setting so enticing, we invite you to come back for more.

Welcome.

PHOTO BY JEFF LORCH

BLACK PARTNERS APPRECIATION NIGHT

TABLE 17 • FRIDAY, NOVEMBER 21

THANK YOU TO OUR COMMUNITY PARTNERS

In the spirit of Broadway’s Black Out Nights, we welcome Black audiences to experience Table 17 alongside passionate community partners in a celebratory environment, with a post-show party that includes DJ, desserts, and drinks! 100% of single ticket proceeds for this performance benefit these community partner organizations. FOR TICKETS AND FOR MORE INFORMATION, VISIT geffenplayhouse.org/blackpartners

GIL CATES, JR.

Welcome to the West Coast premiere of Table 17!

On behalf of our Board of Directors and everyone at the Geffen, I’d like to extend heartfelt thanks to all who joined us for Backstage at the Geffen on Sunday, October 19. It was a truly unforgettable evening as we honored Frank Marshall, Danielle Pinnock, and Matt Bomer—and thanks to your generosity, we raised vital funds to support our artistic and educational programming.

As we continue through this season, we’re also looking ahead to the 2028 Olympics. With the Games arriving in Los Angeles in just a few years, we see a rare and exciting opportunity to think boldly and creatively. We’re committed to using this moment as a launchpad for the future of theater— exploring new ideas, expanding our reach, and deepening our impact.

And you—right here, right now—are a vital part of that future. Whether you’re seated in the theater, mingling in the lobby, or enjoying the courtyard, your presence brings this space to life. Theater thrives not only because of the artists and crew, but because of you—your energy, your reactions, your voice in the shared experience.

We’re grateful for the time you spend with us and encourage you to share this experience with others. The more voices we bring into the fold, the richer the story becomes.

Thank you for your continued support of live, local theater. Enjoy the show!

BOARD OF DIRECTORS

Adi Greenberg CHAIR

Gil Cates, Jr.

Executive Director / CEO

Mary Ann Cloyd

Vice Chair

Merle Dandridge

Dr. Brad Edgerton

Bonnie E. Eskenazi

Mark Fleischer

Susan Nahley Fleishman

Dr. Julio Frenk

Brenda Garcia

Patricia L. Glaser

John Horn

Carla Malden

Brian Mann

Tiffany Mayberry

Tarell Alvin McCraney

Artistic Director

Mary Osako

Danny Passman

Holly Rice

Linda Bernstein Rubin

Matt Shakman

Richard Sherman

Howard Tenenbaum

Chair Emeritus

Miranda Tollman

JaHan Wang

Marc Weinstock

FOUNDING TRUSTEES

Harold A. Brown

Kirsten Combs

Robert A. Daly

David Geffen

Jeffrey Katzenberg

Frank G. Mancuso Chair Emeritus

Ron Meyer

Bruce M. Ramer Founding Chair

Victoria Mann Simms

Andy Spahn

Steven Spielberg Steve Tisch IN MEMORIAM

Gilbert Cates Founder

Marcia Israel-Curley

Herbert M. Gelfand

Quincy Jones

Glorya Kaufman

Audrey Skirball Kenis

Charles Kenis

Karl Malden

Ginny Mancini

Jerry Moss

Jerry Perenchio

Edie Wasserman

Lew Wasserman

Dr. Charles E. Young

LEGAL COUNSEL

Nikki Kerman Venable LLP

THURSDAY, NOVEMBER 13,

Jada

TABLE 17

CAST OF CHARACTERS

(IN ALPHABETICAL ORDER)

GAIL BEAN

Dallas BIKO EISEN-MARTIN

River, Eric & Others

UNDERSTUDIES

MICHAEL RISHAWN

u/s Jada IMANI BRANCH

u/s Dallas / River, Eric & Others ................................... CALVIN M.

THOMPSON

Understudies never substitute for listed players unless specified.

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

SETTING/TIME

Yesterday, Today & Forever

RUNNING TIME

85 minutes, no intermission.

PLEASE NOTE

There is no photography or filming of any kind allowed during the performance. Please turn off all electronic devices, including cell phones. Thank you!

SPONSOR

PRODUCTION

Assistant Scenic Designer

Carter Vickers

Assistant Costume Designer

Lawrence Henry

Associate Lighting Designer

Claire Chrzan

Casting Consultant

Jamila Webb

Production Assistant

Siena Viviano

On-Book Production Assistant

Ryan Foreman

Automation Operator

Enrique Garcia

ACKNOWLEDGEMENTS

Michael Svolos, Mo Tandrow ADDITIONAL

Wardrobe Supervisor

Michayla Van Treeck

Scenery Built & Painted By F&D Scene Changes

Lighting Equipment Provided By PRG

Sound Equipment Provided By DnB Design

Wigs

Haley Ruby

Wigs Swing

Kassidy Klinesmith

Dresser

Maya Channer

Light Board Operator

Jesús Cambero Elias

A2

Mo Tandrow

Carpenters

Oliver Brink, Enrique Garcia, Ryan Howard, Mason Irwin, Claudia Peterson, Kalika Reece, Sam Sully, Zach Young

Scenic Painter

Chandish Nester

Properties Artisans & Carpenters

Sigourney Chin, Danny Dolan, Ryan Howard, Josh Hunt

Stitchers

Lucy Black, Mekhell Cassagnol

Electricians

Nikki Alday, Bianca Bishop, Ezra Fisher, Ben Loudermilk, Juan Lozano, Ezra Muthiah, James Tatsch, Sketkh Williams

Sound Technicians

PRODUCTION ACKNOWLEDGEMENTS

Production Photographer

Jeff Lorch

Media Filming

Ramon Garcia

Design + Art Direction

Base Design

Photography

Corey Olsen

SPECIAL THANKS

UCLA School of Theater, Film, and Television Scene, Prop, Sound, and Costume Shops; The teams at MCC Theater and New Works Provincetown;

This theater operates under agreement between the League of Resident Theaters and Actors Equity Association, the union of professional actors and stage managers in the United States.

The Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

This theater operates under agreement between the League of Resident Theaters and Stage Directors and Choreographers Society, an independent national labor union.

The Director is a Member of the Stage Directors and Choreographers Society, a national theatrical labor union.

The scenic, costume, lighting, and sound designers in LORT theaters are represented by United Scenic Artists Local USA-829, IATSE.

Geffen Playhouse is supported, in part, by the Los Angeles County Board of Supervisors through the Department of Arts and Culture.

Geffen Playhouse, a not-for-profit theater company, is proudly affiliated with the University of California at Los Angeles.

GAIL BEAN (she/her)

Jada

Gail Bean is an NAACP Image Award–winning actress best known for her roles in television and film. Though her start was on stage, she gained widespread recognition for her performance as “Wanda Bell” in the hit FX series Snowfall. Bean has also appeared in notable favorites P-Valley, Harlem, and Insecure, to name a few. With a passion for storytelling, she brings a vibrant and authentic energy to all her roles. Known for her versatile acting skills, she has built a reputation for portraying complex characters with depth and authenticity. Bean continues to rise in prominence within Hollywood, taking on more significant roles across various genres. She recently returned to stage and will have her LA theater debut at Geffen Playhouse with Tony Award–winning director Zhailon Levingston for Douglas Lyons’ Table 17 this winter. Gail Bean is the current generation of young Hollywood. She’s not just dynamic onscreen, Bean is equally amazing off camera—with her non-profit, Dream Above the Influence, Bean uplifts the community through youth mentorship, resources and exposure to greater opportunities.

BIKO EISEN-MARTIN (he/him)

Dallas

Off-Broadway: MCC Theater world premieres of Table 17 (AUDELCO Award winner) and soft (Lucille Lortel and AUDELCO nominations); The Public Theater, LAByrinth Theater Company, Rattlestick Theater, Ensemble Studio Theatre, 59E59, and more. Regional: “Hamlet” in Hamlet at Pennsylvania Shakespeare Festival; The Old Globe, Hudson Valley Shakespeare Festival, Studio Theatre, Folger Theatre, Crossroads Theatre Company, Arden Theatre Company, Syracuse Stage, Long Wharf Theatre, Actors Theatre of Louisville, Chautauqua Theater Company, Campo Santo, and more. TV/ Film: East New York (CBS), Buck (Sundance), Modern Love (Amazon Prime Video), Power Book II: Ghost (Starz), Blue Bloods (CBS), Dietland (AMC). Biko's artwork has been in various publications and films, as well as a mural in San Francisco's landmark Clarion Alley. B.A./M.A.T. Brown University; M.F.A. National Theatre Conservatory. @saybiko

MICHAEL RISHAWN River, Eric & Others

Michael Rishawn is an award-winning, classically trained actor whose work spans Broadway, television, film, voiceover, and performance capture. He is the recipient of a Lucille Lortel Award, an Outer Critics Circle Award, and Drama Desk recognition, celebrated for bringing emotional truth and commanding presence to every role. Stage highlights include originating roles in Table 17 (MCC Theater), Handjob (Echo Theater Company), and Broadway’s Ain’t No Mo’, produced by Lee Daniels. On screen, he has appeared in FBI: Most Wanted, BUNK’D, And Just Like That…, Raising Dion, Survival of the Thickest, and Crutch, alongside indie gems like The Send Off. His versatility extends to audiobook narration for Audible, performance capture in the WWE 2K22 franchise, and commercial campaigns for nationally recognized American brands. He holds an M.F.A. from UC San Diego and has also performed at Carnegie Hall.

IMANI

BRANCH (she/her)

u/s Jada

Imani Branch is thrilled to be making her Geffen Playhouse debut with Table 17! Imani is an actor, singer, and writer and at the heart of her work, she loves to explore layered, humanizing, and joyful stories centered around black and brown folks. Favorite credits include: “Desi/ Renata/Sherry” in Passing Strange and “Ensemble/ Maureen u/s” in Rent with Signature Theatre, and Blood at the Root with Theater Alliance which won her a best ensemble Helen Hayes Award. She has a B.F.A. in Musical Theatre from Howard University and recently completed the two-year Meisner training at Baron Brown Studio. She would like to thank her teachers Elaine Williams and Eddie Singletary as well as her amazing support group of family and friends. Glory to God! More at www.imanibranch.com.

IG: @imanibranch

CALVIN M. THOMPSON

(he/him)

u/s Dallas / River, Eric & Others

Calvin M. Thompson is a 2025 AUDELCO Award nominee for his role in the Off-Broadway revival of Ceremonies in Dark Old Men (Negro Ensemble Company, directed by Clinton Turner Davis), a New York Times Critic's Pick. His Off-Broadway credits include Harlem Hellfighters on a Latin Beat, The Falling Season, Couriers and Contrabands, The Two Roberts, and At Buffalo. NY Theatre: A Soldier’s Play, Staged, Fly. Regional: The Hot Wing King (Alliance Theatre, Hartford Stage, Baltimore Center Stage), Hurt People (Eugene O’Neill Theater Center), The Mountaintop, The Bluest Eye, Joe Turner’s Come and Gone, The Piano Lesson, Seven Guitars, Flyin’ West, and Voodoo Macbeth. Film/TV: Ophelia, Ying and Yang, Power Book III: Raising Kanan. A 2019 American Black Film Festival Star Project semifinalist. All gratitude to God and to his incredible family for their love and support.

www.calvinmthompson.com

IG: @mr.callycal

DOUGLAS LYONS (he/him) Playwright

Douglas Lyons is a two-time Emmy–nominated multi-hyphenate artist. As a writer, he earned a GLAAD Media Award nomination for his Broadway playwriting debut, Chicken & Biscuits, which was the second-most produced play in America in 2022-2023. His most recent play, Table 17, which premiered Off-Broadway at MCC Theater, was deemed a New York Times Critic’s Pick and won two 2024 AUDELCO Awards for Best Playwright and Outstanding Ensemble, two Lucille Lortel Awards, and an Outer Critics Circle Award. Douglas served as a writer on both seasons of Apple TV+’s Fraggle Rock: Back to the Rock. His Broadway acting and touring credits include The Book of Mormon, plus the original casts of Beautiful: The Carole King Musical, the recent Tony Award–winning Broadway revival of Parade, RENT, and Dreamgirls. As a composer-lyricist, his music and lyrics have been featured on Nickelodeon, BET+, Apple TV+, CBS, Audible, and more. His other written stage works include Don’t Touch My Hair (IAMA Theatre Company), Polkadots (Off Broadway Alliance Award Winner Best Family Show, Atlantic Theater

Company), Beau the Musical (Out of the Box Theatrics), the world premiere of Five Points (Theater Latté Da), and more. He is currently developing television with Skydance and Ryan Reynolds’ Maximum Effort. www.douglaslyons.net IG: @chocolatehipster

ZHAILON LEVINGSTON (he/him) Director

Zhailon Levingston is an Obie and Lucille Lortell Award–winning storyteller and director. He is a board member for the Broadway Advocacy Coalition, which received an honorary Tony Award in 2021. Zhailon is also the Artistic Director of Inheritance Theatre Project. Select credits include: Tina: The Tina Turner Musical (Broadway), Hadestown (Korea), The Wiz Jr. (The Children’s Theatre of Cincinnati), Chicken & Biscuits (Broadway), Patience (Second Stage Theatre), Little Miss Perfect (Goodspeed Musicals), Cats: The Jellicle Ball (Perelman Performing Arts Center).

JASON SHERWOOD

Scenic Designer

Jason Sherwood is a two-time Emmy Award–winning designer. He has designed world premiere plays and musicals at New York Theatre Workshop, Atlantic The-

ater Company, The Playwrights Realm, Signature Theatre, ART, The Old Globe, Alliance Theatre, Denver Center for the Performing Arts, and more. His TV production design work includes the Oscars, Rent: Live, the Kennedy Center Honors, the Grammy Awards, and performances for Elton John, Eminem, Billie Eilish, Camila Cabello, Cynthia Erivo, and Janelle Monae. Sherwood also designed world tours for Sam Smith, the Spice Girls, and Sara Bareilles. He is the recipient of Drama Desk and Lucille Lortel Award nominations and a Henry Hewes Design Award. NYU grad. @JasonSherwoodDesign

DEVARIO D. SIMMONS (he/him)

Costume Designer

Devario D. Simmons is an American costume designer. His credits include Broadway: Thoughts of a Colored Man; Off-Broadway: Beau the Musical, Table 17 (MCC Theater); The White Chip, Bees & Honey, Tumacho, Between the Bars, EMERGENCY!, and P.S. Additionally, Simmons has had the pleasure of being a guest artist at Santa Fe Opera, Lyric Opera of Chicago, Metropolitan Opera, and Opera Theatre of Saint Louis. His regional credits include MCC Theater, Geffen Playhouse, Clarence Brown Theatre, Center Theatre Group, Asolo Repertory Theatre, TheatreSquared, Geva Theatre, Williamstown Theatre Festival, Bucks County Playhouse, Long Wharf Theatre, Jean’s Playhouse, Syracuse Stage, and

Baltimore Center Stage. Other credits include Rustin (Netflix), three seasons of AMC’s television show TURN: Washington’s Spies, the 2nd National Touring production of In the Heights, and two seasons of PBS television series Mercy Street. Member of United Scenic Artist 829.

BEN STANTON (he/him)

Lighting Designer

Ben is a lighting designer for theater, concerts, dance, installations, and events. He is a five-time Tony Award nominee as well as an Obie, Lucille Lortel, Henry Hewes Design, IRNE, and Ovation Award winner. Ben’s work is currently represented on Broadway in the Tony Award–winning musical Maybe Happy Ending; in London in Good Night, Oscar starring Sean Hayes; and on the North American tour of the musical The Notebook. Recent Broadway credits include The Notebook; Mary Jane; Days of Wine and Roses; Good Night, Oscar; The Collaboration; A Christmas Carol; The Rose Tattoo; Derren Brown: Secret; Regina Spektor: Live at the Lunt-Fontanne Theater; Junk; Six Degrees of Separation; Deaf West Theater’s Spring Awakening; Fully Committed; and Fun Home (Broadway, Off-Broadway, 1st National Tour, London).

Ben is an assistant professor at Brooklyn College where he teaches lighting design and programming, and lives in Brooklyn with his partner, the projection designer Lucy Mackinnon, and their two children.

CHRISTOPHER DARBASSIE Sound Designer

Off-Boadway (select): The Antiquities, Amusements (Playwrights Horizons); The Counter (Roundabout Theatre Company); Caroline, Table 17 (MCC Theater); Six Characters (LCT3); Grangeville, A Bright New Boise, A Case for the Existence of God (Signature Theatre NYC); The Apiary, Camp Siegfried, Patience (Second Stage Theater); I’m Almost There (Audible’s Minetta Lane Theatre/ Francesca Moody Productions at Edinburgh Festival Fringe); This Beautiful Future (Cherry Lane Theatre); the Uncle Vanya in a loft, Heaux Church, P.S. (Ars Nova); Black Exhibition, demons. (The Bushwick Starr); and work at Petzel Gallery, Goodman Theatre, Alliance Theatre, PlayMakers Repertory Company, Brooklyn Museum, Studio Museum in Harlem, and more.

NIKIYA MATHIS (she/her)

Har & Wig Designer

Nikiya Mathis made Broadway history as the first wig designer to receive a Special Tony Award for Jaja’s African Hair Braiding by Jocelyn Bioh. A classically trained actress with an M.F.A. from NYU Tisch School of the Arts, she has recurred as “N’Kiyah Franklin” in Power Book III: Raising Kanan (Starz) and appeared in Snowfall (FX), The Blacklist, Chicago Med, BrainDead, New Amsterdam, Blue Bloods, and The Night Of. Her Broadway wig design credits include Liberation, Purpose, Home, The Heart of Rock and Roll, Once Upon a One More Time, Death of a Salesman, Topdog/Underdog,

and Chicken & Biscuits. Upcoming: Cats: The Jellicle Ball Off-Broadway credits include Goddess, Lights Out: Nat “King” Cole, Primary Trust, This Land Was Made, A Raisin in the Sun, Nollywood Dreams, and Stew. She has earned the Obie, Henry Hewes Design, Drama Desk, and Black Women on Broadway’s Kathy Perkins Awards and teaches nationwide.

TRE

MATTHEWS (he/him) Composer

Tre Matthews is a versatile music producer blending hip hop, R&B, gospel, and jazz into dynamic, genre-crossing soundscapes. Born in Detroit and based in the DMV (DC/MD/VA), he brings both authenticity and innovation to every project. A graduate of American University with a degree in audio production, Tre combines technical precision with a creative ear, making him a sought-after collaborator for artists aiming to elevate their sound. Beyond the studio, he draws inspiration from his Christian faith, grounding his work in purpose and connection. With more than two decades immersed in music, Tre continues to push boundaries, shaping fresh sounds that resonate across audiences and genres.

ROSALIND

BEVAN (she/her) Associate Director

Rosalind is a director and producer. She has co-produced and directed independent projects in LA including a workshop production of How to Have Sex Again by Louis Reyes McWilliams and a staged reading of Kira Rockwell’s Oh, To Be Pure Again. She asso-

ciate directed tiny father at Geffen Playhouse; and Arrowhead and Don’t Touch My Hair at IAMA Theatre Company. As a member of the Drama League, she was the associate to Whitney White on White’s original piece Macbeth in Stride at Yale Repertory Theatre and Brooklyn Academy of Music. Selected directing credits include Stuck at the Hollywood Fringe Festival; Stew at Gloucester Stage Company; No Child… and Twilight: Los Angeles, 1992 at Newton Theatre Company; Echoes and The 54th In ‘22, two short audio plays at The Huntington; and Marcus; or The Secret of Sweet, The Moors, and Proof as a guest director at Boston University. www.rosalindbevan.com

JOY D E MICHELLE (she/her) Intimacy Director

Joy DeMichelle is a multi-hyphenate artist, who specializes in sensual connection and emotionally heightened storytelling. Joy’s most recent intimacy direction includes: Joe Turner’s Come and Gone (A Noise Within); Bacon (Rogue Machine Theatre); Jelly’s Last Jam (Pasadena Playhouse); Choir Boy (Dezart Performs); Hedda Gabler, The Winter’s Tale (Bedlam); Apartment Living (Skylight Theatre Company); and TJ Loves Sally 4 Ever (Theatre Horizon). Film/Television: Wild Rose (ALLBLK); We’re Not Married? (Independent). University: Numerous student productions and Guest Lecturer at USC and CSULB. As an actress, this year Joy has appeared on Matlock, Grey’s Anatomy; Macbeth at A Noise Within and as “Fannie Lou

Hamer” at the Greenway Court Theatre in Greenwood 1964

Education: B.F.A., North Carolina

A&T State University and M.F.A., Rutgers University’s Mason Gross School of the Arts. www.joydemichelle.com

SAM ALLEN (they/them)

Production Stage Manager

Sam Allen is freelance stage manager, director, and producer currently based in Los Angeles. Off-Broadway: The Brothers Size (The Shed). Regional: Not About Nightingales (Williamstown Theatre Festival); Furlough’s Paradise, Noises Off, The Brothers Size (Geffen Playhouse); La Cage aux Folles (Pasadena Playhouse); Me and the Devil, Fat Ham, King James, Pleasant, The Merry Wives of Windsor, All Day (The Old Globe); Animals Out of Paper, Flowers of Hawaii (Chautauqua Theater Company); #SLACabaret (Salt Lake Acting Company); Cherry Wine in Paper Cups (Sackerson); The Audacity, Flora Meets a Bee, P.G. Anon (Plan-B Theatre). A recipient of the 2024 Charlie Blackwell Symposium Scholarship and the 2023 Cody Renard Richard Scholarship. Education: B.F.A. in Stage Management and Directing from Westminster University (2020), M.F.A. in Stage Management from University of California, Irvine (2024). Upcoming projects include A Doll’s House (Two River Theater) to kick off 2026!

LYDIA RUNGE (she/her)

Production Stage Manager Geffen Playhouse debut. Select credits include: La Cage aux Folles, Sanctuary City, Head Over

Heels, The Great Leap (Pasadena Playhouse); Our Dear Dead Drug Lord (Center Theatre Group); An American in Paris, Cinderella, Grease, Ragtime (Musical Theatre West); Jersey Boys (Pioneer Theatre Company); Beautiful: The Carole King Musical, Singin’ in the Rain, On Your Feet!, Kinky Boots, Jersey Boys, Million Dollar Quartet, Honky Tonk Angels (Riverside Theatre); The Little Foxes, Our Town (South Coast Repertory); Assassins, Mamma Mia!, Man of God, As We Babble On, Allegiance (East West Players); Two Mile Hollow (Artists at Play). Graduate of the University of Wisconsin–La Crosse with a B.A. in Theatre Stage Management.

PHYLLIS SCHURINGA,

CSA (she/her)

Los Angeles Casting

Phyllis is an Artistic Associate and the Casting Director for Geffen Playhouse. Recent productions include: The Inheritance: Part 1 & Part 2 (Artios Award), Every Brilliant Thing, The Power of Sail, Witch, and Barbecue. Before joining the Geffen, she cast for Steppenwolf Theater Company in Chicago where her favorites include Frank Galati’s adaptation of The Grapes of Wrath (also La Jolla Playhouse, National Theatre in London, and Broadway, where it received the Tony Award for Best Play) and the original production of Steve Martin’s Picasso at the Lapin Agile. Broadway transfers include One Flew Over the Cuckoo’s Nest (Tony Award for Best Revival), The Song of Jacob Zulu, and The Rise and Fall of Little Voice

MARK CORTALE (he/him)

Producer

Mark Cortale (Artistic Director, New Works Provincetown) recently produced the Broadway premiere of the six-time Tony–nominated musical Floyd Collins by Adam Guettel and Tina Landau with Lincoln Center Theater. In September of 2024 he produced Table 17 at MCC Theater starring two-time Tony–winner Kara Young which won an Outer Critics Circle Award, two Lucille Lortel Awards, amd two AUDELCO Awards. Also in 2024, he produced the three-time Tony–nominated musical Days of Wine and Roses on Broadway, with music and lyrics by Adam Guettel and book by Craig Lucas. In 2020, Mark founded the developmental theatre lab New Works Provincetown. In conjunction with producing partners Jonathan Murray and Harvey Reese, he has commissioned five works to date including Beautiful Little Fool with a book by Mona Mansour and music and lyrics by Hannah Corneau. This new musical directed by Michael Greif will have its world premiere at the Southwark Playhouse in London this January. www.markcortalepresents.com IG: @cortalemark

MCC THEATER

Originating Producer

MCC Theater is one of New York’s leading nonprofit Off-Broadway companies, driven by a mission to provoke conversations that have never happened and otherwise never would. Founded in 1986 by Bob LuPone (1946-2022) and Bernie

Telsey, and later joined by co-Artistic Director Will Cantler, MCC fulfills its mission through producing new plays and musicals that challenge artists and audiences to confront contemporary issues. Celebrated MCC Theater productions include Emmanuelle Mattana’s Trophy Boys, Douglas Lyons’ Table 17, the world premiere of Jason Robert Brown’s The Connector, Gavin Creel’s Walk on Through: Confessions of a Museum Novice, Hansol Jung’s Lucille Lortel Award–winning Wolf Play, Jocelyn Bioh’s School Girls; Or, the African Mean Girls Play; Robert Askins’ Hand to God (Broadway transfer; five 2015 Tony Award nominations), and many more. MCC’s playwright development initiatives foster the next generation of theater artists, and education initiatives impact thousands of students through innovative programs and partnerships.

TARELL ALVIN M c CRANEY

(he/him)

Artistic Director

Tarell Alvin McCraney is Artistic Director of Geffen Playhouse. In this role, he is responsible for identifying, developing, and programming new works and re-envisioned classics. He sets the strategic artistic course for the Geffen’s Gil Cates and Audrey Skirball Kenis Theaters.

McCraney is an award-winning writer, producer, and educator, best known for his acclaimed trilogy, The Brother/Sister Plays. His script In Moonlight Black Boys Look Blue is the basis for the Oscar–winning film Moonlight directed by Barry Jenkins, for which McCraney and Jenkins also won a Best Adapted Screenplay Oscar. He is an ensemble member at Steppenwolf Theatre and a member of Teo Castellanos D-Projects in Miami, a graduate of New World School of the Arts, The Theatre School at DePaul University, and the David Geffen School of Drama at Yale. He received an honorary doctorate from the University of Warwick. He was recently Co-Chair of Playwriting at the David Geffen School of Drama, where he remains on faculty. He is an associate at the Royal Shakespeare Company, London, and a member of the Academy of Motion Picture Arts and Sciences (Writers Branch).

Gil Cates, Jr. is Executive Director / CEO of Geffen Playhouse. In this role, he is responsible for managing the Geffen’s day-today operations; developing new, ongoing theater partnerships and leading its mission to inform, entertain and inspire diverse

audiences with live theater of the highest caliber. Prior to being named Executive Director in 2015, Cates served as Geffen Playhouse Board Vice Chairman since 2012 and served as a producer and director in theater, film and television. His theater credits include the award-winning Names (Matrix Theatre Company) and Three Sisters and David Mamet’s A Life in the Theatre (both at Syracuse Stage). Cates’ film credits include The Surface (starring Sean Astin and Geffen Playhouse alumnus Chris Mulkey), Jobs (starring Ashton Kutcher, Josh Gad, Dermot Mulroney, as well as Geffen Playhouse alumni Matthew Modine and Ron Eldard) and the 2011 feature film Lucky (starring Colin Hanks, Ari Graynor and Ann-Margret). In addition, Cates co-produced and co-directed the critically acclaimed Life After Tomorrow, featuring Sarah Jessica Parker, which premiered on Showtime. His other films include Deal (starring Burt Reynolds, Bret Harrison and Charles Durning) and The Mesmerist (starring Jessica Capshaw and Geffen Playhouse alumnus Neil Patrick Harris). Cates’ television directorial debut was an episode of the NBC comedy Joey, starring Emmy winner Matt LeBlanc. He recently directed Displaced, a documentary short chronicling the journey of one of the first refugee families to flee Ukraine and arrive in the U.S. after escaping the Russian invasion. He studied at the National Theatre Institute in Waterford, Connecticut, and holds a B.F.A. in Drama from Syracuse University.

THE NEW PLAY DEVELOPMENT PROGRAM

Supporting artists is central to the mission of the Geffen Playhouse, and play commissions are a cornerstone of that support. To commission a playwright to write a play means making a commitment to their voice, craft, and vision, with the hope of sharing the fruits of their work on our stage.

We are proud to have the following artists under commission:

LUIS ALFARO

MICHAEL GOLAMCO

MEGHAN KENNEDY

KATIE LINDSAY, TOVA KATZ & ALEXANDRA KALINOWSKI

MATTHEW LÓPEZ

MARTYNA MAJOK

Co-Commission with Atlantic Theater Company

TARELL ALVIN M c CRANEY & YORK WALKER

QUI NGUYEN

Co-Commission with Manhattan Theatre Club

STACY OSEI-KUFFOUR

JIEHAE PARK

SARA PORKALOB & BRIAN QUIJADA

JEN SILVERMAN

N’YOMI ALLURE STEWART

Co-Commission with New York Theatre Workshop, supported by the Virginia B. Toulmin Foundation

DAVID WIENER

CRAIG WRIGHT

LAUREN YEE

For more information on this program, please visit geffenplayhouse.org/newplays.

THE WRITERS’ ROOM

A group for Los Angeles-based playwrights, The Writers’ Room is a product of the Geffen’s deep commitment to supporting new plays and specifically to fostering bold, relevant work by the vibrant artistic community of this city. During this one-year residency, playwright members gather monthly at the Geffen to share their work and receive feedback from their peers and the Geffen’s artistic staff, culminating in a play reading series.

We are proud to have the following artists in the 2025/2026 Writers’ Room:

DIANA YIFEI DAI

LOUIS REYES

M c WILLIAMS

ZHARIA O'NEAL

FRANK PAIVA

RYN STAFFORD

HABIB YAZDI

The Writers’ Room is made possible through the generous support of the William Randolph Hearst Foundation.

For more information on this program, please visit geffenplayhouse.org/thewritersroom.

GEFFEN AT A GLANCE

CONTACT

Geffen Playhouse 10886 Le Conte Avenue Los Angeles, CA 90024

ADMINISTRATIVE OFFICES

310.208.6500

Monday–Friday, 10:00am–6:00pm

AUDIENCE SERVICES

310.208.2028

Tuesday–Sunday, 12:00pm–6:00pm

Please visit geffenplayhouse.org for hours, parking and more information.

BOX OFFICE WINDOW

Tuesday–Sunday, 12:00pm–6:00pm, as well as on performance days up until 15 minutes after curtain.

Please note: the box office window is unable to process exchanges or future sales one hour prior to curtain time on performance days.

ACCESSIBILITY

Geffen Playhouse is fully committed to providing access to patrons with mobility, visual and hearing impairments. Parking spaces directly outside the theater are zoned for drop off and pick up, as well as disabled parking spots for patrons with appropriate placards and plates. For more information, visit geffenplayhouse.org/access or call Audience Services.

LATE SEATING

Should you arrive late to the theater or vacate your seat during the performance, please expect to be held in the lobby until an appropriate pause in the action on stage. Some productions or circumstances may not allow for late or return seating. To minimize disturbances to other patrons, you may be seated in the first available location by the house staff even if it is different from your assigned seat.

NO PHOTOGRAPHY

There is no photography or filming of any kind allowed during the performance. Please turn off all electronic devices, including cell phones.

UCLA SCHOOL OF THEATER, FILM AND TELEVISION

Geffen Playhouse is affiliated with the University of California at Los Angeles, specifically the UCLA School of Theater, Film and Television. Geffen Playhouse values its role as an important educational resource by providing students with master classes, workshops and internships. Students are also able to work and learn from distinguished visiting Geffen artists in areas of directing, playwriting, acting, design, dramaturgy, management and production. Geffen Playhouse also draws upon the distinguished experts in the university to enhance the theater’s programs and research.

A WORD FROM THE WRITER

Laugh openly with us. Love with us. Let this play remind you of that ex you wanna strangle and the one you can't stop thinking of. Unbutton your top button, the pants too, and be free. The characters will ask you for advice, don't be shy, talk to 'em. This restaurant is lively and we're oh so glad you're here.

—DOUGLAS LYONS, PLAYWRIGHT, TABLE 17

BY

PHOTO
COREY OLSEN

LEAVE THEM LOVING

AN INTERVIEW WITH PLAYWRIGHT DOUGLAS LYONS

AMY LEVINSON: The romantic comedy feels like such a rarity in the theater these days, and a welcome offering. What inspired you to pursue this genre?

DOUGLAS LYONS: I was raised on the Black ’90’s-early 2000’s rom com—Love & Basketball, Poetic Justice, Two Can Play That Game, Love Jones, and more. Those films were such an iconic chapter in Black cinematic brilliance, and I wanted to bring that levity and love to the American stage.

AL: What do you want Geffen audiences feeling when they leave Table 17?

DL: Complete and utter joy. It is so rare to witness unapologetic Black love like this in the theater. I want couples from all backgrounds falling deeper in love after they see this play. I want folks reaching out to the exes they still think about. I want people to ask themselves if they’re getting what they need from their current partners. In the tough times we’re currently living in, I want this play

“[I WANT AUDIENCES TO FEEL] COMPLETE AND UTTER JOY. IT IS SO RARE TO WITNESS UNAPOLOGETIC BLACK LOVE LIKE THIS IN THE THEATER.”
— PLAYWRIGHT DOUGLAS LYONS

AL: We always enjoy having a second production in house as we know how much can change from the world premiere. Can you speak to one or two discoveries you made during the first production that you knew you wanted to delve into for this incarnation?

DL: In my rewrite for the Geffen production my goal was to equal the scale of accountability between Jada and Dallas. Audiences at MCC Theater were extremely vocal—in the best way—and taught me where I could make the story even more complex. With Table 17, I never want to offer concrete answers, instead I want to offer various points of view about relationships and let the audience decide what feels right for them.

to be a beacon of light, a tickle to the gut, and a reminder to love fearlessly.

AL: What or who inspires you as an artist?

DL: I have a collection—Doechii, Ziwe, Ts Madison, Viola Davis, Mr. [Tyler] Perry, James Baldwin, Toni Morrison, Issa Rae, Quinta Brunson, and more. I love distinct, intentional human beings who own who they are and what they want. They don’t wait for the world to hand them anything, they go out and build it for themselves. I’m also very inspired by funny people. They’ve taught me not to take myself too seriously.

To read more about Table 17, visit geffenplayhouse.org/blog.

THEATER IN EDUCATION HAS THE POWER TO IGNITE CHANGE

Geffen Playhouse is deeply committed to creating powerful and impactful arts education and engagement experiences that amplify, inspire, and encompass our diverse Los Angeles community. Our programs provide unique, in-depth access to theater and the arts for determined and ambitious youth and adults coming from historically excluded communities. We invite all Angelenos to come home here. When you support our education and community engagement programs, you create a world of greater understanding, increased expression, and deeper compassion while enjoying your home away from home at this historic playhouse.

PHOTO
Above: Student Q&A with Dragon Lady star Sara Porkalob after a student matinee.

ANNUAL DONORS

Geffen Playhouse recognizes the following individuals and organizations for their generous support of our Annual Fund. Donors are listed at the Partner’s Circle level and higher for gifts made between August 1, 2024 and September 30, 2025. A full listing of our supporters can be found at geffenplayhouse.org/thankyou.

Directors ^ Geffen Playhouse Founding Trustees

In appreciation, Annual Fund donors enjoy a host of special benefits including concierge ticketing services, complimentary drinks, receptions, and much more.

For more information, please call Anika Waco at 310.208.6500 ext. 195.

PREMIERE CIRCLE

$100,000+

Anonymous

The Ahmanson Foundation

Jana & Trevor Bezdek

Edgerton Foundation

Louise & Dr. Brad† Edgerton

Patricia Glaser† & Sam Mudie

The Adi† and Jerry Greenberg Foundation

William Randolph Hearst Foundation

Jerry & Terri Kohl

Linda Bernstein Rubin† & Tony Rubin

Jayne Baron Sherman

Shubert Foundation

The Simms/Mann Family Foundation^

S. Mark Taper Foundation

Jodi & Howard† Tenenbaum

Miranda† & Brett Tollman

UCLA

UCLA Health

INNOVATOR CIRCLE

$50,000 – $99,999

City National Bank

Los Angeles County Department of Arts and Culture

Kenneth T. and Eileen L. Norris Foundation

Holly Rice† & Vince Gilligan

Richard† & Barbara Sherman

PRODUCER’S CIRCLE

$25,000 – $49,999

Anonymous

The Sheri and Les Biller Family Foundation

Capital Group

Marcy Carsey

City of Los Angeles Department of Cultural Affairs

Dwight Stuart Youth Fund

Dr. & Mrs. Paul Eisenberg

Bob & Diana Friedman

Carol & Paul Frimmer

The Rosalinde and Arthur Gilbert Foundation

Kirsten Hansen & Allen Shay

Noble & Jacquelynn Hansen

Martha Henderson

Cindy & Alan Horn

Marcia Israel-Curley Foundation^

Carol & Bill Ouchi

Judith & Bruce Stern

Shel & Cynthia Stone

Wolfen Family Foundation

PLAYWRIGHTS’S

CIRCLE

$10,000 – $24,999

Anonymous

Eva Aaronson— In Memory of Bucky Hazan

The Berlanti Family Foundation

Katherine Brown & Rene Mendoza

Cast Iron Entertainment

Mary Ann Cloyd†

Ellyce R. Cooper & Barry Cohen / Sidley Austin LLP

Bonnie Eskenazi†

Robyn Field & Anthony O’Carroll

Susan & Mark† Fleischer

Sue & Steve Glusker

In Memory of Morris A. Hazan

Hobson/Lucas Family Foundation

Stanley Iezman & Nancy Stark

David & Martha Kadue

Julie & David Kavner

Karen & Walter Loewenstern

Carla Malden† & Norman Beil

Mid-America Arts Alliance in Partnership with the National Endowment for the Arts

Soundis & Danny† Passman

Cheryl Petersen & Roger Lustberg

Yvonne Randle

Thomas L. Safran

Chris T. Schmidt

Marcia & Robert Shuwarger

The Harold and Mimi Steinberg Charitable Trust

Deborah Tavlin

U.S. Bank

Waterman and Glicksteen Families

Aurora & Marc† Weinstock

Robert Wilson, Jr. / Select Equity Group Foundation

CREATOR’S CIRCLE

$5,000 – $9,999

Laura & Harvey Alpert

Margaret Campbell Arvey and The Arvey Foundation

Shelly & Libby Bergen

Laurie Bernhard

Susan Bloch-Kay & Stephen Kay

Dr. Adrienne Brandriss

Robert Brook & Jacqueline Kosecoff

Jay Butterfield & Susan Ewert

Dr. Fanya Carter, Ph.D.

Marissa Caudill & David Merrill

Steven Cerasale & Mary Katherine Cocharo

Donna & Steven Chisolm

Cindy Clark

Linda & John Coleman † Geffen Playhouse Board of

Allen Blue & Kira Snyder

Steward Family Foundation

Ginger Conrad

In Loving Memory of Ed Cypert

Marisa & Adam Davis

Dr. Joan Denson & Dr. Victoria Berck

Anne Dougherty & David Dobrikin

Barbara & Ed Dreyfus

Lisa Field, Field Family Foundation

In Memory of Lucas Simon Foster

Lynn T. Franklin

Sonia & Robert Freedman and Family

G2 Graphic Service, Inc.

Dr. Cara Gardenswartz & David Melnick

Fariba Ghaffari

The Goldenberg Family

Jill Grey

Marc & Erica Hankin

Monique & Jonathan Kagan

Mannon Kaplan

Glorya Kaufman^

Kelton Fund

Laura Kennedy

Leslie King & Robert Welther

Ann & Jonathan Kirsch

Kling Family Foundation / Allen & Jessica Kling

Norman Koplof & Leslie Falick

David Lee Foundation

Rena & Craig Leeds

Tania Lotia & Tamar Tokat

Marcia E. Williams & Gene Lucero

Renee & Meyer Luskin

Mara W. Breech Foundation

Laura Maslon

Cookie Miller

Haley Pigman

Carolyn A. Poer & John M. Poer

Richard Rasiej & Joan Herman

Joyce Rey

Carol Risher

Susan Rogers

The Ross Family

Cooper Roth

Dinah C. Ruch & Bill Birdsall

David A. & Karen Richards Sachs

Nancy & Ted Sanborn

Stephen Sass & Steven Hochstadt

John Shustitzky & Rev. Christine Chakoian

Anne C. Taubman

William & Karen Timberlake

Daniel & Shauna Valenzuela

Julie & Peter Weil

Joanne & Ken Weinman

Gelena & Seth Weissman

Alison Whalen & Steve Marenberg

Susan & Dan White

Lisa Yen & Tom Bajoras

DIRECTOR’S CIRCLE

$2,500 – $4,999

Aversa Foundation

Robert E. & Maria H. Barron

Madelyn Bennett & Eric Gibson

Susan J. Booth & Christopher Wadden

Paula Brand

Diana Buckhantz and the Vladimir and Araxia Buckhantz Foundation

Joanne Cohen

Tim Curtis & Shandon Youngclaus

Lucy Farber & Jim Bright

Dennis & Jackie Fox

In Memory of Jane F. Hall

Harris Family Foundation

Joseph & Kathy Hartley

Barbara Herman

Jack Hileman & Roxanne Huddleston

Rand Hoffman & Charlotte Robinson

Lynn Hunt & Margaret Jacob

Linda Janger

Katherine Kleindienst & Marc Goldsmith

Nancy Koven

Tim McNeal

Thaine & Elizabeth Morris

Susan Oka

Joyce & Harvey Reichard

Snyder Family Foundation

Eric Strom & Eileen Goodis

Leslie White & Al Limon

DESIGNER’S

CIRCLE

$1,000 – $2,499

Anonymous (2)

Jan & David Altemus

Patti Amstutz

Bonnie & Bill Apfelbaum

Randy & Michael Bayard

Yvette Bergeron & Dean Bailey

Wendy & John Bergquist

Beverlee Bickmore & James Kelly

John Bjorge & Mary McKelvey

Laura & Jerry Callaway

Peter & Heidi Cartmell

The Christal Family

Michael De Luca

Jacki & Murray Drechsler

Dr. & Mrs. William M. Duxler

Jeff Eckerle & Marilyn Osborn

Colleen M. Ellis

Terri & David Elston

David & Joyce Evans

Melanie Flamminio

In Honor of Frank & Betty Fouce

Anita Dann Friedman & Harvey Friedman

Catherine A. Froloff

Richard & Lori Goldman

Ellie Goodman

Deidre Hall

Pauliana Cheung Hall

Richard Hart

Scott Hartle

Jackson Henry

Hella Hershson

Dr. John D. Hofbauer & Dr. Laura E. Fox

David Israeli & Dr. Marie Mazzone

Brenda Marie Izzi

Victoria Jackson & Bill Guthy

Nancy & Len Jacoby

Sally & Dr. Manny J. Karbelnig

Louis Kempinsky & Corrinne Mann Kempinsky

Sharon Kerson

Dr. Phyllis H. Klein

Delores Komar & Susan Wolford

Trice Koopman & Mark Freund

Cori Lable

Lena & Mark Labowe

Mindy Lauerlevin & Ed Levin

Christo & Jeanne Lavagnino

Trulee Lee

Carl Levinger & Karen Siscoe

Lawrin & Linda Lewin

Cathleen Fitzpatrick Linder

Judith Locke

Susan & Peter Mallory

Barbara Marshall

Kathy & Jim McCaffery

S. McQueen & D. Whalen

Norma & Larry Meyers

Andrew & Laura Mintzer

Thomas W. Mitchell

Lon Morse & Toni Hollander Morse

In Memory of Elliott Myron

Mark & Diane Neubauer

Julie Nichols

Ornest Family Foundation

Ralph Page & Patty Lesh

Phil & Agnes Peters

Ruth Popkin

Clark & Kathryn Porter

Lise Ransdell & Eric Augusztiny

Jeffrey S. Rapp & Neil S. Silverman

Dolores Rogers

Allison & Bennett Rosenthal

Oren Rosenthal & Craig Kwiatkowski

Gary & Karen Schneider

Susan Schwarz

In Memory of Pippa Scott and In Honor of Miranda Rich Tollman

Sylvan & Sandra Seidenman

John Shaw

Janne Shirley

Rita & Jose Sigal

Ron Silverman & Soraya Ross

Ronald Smith

Kirk & Mei-lan Stark

Andrew Stearn

The Tatasciore Family

Catherine & Leonard Unger

Leon & Stephanie Vahn

Marcia & Charles Wasserman Ph.D

Westmount Asset Management

Herbert Wolas

Cherie Wrigley

Richard Yaffe

Arnold & Tricia Zane

Ellen & Arnold Zetcher

Bobbi & Walter Zifkin

PARTNER’S

CIRCLE

$500 – $999

Anonymous (7)

Toshka & Norman Abrams

Linda Adams & Ken Larson

Loren Adams

Robert C. Anderson

Frances & Thomas Booth

Philip & Phyllis Colman

Steven & Linda Darling

Dr. Van Anh & Nariman Dastur

Kristin Diehl

Linda Dozier

Kay & Larry Driscoll

Terry Feuerborn & Connie Whitley

Burt & Nanette Forester

Bruce Fortune & Elodie Keene

Elaine & Larry Friedman

Olga Garay-English

Daniel Giesberg & Carol Lifland

Francine Golden & Marvin Schlossman

Marcy Gross

Eve Haberfield & David N. Johnson

Roberta L. Haft

Murray & Gail Heltzer

Michael & Candie Herman

Dr. Shelley Hill

Ana Hubner

Eric Hyman & Teri Kennady

Drs. Sharon & Lou Ignarro

Robert & Gail Israel

Stephen A. Jones & Victoria A. Walker

Arnedra Lorraine Jordan

Jessica Kaltman & Robert Reznik

Avi Kamienny

Leana Kleinman & Jerald Johnson

Deborah Lacusta & Daniel Castellaneta

Jalyn Lang

John & Sandra Langfitt

Rhonda K. Lawrence

Nancy Hytone Leb

Gina Maria Leonetti

Marla E. Levine

Littleton Road Productions

Leslie & Adam Lobel

Renee Lonner

Christina Medigovich

Anne & Ronald Mellor

Cynthia Melville

In Memory of Gregory Millar

Joan & Phil Miller

Dr. Gail Devlin Moradi

John Moschitta, Jr.

Ron Myrick

Louise Olin

Carol F. Phillips

Gary & Gail Rachelefsky

Robert Rosania

Mary Ann Rosenfeld & Sheldon Kadish

Brad Ross

Linda Sandrich

Cliff & Linda Schaffer

Nancy & Steven Schneider

William Schreiber

John Schunhoff

Tina & John Scott

Marc Seltzer

Nancy & Bruce Silverman

Marlene Sklar & Joel Moskowitz

Barbara Smith

Mr. & Mrs. David Tann

Barbara & Larry Tenan

William G. Tierney & Barry H. Weiss

Maud & Tonis Tilk

Brigitta Troy

Linda & Rich Turco

Shirah & Jim Vollmer

Deborah & Glenn Weinberg

Michelle & Steven Windmueller

CHAIRMAN’S CIRCLE

The Chairman’s Circle acknowledges the historical contributions of the following individuals, whose support of Geffen Playhouse made the original vision of our founder, Gil Cates, Sr., possible:

Anonymous

Annenberg Foundation

Mrs. Carol K. Block & Chancellor Gene D. Block† City National Bank

Kirsten^ & Donald Combs

Marcia Israel-Curley & Jim Curley

Gang, Tyre, Ramer, Brown & Passman, Inc.

The David Geffen Foundation

Herbert M.^ & Beverly J. Gelfand

Rabbi Uri D. Herscher & Dr. Myrna Herscher

Audrey & Charles Kenis

Lincy Foundation

Fay & Frank^ Mancuso

Tina & Jerry^ Moss / The Moss Foundation

Perenchio Foundation

The Shubert Foundation

The Simms/Mann Family Foundation

Skirball Foundation

University of California, Los Angeles

Wasserman Foundation

Judy & Chancellor Charles^ E. Young

If your name has been misspelled or omitted from the list in error, please contact Anika Waco, Donor Relations Coordinator at 310.208.6500 ext. 195.

BACKSTAGE AT THE GEFFEN DONORS

Geffen Playhouse recognizes the following individuals and organizations for their generous support of this year's Backstage at the Geffen fundraiser, honoring Frank Marshall, Danielle Pinnock, and Matt Bomer, held on Sunday, October 19, 2025.

Event photos and tribute messages can be found at geffenplayhouse.org/backstage.

† Geffen Playhouse Board of Directors

PRESENTING SPONSORS

The Adi† and Jerry Greenberg Foundation

UCLA Health

PLATINUM SUPPORTERS

Amblin Entertainment

Alan Hergott & Curt Shepard

K Period Media

Linda Bernstein Rubin† & Tony Rubin

GOLD SUPPORTERS

Cindy & Alan Horn

Paramount Pictures

Miranda† & Brett Tollman

SILVER SUPPORTERS

Marcy Carsey

City National Bank

Disney

Patricia Glaser† & Sam Mudie

Steve Tisch

BRONZE SUPPORTERS

The Archer School for Girls

Claudia & Kevin Bright

CBS/CBS Studios

Cherie & Steve Crowe

Bonnie E. Eskenazi† & Greenberg Glusker LLP

Marcy Gross

John Horn† & Linda Burrow

Laura & Jarred Kennedy

Karen & Walter Loewenstern

Holly Rice† & Vince Gilligan

Chris T. Schmidt

Richard† & Barbara Sherman

Marcia & Robert Shuwarger

Joanne & Ken Weinman

Rita Wilson & Tom Hanks

SUPPORTERS

Bonnie & Bill Apfelbaum

Jay Butterfield & Susan Ewert

Gil Cates, Jr.†

Barbara Chiodo

Comcast NBCUniversal

Ellyce R. Cooper and Barry Cohen / Sidley Austin LLP

Creative Artists Agency

Merle Dandridge†

Devine D’Amico

Rich & Suzy Eisen

Field Family Foundation

Stephen Fisch

Catherine Froloff

Lorie Furie

Brenda Garcia†

Carla Gardini

Robert & Carrie Glicksteen

MaryAnn & Irwin Gold

Corinne Hayoun

Lynn James Heacox

Kate Imel

Nikolette Jacob

Omi Jones & Sharon Bridgforth

Larry Kaufman

Sharon Kerson

Carla Malden† & Norman Beil

Pam Martin

John McClure

Tarell Alvin McCraney†

Regina & Wayne Miller

Olympus Theatricals

Soundis & Danny† Passman

Brett Paul

Karen Peter

Cheryl Petersen & Roger Lustberg

Jane Rissman & Richard Sondheimer

The Rosenthal Family Foundation

Tom Saporito Productions

Lauren Shuler Donner

Ronald Smith

Sarah Sturdivant

Jennifer D. Sturtz

Greg & Michelle Suess

Theodore H. Sweetser & Jane L. Valentine

Paula Wagner

ARTISTIC

Amy Levinson

Associate Artistic Director

Daniel Ionazzi Producer

Phyllis Schuringa

Artistic Associate / Casting Director

Bella Luna Company Manager

Olivia O’Connor

Literary Manager & Dramaturg

Lexy McAvinchey Associate Producer

Dionn Richardson

Assistant to the Artistic Director

PRODUCTION

Matt Sweeney Director of Production

Liz Brohm Hanrahan

Associate Production Manager / Resident Production Stage Manager

Melissa Hartman

Technical Director

Philip Rossi

Lead Scenic Carpenter

Greg Mueller

Stage Operator

Rick Gilles

Properties Master

Sarah Lindsley

Costume Shop Supervisor

Spencer Doughtie

Lighting & Projection Supervisor

Jesus Cambero-Elias

Assistant Lighting Supervisor

James Grabowski

House Sound Supervisor

Bob Gilmartin

Resident A1

ADMINISTRATION

Sarah Sturdivant Chief Financial Officer

Erick R. López

General Manager

Berenice Campos Director of Human Resources

Janice Gompers

Payroll Manager & HR Admin

Youra Kim

Accounting Manager

Jake Jones

Staff Accountant

Clay Dzygun

Office Coordinator

Chloe Shi

General Management Associate

DEVELOPMENT

Elizabeth Kegley

Director of Institutional Giving

Cody Metzger

Gil

Grace Allen, Tori Eriavez, Peyton Fleming, Cat Hayes, Miranda Heath, Gabrielle Johnsen, Jeffrey Limoncelli, Kayla Page, Camila Robles Ruiz

Box Office Staff

Theater Direct Outbound Sales

OPERATIONS

Advancement & Creative Partnerships

Rachel Jacoby

Data Management Coordinator

Anika Waco

Donor Relations Coordinator

Zoila Lopez

Development Assistant

EDUCATION

Brian Allman

Director of Education & Community Engagement

Mark J. Chaitin

Manager of Education & Community Engagement

Paloma Nozicka

Education Associate

Sean Michael Boozer, Paris Crayton III,

DeJuan Christopher Conner, Sidney Edwards, Margot Fitzsimmons, Aja Houston, Erròn Jay, BJ Lange, Tiffany Oglesby, Tara Ricasa, Ashley Denise Robinson, Gerry Tonella

Teaching Artists

MARKETING & COMMUNICATIONS

Patrick Brown

Director of Marketing

Zenon Dmytryk

Director of Communications

Karen Gutierrez Director of Advertising & Audience Development

Brian Dunning

Director of Content & Creative

Zack Hamra

Director of Audience Services & Ticketing

Isaak Berliner

Social Media & Communications Manager

Alyssa Tyson

Audience Services Manager

Jacob Feller, Jon-Paul Schaut

Box Office Managers

Jeni Pearsons

Director of Operations

Mel Yonzon

Front of House Manager

Amy Farkas

Lead Concierge

Marlon Campos

Concierge

Rob Mersola

Event Manager

Sarah Chute, Anya Pryjmak

Part Time House Managers

Vanessa Bradchulis, Jonathan McGill, Autumn Oyemade, Karl Perry, Carsen Schroeder

Guest Services

Savanna Chute, Ryan Foreman, Stephen Johnson, Dylan La Rocque, Shannon Noel Concessions

Brynn Allen, Emma Cort, Lauren Curet, Enzo De Cunto, Tyler DeLoatch, Camille Edwards, Sydney Fleischman, Alejandro Hernandez, Cassidy LeClair, Jalen McKoy, Austin Merrill, Luvina Navarro, Elena Scaringe-Peene, Cody Smith, Lanae Wilks, Myles Williams Ushers

INFORMATION TECHNOLOGY

Abdelkrim Bouzzit

Cloud System Administrator

Dream Warrior Group

System Administrator

FACILITIES

MANAGEMENT

Art Guillen

Facilities Manager

Felipe Ayala, Juan Santillan

Building Maintenance

Mario Santillan

Custodial Lead

Juan Carlos Umaña, Camerina Martinez

Cleaning Custodial

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