

ABOUT DIGITAL PROGRAMS
The Gallo Center has adopted the use of digital programs meant to be viewed on cell phones or other computer devices. This change has important public health, environmental and economic benefits: reducing close contacts between patrons and ushers, cutting our use of paper, and eliminating substantial printing costs. View the program only before shows begin or during intermissions. Please be considerate of other patrons and artists on stage by not viewing it during performances. Patrons who do not observe this courtesy and create distractions may be asked to leave. Thank you.




WHY YOUR SUPPORT MATTERS
The Gallo Center for the Arts is a non-profit performing arts center with a deep commitment to enriching the people and communities of California’s vast San Joaquin Valley. From the scintillating performances of its wonderful resident companies, to the great variety of world-class entertainment presented by the Center each season, to robust arts education programs for the region’s youth, this is where the magic happens.
From the beginning, the Center’s mission has been clearly defined: to provide an inspirational civic gathering place where regional, national, and international cultural activities illuminate, educate, and entertain. Since revenue from ticket sales and facility rentals only covers a portion of the costs associated with fulfilling this mission, the Center is dependent on the generous annual financial support from donors and program sponsors within our community.

ABOUT THE CENTER
HOW TO BUY TICKETS
In Person: 1000 I Street, downtown Modesto
Online: 24/7/365 at GalloArts.org
By Phone: (209) 338-2100
TICKET OFFICE HOURS
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Closed Sundays
Ticket Office opens two hours prior to all events
EMAIL LIST
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GENERAL INFORMATION
The mission of the Gallo Center for the Arts is to enrich the quality of life in the San Joaquin Valley by providing an inspirational civic gathering place where regional, national and international cultural activities illuminate, educate and entertain. The Gallo Center for the Arts celebrates the diversity of the San Joaquin Valley by offering an array of affordable cultural opportunities designed to appeal, and be accessible, to all.

The Center opened in September, 2007 and consists of the 440-seat Foster Family Theater, the 1,248-seat Mary Stuart Rogers Theater, the Marie Damrell Gallo Grand Lobby and a plaza serving both theaters, and the Modesto Rotary Music Garden.
As a regional non-profit performing arts center, the Gallo Center for the Arts presents internationally recognized touring artists in all disciplines, and also is home to four resident companies: Central West Ballet, Modesto Performing Arts, Modesto Symphony Orchestra and Opera Modesto. The Gallo Center for the Arts is a unique public/private partnership. Construction was funded jointly by the County of Stanislaus, which owns the facility, and contributions from more than 4,000 individuals and businesses given to a non-profit 501(c)(3) organization which today operates the Center.


PATRON EVENT INFORMATION
• Ample and secure parking for Center events is located in the garage at 12th Street between H and I Streets. Parking passes are $5 cash and may be purchased when ordering tickets or at the entrance to the garage prior to performances. See GalloArts.org for a map and directions to the garage.
• Emergency exits are indicated by green exit signs located above each exit. For your safety, please check for the location of the exit nearest to your seat.
• The Gallo Center for the Arts is accessible to disabled patrons. Wheelchair seating is available in both theaters. Portable wireless listening devices are available at the “ Coat Check room at no charge. Please inform the Ticket Office of any special needs when ordering tickets.
• Food and beverages are not allowed in the theaters. (with the exception of bottled water and beverages served in theater cups.)
• Smoking is prohibited inside the building and within 20 feet of all entrances.
• Latecomers will be seated at the discretion of the Gallo Center for the Arts’ house managers.

• The use of recording equipment and the taking of photographs in Gallo Center for the Arts theaters is strictly forbidden. The Gallo Center for the Arts reserves the right to confiscate any such equipment and/or require offending customers to exit the premises.
• As a courtesy to artists and to your fellow patrons, please turn off or silence any mobile device on your person. No texting, please!
• Restrooms are located on all three levels of the Center.
• Lost items will be held in the Coat Check room on the main level until the end of the performance. Thereafter, please contact Ticket Office at (209) 338-2100.
• All patrons MUST have a ticket to enter a performance regardless of age.
• Out of courtesy to other patrons, the Gallo Center for the Arts requests that no infants or toddlers attend any performance.

COME AS A GROUP & SAVE!
Groups qualify for discounts up to 15% on ticket prices to the many exciting performances offered by the Gallo Center for the Arts and its resident companies.
Secure your group reservation today for just 10% down of your total price!
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ANGRY JURORS 12
BY REGINALD ROSE




presents ANGRY JURORS 12
BY REGINALD ROSE
Written by Reginald Rose
Stage Version by Sherman L. Sergel
Directed by Patrick Norris
Produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock, Illiniois
Presented by

Sponsored by

12 Angry Jurors, originally written as Twelve Angry Men explores the questions: What happens when justice is jeopardized by human prejudice? Are our opinions and beliefs predisposed by race and social class? Can one identify and overcome their unconscious bias? How often does the judicial system fail because of an unfair balance of power? How often in our own lives do we miss the truth because of our preconceived ideas about another group of people?
Our production of 12 Angry Jurors, is set in 2024 America with a diverse group of actors who represent the juries of today’s courtroom proceedings; maybe even those proceedings happening right here in Modesto. Only on a jury is one expected to come to a unanimous, life altering decision with a group of strangers. What group of humans would you want discussing your innocence and combing through the evidence of your trial? Is our Justice system only as strong as the moral compass of those selected to serve on a jury?
In a country of laws, it’s not surprising that Americans have an innate fascination with court proceedings. This fascination can be traced back to the very beginnings of our nation when news publications following trials were widely read by Americans. By the first half of the 20th century, some cases became so popular that the phrase “trial of the century” was often used in their taglines. The arrival of radio and, later, television only fueled Americans’ interest in court procedurals. But, it was in 1954 that writer Reginald Rose emerged as the father of the “courtroom drama.”
Reginald Rose wrote Twelve Angry Men for CBS’ Studio One in 1954, and the piece was originally broadcast as a television play. A year later, Rose adapted the teleplay for the stage and, in 1957, wrote the screenplay for the film adaptation with Henry Fonda playing Juror Eight. Fonda’s performance and the film both became a cultural
phenomenon. Later, the play was adapted from Twelve Angry Men to both 12 Angry Women and 12 Angry Jurors so each production may have the freedom to cast any actor in any role, exploring the countless ways this play can impact an audience.
Reginald Rose’s idea for the courtroom drama paved the way for countless programs exploring the lives of attorneys, judges, defendants, detectives and police as they investigate and ultimately solve a crime. In the last 15 years, courtroom dramas, police procedurals, and true crime media have reached a new peak in popularity. Our fascination with them may rest entirely in the ability of the genre to explore complex themes that give center stage to issues and situations akin to challenges we face daily in our American lives.
Today, reactions to 12 Angry Jurors and Juror Eight are as complex as when the piece first came out: for some, Juror Eight shakes the very foundation of our American justice system, while others view their powerful arguments and ability to change the mind of others as proof of a strong system that works as intended. For others, the piece highlights the inescapable racial undercurrent in American life. After 70 years, Reginald Rose’s 12 Angry Jurors remains a true American classic and one that is in a league of its own.
- Patrick Norris12 ANGRY JURORS
Written by Reginald RoseStage Version
by Sherman L. SergelDirected by Patrick Norris
Adapted from the Television Show “Twelve Angry Men” initially presented on Studio One, CBS-TV.
Produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock, Illinois
Any video and/or audio recording of this production is strictly prohibited.
TIME: Present Day
PLACE: A Jury Room
There will be one 15 minute intermission
SPECIAL THANKS
Beth Christensen
Pitman High School
CAST
Forewoman / Juror #1: …………......……………………Karen Lotko
Juror #2: …………………………....…………………………Arzella Kahler
Juror #3: ………………………..…………………………Tom MacDonald
Juror #4: …………………………..……………………………Tim Glidewell
Juror #5: …………………………....…………………………Ambrose Mac
Juror #6: ……………………….......……….....………..…………Matt Holly
Juror #7: ...………………………………….......……………Megan Brown
Juror #8: ………………..……..…………………..……Deanna Hudgens
Juror #9: ………………………..…………………………… Norene Austin
Juror #10: ……………………...…………………………………Jay McElroy
Juror #11: …………………………………… Cesar Castro Martinez
Juror #12: ……………………………....….……………… Mary Pieczarka
Guard/Bailiff: ……………...………....……………………Kailey Robare
PRODUCTION TEAM
Director……………………………...……………....……….. Patrick Norris
Stage Manager............................................... Jewel Whitaker
Crew Chief …..................................................... Thomas Garcia
Scenic Designer & Head Carpenter..... Josh Christensen
Properties Master ...................................... Josh Christensen
Costume Designer…........................................... Noelle Souza
Head Electrician....................................... Dustin Venicombe
Head Audio............................................... Veronica Caballero
Deck Audio................................................................ Jon Duran
GALLO CENTER FOR THE ARTS
Director of Produced Theatre & Special Programming.............................................Ryan Foy
Special Programming & Events Manager............................................ Jewel Whitaker
Director of Production & Technical Operations......................……...…Jeremiah Lewis
Assistant Director of Production & Technical Operations..............................……Thomas Garcia
Chief Executive Officer....……………….......……….Chad Hilligus













CAST BIOS
Norene Austin (Juror #9) was thrilled to become a part of the Prospect Theater Project in 2021, cast in The Humans as Momo. Since then, she has been participating in the Improv scene through the Artist Lab at Prospect. She recently worked with Gallo Center for the Arts On Tour for two seasons in the Arts Education productions of the Bully Buster shows, as the Bully. Norene spent the last 27 years in the dance community and just retired from teaching Fusion Belly Dance through the City of Lodi. She was the Director and founding member of the Arabian Jewels Belly Dance Troupe. Prior to her immersion into the dance world, Norene performed in community theater, high school, and college. Favorite roles include the Nurse in Romeo and Juliet, Mrs. Hardcastle in She Stoops to Conquer, Mr. Slow the Tortoise in The Great Cross-Country Race, and Ernestina Money in Hello Dolly.
Megan Brown (Juror #7) is delighted to be working with the Gallo Center Repertory Company and ecstatic to be collaborating with this talented group of artists. Highlights from her acting career include Under Normal Circumstances, Twelfth Night, Henry VI: Part One, and Three Sisters. She received her BFA in acting at the University of California, Santa Barbara in 2022. Megan cherishes her friends and family for all of their love and support as she continues to explore her passion for performing. She thanks you all for coming and hopes you enjoy the show!
Tim Glidewell (Juror #4) is honored to return to the stage after a hiatus of over a decade. A Modesto, CA native, Tim holds a BS in biology from CSU Stanislaus and currently works in biotechnology sales. He's been a performer since five years old, and he's grateful for the opportunity to share the stage once again, especially alongside his high school drama teacher, Karen Lotko. Tim has fond memories of performing at Downey High School, MPA, YES Company, Prospect Theatre, and MJC. He's deeply appreciative of the support from his loving wife, Lynette Borrelli, and their daughter, Lyla, who delighted audiences in last year's production of A Christmas Story at the Gallo Center. Tim is excited to be back on stage for his first GCRC show. Enjoy the performance!
Matt Holly (Juror #6) is excited to be stepping from backstage to on-stage with his first acting role, after coming from the world of special effects and production. Graduating from the Tom Savini School of Special Effects and under the tutelage of Eric Raingruber and Sean Stencil with Cornertsone Family Entertainment, Matt has spent his life in creative arts and entertainment and is incredibly excited to be a part of this production and this company.
Deanna Hudgens (Juror #8) is grateful to be making her GCRC debut in 12 Angry Jurors. A Modesto native, Deanna received a B.A. in Theatre Arts from Azusa Pacific University and proceeded to cut her teeth in the acting biz in LA. She then trekked across the country to earn an M.F.A. in Performing Arts from Savannah College of Art and Design (SCAD). Deanna feels privileged to return to the stage alongside a group of such talented and earnest artists. Recent stage credits include: Men On Boats, The Foreigner, and The Wolves. Film/TV credits: Saturday’s Lament (short), Parked (Amazon Prime), and Fear, Love, and Agoraphobia. Deanna is thankful for the unwavering support of her family and friends. She is also grateful to you, dear patron, for supporting live theatre.
Arzella Kahler (Juror #2) is a born and raised in Modesto local. She grew up with a love for live theater and discovered a love of performing at a young age. In college, she studied theater and participated in various 1 Act plays. Since then, Arzella took a break from performing and learned about the behind-the-scenes work of film production. This is her first production with GCRC and she is thrilled to be working with such a dynamic cast. She hopes you find the show as enthralling as she does.
Karen Lotko (Foreman/Juror #1) has grown up in the local theater scene, starting in Modesto Performing Arts as a teenager before moving on to Modesto Civic Theater, Sierra Repertory Theatre, Townsend Opera Player and other now-defunct community and summer theater groups. Then, after a long and proud career of teaching and directing at Downey High School, she retired and moved to Denver to be near her boys, Ian and Mike. She is thrilled to be making her debut at the Gallo alongside an old friend and even a former student, in a beautiful performance space she could only dream about as a kid.
Ambrose Mac (Juror #5) is very excited to be a part of this production. This is her second time acting their first being in Henry V as Gower and Bardolph with Center Stage Conservatory in 2020. Most often you will find them behind the scenes choreographing stage combat and teaching safe stage violence. When not in the theater she studies historical martial arts with an emphasis in bladed weaponry.
Tom MacDonald (Juror # 3) showcased his comedic talents as Sir Lancelot in Spamalot at Stockton Civic Theatre and demonstrated dramatic depth in The Aristocrats with the Prospect Theatre Project. He brought a touch of whimsy to the role of Nick Bottom in A Midsummer Night’s Dream, with the Tedious, Brief Theater Company. Tom's versatility extends beyond the stage, having featured prominently in the 20th Century Fox motion picture Behind Enemy Lines 2: Axis of Evil. Now, he makes his Gallo Repertory debut, promising a compelling performance that adds to his already impressive body of work. He would like to thank everyone at Gallo Rep, friends, and family, and Chat GTP for writing this bio.
Cesar Castro Martinez (Juror #11) is a student at Modesto Junior College. This is his first play since high school and he is excited to be performing with the Gallo Center Repertory Company. He is an avid learner and enjoys taking time to learn new things. His favorite part of Twelve Angry Jurors is learning that the only limits that exist are those that you impose on yourself.
Jay McElroy (Juror #10) recently rekindled his passion for acting, after taking a 30 year hiatus from theater. Having the chance to perform with GCRC at the Gallo Center is such an amazing opportunity, and he is incredibly grateful to the company for allowing this old dog to do tricks again. Jay is an avid...or rather, rabid... fan of the Tampa Bay Buccaneers and spends much of the year fundraising for charity through the Buccaholics; a non-profit and fan group he helps run. He is also a self-identified Netflix addict and ukulele enthusiast. A 10th grade English teacher at Turlock High School, he is also a proud husband to a wonderful, supportive wife for almost 20 years and father of two awesome young thespians.
Mary Pieczarka (Juror #12) has been active in local theater since 1976 with: Modesto Community Theater, MJC, Stanislaus State and Prospect Theater Project, where she has performed over 20 roles. This is Mary’s second role with GCRC. Her first, as Mrs. HIggins in George Bernard Shaw’s Pygmalian, was done in collaboration with Prospect Theater Project. She is a retired teacher who enjoys hiking, cross country travel, theater, poetry, music, cooking, family time with grandkids and granddogs and the occasional home improvement project with her husband, Cal Aukeman. “Water, Wealth, Contentment, Health”, and theater! All of these contribute to making Modesto a thriving community. It is wonderful to have GCRC creating opportunities for our community to come together, as audiences and actors, to take part in live theater.
Kailey Robare (Guard/Bailiff) has been in 5 assorted school shows and one YES company show, which consisted of both straight plays and musicals. This is her first show working alongside adult actors, and along with language learning, she hopes to learn more in college about performing arts as a way to begin an official career.





CREATIVE TEAM
Patrick Norris (Director) is a Theatre Director and Educator at John H Pitman High School in Turlock, CA. A Central Valley native, he studied Directing at Southern Oregon University in Ashland, Oregon and is thrilled to be directing again at Gallo Center Repertory Company. Patrick is passionate about creative collaboration and telling stories which explore the nuances of human interaction— the good, the bad, and the ugly. Previous directing credits include A Christmas Story (GCRC), Little Women, Peter and the Starcatcher, 25th Annual Putnam County Spelling Bee, Little Shop of Horrors (John H Pitman).
Jewel Whitaker (Stage Manager) has stage managed a variety of GCRC productions, including All is Calm, On Golden Pond, To Kill a Mockingbird, Of Mice and Men, and most recently, Agatha Christie’s Murder on the Orient Express and Winter Wonderettes. She also stage managed and co-directed (along with Jim Johnson and Wes Page) Twisted Tales of Edgar Allan Poe. An active part of Modesto’s performing arts community, Jewel has performed with Prospect Theater Projects’ Radio Cavalcade since its inception, with Center Stage Conservatory in 2019, and with Opera Modesto in their 2022 World Concert. She is married to local makeup artist extraordinaire, Vance Whitaker, and worked as the Marketing and Development Manager for Opera Modesto for the past few years. She is now the Special Programming and Events Manager for the Gallo Center for the Arts, overseeing all Rentals and Resident Companies and their partnerships with the center.
Josh Christensen (Scenic Designer & Head Carpenter, Props Master) is a native of Alberta, Canada, where he received his technical theatre and design training before relocating to NYC in 2012. He previously served as the Resident Scenic Designer and Technical Director at Shadowland Stages in Ellenville, NY before relocating to California’s Central Valley in 2019. Josh previously designed for GCRC’s 2023 productions of Murder on the Orient Express and Winter Wonderettes. Other memorable design credits include Sunday in the Park with George and the world premiere of Roger Bean’s ShBoomA Christmas Miracle at Sierra Repertory Theatre, K2, Memoirs of a Forgotten Man (East Coast premiere), Disgraced, Papermaker, Shear Madness, The Roommate (Shadowland Stages). Ripcord (Seven Angels Theatre, Connecticut), Men on Boats, Matilda the Musical (Playhouse Merced). Upcoming design credits include:
Born Yesterday (GCRC), Little Shop of Horrors (Sierra Rep), Rocky Horror Show (Stanislaus State Theatre), Oklahoma! (YES Company), and Rudolph the Red-nosed Reindeer (Sierra Rep).
Noelle Souza (Costume Designer) is excited to be back working with GCRC! For the stage, she has recently designed The Addams Family, Annie, YES Co.’s 30th Anniversary Concert Spectacular, and Singin’ in the Rain for YES Company, On Golden Pond, Holes, All is Calm, Guess Who’s Coming to Dinner, Little Women, To Kill A Mockingbird, A Christmas Story, Of Mice and Men, Murder on the Orient Express and Winter Wonderettes for GCRC, and Mother of the Maid and Rough Crossing for Prospect Theater Project. For television, she has worked as the wardrobe stylist for over 15 national commercials for the brand, Grocery Outlet. Ms. Souza holds a degree from the University of San Diego, and you can find more information about her work on her website: www.noellesouza.com
Reginald Rose (Author) was born on December 10, 1920 in New York City. He attended City College from 1937 to 1938 but did not graduate. During World War II and shortly after, he served in the U.S. Army, from 1942 to 1946, ending his army career as a first lieutenant. In 1943, Rose married Barbara Langbart and they had four children. After the war and continuing into the early 1950’s, Rose worked as a clerk, publicity writer for Warner Brothers Pictures, and advertising copywriter. He also wrote short stories and novels but he never had any luck selling his work until he turned to writing plays for television and sold his first teleplay. Twelve Angry Men was inspired by Reginald Rose’s experience of jury duty on a case in New York City. At first he had been reluctant to serve on a jury, but he wrote, “The moment I walked into the courtroom and found myself facing a strange man, whose fate was suddenly more or less in my hands, my entire attitude changed.” To quote Rose’s memories of this experience: “It was such an impressive, solemn setting in a great big wood- paneled courtroom, with a silver-haired judge, it knocked me out. I was overwhelmed. I was on a jury for a manslaughter case, and we got into this terrific, furious, eight-hour argument in the jury room. I was writing one-hour dramas for Studio One then, and I thought, wow, what a setting for a drama.” The result is a tense, engrossing drama in which eleven jurors believe the defendant in a capital murder trial is guilty, while one juror stands up courageously for what he believes is justice and tries to persuade the others to his way of thinking. Reginald Rose died in 2002 in Norwalk, Connecticut from complications of heart failure.
by Garson Kanin
FRIDAY, MAY 17, 2024 • 7 PM
SATURDAY, MAY 18, 2024 • 2 PM & 7 PM
SUNDAY, MAY 19, 2024 • 2 PM
TICKETS: $25/35/45

PRESENTED BY: SPONSORED BY:



Thursday & Friday, July 18 & 19, 2024, 7 PM
Saturday & Sunday, July 20 & 21, 2024, 2 PM
Tickets on sale May 1st
Music by Richard Rodgers
Book and Lyrics by Oscar Hammerstein II
Based on the play “Green Grow the Lilacs” by Lynn Riggs
Original Choreography by Agnes de Mille
OKLAHOMA! is presented by arrangement with Concord Theatricals on behalf of The Rodgers & Hammerstein Organization. www.concordtheatricals.com.
Presenting Partner

Sponsored by

ON SALE SCHEDULE:
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SAVE 15% WHEN YOU BUY TICKETS TO ALL FOUR SHOWS!

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As
2023/24
University of California, Merced Suite 52 Living
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CORPORATE PATRONS
As of December 1, 2023
The Mayol Family & Team PSC
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As of December 1, 2023
$25,000+
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California Arts Council
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$10,000+
Make Dreams Real Foundation
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Silva Injury Law, Inc.
$5,000+
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$2,500+
Beard Land & Investment Co.
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$1,000+
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$500+
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$300+
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$150+
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FOUNDATION GIVING
Bob and Marie Gallo Foundation
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WESTAF
PERPETUAL MEMORIAL GIFTS HAVE BEEN MADE FOR Thomas K. Beard
Randall Stanley Behr
Carl Boyett
Robert J. Cardoza
Herman Costa
Matthew Everett Davis
Ryan Hunter Dickerson
Homer & Margaret Fair
Albion Fenderson
Marie Gallo
Orlena Hawkins
Dennis Hoskins
Linda Johnson
Chuck Kilgore
Angela & Francis Lemos
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Clara Marie Machado
Elizabeth Maino
John E. Plummer
Bette Belle Smith
David James Terra
Sara Marie Terra
Ethel Marie Terra
Dr. & Mrs. Archie N. Tonge
Delmar Tonge
Elizabeth “Betty” Toschi
Bob Tubman
David G. Vander Wall
Jesse Lee Woodson
Jason Latrelle Woodson
Legacy Circle
Dr. Grant & Colleen Bare
Waqar H. Bhatti, Ph.D. & Martha
Carter-Bhatti, Ph.D.
Carl & Carole Boyett
Clark & Marion Bradford
Martha & Gary Connor
Ron & Lynn Dickerson
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Dennis & Kathy Hoskins
Dean & Cathy Jennison
Horton & Barbara Karker
Robert & Marilyn Morey
D.F. Ritchie
The Harry Swanson Family
Randy Wayne Summers
Mr. & Mrs. Joe Swain
Helen Trombetta
This listing is updated quarterly. Every effort has been made to ensure our list of supporters is accurate. It is possible that a name may have been misspelled or omitted. If so, please accept our sincere apology and kindly notify our Development Department at (209) 338-5013, so that we may make the appropriate change to our records.

Gallo Center for the a r t s
BOARD OF DIRECTORS
Christina Gomez, ChairoftheBoard
Marie D. Gallo, PresidentEmerita†
Alex Mari, M.D., ImmediatePastChair
Ginger Johnson, ChairElect
Mel Bradley
Sarah Grover
Chad Hilligus
Michael Krausnick
Michelle Lewis
Katy Menges
Juan Sánchez Muñoz, Ph.D.
Duncan Reno
Todd Aaronson
Angelica Anguiano
Victor Barraza
Elliot Begoun
Lorraine Cardoza
Clifford Cooper
Ismael Covarrubias
Kathryn Davis
Daniel Del Real
Paul Michael Eger
Robert Fantazia
Fallon Ferris
Robert Fores
Irene Angelo†
Lilly Banisadre
Carl Boyett†
Joan Cardoza
Sheila Carroll
Suzanne Casazza
Paul Draper
Ron Emerzian
Ann Endsley
Kenni Friedman
Louis Friedman
Tina Rocha
June Rogers
Brant Scott
Stephanie Gallo Tyler
Ann M. Veneman
Geoff Wong
Nicole Larson, SCFNextGenFellow
BOARD OF TRUSTEES
Julian Gallo
Ryan Roth Gallo
Diane Gilbert
Emma Grover
Sabrina High
Doug Highiet
Linda Hischier
Ronald Hoffmann
Jose Ibarra
John Jacinto
Jaime Jimenez
Brian Kline
Jay Krishnaswamy
Danielle Lau
Kevin Luttenegger
Virginia Madueno
Roberto Martinez
Trent Mayol
Yolanda Meraz
Chris Murphy
Sharilyn Nelson
Bill Nunes Jr.
Richard Ogle, Ph.D.
Gino Patrizio
Rose Marie Reavill
Jeffrey Reed
FOUNDING TRUSTEES
Dianne Gagos
Barry Highiet†
Randy Jalli
Chris Johnson
Grace Lieberman†
Roy Levin, M.D.
Alexandra Loew
Bill Mattos
Tony Mistlin†
Kate Nyegaard
Ruthann Olsen
Catherine Rhee
Susan Rich
Christine Roberts
John Schneider
Michael Joe Silva
KT Staack
Kate Trompetter
Philip Trompetter, Ph.D.
Aaron Valencia
Colleen F. Van Egmond
Doug Vilas
Jeanne Perry
John C. Pfeffer, M.D.
Norm Porges
Chris Reed
James Reed
Sue Ellen Ritchey
Delsie Schrimp
Fred A. Silva
Ray Simon
Delmar R. Tonge, M.D.†
Tom Van Groningen, Ph.D.
Carol Whiteside†
Jeremiah Williams
Alice Yip
†In Memoriam