Baroque painting two centuries of masterpieces from the era preceding the dawn of modern art (art eb

Page 143

Anthony van Dyck Elena Grimaldi Cattaneo

1622 oil

on

96%

anvas,

(

x 682

in.

(246 x 173? cm) National Gallery, Washington

This

|xii trait,

symbol stay in

almost

.1

ot the painter's (

fenoa,

is

both

sumptuous and delicate, showing perfect harmony between the magnificence of the scene and the sensitive characterization sitter. The young noblewoman is portrayed

of the

of the loggia of a during a walk in the

in front villa

garden.

The solemn

figure

passes by, rustling the grass, while a dark-skinned

page

tries to protect

her

from the sun. It is clear from her fair hair and pale skin that the sun might be bothersome for face

the duchess, but van

Dyck

turns the delicate skin into a striking detail of his

inventive composition.

The

large red sunshade

glows

like a

around her

profane halo face, creating a

spectacular wheel of color.


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