PORTFOLIO - 2018 English

Page 1

PORTFOLIO

2018

Janek Franz Ferdinand Meyer


Hi.


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Content

4-6 7-105 106-109 -4-

Persona Projects Teaching


CV M.Sc. (Arch.) Janek Franz Ferdinand Meyer 03 / 1989

Born in Tübingen, BaWü, Germany

06 / 2009

Abitur at Max-Planck-Gymnasium, (Berlin)

10/2009 - 05/2010 Internship at ‘Susanne Hofmann Architekten‘ led by Prof. Susanne Hofmann BDA, (TU Berlin) since 10/2010 Bachelor degree programme Architecture at Technischen Universität Braunschweig 06/2013 – 08/2013 Internship at MVI PROPLANT, Inc. (Wolfsburg) 10/2013 - 10/2018 Tutor at Zeichnen Eins am IEX led by Prof. Berthold H. Penkhues, (TU Braunschweig) 04/2014 - 09/2015 Tutor at Entwerfen Eins am IEX led by Prof. Berthold H. Penkhues, (TU Braunschweig) 09/2016 – 11/2016 Internship at NowLab@BigRep led by Daniel Buening, (Berlin, Start-up-Unternehmen) since 04/2017 Master degree programme Architecture at Technischen Universität Braunschweig 10/2017 B.Sc. (Arch.) 11/2017 Special honouring at ‚SMALL SPACES - 25 Ideen für Braunschweig‘- Competition by the City of Braunschweig and ILA (TU Braunschweig) 10/2018 M.Sc. (Arch.)

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Portfolio 8-15

2017

2017

60-69

Terrain Vague VAI

Munich Cowboy Werksviertel Munich

Industriell-Tower, Vertical Agrar-Industry Hambach

Brewery, Fieldtrip Munich

16-31

2014

2014

70-79

SPA Pompeii Design Research Project / SPA

Sterkrade Oberhausen Schlaun Competition 2014

Thermal Bath, Experimentell Pompeii, Italy

Synergy-Concept, Urban development Competition Oberhausen

32-39

2013

2017

80-85

Exhibitionpavillon TU Braunschweig

School on Top Educational Campus - Anhalter Bahnhof

Museum Braunschweig

Educational Campus, Concept Berlin

40-51

2015

2018

86-101

Bauhaus Museum Dessau 100 years of Bauhaus

Cultural Stage Ost-Berlin Potencial Space

Museum, Analog&Digital Dessau

Cultural Concept, City-Revival Berlin

52-55

2012

102-105

2017

Residence Arno Schmidt Student‘s-Residence

Seminars Dynamic Surface, [...]

Student‘s-residence Schauerfeld

Ortlos

56-59

2017

106-109

2013-2018

SMALL SPACES Biosphere One

Teaching at the IEX Entwerfen Eins, Zeichnen Eins

Vial, Archivist Braunschweig

Assistance in teaching at the IEX IEX, TU Braunschweig -7-


2017

Terrain Vague

Vertical Agrar Industry

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land

produced all year under greenhouse

in Germany is used for agricultural

conditions based on circular economy

purposes.

and hydroponics.

99%

of

private

undeveloped

Despite

this

maximum

utilization, much of the feed grain

By 2050, probably 80% of the world‘s

needed for livestock is imported from

population will live in urban areas. To

other countries, such as Mexico. Thus,

feed these 3 billion additional people, it

German agriculture consumes about

would require an agricultural area of 1 ​​ 09

140% of its own agricultural area.

hectares of newly developed land. Such

In order to meet food needs by

an increase is not feasible and would

increasing productivity, forests continue

lead to massive environmental damage.

to be cleared to sacrifice their land to

Vertical farming helps by resource-

agriculture, destroying an important

saving

part of our ecosystem. There is a need

remedy. Vertical agriculture enables

for action. Thanks to a special process,

year-round and seasonal independent

RWE has successfully recultivated part

plant production. Because there is no

of the surface used in the Hambach

longer any need to transport and cool

opencast mine, thus serving as a pioneer

the crop, there are fewer crop losses

in the recultivation of megafaces.

and less spoiled fruit. In the field of

In order to continue to create land

external crops, the harvest is exposed

for recultivation and become food-

to a variety of abiotic factors. These

technically

future

include above all meteorological factors

productivity growth must no longer

such as heavy precipitation, hail, storms,

be due to the expansion of agricultural

drought and frost.

land, but it must be supported by

But

radical reorganization of production

earthquakes,

and consumer rethinking of food.

and the like have an impact on crop

The cultivation of fodder crops in

yields. Each hectare of usable area of ​​a

livestock makes up by far the largest

vertical form could allow for the return

part of agricultural land. To produce 1kg

of 10 to 20 hectares to natural fallow

of beef you need 9kg feed grain.

land. Farmland‘s redevelopment is not

So it seems almost natural that a

needed for vertical farming, which could

traditional diet with meat as the main

prevent deforestation, desertification,

protein supplier is an unsustainable

salinization, nutrient leaching, overuse

idea. As a sustainable and appropriate

and pollution. Biocide and fertilizer use

treatment of animals, the breeding of

is significantly reduced by controlled

insects should be proposed. Insects

environmental

live naturally in dense colonies, they

with the damage threshold concept

search each other in a confined space.

and the nutrient uptake and release of

In addition, only 1kg of feed grain is

the plants can be controlled exactly.

needed to produce 1kg of protein.

Vertical farming enables the conversion

The saved natural area would benefit

of polluted „black and gray water“

recultivation.

into drinking water by capturing the

Vertical agriculture or vertical farming

water released by evapotranspiration.

is a term of future technology. Vertical

The use of process water would result

farming means the conversion of a viable

in no further „algae blooms“ and

agriculture mass production of plant and

eutrophication processes. From the

animal products to a smaller footprint.

composting methane biogas plants

In

so-called

could be operated. The recovered

farmscrapers, fruits, vegetables, edible

biogas can be converted directly into

edible mushrooms and algae are to be

electricity.

autonomous,

multi-storey

buildings,

use

and

geological

circular

factors

erosion,

such

forest

conditions.

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economy

It

as fires

works


Fundamental Diagrams NAHRUNGSMITTELBEDARF PRO PERSON PRO JAHR Milchprodukte Fleisch Fisch Eier Obst

Getreide Reis Milchprodukte in m2 2%

Kartoffeln

Kartoffeln in m2 1% Reis in m2 1% Getreide in m2 14%

Zuckerprodukte 1.0

12.9

24.8

36.7

48.6

60.5

72.4

Obst in m2

1% 84.3

96.2

3%

108.1

120.0

Eier in m2 2% Fisch in m2 2%

gesamt 2074 qm

Fleisch in m2 73%

Protein in m2

Milchprodukte in m2

Fleisch in m2

Fisch in m2

LW Produkte

Eier in m2

Obst in m2

Getreide in m2

Durch Insektenzucht eingesparte LW-Fläche

Reis in m2

Kartoffeln in m2

27%

Zuckerprodukte in m2

0.0

160.0

320.0

480.0

640.0

800.0

960.0

gesamt 1509 qm

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1120.0

1280.0

1440.0

1600.0

73%


Synergy Concepts  

Vertical Agrar Industry and 1/3 Energy Supply Patent / Universal Recultivation Patent Vertikale Landwirtschaft oder Vertical Farming ist ein Begriff der Zukunftstechnologie. Vertical Farming bedeutett die Umwandlung einer tragfähigen Landwirtschaft Massenproduktion pflanzlicher und tierischer Erzeugnisse auf einem geringneren Footprint. In mehrstöckigen Gebäuden, sogenannten Farmscrapers, sollen dann ganzjährig unter Gewächshausbedingungen, basierend auf Kreislaufwirtschaft und Hydrokulturen, Früchte, Gemüse, essbare Speisepilze und Algen erzeugt werden. Bis zum Jahr 2050 werden vermutlich 80% der Weltbevölkerung in urbanen Ballungsräumen leben. Um diese 3 Milliarden zusätzlichen Menschen ernähren zu können, würde es eine landwirtschaftlichen Nutzfläche von 109 Hektar neu erschlossenen Landes benötigen. Eine solche Erhöhung nicht realisierbar und würde zu massiven Umweltschäden führen. Vertical Farming schafft durch ressourcenschonende Nutzung und Kreislaufwirtschaft Abhilfe.Die Vertikale Landwirtschaft ermöglicht eine ganzjährige und saisonunabhängige Pflanzenproduktion. Weil weite Transporte und Kühlung der Ernte entfallen, gibt es weniger Verluste innerhalb der Ernte und weniger verdorbene Früchte.In der Außenbewirtschaftung ist die Ernte einer Vielzahl von abiotischen Faktoren ausgesetzt. Dazu gehören vorallem meterologische Dinge, wie Starkniederschläge, Hagel, Stürme, Dürre und Frost.

presently farming

 

Aber auch geologische Faktoren, wie Erdbeben, Erosion, Waldbrände und ähnliches haben Einfluss auf die Ernteerträge. Jeder Hektar Nutzfläche einer vertikalen Form könnte die Rückführung von 10 bis 20 Hektar in naturbelassenes Brachland ermöglichen. Die Neuerschließung von Farmland ist für Vertical Farming nicht nötig, wodurch Entwaldung, Desertifikation, Versalzung, Nährstoffauslaugung, Übernutzung und Umweltverschmutzung verhindert werden könnten. Der Biozid- und Düngereinsatz vermindert sich durch kontrollierte Umgebungsbedingungen erheblich. Es wird mit dem Schadschwellenkonzept gearbeitet und die Nährstoffaufnahme und -abgabe der Pflanzen kann exakt gesteuert werden. Vertical Farming ermöglicht die Umwandlung von verschmutztem "Schwarz- und Grauwasser" in Trinkwasser, indem das durch die Evapotranspiration abgegebene Wasser aufgefangen wird. Durch die Verwendung von Brauchwasser würden keine weiteren "Algenblüten" und Eutrophierungsprozesse entstehen. Aus der Kompostwirtschaft könnten Methan-Biogasanlagen betrieben werden. Das gewonnene Biogas kann direkt in Elektrizität umgewandelt werden.

verticality

 

Vertical Agrar Industry and 2/3 Energy Supply Patent / Universal Recultivation Patent

vertical farming

high-technology and energy supply

 

vertical agrar industry

 

Vertical Agrar Industry and 3/3 Energy Supply Patent / Universal Recultivation Patent

2 -3 Ernten im Monat

Der geschlossene Kreislauf bietet eine Energieersparnis von bis zu 98%

Fast 100% Wasserersparnis im Gegenzug zur herkömmlichen Fleischproduktion 2kg Getreide pro 1kg Protein

O2- und sauberes Wasser

Raumklima Feucht, 20-30°C

Raumklima Feucht, 20-30°C NH3- NO2- NO3gesättigtes Wasser aus den Fischtanks

Raumklima Feucht, 20-30°C

NH3- NO2- NO3gesättigtes Wasser aus den Fischtanks

NH3- NO2- NO3als natürliches Düngemittel für Pflanzen O2- und sauberes Wasser

~ 2.145 mio. qm

6x Produktion

~ 12.762 mio. qm

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Isometry

Anbau: Energiemais

Anbau: Getreide

Anbau: Wurzelgemüse Anbau: Kleine Obste

Forschung Anbau: und Hochwachsende Sensibilisierung Obste

Solarthermie

Anbau: Kleine Gemüse Anbau: Hochwachsende Gemüse Anbau: Reis Zucht: Insekten

Zucht: Lachse

Ankunft / Besucherinformation Seminar

Umschlagplatz Bahnhof

Biogas

Biofeststoff

Wasseraufbereitung Aquaponik Algen

Geothermie

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Exploded Isometry

Pflanzenmodule

Anbau: Kleine Obste

Lastenaufzüge

Solarthermie

Insektenkörbe Zucht: Insekten Lüftung und Frischwasser

Solarthermie

Wasserbassins

Zucht: Lachse Solarthermie

Reinigung und Verpackung Forschung und Seminar

Ankunft / Besucherinformation Sensibilisierung Umschalgplatz Bahnhof

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SPA Pompeii

Design Research Project / SPA

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2014


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„Das Design Research Projekt (DRP) ist ein sechsmonatiger Kurs

The aim of my investigation is to

innerhalb des Architektur Masterprogramms der Technischen

implement the acquired information

Universität Braunschweig, initiiert im Jahre 2011, durch Prof.

about the material and its behavior

Berthold H. Penkhues vom Institut für experimentelles Entwerfen.

from the ‚real‘ (earthly) cosmos into an artificial environment. Here, physical

Es ist als open-source Entwurfsprojekt organisiert, das sich in einer ersten Phase dem systematischen Ergründen von Potentialen eines Materials verpflichtet. Der Fokus liegt auf dem Finden, Auslösen und Kontrollieren von inhärenten Verhaltensmustern, Hierarchien und Systemen. Diese fundamentalen Grundprinzipien werden in Form von Verräumlichungsstrategien interpretiert. Hierbei wird das Material nicht nur als Informationsträger gesehen, sondern vielmehr als Partner im Forschungsprozess integriert. Phänomene werden nicht nur akzeptiert, sondern dokumentiert, verstanden, kontrolliert, weiterentwickelt und in diesem Zuge

laws are deliberately neglected and even

completely

intersecting,

overlooked.

condensing,

By

refracting

and dissolving the material in the artificial space, the added value of information that could not be achieved under

‚normal‘

circumstances

is

described. Accompanying the question of qualitatively exciting space, a spatial

auch in andere Materialitäten und Verfahren übersetzt.

composition / sequence should be kept

[...]

in mind.

Das Vermittlungsformat besteht aus der am Institut betreuten, analytischen Seminararbeit die unterstützt wird von analogen

The kinetic energy (from Greek kinesis

Material-Workshops in der Fabrik (Lehrauftrag Astrid Bornheim)

= movement) or kinetic energy is the

und einem digitalen Workshop (Lehrauftrag Sebastian Kaus) zur

energy that an object contains due to its

Entwicklung, weiterführender Formfindungsprozesse aus der

motion. It corresponds to the work that

Theorie heraus.

has to be spent in order to put the object

Drei verschiedene Interpretationen von „Experiment im Entwurf“

from rest into the current movement.

werden getestet:

It depends on the mass m and on the speed of the moving body.

1. Das intuitive Machen vor Ort im Maßstab 1:1 (Workshop mit Astrid Bornheim)

For example, if an object of mass m =

2. Die wissenschaftliche Analyse und Interpretation der Workshopergebnisse

Die

digitale

Übersetzung

/ h, it has a kinetic energy of T = 1/2 * 1000kg * (100km / h ^ 2 = 385.800

(Seminararbeit am Lehrstuhl) 3.

1000kg flies at a velocity of v = 100km

joules. und

Entwicklung

von

Formfindungsprozessen

The deformations are analyzed step by

(Workshop mit Sebastian Kaus)

step. (Graphics 1 - 4)

4. Die Übersetzung in einen architektonischen Entwurf

The

(Entwurf am Lehrstuhl, optional, Phase 2)”

potential of the analysis images are then

form,

appearance

and

spatial

translated into architectural ideas and https://www.competitionline.com/de/beitraege/97731

mouths into a draft

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Workshop Documentation + Shape Studies

1

2

3

4

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Shape Studies + Concept Drafts

The graphical intersection and densification of the individual drawings can be seen in spatial qualities. These and the deformation properties serve as the basis for the design of a spa.

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Shape Studies + Concept Drafts

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Site, Pompeii

The SPA Pompeii hovers over the ruins of the historic SPA in the center of Vesuvius 79 AD. destroyed city. The new spa will be invigorating and a place of recreation. While the ruins are normally visited by tourists, the SPA Pompeii should make a contribution to alternative use. Too often ruins of historic buildings and cities and neighborhoods appear as foreign objects or much more than dead body parts. The idea of ​​‚remembrance‘ somehow puts a latch to the old city, which can only be opened for a fee. These very latches separate the bustling life from outside of a dead historic city core. Living in such a space of tension between old buildings at eye level and a contemporary architecture above it offers a completely new approach to historical buildings, and the ruins come a little closer to their original meaning.

The pools and spa rooms are located on / in a level. It connects various stations

of

a

SPA

[Apodyterium],

[Caldarium, [Tepidarium], [Frigidarium], [Sudaterium], by

snacks,

outdoor

[Aleipterion], foyers,

facilities

[Natatio]

loungers for

and

distraction. - 22 -


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Lounch

Sudaterium

Fruitbar

Sudaterium

Lounch

Sudaterium Saftbar

E

Sudatorium

KĂźche

Behinderten WC WC WC Void / lager

Empfang

Natatio

Natatio

Aufgang / Aufzug

A

Void / Lager

Apodyterium H

Natatio

Apodyterium D

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Cubature Pictogram

Apodyterium

Frigidarium

Cladarium

D

Frigidarium

C Frigidarium

Tepidarium

Tepidarium Caldarium

B

Apodyterium

Caldarium

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- 27 -


E

A

ErschlieĂ&#x;ungscone

Badeebene

Natatio

Palasteon

- 28 -


C

D B

26.60 m

Frigidarium Sudatorium

Caldarium

Tepidarium

Dachebene 16.60 m

11.40 m

7.80 m

Bestandstherme

4.50 m

Weg nach Rom

Caldarium

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Perspective: Garden under the SPA

- 30 -


- 31 -


wtih Sophia Ros

2013

Exhibitionpavillon

TU BS

- 32 -


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The task was to design an exhibition pavilion for the TU

Braunschweig. The main function of it should be to present

the TU Braunschweig appropriately outward. The site is to be

understood as a border area between Forum Square and Oker

River. Our goal in the design is to transform the outskirts through

our design into a connector. The entrance of the pavilion is

oriented towards the forum square, is an attractor and guides

the people in the direction of the pavilion. What is presented

to the visitor is a concrete body, which, however, has different

surface textures. The pavilion doesn‘t open to the outside. Only

precise openings are generated, these are on the one hand at

the entrance and on the other side of the Oker located in the

area of the ​​ café.

At the end of the path, once the visitor has crossed the building

and returned to the ground floor via a second ramp, he finds

himself in the café, which, with a wonderful view of the Oker,

invites visitors to linger and gives the visitor the opportunity to

appreciate the impressions of the building to process.

- 34 -

Site, Campus TU BS


- 35 -


The different materials and surfaces are

The visitor is guided through the wood

hardly any actual room closures. The

an important feature in the interior and

to and through the exhibition. Another

different rooms and room situations are

exterior. The homogenous and smooth

important component of the design is

concrete facade in the outdoor area is

the interplay between the interior and

interrupted by concrete surfaces on

the perceived exterior space. The wood

which the wood grain of the shuttering

extends from the exterior space into the

boards can be read off. This concrete

interior as well as from the interior to the

surface is located in the entrance area

exterior. This measure means that the

only rooms that have an actual room

and leads the visitor inside the building.

visitor hardly perceives the boundaries

closure are the lecture room and the

Upon entering, the visitor finds himself

between interior and exterior space.

function rooms. At the end of the path,

in a space that is not immediately

The shape of the building emerges from

recognizable and cannot be overviewen;

the path the visitor should take. The

the interior surfaces guiding the visitor

design of the roof shape also results

through the exhibition are oriented

from the shape of the path; At the same

towards

movement

time, one can also read the position of

direction. In addition to the various

the two most important buildings in

concrete surfaces, the wood as a third

the roof: the presentation room and

the visitor the opportunity to experience

material has an important function.

the cafĂŠ. Inside the building there are

the To process the building.

the

visitor‘s

- 36 -

mainly due to differentiated levels and elements, such as the roof, which also generates different rooms. The different levels are separated only by ramps. The

once the visitor has crossed the building and returned to the ground floor via a second ramp, he finds himself in the cafĂŠ, which invites visitors to linger with a wonderful view of the Oker and gives


Floorplan ground floor

Floor plan 1st floor

- 37 -


- 38 -


- 39 -


2015

Bauhaus Museum Dessau 100

Years Bauhaus

- 40 -


- 41 -


This graphic shows the metamorphosis

through the intersections. A blur begins

of an event or its meaning. Depending

to disguise the origin of the message

on the platform, message service or

and its meaning. The information gets

sentience of the divisor, the content of

more and more blurry and the picture

the ‚re-post‘ will be different. The event

becomes ambiguous.

here consists of four elements which are metaphorically changed by pictorial

[Cloud]

concepts.

As a final logical consequence of the two thoughts described above, I consider

[Traces]

the next step. The messages refer to

Figuratively speaking, individual facts

each other‘s content. Networking also

of an entire message are distorted,

takes place in time. Older contents with

shifted or outsourced. These functions

supposedly important information are

of potentially manipulating messages

projected to the current state. The fact is

often overlap or occur in combination.

long unreadable and can not be found in

Due to the fact that one reads not only

the cloud. In the meantime, the process

news from one house per day but from

of interference has progressed so far

houses as different as possible, an

that everything can be reconciled with

overlay also takes place here. The same

everything else. Small condensations

facts of different weighting interfere.

show metaclouds, spaces in the cloud that still have some center of gravity, but

[Lyse]

are so intertwined that they can hardly

The interference is only from the outside

be separated, let alone recognize a clear

a compression of content, actually

boundary between them. The message

dissolves the actual content or its facts

has deprived itself of the content.

- 42 -


Metamorphosis, Concept Drafts

- 43 -


The high quality of 2D and 3D scanning

knowledge.

makes it possible to examine and

Socialmedia is an important partner,

experience an exhibit down to the

as users are usually in the process of

smallest detail; For example, find traces

profiling themselves through images

of individual brush fibers and their exact

of what they have experienced on

line on a canvas, or the microscopic

the internet, if the museum, as an

structure of the material of a sculpture.

extravagant

This

aesthetics and science, is the ideal place

allows

for

the

paradoxical

simultaneal

space

of

conclusion that one can come closer

for exactly this use.

to a piece of art on a display than in

While the quality of an internet presence

the traditional way, since most objects

is usually dependent on the handling

are ‚hidden‘ behind glass and, for fear

capabilities of an intern‘s social media,

of theft, can only be viewed from a

one should make the user his own. He is

certain minimum distance. It is precisely

only too happy to put himself there and

this fear that is erased by the use of

thus to the immediate location of the

digital reproduction. Contrary to many

event and its contextual background.

opinions, the exhibit is ‚live‘ nicer and

An art house can simply sit down and

better to perceive than in the imitated

use the process to benefit the visitor.

state, but the digital reproduction has

The visitor draws attention to the

completely new potential.

exhibition as an experience. In any case, public relations does not take place in

PLACE OF STAGING

the Kunsthaus‘s own four walls; potential

An example is the app of the Frankfurt

visitors perceive the museum in non-

Städel ‚Imagoras‘. Children are given a

architectural space. Users put a lot more

virtual tour of the museum‘s collection.

photos on the web than would ever be

Here, an audience is opened, which

possible with a single PR department.

is otherwise difficult and especially

In addition, the users themselves are

little independent in touch with art.

so different that a diverse audience

The Google Art project is also setting

could be approached again, as would

new standards. For example, scanned

be possible for a single curator or

images and documents today can be

advertising officer.

viewed much more sharply than was ever the case in the original. Details come to

Is not every smartphone today also

the fore, breathtaking characteristics of

equipped with a camera and a diverse

the material and color nature literally

repertoire of filters that minimize the

catch your eye, the knowledge about

occurrence of photographic missteps?

the work of art is often enhanced by the

In addition, the event of a visit to

knowledge of the arts and crafts, digital

museum facilities is a valuable indicator

as well as a much larger mass of this

for Ambitious Photography. - 44 -

Perspective: Analogue Exhib


bition

- 45 -


Museum + Cloud

variability. Exhibits are always re-facing

The ancient ‚Museion‘ as predecessor of

and facing each other to guarantee

the museum had at that time [3rd c. v.

contextual interference.

Much more a preservation, collection,

The answer to the question of the manner

and research assignment. In the 20th

of the exhibition is not least determined

century This changed, the museum

by parameters such as lettering and

became the exhibition and mediation

lighting, an identity of the exhibition

room of art, culture, history and even

house

technology is exhibited today. Due to

element. Media innovations and further

this change, the multimedia opening

developments are required.

of these institutions to the public,

The number of visitors often decides

visitor numbers have become more

not just in front of the door of the house,

and more the basis of legitimacy. Her

but much earlier, with a click on the

own holdings have moved into the

respective homepage, and even that

background, the curator is now exposed

sounds at times in which every small

to

startup company puts its own app on

an

entertainment

obligation,

has

become

a

determining

audience wants to be entertained with

the net to Advertise, almost obsolete.

a variety of temporary exhibitions, he

Through photographic reproduction,

must satisfy both public and sponsors

the museum is already on the net today,

alike. Likewise, ‚marketing‘ has become

the mediation claim will be continued

an important component; How are

here.

exhibits exhibited and staged? The

[Since art per se is a photogenerator

educational mission gained calls for

than

and enables different target groups to

cloud is automatically implemented

be multidimensionally addressed at the

as a hierarchization principle. Content

same time.

deemed aesthetically pleasing is likely

In order to meet different demands and

to be shared or viewed more often than

to be able to approach target groups,

others, with the cloud becoming more

exhibits and their hostels must show

relevant.]

other

motifs,

- 46 -

the

exhibition


Site, Dessau

- 47 -


- 48 -


Floor plan: Analogue Exhibition + Archive, OG DOCK 10

DOCK 09

DOCK 12

DOCK 11

Beginn des Archiv-Rundgangs REAL - Ausstellung

Exponat-Ausgabe +06.50

+06.50

+07.50

+02.50

Steuerung

Archiv & Verwaltung

+12.50

- 49 -


Floor plan: Digital Exhibition + Virtual Exhibition, UG

- 50 -


Perspective: Digital Exhibition

Perspective: Virtual Exhibition

- 51 -


2012

Residence Arno Schmidt

- 52 -


- 53 -


Isometry, Overfly

The buildings are intended as ‚stations‘ to

libraries and events in the seminar

help the various visitors, to deal with the

house. If necessary, he talks in detail

topic of Arno Schmidt and to approach

with the scholarship holders and with

him. The path and the fragments of the

the Archivist in the seminar house.

building enter into a symbiosis with the showfield and make their way into the village without being „foreign“. They are not to be exempt from constant deterioration and renewal.

The ‚more interested‘ visitor He

enjoys

the

walk

across

the

Schauerfeld, he specifically goes to libraries and events in the seminar house. If necessary, he talks in detail

The ‚random‘ visitor He eats in the inn and enjoys a little walk across the Schauerfeld field without a sound knowledge of Arno Schmitd,

with the scholarship holders and with the Archivist in the seminar house.

after a short stay in the exhibition areas

The scholarship holder

he goes back home.

For a while, he lives and works in a small apartment and the libraries on the Schauerfeld. He experiences the other

The ‚more interested‘ visitor He

enjoys

the

walk

across

the

Schauerfeld, he specifically goes to

visitors hardly or only specifically in the seminar house. - 54 -


Conference I

Perspective: Library

Floor plan: Library 00,00 m Lounge

00,00 m Storage

00,00 m Conference II

-3,00 m Conference I

00,00 m Lounge

Perspective: Seminar

Floor plan: Seminar 00,00 m Storage

00,00 m Conference II

-3,00 m Conference I

00,00 m Lounge

00,00 m Storage

00,00 m Conference II

Perspective: Stele field

Floor plan: Stele flied -3,00 m Conference I

00,00 m Lounge

00,00 m Storage

Perspective: Guesthouse

Floor plan: Guest House

00,00 m Bar / Dining

00,20 m Entrance

00,00 m Kitchen

00,00 m Kitchen Storage

- 55 -


2017

SMALL SPACES

Biosphere One

- 56 -


BS.SM

Janek Franz

Is

M

Institut fĂźr Lan

Prof.

- 57 -


Pictograms, Biodiversity

01

02

03

Biodiversity: Similar to a boreal climate

Biodiversity: Similar to the refrigerated zone Type: Central European deciduous forest

Biodiversity: Similar to a wet savanna

Type: forest tundra and coniferous forest, almost monocultural

Type: No trees, boggy ground

Diagram, Biodiversity 5

4

Grünflächen in der Innenstadt

Versiegelte Flächen in der Innenstadt

Arten x 1000

3 Artenvielfalt

2 Bevölkerung

1

Zeit

- 58 -


Through continuous urbanization, humans are increasingly displacing ecological areas and green oases in their own habitat. While the city of Brunswick has at least one ‚green belt‘ or ‚green ring‘ around its inner city, it is liberated within any green. An already heated by the daily business and rapid area without a rest or even dwell zone. It is obvious / obvious / obvious that the quality of life suffers here.

04

While valuable green space continues to be displaced in cities, between 1991 and 1994 American scientists and investors sought to create a self-sustaining, self-sufficient ecosystem in

Biodiversity: tropical-like, atmospheric circulation Type: Evergreen primeval forest, no thermal seasons

which survival would be possible over a longer period of time. The name of the project was ‚Biosphere 2‘ derived from ‚Biosphere 1‘, which is known as Planet Earth. The knowledge of the possibility of colonizing the moon or Mars was motivation enough for the scientists. So the ecosystem had to be ‚exported‘. I would like to give back to these gray and barren areas their green space and create for the population in addition the possibility of a dwelling and rest area. The further the processes of urbanization and urbanization progress, the less green space we will be able to experience in our cities. On the one hand because remaining green space has to give way to building masses, on the other hand because

Biodiversität in der Phiole

urbanization brings with it climatic changes that make the growth and growth of plants impossible. The vial is said to prevent these external changes from acting on the biosphere. It is not about preserving a tree, but about exhibiting the natural growth and decay of the ecological cycle of the biosphere. This should be a graph and memorial for future generations - 59 -


mit Lars Koop mit Lukas Steude mit Reuven Zweigel

2017

Munich Cowboy

Kompact Design Workshop

- 60 -


- 61 -


has

activities within this field. A collective

retained many urban qualities and also

process justifies the installation of

managed to create new ones. It typifies

small temporary cultural sites, whose

in a special way the type of the European

conceptual background is to be created

city, which despite the dissolution

from the (loss) fear and the imagination

phenomena is still largely preserved

of the residents. They should serve as

and has led to a strong identification

a (political) platform for exchange and

of the Munich with their city. In the

discourse and enable the appropriation

Werksviertel - a former commercial and

of the city by its original inhabitants.

industrial area - in the immediate vicinity

The Werksviertel has attracted our

of Ostbahnhof a new urban quarter is

positive

being built. The workshop deals with

structures

the current urban planning topic of

Nevertheless,

the currently largely unused factory

which makes this place a special Munich

district and aims to highlight the specific

location. In fact, we missed the typical

potential and qualities of the transitional

Munich flair. Whether its supposed

Indutriebrachen. Various interventions

weakness of character, the Werksviertel

should install small temporary (and

could be located in other cities. There is

/

no identity element that integrates the

Munich,

or

like

mobile)

few

other

cultural

cities,

sites,

which

attention as

with

an the

its

urban

existing location.

question

arose,

should initiate an artistic process and

Werksviertel in Munich.

a collective desire production in the

Munich is characterized by a strong

district. The programmatic uses as well

beer and brewery culture. Virtually

as the dimensions of the interventions

every quarter has its own brewery and

are concept-dependent and individually

affiliated tavern.

to develop. Reflections on the urban field

We would like to teach the Werksviertel

and its use are absolutely necessary.

this quality and thus preserve and reuse

Reflecting on art and the city in public

the old ZĂźndapp factory building.

(perhaps never power-free) space is a

The hall itself will be transformed into a

fundamental aspect of the new cultural

hop garden, thus serving as a valuable

sites, which are to be conceived as a place

recreational space for the inhabitants

for urban research and experimentation.

of the district. The brewery is executed

They should send impulses into the

vertically to generate a landmark in the

urban space and pick them up, they

cityscape. Under the brewery tower is

should provoke artistically and function

the tavern and below the host cellar. The

as a resource for the developing urban

garden is at ground level to enter and

space. The interventions should serve

invites you to linger. In addition, there

as part of a social, political and artistic

are the beer laboratories in the garden,

process that opens up perspectives for

where young entrepreneurs can test

the cultural use of urban space and other

and develop their own beer recipe - 62 -

Site, Munich


- 63 -


Collage, Functional Diagram

Workshop - Munich Cowboy Werk 9 - Zündappbräu * SS17 IAD Prof. Staab 4063714//4170579//4172161//4063661 * Analysecollage

- 64 -


Perspective

Workshop - Munich Cowboy Werk 9 - Zündappbräu * SS17 IAD Prof. Staab 4063714//4170579//4172161//4063661 * Außenperspektive

- 65 -


Workshop - Munich Cowboy Werk 9 - Zündappbräu * SS17 IAD Prof. Staab 4063714//4170579//4172161//4063661 * Grundriss Erdgeschoss Maßstab 1:200

Grundriss 6. OG - Brausaal

Grundriss 10. OG - Wassertanks

- 66 -

Grundriss Dachgeschoss


Brauerei-Turm fünf Brauprozesse können parallel stattfinden; die große Anzahl an Braukesseln geben Privatpersonen der Craftbeer-Szene die Möglichkeit in größeren Dimensionen zu brauen

Umnutzung der Zündapphalle die Tonnenschalen des Sheds werden durch eine öffenbare Verglasung ausgetauscht; somit wird die Umnutzung der Halle als große Gewächshaus ermöglicht

Struktur die flankierenden Gebäude der ehemaligen Fabrikhalle werden entfernt, sodass der Zugang der Halle an allen Seiten ermöglicht wird; die Primärstruktur der Halle bleibt erhalten

Gewächshäuser zusätzlich eingestellte Gewächshäuser ermöglichen unterschiedliche Klimazustände für die Züchtung spezieller Aromahopfensorten

Idee des Gartens die versiegelte Fabrikfläche wird aufgebrochen und mit landwirtschaftlich nutzbarer Anbaufläche ausgetauscht; inspiriert vom Englischen Garten und seinen Biergärten werden entsprechende Sitzmöglichkeiten inmitten des Hopfengartens angeboten

- 67 -


- 68 -


Perspectives

Workshop - Munich Cowboy Werk 9 - Z체ndappbr채u * SS17 IAD Prof. Staab 4063714//4170579//4172161//4063661 * Perspektive Hopfengarten

Workshop - Munich Cowboy Werk 9 - Z체ndappbr채u * SS17 IAD Prof. Staab 4063714//4170579//4172161//4063661 * Perspektive Wirthaus

- 69 -


mit Till Griesemann

Oberhausen Sterkrade

Schlaun Competition 2014

- 70 -

2014


IV

V II

VII IV

VI

VI

VI

II

I

III V

IV

V VI

V VII

VI

III

VII IV

III

III

V

III

V

IV

III VI III

III

III

III

VI

V

III

III

III

III

III III

III

IV IV IV

IV

III

III

III IV

III

IV

IV III

V IV

III

III III III

IV

III III

III

IV IV

- 71 -

V

III IV

V III


Mining as a source of energy will no

themselves. Unlike the allotment garden

also opens to the center, but brings the

longer exist in the entire Ruhr area by

concept, areas are managed by block

residents an urban quality to Sterkrade.

2018 at the latest. The idea is to still

groups, providing a catalyst that can

This is where services, offices, large and

maintain the location as a supplier of

bring people together. This structure is

small businesses as well as institutions

energy. Solar power can make large parts

again enforced by special uses such as

of a residential district self-sufficient.

playgrounds, meadows, ponds etc.

Additional electricity from wind energy

The key features of a mine from today‘s

can suffice to supply several 100

point of view, the supply of energy and

residential units. In order to also explore

the promotion of community form the

potential in the decommissioned seams,

guiding principle of the design.

in cooperation with e.g. The Fraunhofer

The design plot is divided into three

Institute UMSICHT, which is already

large construction sites. The first field

based in Oberhausen, is developing an

extends

energy and research center in Sterkrade.

existing on the property by compacted,

use, this site will provide research

In addition to the aspect of self-

highly

units,

facilities with combined heat and power

sufficient and sustainable energy supply

which are oriented in broken-up block

plants for the production of energy,

in the sense of the project Climate

structures to the plot center. On this

classrooms for schools, youth hostels,

Metropolis Ruhr 2022, the mentality of

site are mainly residential buildings, in

food stalls, as well as art and culture in

the community in the former coal mines

the square are also small businesses,

the form of a museum in the old shaft

is an important topic for us. For example,

restaurants and a kindergarten. The

photographs of the Ruhr area in the

development adapts to the height of the

1950s show a picture of society of which

existing single or multi-family houses

only very little is left today: working in

and surmounts them only occasionally

the community garden, playing games

to the space situation or the foot and

with other children in the yard, relaxing

bike path, which connects all fields with

in the meadow, playing games such

each other.

the

development

segmented

residential

of art and culture should settle, as they are sometimes found in the directly adjacent, existing uses.

The third construction site is based on

already

the already no longer existing supply buildings of the Sterkrade coal mine. With the strongest relation to the former

tower and rentable premises. The interior defined by the construction fields

and

their

connection

serves

the voluntary agricultural use by the inhabitants or gardeners and forms the social center of the design. This area does not close in front of the neighbors,

as soapbox races or playing soccer.

but opens purposefully and offers

Instead of offering the Sterkradern

At the WeierstraĂ&#x;e after demolition of the

only another park, similar to that of the

supermarket, the gym and other small-

access to participation: at the Christoph-

Volkspark, the area is to be traversed by

scale development another, more urban

Schlingensief-Schule, at the Volkspark,

gardens that can be managed in part

construction field. This is characterized

at the sports fields of the stockpile and

on a voluntary basis by the residents

by a coarser block development, which

through the HOAG Fahrradweg.

Tiefgarage

- 72 -


IV

V II

VII IV

VI

VI

B VI

II

I III V

IV

VI

V

P

VI

V

IV

III V I

VII

VI

A III

IV

VII IV

I VII

VI

III

III

V

V

III

V

II

IV

III VI

VII

V

III

III

III

III

VI V

III

III

III

III

III III

III

IV IV IV

IV

III

III IV

III

III III

III

III

V IV

III

IV

IV

III

III

IV

III III

III IV IV

V

III IV

V III

IV III

IV

B

III III

III VI

Tiefgarage

- 73 -

III

III III

III


Pictograms

Ste

Ste

rk

o r ro w

today

tom

de

En

a

de

ra Surrounding land has an extremely high proportion of private open space (see also Density analysis), which leads to the isolation of the Sterkrader

rkr

For the benefit of collective open spaces, private gardens in the new district are minimized. Through this community should be promoted and encouraged to a social exchange.

1

800

Hypothesis For the use o an agricultural system is self-sufficient life on the s needs 30m² of fruit trees, 1m² of pork. On a total of bred simultaneously. For of approx. 800 people th of ​​approx.

e rg

iekonze

pt

consumer Photovoltaic 3,000 - 12,000 kWh / a per 100m², use of rainwater Use of district heating of the evo district heating network

Analys

Wind energy + recreation Darrieus turbine 3,000 - 5,000 kWh / a Meadows, small parks, boul fields, water retention basins

gard Fruit, vegetab

e +

GRZ 0,2

GRZ 0,26 GRZ 0,36

GRZ 0,22

Reaktio

GRZ 0,27

n

Analysis - base area number GRZ 0.2 - 0.35 Response: Less private space in favor of collective open spaces

Public green spaces Volkspark, Kastanienhain Reaction: gardens and agricultural fields

- 74 -

Cultural and education schools and sports club to gardens and field


S

r ecolog y

ca 40.000 m² 60 %

vac a

64.8

00

nt

a d e r re l i c s

r ade

rader

1

50

rkr

er k

30

te

St

Sterk

7

81

ar

ea

s

f collective open spaces, s proposed that allows a site. Every year, a person , 50m² of vegetables and f 81m ² 7 chickens can be r a district neighborhood his results in a total area 65.000m².

dens bles, chicken

nal institutions Nearby bs Reaction: Gain access ds in the new district

Potential cultivated areas in the interior of the district cover this demand by approx. 60%. This would allow 100% self-sufficiency on the entire design property.

By exposing the Alsbaches the fields can be supplied with water. The chestnut grove in the south, as well as the trees north are preserved. In addition, greenhouses are provided to produce exotic foods as well. The circular path connecting the construction fields cuts every garden field at least once.

Alsbach Aquaponics, algae for water treatment Irrigation of the gardens

Biogas Fermenter + CHP Fermentation of biomass, compost Electricity generation from biogas or possibly methane gas from decommissioned seams

Retail and business use Mainly on the western part of the property Reaction: Transfer of use to the quarter

- 75 -

Superordinate routing Roads and HOAG cycle path Reaction: Continuation of the roads, laying of the HOAG bike path


Perspective

- 76 -


Isometry, residential typology

- 77 -


Perspective

- 78 -


- 79 -


2017

School on Top

Educational Campus Anhalter Bahnhof

- 80 -


- 81 -


The property is bordered north-west of the Schöneberg road, east of an axis consisting of Tempodrom, sports field Ruine Anhalter Bahnhof

Grundschule Fanny Hensel

and the ruins of the old Anhalter station. South of the area to be planned is the Elise Tilse Park.

Sportplatz

ße

tra gS er

On the property itself, the Fanny Hensel

b

ne

Sc

Bunker am Anhalter Bahnhof

elementary school is already located, their breakyard takes by its structural

Tempodrom

Elise-Tilse-Park

mass but also atmospherically the hitchhiker bunker.

N

A relic from the time of the Third Reich. Through him and the ruin is a historical-urban planning Aursichtung read, which subordinates the Tempodrom also. Schöneberg street and Fanny Hensel

Ruine Anhalter Bahnhof

Grundschule Fanny Hensel

Primary School are opposed to this direction. The plot itself is determined by these parameters.

Sportplatz

ße

ra St rg

e eb

The given structures result in a> formal

n

Sc

Bunker am Anhalter Bahnhof

logic <resulting from the place and its history. In order to provide adequate

Tempodrom

Elise-Tilse-Park

education for the existing school and also to limit it through an architecture, I

N

follow this formalism. The imaginary body springs from the gymnasium of the FHG and follows the urban orientation of the place. He encloses the bunker without touching it.

Ruine Anhalter Bahnhof

Grundschule Fanny Hensel

It forms a Dynamic Body to the part of which is the elementary school. The school complex can still be accessed via

II

ße

The dynamics of the place should also

K

h

I

Sc

Schöneberg Strasse.

SE

e ön

Sportplatz

SEK

ra St rg be

Bunker am Anhalter Bahnhof

play a programmatic role. For example, students progress through primary,

Elise-Tilse-Park

Tempodrom

lower secondary and upper secondary education while remaining in contact N

with each other throughout the year and across all disciplines. - 82 -

Site, Berlin


lnse e -He ul ny sch Fan rund G

ha An lte ker un

rB Ruin e

Spo

rtpla tz An

halt

sca

ng

du

Bil

er

alt

nh

sA

u mp

fho hn BCA Ba

Tem p

odro

- 83 -

m

er B

ahn

hof

des

Anh

alte

r Ba

hnh

ofs


Perspektiven

- 84 -


The rapid change that affects our daily

EG

technological and media innovations

de Kü den : Bil Theme nraum

Eingan Schwa g / Foy SEK rzes Bre er II tt

nste

lives in almost every respect through Deta

ilzei chnu

ng 1:50

and further developments, makes it Klasse Malere nraum ca. 10 i-Werk stä -20 Schüle tte r

impossible to take the attention of the

Klasse Malere nraum ca. 10 i-Werk stä -20 Schüle tte r Klasse Holz-W nraum ca. 10 erkstä tte -20 Schüle r

basic education institutions.

Klasse Ton-W nraum ca. 10 erkstä -20 tte Schüle r Klasse Ton-W nraum ca. 10 erkstä -20 tte Schüle r Lerner Bespr zimme Kolleg echun r ium genen, Bilden Vor de Kü bereitu nste ng

Educational and architectural action is

yer / Fo ett s Br K I SE

g an ze Eing hwar Sc

t AA nit

Sch

needed. In addition to the theoretical

Freize

alle ) orth ar Sp tzb ch h nu 2-Fa ntlic fe h öf

it- un

d Pau

senrau

m

(auc

approach and the new understanding

Perspektive Atrium

ing ok ze t Co Plät ) Fron 140 tzbar nu lich fent h öf

mit

fe

Ca

(what is school?), But the architecture

(auc

1.OG Offene 60 Arb r Arb eitspläeits- un tze d Lernra

um

is responsible for the improvements in

teria

most matters. The

arrangement

of

the

building

Deta

ilzei

chnu

ng 1:50

Offene Rückf r Sem ragen- inarra ca. 5-1 Gesprächum 0 Sch e üler

parts follows the dynamic and the

Input-

Input-

programmatic logic.

Input-

Input-

Input-

The main entrance for the publicly

und

und

und

und

Offene Rückf r Sem ragen- inarra ca. 5-1 Gesprächum 0 Sch e üler und

KickO

ff-Vera Klasse nst nra ca. 5-1 altung um 0 Sch en üler

KickO

ff-Vera Klasse nst nra ca. 5-1 altung um 0 Sch en üler

Offene Rückf r Sem ca. 5-1 ragen- inarraum 0 Sch Gespräch üler e

KickO

ff-Vera Klasse nst nra ca. 5-1 altung um 0 Sch en üler

Offene Rückf r Sem ca. 5-1 ragen- inarraum 0 Sch Gespräch üler e

KickO

ff-Vera Klasse nst nra ca. 5-1 altung um 0 Sch en üler

Klasse Input- nraum ca. 5-1 und Kic 0 Sch kOff-V üler eranst

KickO

altu

ff-Vera Klasse nst nra ca. 5-1 altung um 0 Sch en üler

Klasse Input- nraum ca. 5-1 und Kic 0 Sch kOff-V üler eranst

ngen

altu

Klasse Input- nraum ca. 5-1 und Kic 0 Sch kOff-V üler eranst

ngen

altu

Klasse Input- nraum ca. 5-1 und Kic 0 Sch kOff-V üler eranst

ngen

altu

available

offers

(seminar

Klasse Input- nraum ca. 5-1 und Kic 0 Sch kOff-V üler eranst

rooms,

ngen

altu

Klasse Input- nraum ca. 5-1 und Kic 0 Sch kOff-V üler eranst

ngen

altu

Lerner Bespr zimme SEK echun r II Kol gen legium en, Vor bereitu

r Foye I g / SEK an

Eing

auditorium / multi-function room, sports

ng,

ngen

Kop

ierrau

m

t AA nit

Sch

hall, library and media library) is reached

Bibliot Leihen hek un 120 PLätze d Lernen (auch öffe

alle ) orth ar Sp tzb ch h nu 2-Fa ntlic fe h öf

ntlich

(auc

nutzb

ar)

Perspektive Atrium

from the east, between Tempodrom and the sports field on the grounds of the

2.OG

old Anhalter station. For pupils and staff, the educational

Deta

ilzei

campus is to be reached from the

chnu

ng 1:50

nd

lle

rste

es

iel

Sp

: Da

raum

direction

of

the

intersection

en nu Themeater ze lich Th 0 Plät fent 10 h öf (auc

of

ar)

tzb

es nd lle rste aum : Da ober raum / Pr r le

en um hü Themeaterra 0 Sc Th 15-3 ca.

Stresemannstraße

and

Anhalter

iel

Sp

es nd lle rste aum : Da ober raum / Pr en um ler hü Themeaterra 0 Sc Th 15-3 ca.

iel

Sp

es nd lle rste aum er

iel

Sp

: Da

ob raum / Pr en um ler hü Themeaterra 0 Sc Th 15-3 ca.

en ng ltu sta eran m Off-V en au Kick ng ltu senr d ler sta Klas t- un Schü eran Inpu 5-10 m Off-V en ca. au Kick ng ltu senr und ler sta as hü Kl t- Sc eran Inpu 5-10 m Off-V en ca. au Kick ng ltu senr d ler sta Klas t- un Schü eran Inpu 5-10 m . Off-V en ca au Kick ng ltu senr d ler sta Klas t- un Schü eran pu 10 In 5m Off-V en ca. au Kick ng ltu senr und ler sta as hü tKl Sc eran Inpu 5-10 m Off-V ca. au Kick r nr d le se Klas t- un Schü Inpu 5-10 ca.

nst Ku al he ertsa ze usisc nz ät ) : M Ko 70 Pl tzbar nu raum en lich fent Them h öf (auc

Straße; Here is the tartan track lead

nst Ku he eraum r usisc ob hüle : M / Pr 0 Sc raum um -3 en ertra ca. 15 nz Them Ko

as a groundbreaking element on the

nst Ku he eraum r usisc ob hüle : M / Pr 0 Sc raum um -3 en ertra ca. 15 nz Them Ko nst Ku he eraum r usisc ob hüle : M / Pr 0 Sc raum um -3 en ertra ca. 15 m nz au Them Ko t AA nit senr ngen r Sch Klas staltu hüle Sc eran 10 m f-V . 5au senr ngen r ckOf ca d Ki Klas staltu hüle Sc t- un eran 10 m Inpu f-V . 5au senr ngen r ckOf ca d Ki Klas staltu hüle un Sc teran 10 m Inpu f-V . 5au senr ngen r ckOf ca d Ki Klas staltu hüle Sc t- un eran 10 m Inpu f-V . 5au senr ngen r ckOf ca d Ki Klas staltu hüle Sc t- un eran 10 m Inpu f-V . 5au ckOf ca senr ngen r d Ki Klas staltu hüle Sc t- un eran 10 m Inpu f-V . 5au senr ngen r ckOf ca d Ki Klas staltu hüle Sc t- un eran 5-10 Inpu Off-V ca. ck d Ki t- un Inpu

property. Also, a path from the Elise Tilse Park to

Media Recher thek 70 Plä che un d Ler (auch tze nen öffent lich nutzb ar)

Perspektive Atrium

lead to the campus, in order to address an audience beyond the southern Spree. - 85 -


2018

Cultural Stage

East-Berlin

- 86 -


- 87 -


As a business location, the city of Berlin

has suffered greatly from the closure

is demanded an international cross-

of its operations. Today, the industrial

cultural image. Many companies and

fallow give evidence of the former

therefore also people are looking for a

charm of the district. In addition to the

new home for fear of economic setbacks

economic decline, the separation from

caused by Brexit. In Germany, Berlin has

Schöneweide station by the expansion

to assert itself against other major cities

of Schnellerstraße to a six-lane road.

Site, Treptow-Köpenick, Schö

such as Frankfurt, Munich and Hamburg in order to continue to be an attractive

After German reunification on 3 October

business partner for the companies.

1990, many residents and employees

Rather, however, the influence of the

in Niederschöneweide had to cope

BBI (Berlin-Brandenburg-International-

with significant changes. Due to the

Airport) on Berlin and Treptow-Köpenick

changed market situation for the former

will grow in the near future. With the

enterprises of the GDR there were

international airport Treptow-Köpenick

mass dismissals, company closures and

becomes the place of the first contact

privatizations of the enterprises. Since

with Berlin for the arriving masses

1994 Niederschöneweide belongs to

from all over the world. It lies on this

the 22 redevelopment areas of Berlin.

district, how far the airport grows to the

Niederschöneweide has a hard time

economic center of Berlin. Belin is about

bearing on its industrial heritage of

to grow into a 4 million metropolis. The

a century and a half. Since 1994, the

influx from the outside and also by the

expansion of the waterfront promenade

increase of the inhabitants contribute to

has

it. Both groups must be offered housing

architecture has been restored and

in

added to new uses.

the

future.

Treptow-Köpenick

is

begun.

Historic

industrial

located in the center of the south-east of Berlin. The urban space is characterized

The

by its history of contrasts and transitions:

Schöneweide for Berlin lies in its

urban

settlement

location. Located in the southeastern

core and transition zone, vibrant city

region and through the axis between

and industrial wasteland, urban and

the

landscape space form a diverse mosaic.

Brandenburg International and the city

These patterns are also visible when

center. The location at the center of the

looking at the three districts Old Town

axis requires the joint development of

Köpenick, Adlershof and Schöneweide.

the Upper and Niederschöneweide.

They form the most important urban

While Oberschöneweide already has

core areas of the Treptow-Köpenick

a few cultural offerings in addition to

district. The districts are already strong

research and innovation points of view,

in the black plan depending on their

Niederschöneweide

formative functions. Thus, the old town

a link between the town center and

of Köpenick is a distinctive residential

the area north of the Spree. Here, in

district, Adlershof forms the innovation

a figurative sense, bridges are to be

and research center, in cooperation

built. For example, former industrial

with the selective settlement of parts

sites in Niederschöneweide are to be

of the College of Engineering and

redesigned to supplement the city

Business (FHTW) in Oberschöneweide,

with new apartments, workplaces and

which together with the Economic and

cultural

Scientific City (WISTA) and the Humboldt

program lets the districts grow together

University in Adlershof sets important

again. Niederschöneweide thus serves

Handlungsbedarf

impulses

location

as a catalyst for the development of a

Nicht veränderbar

image. Schöneweide, on the other

vital habitat. The synergy effects from

Kultur und Bildung

hand, is slightly out of the way, which

the most important town centers have

Neuplanung

does not mean that no character is to be

predestined potential to become an

found. In the last years is. Schoneweide

extension of the city center. To thereby

is here a bit outside. The industrial town

approximate the city to the airport.

and

and

peripheral,

shapes

the

potential

future

and

significance

major

offerings.

airport

should

The

- 88 -

of

Berlin-

become

architectural

Grünraum


รถneweide

- 89 -


Site, Bärenquell-Areal

Potenzialraum invertiert, Grünflächen verbinden Spree und Quartier

Nicht Erhaltenswert

Erhaltenswerte Quallität

Grünraum

Atmosphärische / Programmatische Räume, generiert durch das gezielte Setzen von Volumen Mögliche Durchwegung und Erreichbarkeit der einzelnen Räume, Sichtbezüge Zwischen und durch die Gebäude

- 90 -


- 91 -


Theater-Organisationsgeb채ude Lastenaufzug

Potenz.Raum Bar

Theke

Bar Billeterie

Wohnen

Terrasse Biergarten Seminarraum

Bibliothek K체che

Gastraum

B채renquell-Museum Restaurant

Co-Working Space

Speicher

B채renquell-Museum Office

Showroom Glas

Showroom Holz

Empfang

Glasmanufaktur

Holzwerkstatt

- 92 -


Section AA

Floor plans ground floor + 1st floor G

.-3.O

en 1

n Woh

ke The

G

en E

n Woh

rten

rga

Bie

ke The

Bar

nt

ura

ta Res

m trau

Gas

e

ass Terr

- 93 -


The buildings of the brewery frame interspaces / squares with different atmospheres. Thus, visual and spatial relationships between the individual cubes and across the area are generated. The theater is integrated with the same logic in the terrain. His Anfang der zwanziger Jahre hatte Erwin Piscator durch seine Inszenierungen für die

program also goes hand in hand with the atmospheric features of Volksbühne die Zuschauer zu aktiven Teilnehmern seiner Aufführungen erzogen. Bei der Inszenierung von Schillers ‚Räubern‘ im Großen Schauspielhaus erreichte er dann die

the rest of the terrain. So this theater is not dependent on a fixed Umwandlung der Menge der individuellen Zuschauer zu einer geschlossenen sozialen

Gemeinschaft. Es folgten am Theater am Nollendorf-Platz die berühmten Inszenierungen von

schedule or ensemble, unlike institutional theaters. It allows for Ernst Tellers ‚Hoppla - wir leben‘ und ‚Rasputin‘. Piscator arbeitete hier mit einer

various uses without losing or deceiving the characteristics of a durchkomponierten Bühne, auf der simultan nacheinander und nebeneinander gespielt

theater.

wurde. An die Stelle der Guckkastenbühne war die Raumbühne getreten. Berliner Geldgeber wollten ihm Mittel für den Umbau eines Berliner Theaterbaues zu einem Theater nach seinen

Erwin Piscator has tried to blur the roles of spectators and actors Ideen zur Verfügung stellen. Piscator, der sämtliche Berliner Theater kannte, lehnte den

Vorschlag ab. Die Geldgeber forderten ihn nun auf, ein Theater gemäß seinen Vorstellungen

and make them both ‚participants‘. Walter Gropius, who was projektieren zu lassen. Piscator stimmte zu und nahm Walter Gropius als Architekten in

Otto Brückwald & Richard Wagner Festspielhaus Beyreuth 1872-1875

Aussicht, dem er ein sorgfältig ausgearbeitetes Programm für ein Theater ohne Parkett,

commissioned by Piscator with the planning of a space theater,

Entwicklung des Verhältnis‘ von Akteur und Zuschauer | Inszenierung und realer Welt | Traum und Wirklichkeit

Ränge, Logen, Galerie vorlegte. Bei der Annahme des Auftrages sagte Walter Gropius: „Ein

commented on the total theater, [...] that the project of a large solches Raumtheater hat mich und meine Freunde am Bauhaus schon lange beschäftigt.“

space machine had been developed, with which the director of Die fertigen Entwürfe übergab Gropius an Piscator mit dem Bemerken, es sei das Projekt einer

the game could accomplish his personal creative achievements großen Raummaschine entstanden, mit der der Leiter des Spiels gemäß seiner

schöpferischen Kraft ganz persönliche Regieleistungen vollbringen könne. Gropius

according to his creative power [. ..] ‚.

unterzeichnete das Projekt als Direktor des Bauhauses. Er würdigte es so als Summe der Leistungen von Mitarbeitern des Bauhauses. Ideen von Andi Weininger, Heinz Löw, Xanti

Simultaneity and chronology are terms that suggest how the Schawinski und einigen anderen waren eingeflossen. Ihre Einfälle fanden auch Anwendung

theatrical play can change. This increased use brings a unique beim späteren Aufbau der Figuralguckkastenbühne für die Werke Oskar Schlemmers.

quality to the place and also in the use of the theater. Directors In der plastischen Werkstatt Joost Schmidts schufen zwei junge Schüler, die gelernten

Maschinenschlosser Heinz Löw und Franz Ehrlich, das Modell eines totalen Theaters, das über

can expand the game via various room functions and, for eine zentrale Welle den gesamten Bühnenmechanismus als ‚Raummaschine‘ funktionieren

example, incorporate the backdrop change into the play. Or by ließ. Anschließend entstanden in der Werkstatt in Originalgröße ein mechanisches Schaufenster und als Modell ein drehbares Haus mit ausfahrbaren Geschossen.

changing the configuration of the bleachers to catch the viewer in a different way. Franz Ehrlich Bauhaus und Totaltheater

Walter Gropius & Erwin Piscator Totaltheater

Second, the theater is not forced to use as a theater. Even exhibitions, markets, concerts, auctions, competitions and much more can now be given space. This versatile use has given the place its special quality.

...Über das Logentheater [...] Das einfache Publikum stand im Parkett vor der Bühne und nur für Personen von Rang und Namen stand das Logenhaus mit seinen senkrecht übereinander stehenden Logenrängen zur Verfügung. Diese in Italien entwickelte Theaterarchitektur fand im 18. Jahrhundert seine Nachahmer in ganz Europa. Die feudale Gesellschaft fand somit im Logentheater seine adäquate räumliche Widerspiegelung. Als erste kleine bauliche Revolution wurden in neueren Häusern ab dem 19. Jahrhundert die geschlossenen Logen von offenen Balkonen ersetzt. Die Theaterbauten von Schinkel und Semper gingen noch weiter, in dem sie das strenge Logenprinzip zugunsten einer klassizistischen Offenheit zurück drängten.

Institutionelle Theater Bsp. Guckkasten Prozessuales Spiel Bsp. ‚BlackBox‘

Überall dort, wo die Zuschauer einen oder mehrere Darsteller in einer spielerischen Situation betrachten, kann von Theater gesprochen werden. Zu dieser Grundsituation gehört auch das Rollenverständnis der Zuschauer und der Darsteller. Das Publikum muss ein Bewusstsein über seine Rolle als Zuschauer besitzen. Und die Darsteller müssen sich selbst als Spieler definieren.

Informelles Schauspiel

- 94 -


Pictograms, programmatic, theater

Ausstellung besonders großer Exponate Bsp. Jeff Koons

Spezifische Events (Innen und Aussen) Bsp. Oldtimer Show

Pictograms, programmatic, theater

Bühnenaufführungen Bsp. Riverdance

Exotische Sportveranstaltungen Bsp. Sumo Ringen

- 95 -


“Möglichkeitsraum: Als Raum im Raum

weil auch das Nichtandere natürlich

Möglichkeitsraumes gibt (das illusionäre

ist Theater nur Theater wenn Mögliches

möglich ist – dass lässt denken. Und

Spiel), und das zugleich sich doch diesem

wirklich,

dieses

jederzeit

Jenseits (auch in der illusionärsten

wird. Die Unterbrechung des sozialen

hinüber, mal zum Bloßdenken, mal zum

Guckkastenbühne) bewusst zuwendet.

Raumkontinuums durch die Differenz

Fastnichtdenken im Erfahrungsraum.

Wirkliches

zwischen

Vorstellern

anders

und

möglich

Denken

schwankt

Zusehern

Und sei es nur, um gesehen, gehört und verstanden zu werden.

eröffnet diesen Möglichkeitsraum, der

Erfahrungsraum: Ist Theater sofern ohne

durch seine Öffnung das Mögliche zeigt.

jedes Sinnliche Theater nicht sein kann.

Traditionell kann der Möglichkeitsraum

Dadurch aber, dass dieses Sinnliche

etwa der Fiktionsraum sein, der Raum,

sich im Möglichkeitsraum befindet, ist

vielleicht in noch mehreren) spielt sich

der zwar da aber anders als da, weil eben

dasSinnliche nicht einfach nur sinnlich

Theater wohl ab. Weiteres ist dem

anders möglich, ist. Die Bühne, die nicht

und da. Sondern es ist als vorhandenes

nachzudenken. Auch wenn es vielleicht

die Bühne, sondern der Hof Dänemarks

Sinnliches, ein verwirklichtes Mögliches,

nicht ganz neu erscheint.

sein kann. Zugleich aber kann diese

das auch anders hätte sein können. Und

Bühne

Dänemark

dieses intensive „so ist es“ schwankt ins

Jedenfalls

sein. Zeigt aber als Bühne wieder ein

„hätte anders sein können“ und wieder

theoretischer

Mögliches, das jederzeit anders sein

zurück.

Bühne

und

nicht

kann

nur

in

sträflicher

Vernachlässigung

von

einer dieser Dimensionen abgesehen

könnte, und das so ist, wie es ist, weil auf der Bühne anderes möglich war und ist.

In diesen vier Raumdimensionen (und

Spielraum: Anders als die Medien ist der Möglichkeitsraum auch Spielraum, in

werden. Der theôros hat die vier Räume zu beschauen.”

Denkraum: Indem der Möglichkeitsraum

dem nicht nur abgeschlossen von dem

Mögliches möglich zeigt, gibt er zum

Zuseherraum gespielt wird, sondern

Ulf Schmidt, Die vier Räume des

Denken Anlass. Sei es nur, dass es so

eben bewusst mit dem Zuseherraum.

Theaters: Möglichkeitsraum, Denkraum,

sein könnte. Dass es so ist, das es anders

Ein doppeltes Spiel also, das spielt, es

Erfahrungsraum, Spielraum.

ist oder noch nicht einmal anders ist,

wüsste nicht, dass es ein Jenseits des

Ein Gedankenspiel.

- 96 -


Floor plan configuration

Theater-Organisationsgeb Lastenaufzug

Potenz.Raum

Floor plan configuration

Theater-Organisationsgeb Lastenaufzug

Potenz.Raum

- 97 -


- 98 -


- 99 -


- 100 -


- 101 -


2017

Dynamic Surfaces

Grasshopper Seminar

- 102 -


unkt

Deformationspunkt

Mittelpunkt

StĂźlpungspunkt

- 103 -


Diagram, Dynamic Surfaces

Weitungspunkt

Deformationspunkt

Mittelpunkt

StĂźlpungspunkt

- 104 -


- 105 -


2013 - 2018

Teaching at the IEX

Zeichnen Eins Entwerfen Eins

- 106 -


- 107 -


Entwerfen Eins

In the first year of study, five multiweek supervised exercises are worked on.

Under

Composition,

the

headings

Genius

Manifest,

Loci,

Room

Sequence and Light Spaces, these focus on sub-aspects of design. These are finally brought together in a small building design. In this way, students are introduced to the complex field of design from various angles. Through the editing and presentation of the exercises, the first drawing and model building techniques will be learned.

- 108 -


Zeichnen Eins

As a tutor, I have developed a great interest in teaching. In basic science, it is important for me to teach students communication through architectural means. Reading and recapturing architectural drawings is very important to me. So I have repeatedly sought the conversation with other tutors and also the academic staff to find ways to optimize the courses in favor of teaching. One of my tasks in my previous activity as a tutor at the IEX was the preparation and execution of tutorials in the subject of drawing one as well as the execution of tutorials in design one. Since joining IEX as a tutor, I have been intensively involved in the preparation of the Drawing One tutorials. Creating the student work materials needed for the tutorial was part of it. „Drawing

One“

forms

the

basic

qualification in the module Presentation and

Design

of

the

first

academic

year of architect education at the TU Braunschweig. In the form of weekly lectures and exercises, the students are familiar with the basic skills of freehand drawing, sketching and the performing geometry in addition to the theoretical and historical foundations of drawing in architecture. Techniques of building and architectural analysis are practiced, by means of which a building can be broken

down

into

its

architectural

elements (grid, axes, walls, columns, openings, spatial

cubature, relationships,

development, hierarchies,

etc.) and analytic using the practiced techniques of drawing and presentation , interpretive drawings can be generated. By repeating and producing analogously in different ways of representation and standards, the students train their twoand three-dimensional imagination. - 109 -


M.Sc. (Arch.) Janek Franz Ferdinand Meyer WilhelmstraĂ&#x;e 48 38100 Braunschweig Janek.Meyer@TU-Braunschweig.de 0176 80 555 8 47

- 110 -


Thank you.

- 111 -



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