Page 1

Fine American & European Paintings & Sculpture 06/13/10


Fine American & European Paintings & Sculpture 06/13/10

Sunday June 13th at 2pm Sale 1373 Exhibitions: Thursday, June 10th and Friday, June 11th 10am-5pm Saturday, June 12th Noon-5pm Inquiries: alasdair nichol direct tel: 267.414.1211 anichol@freemansauction.com david weiss direct tel: 267.414.1214 dweiss@freemansauction.com libia elena mendez direct tel: 267.414.1210 lmendez@freemansauction.com Bidding: bids department natalie difeliciantonio tel: 267.414.1208 fax: 215.599.2240 ndifeliciantonio@freemansauction.com

Catalogue $35

Inside Front Cover: Lot 25 (detail) Inside Back Cover: Lot 148 (detail)

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 www.freemansauction.com 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 www.freemanssouth.com Printing by Brilliant Studio Exton, Pennsylvania

Color images of every lot are available at www.freemansauction.com


2 free≤an’s fine american & european paintings & sculpture

06/13/10

Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000.

Sales Tax

All items in the catalogue are subject to the 7% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

Payment

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit indicated, but is not responsible for errors or failure to execute bids. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

Removal of Purchases

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed by September 25th at 3pm. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.


European Paintings & Sculpture


5 free≤an’s fine american & european paintings & sculpture

06/13/10 1 ATTRIBUTED TO CHARLES BEAUBRUN & HENRÍ BEAUBRUN (french 1604-1692, french 1603-1677) PORTRAIT OF A NOBLE LADY HOLDING A MODEL OF CATHEDRAL, PROBABLY NOTRE DAME Oil on canvas, laid on panel 47 1/8 x 38 5/8 in. (119.7 x 98.1cm) provenance: Private Collection, California. $8,000-12,000


6 free≤an’s fine american & european paintings & sculpture

06/13/10 2 FRANCO-GERMAN SCHOOL (18th-19th century) THESEUS AND THE MINOTAUR Oil on canvas 50 1/4 x 39 5/8 in. (127.5 x 100.75cm) provenance: Private Collection, Philadelphia, Pennsylvania. $6,000-8,000


7 free≤an’s fine american & european paintings & sculpture

06/13/10

3 CIRCLE OF JOSEPH HEINTZ THE YOUNGER (swiss circa 1600-1678) THE LAST SUPPER Oil on canvas 49 1/2 x 78 in. (126 x 198.1cm) provenance: Private Collection, New Jersey. $8,000-12,000


8 free≤an’s fine american & european paintings & sculpture

06/13/10 4 MANNER OF ALEXANDER KEIRINCX (flemish 1606-1652) HUNTING PARTY IN AN EXTENSIVE LANDSCAPE Oil on canvas 28 5/8 x 40 in. (72.7 x 101.6cm) provenance: Private Collection, Virginia. $2,000-3,000

5 GIUSEPPE GHERARDI (italian 1756-1828) ITALIAN LANDSCAPES, INCLUDING VIEW IN VALONBROSA and three companion works, each signed ‘G. Gherardi fec’, pencil on paper (4) 11 x 14 1/2 in. (27.9 x 36.8cm) (each) (sight) provenance: Private Collection, New York. $2,000-3,000

6 MANNER OF FRANCESCO GUARDI (italian 1712-1793) BACINO DI SAN MARCO, VENICE Oil on canvas 17 x 22 1/2 in. (43.2 x 57.2cm) provenance: Property from the Estate of William R. Frazier, Jr. The proceeds to primarily benefit Fox Chase Cancer Center. $2,000-3,000


9 free≤an’s fine american & european paintings & sculpture

06/13/10 7 ANTWERP SCHOOL (16th century) ADORATION OF THE MAGI Oil on shaped panel 35 3/8 x 23 1/2 in. (35.4 x 59.7cm) provenance: By family descent. Private Collection, New Jersey. $20,000-30,000


10 free≤an’s fine american & european paintings & sculpture

06/13/10 8 ROMAN SCHOOL (19th century) SOLDIERS IN INTERIOR Oil on canvas, unframed 60 x 72 3/8 in. (152.4 x 183.8cm) $2,000-3,000

9 MANNER OF FRANCESCO FRANCIA (italian c. 1450-1517) VIRGIN Oil on panel 15 3/8 x 11 1/8 in. (39.1 x 28.3cm) provenance: By family descent. Private Collection, New Jersey. $1,000-1,500

10 DUTCH SCHOOL (17th century) PORTRAIT OF A GENTLEMAN WEARING A WHITE RUFF Inscribed ‘Aetatis Sua 24/Ano. Dom. 1621’ upper right, oil on panel 16 3/4 x 21 1/4 in. (42.5 x 54cm) provenance: Private Collection, Philadelphia, Pennsylvania. By family descent. Private Collection, Philadelphia, Pennsylvania. $1,500-2,500


11 free≤an’s fine american & european paintings & sculpture

06/13/10 11 CIRCLE OF SIR THOMAS LAWRENCE (british 1769-1830) PORTRAIT OF A LADY SEATED WITH AN ANCHOR Oil on canvas 49 1/4 x 40 in. (125.1 x 101.6cm) provenance: McClees Gallery, Philadelphia, Pennsylvania Private Collection, Philadelphia, Pennsylvania. By family descent. note: According to a plaque attached recto, the subject is Lady Campbell. $5,000-8,000

12 CIRCLE OF MICHAEL DAHL (swedish 1659-1743) THREE QUARTERS LENGTH PORTRAIT OF WILLIAM LORD CRAVEN IN ERMINE ROBE Inscribed ‘William/Lord Craven/Died 1739’ upper right, oil on canvas 50 x 40 in. (127 x 101.6cm) provenance: The Stevenson Easby Collection, Chestnut Hill, Philadelphia, Pennsylvania. note: A similar, although not identical portrait of William Craven based on a Dahl painting was engraved in mezzotint by John Faber in 1745, National Portrait Gallery, London, United Kingdom. $3,000-5,000


12 free≤an’s fine american & european paintings & sculpture

06/13/10 13 THOMAS STRINGER (british 1722-1790) A BAY WITH GROOM IN LANDSCAPE Signed with initials and dated ‘TS 1781’ bottom right, oil on canvas 24 1/2 x 30 1/2 in. (62.25 x 77.5cm) provenance: Roy Miles Gallery, London, United Kingdom. Private Collection, Virginia. $3,000-5,000

14 THOMAS ROWLANDSON (british 1756-1827) “VICAR AND CLERK” Watercolor on paper 3 3/4 x 5 5/8 (9.5 x 14.3cm) provenance: W. Russell Button, Inc. Chicago, Illinois. Christie’s, New York, New York, May 31, 1990, lot 136. Private Collection, Virginia. $1,000-1,500


13 free≤an’s fine american & european paintings & sculpture

06/13/10 15 EDWARD CHARLES WILLIAMS & WILLIAM SHAYER (british 1807-1881, british 1787-1879) “CARRYING THE HAY” Signed, inscribed and dated ‘EC Williams/Figures By William Shayer 53’, oil on canvas 36 x 57 in. (91.4 x 144.8cm) provenance: Private Collection, Virginia. $6,000-8,000

16 CLAUDE T. STANFIELD MOORE (british 1853-1901) “THE PORT OF LONDON” Inscribed, signed and dated,’The Port of London/C.T. Moore 1882’ on label verso, oil on canvas 24 x 34 1/2in. (61 x 87.6cm) $5,000-8,000


14 free≤an’s fine american & european paintings & sculpture

06/13/10 17 EDWARD PRITCHETT (british 1828-1864) THE DOGE’S PALACE, VENICE Indistinctly signed bottom left and a companion by the same hand SANTA MARIA DELLA SALUTE each oil on canvas, a pair (2) 12 x 20 in. (30.5 x 50.8cm) (each) provenance: Hammer Galleries, New York, New York. Gimbel Brothers, New York, New York. Acquired from the above by the present owner’s family. By family descent. Private Collection, Wilmington, Delaware. $6,000-10,000


15 free≤an’s fine american & european paintings & sculpture

06/13/10 18 WILLIAM HANNA CLARKE (scottish 1882-1924) BATHERS ON THE SHORE Signed and dated ‘WH Clarke/1918’ bottom left, oil on canvas 16 x 20 in. (41 x 50.8cm) provenance: Private Collection, Pennsylvania. $5,000-8,000

19 WILLIAM HANNA CLARKE (scottish 1882-1924) “WASH DAY” Signed ‘WH Clarke’ bottom right, oil on canvas 25 x 30 1/4 in. (63.5 x 76.8cm) provenance: Private Collection, Pennsylvania. $3,000-5,000


16 free≤an’s fine american & european paintings & sculpture

06/13/10 20 EDWARD ATKINSON HORNEL (scottish 1864-1933) YOUNG GIRL BY A TREE Signed and dated ‘E.A. Hornel 1913’ bottom right, oil on canvas 22 x 9 in. (55.9 x 22.9cm) provenance: Private Collection, Pennsylvania. $5,000-8,000


17 free≤an’s fine american & european paintings & sculpture

06/13/10

21 WILLIAM HANNA CLARKE (scottish 1882-1924) MATERNAL CARES Signed ‘WH CLARKE’ bottom right, inscribed and dated ‘Study Dec 1908’ in pencil verso, oil on board 12 x 15 in. (30.5 x 38.1cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

23 FRANS MOORMANS (dutch 1832-1893) SIGNING THE LEDGER Signed and dated ‘Frans Moormans 1866’ bottom right, oil on board 18 x 14 1/2 in. (45.7 x 36.8cm) $1,200-1,800

22 WILLIAM HANNA CLARKE (scottish 1882-1924) A SUN DAPPLED RIVERBANK Signed and dated ‘W.H. Clarke 1922’ bottom right, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: Private Collection, Pennsylvania. $1,500-2,500


18 free≤an’s fine american & european paintings & sculpture

06/13/10 24 JACQUES FRANCOIS CARABAIN (belgian 1834-1933) CONTINENTAL STREET SCENE Signed ‘J. Carabain’ bottom left, oil on panel 22 1/4 x 17 7/8 in. (56.5 x 45.4cm) provenance: The Stevenson Easby Collection, Chestnut Hill, Philadelphia, Pennsylvania. $5,000-8,000

25 CORNELIS SPRINGER (dutch 1817-1891) STREET SCENE WITH FIGURES Signed with initials and dated ‘CS 48’ bottom left, oil on panel 17 1/2 x 14 1/8 in. (44.5 x 35.9cm) provenance: Private Collection, Pennsylvania. $60,000-100,000


19 free≤an’s fine american & european paintings & sculpture

06/13/10


20 free≤an’s fine american & european paintings & sculpture

06/13/10 26 JOHAN FREDERIK CORNELIS SCHERREWITZ (dutch 1868-1951) HERDER WITH SHEEP Signed ‘J. Scherrewitz’ bottom right, oil on canvas 16 x 24 in. (40.5 x 61cm) provenance: Private Collection, Maryland. $7,000-10,000

27 PIETER LODEWIJK FRANCISCO KLUYVER (dutch 1816-1900) GATHERING TWIGS Signed ‘Kluyver’ bottom left, oil on canvas 30 1/8 x 25 1/4 in. (76.5 x 61.3cm) provenance: Private Collection, Pennsylvania. $2,000-3,000


21 free≤an’s fine american & european paintings & sculpture

06/13/10

28 EVERT PIETERS (dutch 1857-1932) CATTLE GRAZING BY THE CHERRY BLOSSOM Signed ‘Evert Pieters’ bottom left, oil on canvas 30 3/4 x 58 1/2 in. (80.6 x 148.6cm) provenance: Private Collection, Oregon. $12,000-18,000


23 free≤an’s fine american & european paintings & sculpture

06/13/10

29 BERNARDUS JOHANNES BLOMMERS (dutch 1845-1914) AT THE BEACH Signed and dated ‘Blommers 80’ bottom right, oil on canvas 31 1/4 x 46 1/4 in. (79.4 x 117.5cm) provenance: Private Collection, Pennsylvania. $80,000-120,000


24 free≤an’s fine american & european paintings & sculpture

06/13/10 30 LASZLO NEOGRADY (hungarian 1896-1962) “A CRISP MORNING” Signed ‘Neogrady Laszlo’ bottom left, oil on canvas 24 x 30 in. (61 x 76.2cm) provenance: Burlington Paintings, London, United Kingdom. Private Collection, Florida. $5,000-8,000

31 MENO MUHLIG (german 1823-1873) THE APPRAISAL Signed ‘Meno Muhlig’ lower right, oil on canvas 38 1/4 x 44 1/2 in. (97.2 x 113cm) provenance: Private Collection, Georgia. $4,000-6,000


25 free≤an’s fine american & european paintings & sculpture

06/13/10

32 ADOLF CONSTANTIN BAUMGARTNER-STOILOFF (german 1850-1924) A BAND OF COSSACKS Signed ‘C. Stoiloff’ bottom left, oil on canvas 26 x 36 3/4 in. (66 x 93.3cm) $3,000-5,000

33 JERZY KOSSAK (polish 1886-1955) CAVALRY OFFICER AND HIS MOUNT, WINTER Signed and dated ‘Jerzy Kossak 1922’ bottom right, oil on board 13 7/8 x 17 7/8 in. (35.2 x 45.4cm) $1,000-1,500

34 OTTO EICHINGER (austrian b. 1922) “THE STUDIOUS RABBI” Signed ‘O. Eichinger’ upper right, and a companion by the same hand, “RABBI WITH A PRAYER BOOK”, each oil on board, a pair (2) 10 1/2 x 7 7/8 in. (26.7 x 20cm) (each) provenance: E. Stacy-Marks, Ltd., Eastbourne, United Kingdom. $2,000-3,000


26 free≤an’s fine american & european paintings & sculpture

06/13/10 35 NARCISSE VIRGILE DIAZ DE LA PENA (french 1807 - 1876) FONTAINEBLEAU FOREST Signed ‘N. Diaz’ bottom left, oil on canvas 12 7/8 x 17 1/4 in. (32.7 x 43.8cm) provenance: Property from the Estate of William F. Heefner, Bucks County, Pennsylvania. note: We wish to thank Alexandra Murphy for her assistance in cataloguing this lot. This lot will be accompanied by a letter of authenticity signed by Ms. Alexandra Murphy and dated May 15, 2010. $3,000-5,000

36 NARCISSE VIRGILE DIAZ DE LA PENA (french 1807-1876) FOREST INTERIOR Bears signature ‘N.V. Diaz’ bottom right, also with Parisian preparer’s stencil verso, oil on panel, unframed 9 1/4 x 12 5/8 in. (23.5 x 32.1cm) provenance: The Casson Galleries, Boston, Massachusetts. Private Collection, Washington, D.C. note: We wish to thank Alexandra Murphy for her assistance in cataloguing this lot. lot. This lot will be accompanied by a letter of authenticity signed by Ms. Alexandra Murphy and dated May 15, 2010. $1,000-1,500


27 free≤an’s fine american & european paintings & sculpture

06/13/10

37 ROSA BONHEUR (french 1822-1899) HEAD OF A BULL Signed and dated ‘Rosa Bonheur 1876’ bottom right, oil on canvas 23 1/2 x 19 5/8 in. (59.7 x 49.8cm) With partial wax ‘VENTE’ seal verso provenance: Private Collection, Virginia. $3,000-5,000

38 ROSA BONHEUR (french 1822-1899) PONY AND A DONKEY IN A HILLY LANDSCAPE Signed ‘Rosa Bonheur’ bottom left, oil on canvas 21 1/4 x 25 1/2 in. (54 x 64.1cm) With the ‘Vente Rosa Bonheur 1900’ wax seal verso provenance: Private Collection, Virginia. $4,000-6,000

39 ROSA BONHEUR (french 1822-1899) CATTLE BY A HOMESTEAD Signed ‘Rosa Bonheur’ bottom left, watercolor, ink and graphite on paper 9 3/4 x 14 1/2 in. (25.8 x 36.8cm) (sight) provenance: Private Collection, Virginia. $1,000-1,500


28 free≤an’s fine american & european paintings & sculpture

06/13/10 40 ISIDORE JULES BONHEUR (french 1827-1901) HANDLER WITH REARING BULL Signed ‘I. BONHEUR’, and stamped ‘PEYROL’ and ‘TIFFANY & CO.’, bronze group with brown patina. 14 1/4 in. (36.2cm) (height) 13 1/2 in. (34.3cm) (width) 6 1/2 in. (16.5cm) (depth) provenance: Private Collection, Virginia. $5,000-8,000

41 ANTOINE-LOUIS BARYE (french 1795-1875) LIONS AND TIGERS With ‘Barye’ red estate stamp at bottom right and verso, doublesided pencil on paper 8 3/4 x 5 7/8 in. (22.2 x 14.9cm) (sheet) provenance: Private Collection, Virginia. $1,000-1,500


29 free≤an’s fine american & european paintings & sculpture

06/13/10 42 ARMAND LAROCHE (french 1826-1903) FEMALE NUDE BY POND WITH WATER LILIES Signed ‘A Laroche’ bottom right, oil on canvas 51 1/4 x 38 1/4 in. (130.2 x 97.2cm) provenance: Private Collection, Florida. $10,000-15,000

43 JEAN GEORGES VIBERT (french 1840-1902) FIGURES ON A STAIRWELL Inscribed ‘Tolède, J.G. Vibert’ bottom right, indistinctly inscribed on label verso, oil on canvas 25 1/2 x 20 3/4 in. (64.8 x 52.7cm) provenance: Private Collection, Florida. $4,000-6,000


30 free≤an’s fine american & european paintings & sculpture

06/13/10 44 RAPHAEL ENRÍQUEZ (filipino 1850-1937) MUSKETEER Signed ‘Rafl. Enríquez’ bottom right, oil on canvas laid to cardboard 14 1/8 x 9 7/8 in. (35.9 x 25.1cm) provenance: Private Collection, Philadelphia, Pennsylvania. By family descent. Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

45 PAUL (LOUIS NARCISSE) GROLLERON (french 1848-1901) A QUICK SMOKE Signed ‘P Grolleron’ bottom left, oil on canvas 22 3/4 x 15 1/8 in. (57.8 x 38.4cm) provenance: Private Collection, New York. $2,500-4,000


31 free≤an’s fine american & european paintings & sculpture

06/13/10

46 EDOUARD JEAN BAPTISTE DETAILLE (french 1848-1912) “L’OEIL DU MAÎTRE” Signed and dated ‘EDOUARD DETAILLE 1897’ bottom left, oil on canvas 21 3/4 x 18 in. (55.3 x 18cm) provenance: An estate, New York, New York. $20,000-30,000


32 free≤an’s fine american & european paintings & sculpture

06/13/10 47 JULES WORMS (french 1832-1914) ELEGANT LADY AND HER WHIPPET Signed ‘J. Worms’ bottom left, also indistinctly inscribed and with Parisian preparer’s stencil verso, oil on panel 16 x 12 1/2 in. (40.6 x 31.8cm) $5,000-8,000

48 JEAN RICHARD GOUBIE (french 1842-1899) A STOP ALONG THE WAY Signed and dated ‘R. Goubie/1887’ bottom right, oil on canvas 11 3/8 x 14 1/2 in. (28.9 x 36.8cm) $6,000-10,000


33 free≤an’s fine american & european paintings & sculpture

06/13/10 49 JULES MASURE (french 1819-1910) BOATS IN CALM WATERS Signed ‘Masure’ bottom left and with Parisian Preparer’s stencil verso, oil on canvas 21 7/8 x 29 3/4 in. (55.6 x 75.6cm) provenance: Private Collection, Philadelphia, Pennsylvania. By family descent. Private Collection, Philadelphia, Pennsylvania. $2,500-4,000

50 RAOUL MAUCHERAT DE LONGPRE (french 1843-1911) PINK ROSES WITH LILAC Signed and dated ‘Raoul M. de/Longpre fils 89’ bottom right, watercolor and gouache on paper 13 x 20 in. (33 x 50.8cm) provenance: St. Helier Galleries, Ltd., Jersey, United Kingdom. $2,000-3,000

51 RAOUL MAUCHERAT DE LONGPRE (french 1843-1911) YELLOW ROSES WITH LILAC Signed and dated ‘Raoul M. de Longpre/89’ bottom right, watercolor and gouache on paper 13 x 20 in. (33 x 50.8cm) provenance: St. Helier Galleries, Ltd., Jersey, United Kingdom. $2,000-3,000


34 free≤an’s fine american & european paintings & sculpture

06/13/10 52 RAOUL MAUCHERAT DE LONGPRE (french 1855-1911) YELLOW ROSES Signed ‘Raoul M. de Longpre fils’ bottom right, watercolor and gouache on paper 20 1/4 x 27 3/4 in. (51.4 x 70.5cm) $2,500-4,000

53 RAOUL MAUCHERAT DE LONGPRE (french 1885-1911) WHITE ROSES Signed ‘Raoul M. de Longpre’ bottom right, watercolor and gouache on paper 20 1/2 x 28 1/2 in. (52..1 x 72.4cm) $2,500-4,000


35 free≤an’s fine american & european paintings & sculpture

06/13/10

54 RAOUL MAUCHERAT DE LONGPRE (french 1855-1911) WHITE ROSES AND DAISIES Signed ‘M de Longpre fils’ lower right, watercolor and gouache on paper, oval 26 1/2 x 20 in. (67.3 x 50.8cm) (sight) provenance: Arthur Ackermann Ltd., London, United Kingdom. $2,000-3,000

56 RAOUL MAUCHERAT DE LONGPRE (french 1855-1911) A SPRAY OF BLUE LILAC Signed ‘M de Longpre fils’ lower right, watercolor and gouache on paper, oval 26 1/4 x 19 3/4 in. (66.7 x 50.2cm) (sight) provenance: Arthur Ackermann Ltd., London, United Kingdom. $2,000-3,000

55 RAOUL MAUCHERAT DE LONGPRE (french 1855-1911) DAISIES AND CORNFLOWERS Signed ‘M de Longpre fils’ lower right, watercolor and gouache on paper, oval 26 x 19 1/2 in. (66 x 49.5cm) (sight) provenance: Arthur Ackermann Ltd., London, United Kingdom. $2,000-3,000


36 free≤an’s fine american & european paintings & sculpture

06/13/10

57 LE PHO (french 1908-2000) “APRES LE BAIN” Signed ‘Le Pho’ and also signed in Chinese bottom left, inscribed with title on stretcher verso, oil on canvas 51 x 76 3/4 in. (129.5 x 194.9cm) provenance: Wally Findlay Galleries, New York, New York. Private Collection, Massachusetts. $40,000-60,000


37 free≤an’s fine american & european paintings & sculpture

06/13/10 58 VU CAO DAM (french 1908-2000) “COMPOSITION” Signed and dated ‘Vu Cao Dam 72’ bottom left, also signed in Chinese, dated and inscribed with title verso, oil on canvas 25 3/4 x 21 1/4 in. (65.4 x 54cm) provenance: Wally Findlay Galleries, New York, New York. Private Collection, Massachusetts. $6,000-10,000


38 free≤an’s fine american & european paintings & sculpture

06/13/10 59 VU CAO DAM (french 1908-2000) “MATERNITÉ” Signed and dated ‘Vu Cao Dam 67’ bottom right, also signed in Chinese, inscribed with title, dated and inscribed and numbered ‘No. 6 NY’ and ‘339’ verso, oil on canvas 14 x 10 3/4 in. (35.6 x 27.3cm) provenance: Wally Findlay Galleries, New York, New York. Private Collection, Massachusetts. $3,000-5,000

60 ANDRE DUNOYER DE SEGONZAC (french 1884-1976) “NATURE MORTE AUX LEGUMES” Signed ‘A.D. de Segonzac’ bottom right, inscribed on label verso and inscribed with title on stretcher verso, oil on canvas 13 x 16 in. (33 x 40.6cm) provenance: Andre Pacitti, Paris, France. Private Collection, Philadelphia, Pennsylvania. $1,500-2,500


American Paintings & Sculpture


41 free≤an’s fine american & european paintings & sculpture

06/13/10

61 THOMAS HEWES HINCKLEY (american 1813-1896) “LANDSCAPE FROM THE ARTIST’S HOUSE NEAR MILTON, MASSACHUSETTS” Signed ‘Hinckley 1849’ bottom right, inscribed on label verso ‘Painted by Hinckley near his home in Milton, Mass’, oil on canvas 26 x 36 in. (66 x 91.4cm) provenance: Private Collection, Virginia. $7,000-10,000


42 free≤an’s fine american & european paintings & sculpture

06/13/10

62 EDWARD PERCY MORAN (american 1862-1935) DISTANT THOUGHTS Signed ‘PERCY MORAN’ bottom right, oil on canvas 22 x 16 in. (55.9 x 40.6cm) provenance: Private Collection, New York. $1,500-2,500

63 HARRIET CANY PEALE (american 1800-1869) THE LETTER Signed and dated ‘H.C. Peale/1850’ bottom right, oil on canvas 24 x 20 in. (61 x 50.8cm) provenance: Private Collection, New York. $5,000-8,000

64 THOMAS BALL (american 1819-1911) PORTRAIT OF A GENTLEMAN Inscribed ‘T. BALL, 1864’, marble plaque 22 1/4 in. (57.2cm) (height) 18 in. (45.7cm) (width) 2 7/8 in. (7.3cm) (depth) provenance: Private Collection, Chevy Chase, Maryland. $5,000-8,000


43 free≤an’s fine american & european paintings & sculpture

06/13/10

65 EDWARD MORAN (american 1829-1901) STEAMSHIPS AND SAILING BOATS IN NEW YORK HARBOR Signed and dated ‘Edward Moran 1893’ bottom left, oil on canvas 18 x 30 in. (45.7 x 76.2cm) $10,000-15,000


44 free≤an’s fine american & european paintings & sculpture

06/13/10 66 F* DE VERE (american 19th century) SUNSET ON THE NILE Signed and dated ‘F. De Vere 93’ bottom right, oil on canvas 22 x 30 in. (55.9 x 76.2cm) provenance: McCarty Gallery, Chestnut Hill, Pennsylvania. Purchased from the above by the present owner. Private Collection, Rhode Island. $1,500-2,500

67 EDWARD MORAN (american 1829-1901) SUNSET BY THE CLIFFS Signed ‘Edward Moran’ bottom left, oil on canvas 13 x 10 in. (33 x 25.4cm) provenance: Private Collection, Florida. $1,000-1,500

68 HERMANN HERZOG (american 1832-1932) CASTLE BY A LAKE WITH A PADDLE STEAMER Signed ‘H Herzog’ bottom left, oil on canvas 13 x 18 in. (33 x 20.3cm) provenance: Private Collection, Pennsylvania. note: This lot will be accompanied by a letter of authenticity signed by Mr. Donald Lewis, Jr. and dated May 7, 2010. $3,000-5,000


45 free≤an’s fine american & european paintings & sculpture

06/13/10 69 ALEXANDER POPE, JR. (american 1849-1924) HANGING GAME Signed and dated ‘ALEXANDER POPE 10’ bottom right, oil on canvas 34 x 26 in. (86.4 x 66cm) provenance: An estate, Pennsylvania. $5,000-7,000

70 MORSTON REAM (american 1840-1898) STILL LIFE WITH TAZZA, FRUIT AND ROSES Signed ‘Morston Ream’ bottom left, oil on canvas 32 x 26 in. (81.3 x 66cm) $3,000-5,000


46 free≤an’s fine american & european paintings & sculpture

06/13/10 71 SAMUEL COLMAN (american 1832-1920) COASTAL VIEW AT TWILIGHT, VENICE IN DISTANCE Signed ‘Sam Colman’ bottom right, oil on canvas 15 x 24 in. (38.1 x 61cm) provenance: Private Collection, Philadelphia, Pennsylvania. $5,000-8,000

72 WILLIAM TROST RICHARDS (american 1833-1905) GATHERING WRACK ON THE SHORE Signed and dated ‘Wm. T. Richards 1883’ bottom right, watercolor on paper 9 1/8 x 14 in. (23.2 x 35.6cm) provenance: An estate, Pennsylvania. $4,000-6,000


47 free≤an’s fine american & european paintings & sculpture

06/13/10

73 JASPER FRANCIS CROPSEY (american 1823-1841) “COAST BIT, WEST LULWORTH” Inscribed with title and ‘No. 8’ and signed ‘J. F Cropsey’ on label verso, oil on canvas 11 7/8 x 18 in. (30.2 x 45.7cm) note: The artist spent several months on the Dorset Coast in 1857, staying at West Lulworth; which has been declared a World Heritage Site for the significance of its geological formations. This subject is one the artist revisited throughout his career. For similar examples see the preparatory drawing for this painting titled High Rocky Promontory, West Lulworth, Dorset, pencil on buff paper, Museum of Fine Arts, Boston, Massachusetts; West Lulworth, pencil on paper, Museum of Fine Arts, Boston, Massachusetts; Coast of Dorset, oil painting, NewingtonCropsey Foundation, Hastings-on-Hudson, New York; and By the Sea, Lulworth, 1857, present location unknown; and Boats and Lobster Pots, West Lulworth, oil painting, Private Collection. This work will be included in the forthcoming catalogue raisonné of the artist's work being prepared by the The Newington-Cropsey Foundation. We wish to thank Dr. Kenneth W. Maddox for his assistance in cataloguing this lot. $20,000-30,000


48 free≤an’s fine american & european paintings & sculpture

06/13/10 74 MARC-AURÈLE DE FOY SUZORCÔTÉ (canadian 1869-1937) “THE SURVEYOR” Signed, dated and inscribed ‘M. Suzor-Coté / 1925 / ROMAN BRONZE WORKS NY. / Copyright Canada & U. States’ on base, bronze with brown patina 20 3/8 in. (height) 8 1/2 in. (21.6cm) (width) 8 in. (20.3cm) (depth) provenance: Private Collection, Virginia. $7,000-10,000


49 free≤an’s fine american & european paintings & sculpture

06/13/10 75 ARTHUR PARTON (american 1842-1914) A WOODLAND STREAM AT DUSK Signed ‘Arthur Parton’ bottom left, oil on canvas 20 x 30 in. (50.8 x 76.2cm) $3,000-5,000

76 EDMUND DARCH LEWIS (american 1835-1910) MOUNTAIN LANDSCAPE Signed and dated ‘E.D. Lewis 1869’ bottom right, oil on canvas 19 x 27 in. (48.3 x 68.6cm) provenance: The Stevenson Easby Collection, Chestnut Hill, Philadelphia, Pennsylvania. $2,500-4,000

77 ERNEST PARTON (american 1845-1933) ADMIRING THE SUNSET Signed ‘Ernest Parton’ bottom right, oil on canvas 16 3/4 x 23 in. (42.5 x 58.4cm) $1,500-2,500


50 free≤an’s fine american & european paintings & sculpture

06/13/10 78 JOHN SINGER SARGENT (american 1856-1925) PORTRAIT STUDY OF A LADY Inscribed and signed (in part) ‘Pen and ink sketch by/John Sargent R.A. done at/council meeting’ ink on folded paper 7 3/8 x 4 3/8 in. (18.7 x 11.1cm) $5,000-8,000

79 JOHN SINGER SARGENT (american 1856-1925) PORTRAIT STUDY OF A GENTLEMAN Inscribed, signed and dated ‘Sketched at a Council/meeting of the Royal/Academy by J.S. Sargent/July 25th 1899/Seymour Lucas’ upper right’, with FIGURAL STUDIES verso, ink on folded paper 5 x 7 in. (12.7 x 20cm) $3,000-5,000

80 JOHN SINGER SARGENT (american 1856-1925) “STUDY OF MARY TURNER AUSTIN” Inscribed ‘Mary T. Austin/by/John Sargent’ upper right and indistinctly inscribed ‘**aggs’ upper left, pencil on paper 3 7/8 x 3 3/4 in. (9.8 x 9.5cm) provenance: Mark Borghi Fine Art Gallery, New York, New York. Private Collection, Virginia. $3,000-5,000


51 free≤an’s fine american & european paintings & sculpture

06/13/10

81 DANIEL RIDGWAY KNIGHT (american 1839-1924) “SEINE VALLEY, VILLENNES” Inscribed with title on stretcher in pencil verso, and also inscribed with title on label in ink, oil on canvas 18 3/4 x 22 in. (46.4 x 55.9cm) exhibited: Ridgway Knight Exhibition, New York, 1924, number 27. note: According to the stretcher label, this exhibition was ‘organized according to the artist’s wishes by his sons Aston Knight & Charly Knight.’ Both sons have signed the label in ink, and the painting’s title and exhibition number are also inscribed in ink on the label. $5,000-8,000 82 WALTER GAY (american 1856-1937) THE CHEMIST Signed and dated ‘Walter Gay 1886’ bottom left, oil on panel 15 3/4 x 10 1/2 in. (40 x 26.7cm) $1,500-2,500


52 free≤an’s fine american & european paintings & sculpture

06/13/10 83 LOUIS ASTON KNIGHT (american 1873-1948) “GOING TO THE MARKET” Signed and located ‘Aston Knight Paris’ bottom left, watercolor and gouache on paper 17 x 20 7/8 in. (43.2 x 53.0cm) $3,000-5,000

84 LOUIS ASTON KNIGHT (american 1873-1948) “THE MILL STREAM” Signed and located ‘Aston Knight Paris’ bottom left, watercolor and gouache on paper 17 x 20 7/8 in. (43.2 x 53.0cm) $3,000-5,000

85 CHARLES PAUL GRUPPE (american 1860-1940) GATHERING TWIGS Signed ‘Chas P. Gruppe’ bottom right, watercolor on paper 17 1/2 x 23 3/8 in. (44.5 x 59.4cm) $1,000-1,500


53 free≤an’s fine american & european paintings & sculpture

06/13/10 86 ALBERT FRANCIS KING (american 1854-1945) VASE OF APPLE BLOSSOMS Signed ‘A.F. King’ bottom right, oil on canvas 27 x 22 in. (68.6 x 55.9cm) $5,000-8,000

87 WILLIAM HART (american 1823-894) CATTLE WATERING AT SUNSET Signed ‘Wm. HART’ bottom left, oil on canvas 20 1/2 x 16 in. (51.4 x 40.6cm) $3,000-5,000


54 free≤an’s fine american & european paintings & sculpture

06/13/10 88 GEORGE HERBERT MCCORD (american 1848-1909) FISHING BOATS AT FULL SAIL Signed ‘G.H. McCord ANA’ bottom left, oil on canvas 18 x 30 in. (45.7 x 76.2) $1,000-1,500

89 WESLEY ELBRIDGE WEBBER (american 1841-1914) STEAMSHIP OFF THE SHORE Signed ‘Wesley Webber’ bottom left, oil on canvas 22 x 34 in. (55.9 x 86.4) $1,000-1,500

90 EDWARD DUFNER (american 1872-1957) MERMAIDS Signed ‘Edward Dufner’ bottom left, oil on canvas 14 x 30 in. (35.6 x 76.2cm) provenance: Private Collection, Washington, D.C. $4,000-6,000


55 free≤an’s fine american & european paintings & sculpture

06/13/10 91 WILLIAM EDWARD NORTON (american 1843-1916) SAILING BOATS IN THE MIST Signed ‘William E Norton’ bottom left, oil on canvas 25 x 32 in. (63.5 x 81.3cm) $6,000-10,000

92 ERNEST PARTON (american 1845-1933) “SUMMER DAYS” Signed ‘Ernest Parton’ bottom right, oil on canvas 25 1/4 x 21 in. (64.1 x 53.3cm) $1,500-2,500


56 free≤an’s fine american & european paintings & sculpture

06/13/10

93 CULLEN YATES (american 1866-1945) HOUSE BY A RIVER, AUTUMN Signed ‘Cullen Yates’ bottom left, indistinctly inscribed on label verso, oil on canvas 36 1/4 x 40 in. (92.1 x 101.6cm) provenance: Private Collection, Pennsylvania. $5,000-8,000

94 ERNEST ALBERT (american 1857-1946) BREAKERS ON A ROCKY SHORE Signed ‘Ernest Albert ANA’ bottom right, oil on canvas 40 x 50 in. (101.6 x 127cm) provenance: An estate, Virginia. $5,000-7,000

95 CHARLES PAUL GRUPPE (american 1860-1940) FIGURE ALONG CANAL Signed ‘Ch. P. Gruppe fe’ bottom left, oil on canvas 21 3/4 x 18 in. (55.2 x 45.7cm) provenance: Kunsthandel Borzo, Amsterdam, Netherlands. $2,000-3,000


57 free≤an’s fine american & european paintings & sculpture

06/13/10 96 HORACE BROWN (american 1876-1949) “MIDSUMMER” Signed ‘Horace Brown’ bottom left, signed and inscribed with title on stretcher verso, oil on canvas 24 x 27 in. (61 x 68.6cm) $1,500-2,500

97 GEORGE OBERTEUFFER (american 1878-1949) BOAT HOUSE, BOOTHBAY HARBOR Signed ‘Oberteuffer’ bottom right, oil on canvasboard 14 3/8 x 17 1/4 in. (36.5 x 43.8cm) (sight) exhibited: James Graham & Sons, New York, New York, ‘George Oberteuffer’, November 27, 2001-January 6, 2002. $4,000-6,000

98 CHARLES WARREN EATON (american 1857-1937) “GOING TO THE SUN MOUNTAIN” Signed ‘CHAS. WARREN EATON’ bottom left, signed and inscribed with title on label verso, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Ohio. $4,000-6,000


58 free≤an’s fine american & european paintings & sculpture

06/13/10

99 ERNEST LAWSON (american 1873-1939) “PEGGY’S COVE, NOVA SCOTIA” Signed ‘E Lawson’ bottom left, oil on canvas 21 x 24 in. (53.3 x 61cm) $40,000-60,000


59 free≤an’s fine american & european paintings & sculpture

06/13/10 100 HAYLEY LEVER (american 1876-1958) THE HARBOR, ST IVES Signed and inscribed ‘HAYLEY LEVER/ST IVES’ bottom right, oil on canvas 11 1/2 x 14 3/4 in. (29.2 x 37.5cm) $5,000-8,000

101 HAYLEY LEVER (american 1876-1958) FISHING BOATS Signed ‘HAYLEY LEVER’ bottom right, oil on canvasboard 9 1/4 x 12 1/2 in. (23.5 x 31.8cm) $3,000-5,000


60 free≤an’s fine american & european paintings & sculpture

06/13/10

102 EMILE ALBERT GRUPPE (american 1896-1978) “AFTER THE STORM, GLOUCESTER” Signed ‘Emile A Gruppe’ bottom left, inscribed with title on stretcher verso, oil on canvas 30 x 36 in. (76.2 x 91.4cm) provenance: Private Collection, Florida. $7,000-10,000


61 free≤an’s fine american & european paintings & sculpture

06/13/10 103 EMILE ALBERT GRUPPE (american 1896-1978) “MORNING GLOUCESTER” Signed ‘Emile A Gruppe’ bottom right, signed, inscribed with title, dated ‘7-63’ and inscribed ‘Purchased from /E. Gruppe at his/Gloucester Mass. studio/in July 1963 Cost $100’ verso, oil on board 20 x 16 in. (50.8 x 40.6cm) provenance: The artist. Purchased from the above by the present owner’s parents. Private Collection, Pennsylvania. $3,000-5,000

104 EMILE ALBERT GRUPPE (american 1896-1978) “AFTERNOON GLOUCESTER” Signed ‘Emile A Gruppe’ bottom right, signed, titled and inscribed ‘Purchased from /E. Gruppe at his/Gloucester Mass. studio/in July 1963 Cost $100’ verso, oil on board 20 x 16 in. (50.8 x 40.6cm) provenance: The artist. Purchased from the above by the present owner’s parents. Private Collection, Pennsylvania. $3,000-5,000


62 free≤an’s fine american & european paintings & sculpture

06/13/10 105 YARNALL ABBOTT (american 1870-1938) “BACKYARD ROCKPORT” Oil on canvas 36 x 30 in. (91.4 x 76.2cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. William L. Clements Library, University of Michigan, Ann Arbor, Michigan. $1,500-2,500

106 YARNALL ABBOTT (american 1870-1938) “STREET BY THE HARBOR” Oil on canvas 30 x 36 in. (76.2 x 91.4cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. William L. Clements Library, University of Michigan, Ann Arbor, Michigan. $1,500-2,500

107 ANDRE GISSON (american 1929-2003) BY THE RIVER Signed ‘Gisson’ bottom right, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Artful Eye, Lambertville, New Jersey. Private Collection, New Jersey. $2,000-3,000


63 free≤an’s fine american & european paintings & sculpture

06/13/10 108 ARTHUR CLIFTON GOODWIN (american 1864-1929) “NEW HAMPSHIRE BRIDGE” Signed ‘A C GOODWIN’ bottom right, pastel on buff paper 19 3/8 x 24 1/8 in. (49.2 x 61.3cm) provenance: Private Collection, Florida. $1,000-1,500

109 WILLIAM LESTER STEVENS (american 1888-1969) “SUNLIT BAY” Signed ‘W LESTER STEVENS’ bottom right, inscribed with title verso, oil on canvas 30 x 36 in. (76.2 x 91.4cm) provenance: Private Collection, Florida. $2,000-3,000

110 JOHANN BERTHELSEN (american 1883-1972) GRAMERCY PARK, NEW YORK Signed ‘Johann Berthelsen’ bottom right, oil on board 9 x 12 in. (22.9 x 30.5cm) $3,000-5,000


64 free≤an’s fine american & european paintings & sculpture

06/13/10

111 GUY WIGGINS (american 1883-1962) “MYSTIC” Signed ‘Guy C Wiggins’ bottom left, signed, inscribed with title and dated ‘1910’ verso, oil on canvas 20 x 24 in. (50.8 x 61cm) $20,000-30,000


65 free≤an’s fine american & european paintings & sculpture

06/13/10 112 GUY WIGGINS (american 1883-1962) “OLD TRINITY, NEW YORK WINTER” Signed ‘Guy Wiggins’ bottom right, signed, inscribed with title and dated ‘1930’ verso, oil on canvas 16 x 12 in. (40.6 x 30.5cm) provenance: Long & Company, Houston, Texas. Private Collection, Texas. $40,000-60,000


66 free≤an’s fine american & european paintings & sculpture

06/13/10 113 WILLIAM GLACKENS (american 1870-1938) “GIRL IN PEASANT BLOUSE” Inscribed ‘W. GLACKENS/GIRL IN PEASANT BLOUSE/20 x 24’ on label attached to stretcher verso, oil on canvas 24 x 20 in. (61 x 50.8cm) Executed circa 1936 provenance: The artist. By family descent. John H. Surovek Gallery, Palm Beach, Florida. Private Collection, Pennsylvania. $100,000-150,000


67 free≤an’s fine american & european paintings & sculpture

06/13/10 114 JESSIE WILLCOX SMITH (american 1863-1935) PLOUGHING THE FURROW Signed ‘Jessie Willcox Smith’ bottom left, mixed media on board. 21 3/4 x 15 7/8 (55.2 x 40.3cm) provenance: An estate, Pennsylvania. $30,000-50,000


68 free≤an’s fine american & european paintings & sculpture

06/13/10

115 HAL FOSTER (american 1892 - 1982) THE MAGIC CARPET Signed ‘H. Foster’ bottom right, oil on canvas, laid down on board. 22 3/4 x 28 in (57.8 x 71.1cm) Executed circa 1928-1930 provenance: The artist. Gifted to the present owner’s father-in-law. By family descent. Private Collection, Florida. $5,000-8,000


69 free≤an’s fine american & european paintings & sculpture

06/13/10

116 HARRISON FISHER (american 1875-1934) A LADY AND HER SUITOR Signed and dated ‘Harrison Fisher 1909’ bottom right, watercolor heightened with gouache on paper, laid to card 21 3/4 x 15 5/8 in. (55.2 x 39.7cm) provenance: Private Collection, Washington, D.C. $2,000-3,000

117 HARRISON FISHER (american 1877-1939) GIRL WITH FEZ Dedicated and signed ‘To J. Keble Bell/from Harrison Fisher’ center left, watercolor on paper 19 7/8 x 12 1/8 in. (50.5 x 30.8cm) $1,000-1,500

118 FRANKLIN WATKINS (american 1894-1972) THE BLACK CHOKER Signed ‘Watkins’ upper left, oil on canvas 24 1/4 x 22 in. (61.6 x 55.9cm) with FEMALE NUDE verso provenance: Private Collection, Philadelphia, Pennsylvania. By family descent. Private Collection, Philadelphia, Pennsylvania. $1,000-1,500


70 free≤an’s fine american & european paintings & sculpture

06/13/10

119 CARL KAUBA (american/austrian 1865-1922) INDIAN CHIEF ON HORSEBACK Signed ‘C Kauba’ and stamped ‘615’ on base, bronze group with gold patina, on stone base. 12 1/2 in. (31.8cm) (height) 14 1/4 in. (36.2cm) (overall height) 11 5/8 in. (29.5cm) (width) 13 5/8 in. (34.6cm) (overall width) 4 3/4 in. (12.1cm) (depth) 6 3/4 in. (17.1cm) (overall depth) $5,000-8,000

120 ELBRIDGE AVER BURBANK (american 1858-1949) “CHIEF GERONIMO./APACHE.” Signed and located ‘E.A. BURBANK./FT. SILL, O.T.’ bottom left, also titled and dated ‘1898’ upper left and titled again bottom center, oil on board 12 x 10 in. (30.5 x 25.4cm) provenance: Private Collection, Delaware. $3,000-5,000

121 ELBRIDGE AVER BURBANK (american 1858-1949) “RED WOMAN-SOUTHERN CHEYENNE” Signed and located ‘E.A. BURBANK/DARLINGTON, O.T.’ bottom left, also titled and dated ‘1899’ upper left, oil on board 12 x 10 in. (30.5 x 25.4cm) provenance: Private Collection, Delaware. $3,000-5,000


71 free≤an’s fine american & european paintings & sculpture

06/13/10 122 PAUL DOUGHERTY (american 1877-1947) CALIFORNIA COAST With stamped signature ‘Paul Dougherty’ bottom right, oil on panel 11 3/4 x 16 in. (29.8 x 40.6cm) $1,200-1,800

123 PAUL DOUGHERTY (american 1877-1947) RUSHING RIVER With stamped signature ‘Paul Dougherty’ bottom left, with RIVERSCAPE verso, oil on panel 11 7/8 x 16 1/8 in. (30.2 x 41cm) $1,200-1,800

124 PAUL DOUGHERTY (american 1877-1947) CHOPPY SEAS With stamped signature ‘Paul Dougherty’ bottom left, oil on panel 10 5/8 x 15 1/8 in. (27 x 38.4cm) $1,200-1,800


72 free≤an’s fine american & european paintings & sculpture

06/13/10

125 WILLIAM WENDT (american 1865-1946) CALIFORNIA MOUNTAIN RANGE Signed ‘W.M WENDT’ bottom right, oil on canvas 27 3/4 x 35 1/2 in. (70.5 x 90.2cm) provenance: From the collection of Moshe Bar-David. Acquired from the above by the present owner. Private Collection, Brooklyn, New York. $30,000-50,000


73 free≤an’s fine american & european paintings & sculpture

06/13/10

126 EDGAR PAYNE (american 1883-1947) “TETON SLOPES” Signed ‘EDGAR PAYNE’ bottom left, inscribed with title, verso, oil on canvas 28 x 34 in. (71.1 x 86.4cm) provenance: An estate, Virginia. $30,000-50,000


74 free≤an’s fine american & european paintings & sculpture

06/13/10 127 ARTHUR WILLIAM BEST (american 1859 - 1935) GRAND CANYON Signed ‘A.W. BEST’ bottom right, oil on board 10 x 20 in. (25.4 x 50.8cm) provenance: Private Collection, Oregon. $1,500-2,500

128 JOHN WILLIAM BENTLEY (american 1880-1951) GARDEN IN SPRING Signed ‘John W. Bentley’ bottom right, oil on board 12 x 16 in. (30.5 x 40.6cm) $1,500-2,500

129 LUIS GRANER Y ARUFFI (spanish 1863-1929) SANTA MONICA, CALIFORNIA Signed ‘L Graner’ bottom right, inscribed, dated and signed ‘Sta. Monica California/January 1919/Luis Graner’ oil on canvas 32 x 38 in. (81.3 x 96.5cm) provenance: Artfull Eye, Lambertville, New Jersey. Private Collection, New Jersey. $4,000-6,000


75 free≤an’s fine american & european paintings & sculpture

06/13/10 130 MARTHA WALTER (american 1880-1976) PORTRAIT OF A MEXICAN FAMILY Oil on canvas 40 x 35 in. (101.6 x 90.2cm) provenance: Private Collection, Florida. $8,000-12,000


76 free≤an’s fine american & european paintings & sculpture

06/13/10

131 MARTHA WALTER (american 1875-1976) “STREET IN AMALFI” Inscribed ‘W’ bottom left, and with the estate stamp verso, oil on panel 9 1/4 x 5 3/4 in. (15.9 x 14.6cm) (sight) provenance: David David Inc., Philadelphia, Pennsylvania. Private Collection, Florida. $2,000-3,000

132 MARTHA WALTER (american 1875-1976) VASE OF RUBRUM LILIES, BLACK EYED SUSANS, MOUNTAIN LAUREL AND OTHER MIXED FLOWERS Signed ‘Martha Walter’ bottom left, oil on canvas 22 x 17 3/4 in. (55.9 x 45.1cm) provenance: Private Collection, Florida. $5,000-8,000

133 MARTHA WALTER (american 1875-1976) “BOY IN BLACK CAPE” Oil on canvas 51 x 38 in. (129.5 x 96.5cm) Painted in Paris, France, 1904 provenance: David David Inc., Philadelphia, Pennsylvania. Private Collection, Florida. $80,000-120,000


77 free≤an’s fine american & european paintings & sculpture

06/13/10


78 free≤an’s fine american & european paintings & sculpture

06/13/10 134 MARTHA WALTER (american 1875-1976) ON THE BEACH Watercolor on paper 9 1/4 x 11 in. (23.5 x 27.9cm) (sight) provenance: Private Collection, Florida. $3,000-5,000

135 MARTHA WALTER (american 1875-1976) IN THE SOUKH Signed ‘Martha Walter’ bottom right, watercolor on paper 10 x 11 3/4 in. (25.4 x 29.8cm) (sight) provenance: Private Collection, Florida. $1,000-1,500

136 MARTHA WALTER (american 1875-1976) TWO SPANISH LADIES Signed ‘Martha Walter’ bottom right, watercolor and ink on paper 5 3/4 x 7 in. (14.6 x 17.8cm) (sight) provenance: Private Collection, Florida. $600-1,000


79 free≤an’s fine american & european paintings & sculpture

06/13/10 137 MARY ELIZABETH PRICE (american 1877-1965) IRISES Signed ‘M. ELIZABETH PRICE’ bottom right, oil and silver and gold leaf on board 18 x 3/4 x 15 in. (47.6 x 38.1cm) provenance: Artfull Eye, Lambertville, New Jersey. Private Collection, New Jersey. $12,000-18,000


80 free≤an’s fine american & european paintings & sculpture

06/13/10 138 WILLIAM FRANCIS TAYLOR (american 1883-1970) SNOW ON THE RIVERBANK Signed ‘Wm Francis Taylor’ bottom left, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: Artfull Eye, Lambertville, New Jersey. Private Collection, New Jersey. $6,000-10,000

139 WILLIAM FRANCIS TAYLOR (american 1883-1970) WALKING IN THE SNOW Signed ‘Wm F Taylor’ bottom left, oil on canvas 12 x 16 in. (30.5 x 40.6cm) provenance: Artfull Eye, Lambertville, New Jersey. Private Collection, New Jersey. $5,000-8,000


81 free≤an’s fine american & european paintings & sculpture

06/13/10

140 FERN ISABEL COPPEDGE (american 1883-1951) “THE HILL ROAD” Signed ‘Fern I Coppedge’ bottom right, signed and inscribed with title in pencil verso, oil on canvas 30 x 30 in. (76.2 x 76.2cm) provenance: The artist. Purchased from the above by the present owner’s maternal grandfather. By family descent. Private Collection, New Jersey. $70,000-100,000


82 free≤an’s fine american & european paintings & sculpture

06/13/10 141 SUSETTE SCHULTZ (MORTON) KEAST (american 1892-1932) “BOATS IN A HARBOR” Signed ‘S. KEAST’ bottom left, oil on board 12 x 16 in. (30.5 x 40.6cm) provenance: An estate, Pennsylvania. $5,000-8,000

142 ARTHUR MELTZER (american 1893-1989) MANAYUNK Signed and dated ‘Arthur Meltzer 26’ bottom right, oil on canvas 13 x 14 in. (33 x 35.6cm) provenance: Acquired by the present owner’s great uncle, Freeman’s, June 12th, 1957, lot 507. By family descent. Private Collection, Pennsylvania. $5,000-8,000


83 free≤an’s fine american & european paintings & sculpture

06/13/10

143 FERN ISABEL COPPEDGE (american 1883-1951) THE HARBOR QUAY Signed ‘Fern I Coppedge’ bottom left, indistinctly signed and inscribed in pencil on stretcher verso, oil on canvas, unframed 25 x 30 in. (63.5 x 76.2cm) provenance: Gift from the artist. An estate, Pennsylvania. $15,000-25,000


84 free≤an’s fine american & european paintings & sculpture

06/13/10 144 WALTER EMERSON BAUM (american 1884-1956) “COVERED BRIDGE, SOUTH PERKASIE, PA” Signed and dated ‘W E BAUM 56’ bottom right, inscribed with title, signed and dated verso, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: A plaque attached verso is inscribed ‘1956 ROTARY CIVIC AWARD PRESENTED TO WILLIAM M. MOYER BY THE PERKASIE ROTARY CLUB’. Presented to the present owner’s greatgrandfather, William M. Moyer. By family descent. Private Collection, Pennsylvania. $6,000-10,000

145 WALTER EMERSON BAUM (american 1884-1956) HOUSES IN A WINTER LANDSCAPE Signed ‘WE BAUM’ bottom right, indistinctly inscribed verso, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Pennsylvania. $5,000-8,000


85 free≤an’s fine american & european paintings & sculpture

06/13/10

146 ANTONIO PIETRO MARTINO (american 1902-1989) “ALONG THE RIVER” Signed ‘A.P. Martino’ bottom right, inscribed with title, signed and dated ‘1928’ on stretcher verso, oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: Private Collection, Oxford, Connecticut. Private Collection, Pennsylvania. $7,000-10,000 147 ANTONIO PIETRO MARTINO (american 1902-1989) HOUSES AMONGST TREES Signed ‘Antonio P. Martino’ bottom right, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: Private Collection, New Jersey. $2,500-4,000


86 free≤an’s fine american & european paintings & sculpture

06/13/10 148 DANIEL GARBER (american 1880-1958) “OLD FARM IN THE HILLS” Signed ‘Daniel Garber’ bottom right, signed and inscribed with title on stretcher verso, oil on canvas 36 x 36 in. (91.4 x 91.4cm) provenance: The artist. Purchased directly from the artist by Forrest G. Pearson, Jr., Philadelphia, Pennsylvania, 1957. Acquired from the above by the present owner. Private Collection, California literature: Artist's Record Book I, p. 69, lines 1-6 read "Executed in early spring (late March), 1946 from a road above Holland N.J. Cloud Shadows over Golden Fields-and farms." Lance Humphries; Introduction by Kathleen Foster, Daniel Garber Catalogue Raisonné, pub. Hollis Taggart Galleries, New York, New York, 2006. Volume I p. 281 (illustrated). Volume II pg. 139-141 (see note).

note: "As the 1920s came to a close, Garber's son, John Franklin Garber, had headed off to college at Lehigh University, located in Bethlehem, Pennsylvania, an industrial town several miles north of the northern boundary of Bucks County. It cannot be a coincidence that at this time Garber began to paint landscapes in the vicinity of Kintnersville, Pennsylvania, a hamlet just off River Road, in the northern reaches of Bucks County. Trips to and from Bethlehem may have brought the artist into contact with landscapes he had yet to explore on canvas. Through the 1920s he had steadily worked his way up the Delaware River, but before 1929 he rarely painted this far north in the county, nor in such hilly countryside. Beginning in November 1929, Garber explored expansive views of these hilly farmlands in a series of landscapes that are a departure, in terms of composition, from his earlier landscapes. In the majority, a small strip of foreground dips down suddenly and out of view as the middle ground rises from below and ascends to near the top of the composition, as if the artist has pulled the landscape up from the horizon in order to show the scene from slightly above the vantage point suggested by the foreground. In some of these works, in the middle ground a lone farm rests amid a patchwork of fields. Unlike many of Garber's earlier, more decorative landscapes, no graceful trees delimit the foreground space, which would create a screen through which to view the unfolding scene. These landscapes are wide open from the moment the viewer engages with the painting.

On a more personal level, this landscape might reflect a sense of loneliness appropriate at the time the artist's last child was beginning the process of leaving home. As critics were quick to acknowledge, however, Garber seldom painted anything "cynical" or in a "minor key," perhaps suggesting why his later tilted landscapes, while somewhat stern, are tempered by human activity as represented by buildings and farms. Several locations appear to have been the artist's favorites to depict in the manner, including two farmhouses with telescoping additions, those featured in Lone Farm (January 1930; cat. p. 578) and Down in Pennsylvania (first painted circa fall-early winter 1934: cat. p. 652). Garber would return to both of these homesteads, to the former in Corn (ca. 1937; cat. p. 694), and to the later in a series of three paintings: Green Pastures (first painted circa 1935; cat. p. 656), Fields in March (1944; cat. p. 789), and Old Farm in the Hills (early spring [late March] 1946; cat. p. 813). With their houses and outbuildings scattered over the landscape Garber suggested natural growth over time, and an organic connection with the surrounding fields. That he returned to these locations at different times of the year further suggests a cyclical connection with nature. The shapes of these farm structures allowed Garber to insert small cubic forms into the landscape, which in of itself is composed of a loose grid of interlocking rectangular, triangular, and trapezoidal forms." $200,000-300,000


87 free≤an’s fine american & european paintings & sculpture

06/13/10


88 free≤an’s fine american & european paintings & sculpture

06/13/10 149 WALTER EMERSON BAUM (american 1884-1956) HOUSES BY A RIVER Signed ‘BAUM’ bottom left, oil on board 12 x 13 3/4 in. (30.5 x 34.9cm) provenance: Acquired directly from the artist. By family descent. Private Collection, Pennsylvania. $2,500-4,000

150 GEORGE SOTTER (american 1879-1953) “THE FARM, ASHMILL ROAD HOLICONG, PA LOOKING TOWARD LAHASKA” Inscribed and dated ‘GEO SOTTER 1948’ and inscribed with title verso, oil on board 7 1/2 x 9 1/4 in. (19.1 x 23.5cm) provenance: Artfull Eye, Lambertville, New Jersey. Private Collection, New Jersey. $4,000-6,000

151 HENRY BAYLEY SNELL (american 1858-1943) SAILING BOATS OFF COAST Signed ‘Henry B. Snell’ bottom left, oil on canvas 13 3/4 x 13 3/4 in. (34.9 x 34.9cm) provenance: Artfull Eye, Lambertville, New Jersey. Private Collection, New Jersey. $4,000-6,000


89 free≤an’s fine american & european paintings & sculpture

06/13/10

152 FERN ISABEL COPPEDGE (american 1883-1951) “WINTER SOLITUDE, LAMBERTVILLE” Signed ‘FERN I Coppedge’ bottom left, inscribed with title and signed in pencil on stretcher verso, oil on canvas 30 x 30 in. (76.2 x 76.2cm) provenance: Gift from the artist. An estate, Pennsylvania. $50,000-80,000


90 free≤an’s fine american & european paintings & sculpture

06/13/10 153 LAURENCE A. CAMPBELL (american b. 1939) “BOATHOUSE ROW-PHILA.” Signed ‘L A Campell’ bottom right, also signed and titled verso, oil on board 8 x 10 in. (20.3 x 25.4cm) provenance: Private Collection, Florida. $3,000-5,000

154 RANULPH BYE (american 1916-2003) “SWAMP MAPLES” Signed ‘Ranulph Bye’ bottom right, inscribed with title and dated ‘SWAMP MAPLES/OCT 30, 1969’, oil on masonite 10 1/2 x 15 in. (26.7 x 38.1cm) provenance: Private Collection, New Jersey. exhibited: Salmagundi Club, New York, New York, ‘Thumb-box Exhibition’, November 10thDecember 17th, 1969, number 159. $1,000-1,500

155 RANULPH BYE (american 1916-2003) “PARRY MANSION” Signed ‘Ranulph Bye’ bottom left, inscribed with title and dated ‘Sept 20 1969’ verso, watercolor on paper 15 3/8 x 22 1/8 in. (39.1 x 56.2cm) provenance: Private Collection, New Jersey. $700-1,000


91 free≤an’s fine american & european paintings & sculpture

06/13/10

156 WILLIAM LANGSON LATHROP (american 1859-1938) MERIDALE JERSEY FARMS Signed and dated ‘W L LATHROP 1930’ bottom right, oil on canvas 44 x 42 in. (111.8 x 106.7cm) provenance: Commissioned from the artist by the present owner’s father’s mother-in-law, Anna Ayer Fry, daughter of Francis Wayland Ayer, Founder of N.W. Ayer & Son, 1930. By family descent. Private Collection, Georgia. $20,000-30,000


92 free≤an’s fine american & european paintings & sculpture

06/13/10

157 SAMUEL GEORGE PHILLIPS (american 1890-1965) DELAWARE RIVER LANDSCAPE Signed ‘S. George Phillips’ bottom right, oil on canvas 23 x 27 in. (58.4 x 68.6cm) provenance: Pederson’s Gallery, Lambertville, NJ Private Collection, New Jersey. $10,000-15,000


93 free≤an’s fine american & european paintings & sculpture

06/13/10 158 ROY NUSE (american 1885-1975) “BY THE BANKS OF THE NESHAMINY (WINDOW OF TREES)” Oil on canvas, laid down on board 18 x 16 in. (45.7 x 40.6cm) provenance: The artist. Gifted to the present owner, a student of the artist. Private Collection, Pennsylvania. note: This lot will be accompanied by a letter of authenticity signed by Robin Nuse and dated July 2, 2004. $10,000-15,000


94 free≤an’s fine american & european paintings & sculpture

06/13/10

159 HARRY LEITH-ROSS (american 1886-1973) PASTURE IN EARLY SPRING Signed ‘Leith-Ross’ bottom right, inscribed with title and signed in pencil on stretcher and with typewritten label verso, oil on canvas 24 x 32 in. (61 x 81.3cm) provenance: Private Collection, New Jersey. $10,000-15,000


95 free≤an’s fine american & european paintings & sculpture

06/13/10 160 HARRY LEITH-ROSS (american 1886-1973) “BREATH OF SPRING’ Signed ‘Leith-Ross’ bottom left and with typewritten artist’s label verso, watercolor on paper 18 3/4 x 26 5/8 in. (47.6 x 67.6cm) provenance: Golden Door Gallery, New Hope, Pennsylvania. Private Collection, New Jersey. $2,500-4,000

161 HARRY LEITH-ROSS (american 1886-1973) A SUNLIT FARM Signed ‘Leith-Ross’ bottom right, watercolor on paper 6 1/4 x 13 1/4 in. (15.9 x 33.7cm) provenance: Private Collection, New Jersey. $1,200-1,800


96 free≤an’s fine american & european paintings & sculpture

06/13/10 162 FERN ISABEL COPPEDGE (american 1881-1951) FISHING BOATS IN A HARBOR Signed ‘Fern I Coppedge’ bottom left, oil on canvas 20 x 18 in. (50.8 x 45.7cm) provenance: Private Collection, Topeka, Kansas. $10,000-15,000


97 free≤an’s fine american & european paintings & sculpture

06/13/10

163 FERN ISABEL COPPEDGE (american 1888-1951) “HOT SPRINGS, VIRGINIA” Signed ‘Fern I Coppedge’ bottom right, inscribed with title in pencil on stretcher verso, oil on canvas 12 x 12 in. (30.5 x 30.5cm) provenance: Private Collection, New Jersey. $10,000-15,000


98 free≤an’s fine american & european paintings & sculpture

06/13/10

164 WALTER ELMER SCHOFIELD (american 1867-1944) “THE COAST OF CORNWALL” Signed ‘Schofield’ bottom right, also signed and titled in pencil on stretcher verso, oil on canvas, in a Newcomb Macklin frame 26 x 30 in. (66 x 76.2cm) $10,000-15,000


99 free≤an’s fine american & european paintings & sculpture

06/13/10

165 RICHARD GIBSON WEDDERSPOON (american 1889-1976) “TOWN BENCH, NAPLES, FLORIDA” Signed ‘R.G. WEDDERSPOON’ bottom right, inscribed with title on stretcher verso, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: Private Collection, Florida. $6,000-10,000 END OF SALE


Index Abbott, Y., 105, 106 Albert, E., 94 Antwerp School, 7 Aruffi, L.G., 129 Ball, T., 64 Barye, A.L., 41 Baum, W.E., 144, 145, 149 Baumgartner-Stolloff, A.C., 32 Beaubrun, C., 1 Beaubrun, H., 1 Bentley, J.W., 128 Berthelsen, J., 110 Best, A.W., 127 Blommers, B.J., 29 Bonheur, I..J., 40 Bonheur, R., 37-39 Brown, H., 96 Burbank, E.A., 120, 121 Bye, R., 154, 155 Campbell, L.A., 153 Carabain, J.F., 24 Clarke, W.H., 18, 19, 21, 22 Colman, S., 71 Coppedge, F.I., 140, 143, 152, 162, 163 Cropsey, J.F., 73 Dahl, M., circle of, 12 Dam, Vu Cao, 58, 59 Detaille, E.J.B., 46 Diaz de la Pena, N.V., 35, 36 Dougherty, P., 122-124

Dufner, E., 90 Dutch School, 10 Eaton, C.W., 98 Eichinger, O., 34 Enriquez, R., 44 Fisher, H., 116, 117 Francia, F., manner of, 9 Franco-German School, 2 Garber, D., 148 Gay, W., 82 Gherardi, G., 5 Gisson, A., 107 Glackens, W., 113 Goodwin, A.C., 108 Goubie, J.R., 48 Grolleron, P., 45 Gruppe, C.P., 85, 95 Gruppe, E.A., 102, 104 Guardi, F., manner of, 6 Hart, W., 87 Heintz the Younger, J. circle of, 3 Herzog, H., 68 Hinckley, T.H., 61 Hornel, E.A., 20 Hoster, H., 115 Kauba, C., 119 Keast, S.S., 141 Keirincx, A., manner of, 4 King, A.F., 86 Kluyver, P.L.F., 27

Knight, D.R., 81 Knight, L.A., 83, 84 Kossak, J., 33 Laroche, A., 42 Lathrop, W.L., 156 Lawrence, T., circle of, 11 Lawson, E., 99 Le Pho, 57 Leith-Ross, H., 159-161 Lever, H., 100, 101 Lewis, E.D., 76 Longpre, R.M., 50-56 Martino, A.P., 146, 147 Masure, J., 49 McCord, G.H., 88 Meltzer, A., 142 Moormans, F., 23 Moran, E., 65, 67 Moran, E.P., 62 Muhlig, M., 31 Neogrady, L., 30 Norton, W.E., 91 Nuse, R., 158 Oberteuffer, G., 97 Parton, A., 75 Parton, E., 77, 92 Payne, E., 126 Peale, H.C., 63 Phillips, S.G., 157 Pieters, E., 28 Pope Jr., A., 69

Price, M.E., 137 Pritchett, E., 17 Ream, M., 70 Richards, W.T., 72 Roman School, 8 Rowlandson, T., 14 Sargent, J.S., 78-80 Scherrewitz, J.F.C., 26 Schofield, W.E., 164 Segonzac, A.D., 60 Shayer, W., 15 Snell, H.B., 151 Sotter, G., 150 Springer, C., 25 Stevens, W.L., 109 Stringer, T., 13 Suzor-Cote, M., 74 Taylor, W.F., 138, 139 Vere, F.D., 66 Vibert, J.G., 43 Walter, M., 130-136 Watkins, F., 118 Webber, W., 89 Wedderspoon, R.G., 165 Wendt, W., 125 Wiggins, G., 111, 112 Willcox Smith, J., 114 Williams, E.C., 15 Worms, J., 47 Yates, C., 93

Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

contemporary or nearly contemporary, but not necessarily his pupil; e.g. Follower of Charles Willson Peale.

names Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

school of School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

attributed to Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale. studio of Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale. circle of Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale. follower of Follower of..... refers to a work by a painter working in the artist’s style,

manner of Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

after an artist After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale. signatures & dates Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist. Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand. All references to signature, inscriptions and dates refer to the present state of the work. measurements Dimensions are given height before width.


The Vader Project Auction 07/10/10 Auction: Saturday, July 10th at 12pm Exhibition: Monday, July 5th through Friday, July 9th 10am–6pm

PLASTICGOD (B. 1973) PRAISE THE LORD Mixed Media $10,000–15,000

Inquiries: simeon lipman tel: 267.414.1213 slipman@freemansauction.com kati gegenheimer tel: 267.414.1212 kgegenheimer@freemansauction.com

This auction is not sponsored or endorsed by Lucasfilm, and has no relationship with Lucasfilm. Star Wars and all related intellectual property is © or ® 2010 Lucasfilm Ltd. & TM. All rights reserved.

www.freemansauction.com

Check out www.freemansauction.com for more exciting auctions including the September 3rd Pop Culture sale for which we are currently accepting consignments

Freeman’s 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel:215.563.9275 Fax:215.563.8236


Purchase removal, shipping and offsite storage information To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date. Collection hours are Mon - Fri, 9:30 - 4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successful bidder and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 Tel: 484-552-8741 Fax: 484-552-8744 quotes@vgpackagingllc.com UPS Store Contact: John Bohach 51 North 3rd Street Philadelphia, PA 19106 Tel: 215.629.4990 Fax: 215.629.4992 Email: store4242@theupsstore.com Mr. C’s Contact: Charles Cohen Tel: 267.977.9567 Email: mrcees61@gmail.com Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 Tel: 718.706.7999 Fax: 718.707.2847 Email: michael@cadogantate.com

Craters & Freighters 4110 Butler Pike, Suite A-101A Plymouth Meeting, PA 19462 Tel: 610.397.0488 Tel: 866.397.0488 Fax: 610.397.0878 Email: philly@cratersandfreighters.comA.

Mizzentop ETS 1409 Beaver Valley Pike P.O. Box 196 Refton, PA 17568 Tel: 717.786.8809 Fax: 717.786.2978 Email: info@mizzentoptransport.com

Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 Tel: 215.491.0346 Fax: 215.444.9327 Email: mastroccomovers@snip.net

Old City Movers Contact: John Ziemba 1324 North 4th Street Philadelphia, PA 19122 267.205.5209 oldcitymovers@oldcitymovers.com

Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 Tel: 212.715.0629 Fax: 718.361.8569 Email: info@aistonart.com Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500

The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 Tel: 215.361.6940 Fax: 215.361.6941 Email: hello@packandshipnow.com FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.


Fine Paintings Thursday, 10th June, 2010 33 Broughton Place, Edinburgh

INCLUDING WORKS FROM THE COLLECTION OF LEHMAN BROTHERS HOLDINGS INC. THÉOPHILE POILPOT (FRENCH 1848-1915) L’EMBARQUEMENT DE LA NORMANDIE AU HAVRE Signed, inscribed and dated,’Esquisse du diorama 1889’, oil on canvas 111cm x 200.5cm (43.75in x 79in) Provenance: Hirschl & Adler, New York, no. 6355

£20,000-30,000

Viewing times Sunday 6th June 2pm - 5pm Monday 7th to Wednesday 9th June 10am - 5pm Morning of Sale strictly by appointment only Enquiries

Nick Curnow, Elena Ratcheva or Ben Hanly Tel: +44 (0)131 557 8844 E-mail: nick.curnow@lyonandturnbull.com

Illustrated catalogue £12 plus postage and packing

w w w. lyo n a n d t u r n b u l l . co m


Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions. 1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of .1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.


www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236


Fine American & European Paintings & Sculpture  

Fine American & European Paintings & Sculpture Auction on June 13th 2010

Read more
Read more
Similar to
Popular now
Just for you